Lyra’s Oxford (#3.5) by Philip Pullman

Published: 28th October 2003Goodreads badge
Publisher: 
Knopf Books
Pages: 64
Format: Hardback
Genre: Fantasy
★   ★   ★   ★   ★  – 5 Stars

Lyra’s Oxford begins with Lyra and Pantalaimon spotting a witch’s daemon. Lyra shelters the daemon from the pursuit of a frenzied pack of birds, and then attempts to help by guiding the daemon to the home of an alchemist living in a part of Oxford known as Jericho. The journey through Oxford reveals more dangers than Lyra had anticipated.

This is a great little story and reads just as if it had been plucked from the trilogy itself, Pullman falls back into Lyra’s world wonderfully and from the beginning it’s easy to lose yourself in the world and the characters that are so familiar.

In true Pullman style he holds nothing back and keeps the story as honest and realistic as need be. While it may be a quick story, it is one that is filled with important detail, information, and insight. Lyra is two years older and settling into her life back at Oxford, but Pullman demonstrates that Lyra is still Lyra, while more mature and grown up, wiser and respectful, she is just as curious and just as willing to help.

It’s hard to imagine anything substantial could happen in such a brief snippet of Lyra’s life and yet in a small number of pages, Pullman adds another layer of complexity and mystery to Lyra’s world and her place within it, raising many more questions than answers, making it much more than a short story.

There is a feeling as you read that it’s acting as an introduction into something bigger, whether this will be seen in The Book of Dust is uncertain, but even if it isn’t, the things implied is enough to surprise and mull over, pique interests, and realise that Lyra’s importance and the layers of meaning in the world did not end at the conclusion of The Amber Spyglass.

Pullman manages to provide intrigue and mystery, as well as depth, understanding, and information from the first page to the last. It is a joy to have further closure and new details, no matter how small, and it once again a delight to lose yourself in the world of daemons and Oxford, even if it’s only for 64 pages.

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The Amber Spyglass (#3) by Philip Pullman

Published:  14th September 2001Goodreads badge
Publisher: 
Scholastic Point
Pages: 548
Format: Paperback
Genre: Fantasy
★   ★   ★   ★   ★  – 5 Stars

70949Will is the bearer of the knife. Now, accompanied by angels, his task is to deliver that powerful, dangerous weapon to Lord Asriel – by the command of his dying father.

But how can he go looking for Lord Asriel when Lyra is gone? Only with her help can he fathom the myriad plots and intrigues that beset him.

The two great powers of the many worlds are lining up for war, and Will must find Lyra, for together they are on their way to battle, an inevitable journey that will even take them to the world of the dead…

The Amber Spyglass marks the final and gripping conclusion to the His Dark Materials trilogy. After an intense build up through the previous two books it all comes together in this magnificent story that brings everything together in perfect synchronisation, coupled with powerful emotions and an unforgettable series of events.

Structurally, Pullman is a master at weaving together everyone’s stories, one after the other and changing focus at just the right time. Even at the beginning when a unique point of view is provided, Pullman breaks this up incredibly well, giving it power in the words, as well as great narrative placement for the accompanying chapter.

There is so much you could say about this novel, from full and complicated characters to the incredible and complex plot and the magnificent way every tiny detail fits in and is not forgotten. The most admiral is of course the way everything connects and plays a role and the way Pullman can have so much emotion and meaning in the simplest of sentences. A single line can have so much power, and can break your heart in a moment, even if it isn’t all that sad.

From about halfway through the book, there is barely a page that goes by that doesn’t make you want to (or actually) tear up in fear and admiration, heartbreak or pride (may just be me though). These characters, who you have been following and falling in love with through each of these books, become so much a part of you that you wish they were real and you wish them happiness and safety, anything otherwise is unbearable.

It is amazing how Pullman manages to make you feel as if you are in these worlds besides the characters, of all the similar things some worlds have, there are grand and many differences, and yet you feel empathy and reflect on what you would do in the same situation, you feel the pain and the horror, the love and affection as if it were your own life. It messes you up but it is a wonderful feeling to have.

