The Space Ace of Mangleby Flat by Larre Bildeston

Published: 10 December 2023 (print)/7 June 2024 (audio) Goodreads badge
Publisher:
Independently Published/Independently Published
Pages: 519/12 hrs and 53 mins
Narrator: Larre Bildeston
Format: Audiobook
Genre: Fiction
★   ★   ★   ★ – 4 Stars

On paper, things look fine. Sam Dennon recently inherited significant wealth from his uncle. As a respected architect, Sam spends his days thinking about the family needs and rich lives of his clients. But privately? Even his enduring love of amateur astronomy is on the wane. Sam has built a sustainable-architecture display home for himself but hasn’t yet moved into it, preferring to sleep in his cocoon of a campervan. Although they never announced it publicly, Sam’s wife and business partner ended their marriage years ago due to lack of intimacy, leaving Sam with the sense he is irreparably broken.

Now his beloved uncle has died. An intensifying fear manifests as health anxiety, with night terrors from a half-remembered early childhood event. To assuage the loneliness, Sam embarks on a Personal Happiness Project:

  1. Get a pet dog
  2. Find a friend. Just one. Not too intense.

As Sam comes to terms with the shameful family secrets revealed in a series of letters left to him by his deceased uncle, Sam falls in love again: first with his adopted poodle-cross, and then, much more slowly, with a kind and generous trans woman from his tennis club.

Reina is so visibly and proudly queer Sam can’t imagine the two of them share a single thing in common. If only humans came with a guide book…

From the start of the story I was drawn in and Biildeston’s writing keeps you engaged in the story even if it is a slow introduction. You never feel bored waiting for the story to happen because the story is happening. Sean is telling us his story and the writing feels so natural and comfortable you happily read on as the story continues. It’s so effortless two hours easily pass and you’re continuously engaged in Sean’s life.

I picked this book up on the basis it was on a LGBTQIA book list and was surprised to find it was Autralian/Aotearoan so there was an added bonus. I feel like the Oceania LGBTQIA rep doesn’t get promoted as much so it was a great discovery.

The story offers a curious reflection of early 90s Australia – about friendships and high school, but also about self-discovery and identity. There is also a great exploration of Wellington as Sam’s new home and it’s refreshing to read about places closer to home.

The time jumps are well placed and Bildeston weaves them through the present day nicely, with year markers to break it up clearly but also to give a great backstory after we’ve been introduced to present day Sam.

It doesn’t take long before you get caught up in Sam’s high school years and through his twenties and forget this started woth a msyetrious unopened letter. It’s not until a few key lines here and there so you remember there is a family secret looming overhead. It isn’t hanging over the story though, but it is well done how Bildeston always remembed it’s there without it being an unspoken mystery that derails the story.

Sam’s journey is believable and his own anxieties and justifications makes things make sense in his mind; his curiosities, his strange feelings, and his attempts at gaining information make him create his own assumptions.

I’d argue that Sam is also aromantic as well as asexual given his descriptions over his feelings towards Lisa and uncertainty of romance but that isn’t mentioned in the book so take that as a reader’s interpretation.

The big secret comes to light eventually and admittedly it is dark. Family history is messy and it’s best going in knowing there’s some dark, uncomfortable, and taboo topics but Bildeston handles it incredibly well with how it’s revealed.

I loved going on this journey with Sam and I loved that everything felt equal and nothing took over the story. From the looming secret, to Sam’s journey, his goals and his friendship, and the gradual backstory ot balanced beautifully.

The characters are unique and I liked how Sam interacted with different people in his life. The relationship with his old friends as well as his ex-wife felt real and even if it was hard at times with their assumptions and comments they come from misguided good intent.

It’s probably not the perfect representation of the LGBTQIA community if you nit-pick, but no one experience is the same as anyone else’s so nothing ever will be. Reina infodumps a bit on Sam and the reader and there’s some terminology that gets introduced but with a deep inner search for identity I can see Bildeston trying to give Sam the best understanding, plus Reina is already set up as her own character so it isn’t entirely unrealistic this is how she approaches identity since she is so experienced and set in her own life.

Overall, I loved this book. I loved the characters and the story and the different type of story that is a refreshing take on identity and friendships and facing things in your past.

You can purchase The Space Ace of Mangleby Flat via the following

Amazon | Audible

 

 

No One Would Do What the Lamberts Have Done by Sophie Hannah

Published: 27 July 2025 (print)/20 January 2026 (audio) Goodreads badge
Publisher:
Bedford Square Fiction/Bedford Square Publishers & W. F. Howes Ltd
Pages: 406/10 hrs and 59 mins
Narrator: Gabrielle Glaister, Joe Thomas, and Natalie Husdan
Format: Audiobook
Genre: Mystery
★   ★   ★ – 3.5 Stars

You think it will never happen to the ring of the bell, the policeman on the doorstep. What he says traps you in a nightmare that starts with the words, ‘I’m afraid…’

Sally Lambert is also afraid, and desperate enough to consider the unthinkable. Is it really, definitely, impossible to escape from this horror? Maybe not. There’s always something you can do, right?