There is a sad beauty to The Amber Spyglass as well, in just a short period of time you can see how Lyra’s grown up, and you see her change as you read. The way she interacts with Roger in the final book compared with how she is in the first is bittersweet and is a wonderful example of how she’s changing. Pullman is wonderful at sprinkling in moments and sentences throughout all three that show these changes, always in the right places and always woven marvellously into the narrative.

Aside from the grand ideas, one things Pullman shines at is capturing voices. From Dr Mary Malone to Mrs Coulter, Lyra and Will, each unique voice captures the experience, inexperience, seduction, firmness, and strength that the person has or needs. There is life in the voices Pullman writes with that brings the characters out of the page and makes you believe they could be alive. Even the minor characters with the fewest of lines are alive with the voices Pullman gives them.

The wonderful thing about Pullman’s writing is that there is not one final moment of exhilaration and excitement that concludes this epic trilogy; instead it is ongoing and constant. At the start of the book there is quiet drama and suspense growing and building, each moment adding on the last until it breaks into a final dash to the end, not necessarily always fast paced but still spectacularly gripping. From midway through you can find the exact moment when things become even more intense. From then on there are rises and falls of tension and suspense, joy, sadness, and adventure. The final battle, predicted long ago in Northern Lights has finally arrived and Pullman makes you feel right in the middle, heart bursting with pride, uncertainty, and excitement as favourites fights for themselves, for Lyra, and for the side of good. It is an absolute thrill to read.

After such an impressive story and build up, the conclusion always had a chance to be a letdown. Yet Pullman offers an ending that you aren’t expecting but it is an ending that is the right and best ending there could be. The eloquence and style in how the story concludes, bringing forth references all the way from Northern Lights through each book, is divine. Everything is wrapped up with loose ends tied but everything is not perfect, which is the best way to do it, after a story like this there needs to be scars.

This is a story that makes you want to cry because of happiness and cry because of heartache. This is such a big bold story that is littered with importance and fantasy and magic and truth that there is no other way to tell it than with big emotions. From page one begins a story that will touch you and move you and in all honesty it is going to get worse and more emotional before you reach the halfway mark and then rip your heart out and step on it a few times by the end. But it will do so with utter perfection and mastery, I promise.

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The Subtle Knife (#2) by Philip Pullman

Published:  16th October 1998Goodreads badge
Publisher: 
Scholastic Point
Pages: 341
Format: Paperback
Genre: Fantasy
★   ★   ★   ★   ★  – 5 Stars

70948Will is twelve years old and he’s just killed a man. Now he’s on his own, on the run, determined to discover the truth about his father disappearance.

Then Will steps through a window in the air into another world, and finds himself with a companion – a strange, savage little girl called Lyra. Like Will, she has a mission which she intends to carry out at all costs.

But the world of Cittàgazze is a strange and unsettling place. Deadly, soul-eating Spectres stalk in its streets, while high above, the wingbeats of distant angels sound against the sky. And in the mysterious Torre degli Angeli lurks Cittàgazze’s most important secret – an object which people from many worlds would kill to posses.

This is the second book in the His Dark Materials trilogy and Pullman begins it by changing not only points of view, but also changing worlds. The Subtle Knife begins in what is presumed to be our own world, with Will Parry the new focus. From early on Will grabs your attention and sympathy, he is a young boy trying to look after his mental ill mother, and doing everything he can to keep from drawing attention to himself for fear of being taken away and his mother institutionalised.

Will is a fierce and strong kid, he is tough as he needs to be and insistent, and has years of wisdom and cunning for his young age. Will has his own troubles and like Lyra, Pullman introduces us to him in the middle of a moment and lets us catch up. Unlike Lyra though, we are given a bit more explanation about Will’s life soon after, which builds a lot of character for Will in a short space of time. When Will meets Lyra the pair joins forces and evidently brings out the best in each other, using both their skills and cunning to help one another with what they need to do.

The Subtle Knife moves between three universes, Lyra’s, our own, and a third different again. The different worlds Pullman creates are always curious and remarkable, and this time is no different. With multiple worlds to describe Pullman gives each one depth and detail, and provides description within the narrative, keeping the flow of the story strong while making it vivid and complex at the same time. With three worlds there are a range of stories to follow, but Pullman links them all together seamlessly, and each one progresses the novel on, even when the events are not technically connected.