Of course, no one would ever do this particular something – except the Lamberts, who might have to.

No one has ever gone this far. Until Sally decides that the Lamberts will…

I find it fascinating people who DNF this book having opinions when the book clearly tongue in cheek straight out says people miss the point and key moments by not reading straight till the end.

This is also the same people who rate it low because it’s ‘absurd’ when there is a key moment discussing how absurd the whole endeavour is. Hannah essentially grabs you by the shoulders, stares you in the face, and somehow without breaking the fourth wall manages to look you in the eye and say ‘isn’t this absurd?’.

This book is very self aware and meta but it never feels like it is, there is an ideal balance that keeps it in line. Yes it’s absurd and surreal and it’s weird, but it’s fun and that’s what absurd humour does. The point is that it’s ludicrous so you can hardly say it’s failed on that front. You can hardly critique it for being absurd when that is its selling point.

I personally picked this book up because a Stuart Turton quote was on the front and I adore his books. When I read the blurb I thought it sounded good and away I went. I will admit I was baffled, I was halfway through the book and there was no murder. But I had my theories, I thought it would suddenly turn – and it does – just not in the direction you expect.

When it does get absurd the only thing to do is go along with it because why not? As a result we’re rewarded as one of the readers who goes all the way to the end – another fun joke about readers bailing early and not understanding – because it gives two good wrap ups of the events away from the ‘story’ we’re being told.

It is definitely a matter of perspective and what the narrator/author found important. The Champ debacle and the need for some flare keeps a lot hidden, which they do admit, but the end result is an interesting switch and even in the narrative they admit it’s a weird focus. The layers of what is happening in the story is creative and well done, certainly nothing I’ve read before.

This isn’t a typical mystery or typical murder, but once you stop trying to make the book fit into your expectations and enjoy it for what it is you can see it is weird and baffling but also enjoyable and in a strange way interesting.

At times I had theories about narrator and about where it was heading. There are obvious set ups for murders and characters who could clearly take an extreme step and murder someone before any actual crime is committed against them, but Hannah balances it well so while these threads you weave are left hanging, you are off on another line and you’re swept away in the absurdities trying to grasp that really yes, no one would have done what the Lamberts have done.

I liked the ending because for those of us who finished it there are clues. The heavy implications that it has a hidden murder if you spot it, but could also be a coincidence is clever. It brings the story home after the weird plotline of the found book.

People who gave up at 8, 10, 25, and 30 percent didn’t even hit the story at all, we’re still in ‘on the run’ territory, the second half is where things happen and even with an hour to go we hit part two so the breakup of perspectives is amusing.

I definitely think you need the patience to see it through and get rewarded. You have your own puzzle hunt about what you think happened as you read and even if your theories don’t pan out, the mystery of what is happening or going to happen next is as much a traditional mystery set up as you can get.

You can almost hear the narrator and the author grabbing the reader by the face and very slowly spelling it out for them. There are words to that effect and it feels like they are telling you what is happening without saying anything specific. I found it really creative and a fun and clever story. Definitely worth taking a chance on it.

You can purchase No one Would Do What the Lamberts Have Done via the following

QBD |  Dymocks | Booktopia

Wordery |  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Flip by Rebecca Fraser

Published: 3 September 2025 (print)/2 March 2026 (audio) Goodreads badge
Publisher:
Rhiza Edge/Rhiza Edge
Pages: 128/1 hrs and 44 mins
Narrator: Simon Kennedy
Format: Audiobook
Genre: Contemporary Young Adult
★   ★   ★ –3 Stars

Denim Davies wishes he could flip his life, just like the vintage items and clothing he finds at garage sales and thrift stores and sells online. With the worsening housing crisis, Denim and his dad have spent a year moving from town to town in search of sustainable work and a home they can call their own. Every move means starting over in a new school. Denim feels he’s drifting through life without an anchor.

When Denim and his dad arrive in the coastal town of Driftwood Heights, Denim knows things are only going to get worse. The only accommodation is in the trailer park, he’s just started Year 10, and in this small town where everyone knows each other he feels more of a misfit than ever. Besides, what’s the point of getting close to anyone if you’re just going to move away again?

When Denim befriends Mina, a quirky girl with a carefree attitude, Driftwood Heights starts to look a little brighter. But then a vintage find that seems too good to be true goes horribly wrong, and he has a tough decision to make–one that could ruin his friendship forever. What do you do when flipping your life has too high a price?

This a quick two hour read and is a decent short story that captures a point in time and the challenges people face. As part of the Rhiza Shorts series these are novellas for teens who might be wary of picking up something longer but the stories are compelling and intriguing.

The characters are basic and some of the dialogue is unrealistic. It might be the narrator but Mina’s dialogue didn’t sound like it came from a normal person, let alone a teen. Kennedy does a good job on the other characters so it might be how Mina’s written that throws off the narrative flow.

Interestingly, the first half felt different than the second. Not sure whether it would have been different if it was a longer story. Fraser could have had more space to expand, but the story pace is ok for this quick read, it’s the other stuff where there’s a rush to get out information in dialogue which sounds unnatural. It settles for the second half when we don’t need to introduce everyone and the story can play out.

Whether it’s a factor of small towns or just dodgy characters but there’s no privacy in this town. The teacher tells the class where Denim lives, the men’s shed aren’t that private about sharing people’s personal details, and private information is shared to easily. There is a fine line between community help and breaching privacy but it was a curious way to get the plot moving along.

As a character Denim is pretty solid. He’s lost his mum, had to move around a lot, and is trying to help his dad by selling things online he finds. His hobby was interesting. The fact a town would have enough op shops to sustain interest was curious, especially how new things come in each week with such regularity.

The emotional crisis was really good, it was unique and felt plausible on both sides. Fraser gives Denim enough depth to make his actions feel justifiable and there’s only a brief moment where it feels out of character. Overall it was a good story that captured a moment in time and sparked change which is what interesting stories do.

You can purchase Flip via the following

QBD |  Dymocks | Booktopia

Wordery |  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

The Strawberry Patch Pancake House (#4) by Laurie Gilmore

Published: 13 March 2025 (print)/ 13 March 2025 (audio) Goodreads badge
Publisher:
HarperCollins/HarperCollins
Pages: 384/9 hrs and 3 mins
Narrator: Regina Reagan
Format: Audiobook
Genre: Romance
★ – 1.5 Stars

As a renowned chef, single-dad Archer never planned on moving to a small town, let alone running a pancake restaurant. But Dream Harbor needs a new chef, and Archer needs a community to help raise his daughter, Olive.

Iris has never managed to hold down a job for more than a few months. So when Mayor Kelly suggests Archer is looking for a nanny, and Iris might be available, she shudders at the thought. But in need of money she reluctantly agrees.

As Archer and Iris get used to their new roles, is it possible that they might have more in common than they first thought, or is Olive just determined to play match-maker…

This is definitely the last book of this series I’ll be reading. I wanted to stop about 10% of the way through but I decided the finish, if only to see it got as bad and as stupid as I thought. I had been committed to finishing the series, branching out my reading – especially in the romance department – but I might need to be more selective in the future.

From the start it’s like the romances where a completely single, clueless man is suddenly a father. If the choices are a grandmother who has been in the kid’s life or a random stranger why not make the random man take over? Why would you leave your kid with a short fling and not an actual relative or friend you know? You have no knowledge of what kind of father he’ll be? At least it happens right away so you know what you’re getting into with this romance. It even references the single dad tropes which felt too on the nose.

Archer is definitely the one with a chip on his shoulder. He creates the tension because he doesn’t want to be there and it is affecting everyone around him. He almost terminates Iris’ job because he can’t keep it in his pants. At least Iris calls the guy out for his behaviour. I didn’t quite mind he changed his tune. Realising his work/life balance needed adjusting was reasonable, doing a 180 on everything he ever wanted in his life is not.

After having an issue with a three year age gap in a previous book, now we have to contend with there being an issue of only one bathroom and the fact their rooms are across the hall from one another. Did they need a wider gap between their rooms? Have these people never lived in a regular sized house where one bathroom is the norm? Did one of them need to live in the backyard? Clearly these people need one floor and one bathroom for each member of the household. “Bathing in the same room” is not an issue. Unless you are doing it together, this is not a thing reasonable people think about.

Thank god we had the mystery of the pancakes to sustain us. Unlike the other books where there was no mystery despite the claim, the battle to get the recipe right was actually in the plot, actually a part of the plot, and actually had a satisfying conclusion. It is the only reason I kept going, even if I was going at 4x speed by the end and skipping chunks by the final hour or two.

The explicit scenes are minimal unlike previous books. The majority of the book is the two characters trying to avoid sleeping with each other out of professional ethics and the child, so that at least allowed more plot to be written. Didn’t stop the character thoughts though. Perpetually horny which felt over the top and unrealistic, especially as it was constantly mentioned.