One thing I always notice upon reading The Subtle Knife is how much it makes me miss the world in Northern Lights. Don’t get me wrong, reading about Will, the knife, the entire adventure of finding new worlds is enjoyable and exciting, but there are moments, especially in the beginning, where I long to be back on the snow-covered landscape of the North. This feeling does pass as you become invested in Will’s story, and watch as Lyra almost takes a backseat to Will’s journey. I think having Lyra out of her element and in a world she doesn’t understand makes her seem smaller and less assured. She initially goes back to being a bit lost and a follower, instead of the brave girl who marched North to rescue her friends. But she gains confidence again and the old Lyra is clearly still there.

Pullman intricately and skillfully combines the characters of Northern Lights with new characters introduced from various worlds. Favourites from Northern Lights journey into new worlds on missions of their own and in doing so show off more about these new worlds, but also add crucial aspects to the story. Even when he appears to be telling one story, Pullman is pulling together pieces for the bigger picture, subtly and quietly in the background.

Once again Pullman is also a master at limiting obvious explanations yet still offering full understanding. Through character thoughts, conversations, and various descriptions Pullman manages to explain a lot about what is happening, whether it is the detail and appearance of a window to another world, strange beings such as angels, or the strange and mysterious Spectres. This is especially important since there are moments of great technicality, especially understanding scientific matters regarding Dust, also known as dark matter. Pullman makes these explanations appear natural and real, making readers understand things alongside characters, while also using casual remarks that have a lot of meaning behind them to answer questions and fill in gaps. Pullman puts a lot of faith in the reader to put the pieces together and understand various aspects of the story, no matter how big or important, without needing to spell it out for them.

There is a different tone in this book than the first, certainly due to the content, but there are still moments of the same excitement, suspense, mysteries and surprises that were in the first book. Pullman lays hints and clues as he goes along which make for thrilling discoveries, and seeing the mixture of characters interact with one another is enchanting. The language is intellectual but simple, and the story is thrilling to read and is marvellously written. This book is both a follow-up to the first novel and a stepping stone into the last; another step towards the grand finale we’ve been told about from the start. With intelligent writing Pullman keeps this momentum going and builds on it gradually, blending it seamlessly with the  main story and managing to fill you with anticipation, captivation, and an eagerness to jump right into book number three, as is the Pullman style.

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Northern Lights (#1) by Philip Pullman

Published:  23rd October 1998Goodreads badge
Publisher: 
Scholastic Point
Pages: 399
Format: Paperback
Genre: Fantasy
★   ★   ★   ★   ★  – 5 Stars

When Lyra’s friend Roger disappears, she and her dæmon, Pantalaimon, determine to find him.

The ensuing quest leads them to the bleak splendour of the North, where armoured bears rule the ice and witch-queens fly through the frozen skies – and where a team of scientists is conducting experiments too horrible to be spoken about.

Lyra overcomes these strange terrors, only to find something yet more perilous waiting for her – something with consequences which may even reach beyond the Northern Lights…

Northern Lights is the first book in the His Dark Materials trilogy and it introduces us to Lyra, her dæmon Pantalaimalon, and her world, similar to our own but so different at the same time. In Lyra’s universe people have dæmons, kind of like animal spirits that are a representation of their true self, their soul. The story is a retelling of sorts but with so much more depth and complexity is reads almost as new story. Granted this becomes much more evident in later books, but Northern Lights is a starting point to the greater story being told. In this first book Lyra heads North to rescue her friend Roger and other children that have been kidnapped for terrible experiments, and in doing so is introduced to something much bigger than she ever could imagine. This book leads onto the others and from captivating beginnings drags you deep into the world of Dust, other worlds, and destiny.

Away from the other two books, Northern Lights is a wonderful story on its own. Pullman brings this parallel universe to life absolutely magnificently, and in a world so foreign yet so familiar it is easy to accept Lyra’s world as being possible. What is wonderful about it as well is that it doesn’t read as an introduction book, we join Lyra in the middle of a moment and pick up the rest of the world as we go along, slowly gaining a picture of the world and its people, joining together snippets of information and details as the story goes on.