The characters have no depth. It’s all surface level explained on the page stuff. It’s hard to believe a story that had real character depth in book one could have something so bland and unappealing in subsequent books. If each book if capable of being read individually, heaven help those who don’t know the backstories of these characters because without knowing about the mayor and the friends from previous books it’s all useless because they are names only. You have no idea who these people are.

Overall it was boring. It was nothing. I hated how Iris completely changes what she wants to get the happily ever after ending. Liking Olive, as Iris said frequently, was different to wanting her own kids and wanting to be pregnant. Skip to the final pages and boom, change of heart. It went against everything the book built up.

Without being too disparaging (I am trying to be reasonable), I can see why it’s a tiktok book/series. It is simple, easy, full of sexy scenes and easy to digest characters. But the lack of real plot and substance makes it lacking. They are the same simple formula over and over and while at the start it looked like there would be variety in the locations and the characters, Gilmore has given up as the series goes on as the characters become less dimensional and fulfilled. They are driven by their emotions and that is the only real development they get.

Despite my plan to continue with the series this is a big nope for me. I am out. They had been getting progressively worse reads as they went on and I have enough on my TBR I want to read than finishing a series I only started because of a pretty book cover and the (deceitful) lure of a cosy town mystery.

You can purchase The Strawberry Patch Pancake House via the following

QBD |  Dymocks | Booktopia

Wordery |  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Rosaline Palmer Takes the Cake (#1) by Alexis Hall

Published: 18 May 2021 (print)/ 18 May 2021 (audio) Goodreads badge
Publisher:
Forever/Little, Brown Audio
Pages: 435/11 hrs and 22 mins
Narrator: Fiona Hardingham
Format: Audiobook
Genre: Romance
★   ★   ★   ★   ★ – 5 Stars

Following the recipe is the key to a successful bake. Rosaline Palmer has always lived by those rules—well, except for when she dropped out of college to raise her daughter, Amelie. Now, with a paycheque as useful as greaseproof paper and a house crumbling faster than biscuits in tea, she’s teetering on the edge of financial disaster. But where there’s a whisk there’s a way…and Rosaline has just landed a spot on the nation’s most beloved baking show.

Winning the prize money would give her daughter the life she deserves—and Rosaline is determined to stick to the instructions. However, more than collapsing trifles stand between Rosaline and sweet, sweet victory. Suave, well-educated, and parent-approved Alain Pope knows all the right moves to sweep her off her feet, but it’s shy electrician Harry Dobson who makes Rosaline question her long-held beliefs—about herself, her family, and her desires.

Rosaline fears falling for Harry is a guaranteed recipe for disaster. Yet as the competition—and the ovens—heat up, Rosaline starts to realize the most delicious bakes come from the heart.

I love a book that is floating around the idea of a not quite Bake Off show but very similar to Bake Off. Of course this isn’t trying to be The Great British Bake Off, but it doesn’t matter because it’s a set up so well known it’s the cosy world of reality baking, meeting new people, and making tarts and biscuits that you fall in love with.

What I liked about this one compared to the teen baking show book is you get to have a realistic look at the TV production side. It felt like you were there behind the scenes with the cameras and the realities of reshoots, production reminders, and the weekly competition. There’s all the joy of ovens and timers and bad batches to relish in as well as interactions with other competitors.

Other behind the scenes moments were interesting too and there is a lot of character focus away from baking. I loved watching Rosaline grow as the weeks progressed and Hall weaves these moments in easily but notably. I also thought the romance aspect was really well done. I loved the meet cute and the connection, but I also loved the slow realisations and developments as more time is spent with the competitors on and off the set.

In a way I enjoyed how adult it was. There are children to think about, there are leery old men, adult responsibilities and relationships to consider. Not to mention interfering parents and navigating new friendships which is also great. Even though Rosaline is young there is more in your life after your twenties and seeing an adult novel tackle family, life, making new friends, nerves and trying new things without being a serious literary tome is fantastic. It is as funny and light-hearted as all Hall’s books are but also doesn’t shy away from real events, emotional moments or adult situations and feelings.

It’s a fun book about life and passions and baking which is all anybody could ask for in a book really. Easily already in my top five of the year. The queer aspect wasn’t front and centre but it was notable. Rosaline’s bisexuality is a part of her present and her history but so is her family, her baking, and other parts of her life. The balance of character and plot was great, the critical points were great, and the development of the characters felt wholesome without being too sweet and certainly not without issue.

Hardingham does a fantastic job as narrator. I was never taken out of the story and each character was unique and had their own voice throughout the story. The humour and emotion shines through and easily made the 12 hour read fly by.

This is the first in the series and while the others don’t follow Rosaline it is still a great world I am keen to keep reading about.

You can purchase Rosaline Palmer Takes the Cake via the following

QBD |  Booktopia

Wordery |  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

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