What is fantastic about Pullman is that he does little obvious explaining for the reader. There are hardly any, if at all, long explanations and expositions that are there for the reader’s understanding. Everything we need to know can be worked out from details and information provided in the narrative, and any explanations that are there have been woven meticulously through the story and provided through Lyra or other characters, and always keeping with the natural flow of the narrative. But Pullman is such a masterful writer that even when things aren’t explained it is easy to comprehend and to gain an understanding about the various levels and elements about the world.

Pullman writes with style and elegance, and with huge ideas, but the story is told so simply, with such passion, that it is easy to lose yourself in the story and imagine yourself beside Lyra as she explores Oxford or travels North. It is easy to become invested in these characters, you fear for them, rejoice with them, and worry for them all at once. From the first to last page you can picture everything that is happening: Lyra hiding in the wardrobe with Pan, armoured bears fighting for a kingdom, and golden monkey’s luring unsuspecting children.

Even with such exquisite description, Pullman also limits the details for his characters. Simple descriptions for many of his characters allow readers to create their own visions, and instead Pullman brings their complexity to life through their character, their personality and their actions. While general physical descriptions are important and still there, a greater understanding of who a character is is much more common. This is where the dæmons play a wonderful role; they help to understand who a character is as well as what they are feeling. While Lyra stands tall and bravely walks into danger, Pan is a mouse in her pocket, or a leopard to show the confidence she is trying to have.

What astounds me most about Northern Lights really is how simple it sounds as a plot, but when you read it, and get into the heart of the narrative it becomes quite clear just how complicated the story truly is, and yet Pullman writes it like it is the simplest thing in the world. It really is a masterpiece.

There is a mixture of light heartedness, danger, magic and mysteries, as well as heartbreak and horror in this book. Despite dealing with things that seem so foreign and incomprehensible, Pullman makes you understand and makes you invest in the characters so that every joyful time or moment of sadness is like your own.

This truly is a phenomenal story; it is one that will stay with you long after you have finished, and not only from wonderment, but also from admiration of the world and story Pullman has developed and more importantly, the intense envy that you too can’t have your own dæmon.

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Don’t Hit Me! by Vanessa de Largie

Published: 19th March 2015Goodreads badge
Publisher: 
Booktrope
Pages: 88
Format: Paperback
Genre: Non-fiction
★   ★   ★   ★   ★  – 5 Stars

Australian actress and author Vanessa de Largie is a survivor of domestic violence. Don’t Hit Me! is the true diarised account of her time living with an abusive man. The story is conveyed through poems, journal entries and fragments of lyrical prose. The book is a snapshot of domestic violence in real time. Raw, poignant and brave – it’s a tale that will stay with you.

Note: I was provided with a copy of this book from the author for review.

For a very short book with very little writing, this book says a lot. Vanessa de Largie’s story is unfortunately one that’s not unique, but the way she has told it is.

The poems, journal entries, and collection of thoughts are raw, honest, poetic, and real. De Largie tells readers at the start this is not a story that unfolds as a normal story would, but unfolds as a story that did. Moments of her life are displayed on the page, there for everyone to see, and it highlights the life of a victim, without the long narration, reflection, and the chronology and increasing severity some other books have.

What is wonderful about this though is that this short 88 page book filled with fragments of de Largie’s life portrays a much bigger picture that any complete story would have. The life of an abuse victim is there in short verse and paragraphs of a moment, and the pain within and the struggle to live each day, hoping for a moment of freedom, even for a short while screams off the page.

Even in these short fragments you get caught up in de Largie’s world, you’re there with her, beside her, seeing her pain, it’s incredible. You sense her mood, her retreat within herself, her strength and determination to stay alive, and the darkness that offered her a way out.

Telling a story of this nature like this is unconventional but it is no less powerful. This is a snippet and snapshot of moments in de Largie’s life with an abuser and a wonderful expression of the empowerment of being free. I think bringing the issue of domestic abuse to light in such a brilliant way is commendable and one I hope highlights not just the life of the abused, but offers inspiration for those who think they don’t have the strength.

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