Those Other Women by Nicola Moriarty

Published: 19th March 2018 (print)/25 April 2018 (audio) Goodreads badge
Publisher:
HarperCollins Australia/Wavesound Audio
Pages: 448/11 hrs and 52 mins
Narrator: Louise Crawford
Format: Audiobook
Genre: Fiction
★   ★   ★  ★  – 4 Stars

Poppy’s world has been tipped sideways: the husband who never wanted children has betrayed her with her broody best friend. At least Annalise is on her side. Her new friend is determined to celebrate their freedom from kids, so together they create a Facebook group to meet up with like-minded women, and perhaps vent just an little about smug mummies’ privileges at work.

Meanwhile, their colleague Frankie would love a night out, away from her darlings – she’s not had one this decade and she’s heartily sick of being judged by women at the office as well as stay-at-home mums. Then Poppy and Annalise’s group takes on a life of its own and frustrated members start confronting mums like Frankie in the real world. Cafés become battlegrounds, playgrounds become war zones and offices have never been so divided.

A rivalry that was once harmless fun is spiralling out of control. Because one of their members is a wolf in sheep’s clothing. And she has an agenda of her own.

This is a fascinating contemporary story about social media, modern parenting and the vindictiveness people are capable of when they feel justified in their actions. One thing I loved was Moriarty’s choice of narrators. Through the first few parts it alternates between Poppy and Annalise but when we get to see a third party, through Frankie’s eyes, I was amazed how I suddenly saw the previous events through different eyes. I could see how horrible Poppy and Annalise were being and it was a fascinating example of untrusty narrators and how perspective changes intent and meaning.

There are surprises and stereotypes that take sharp turns just when you think you know what is going on, a skill Moriarty is quite good at. She brings new twists to old clichés and I loved that it brought more depth and life to this story and the characters as a result. There is no relying on well-known tropes but Moriarty does play on them to her own advantage. In doing so it adds another level to the narrative and it reinforces the notion that people’s lives are complicated and there are a lot of different lives being led with problems of their own. Jumping to obvious conclusions is detrimental and damaging and it was fantastic to be drawn in myself and have it thrown back at me for my own assumptions. If you pay attention there are hints and clues that come to light after your whole viewpoint has shifted. This muddies the waters as more information doesn’t necessarily make things clearer but it definitely made it more intriguing.

The concept of having children versus remaining childless is confusingly a point of contention. This was something I was fascinated to read about because clearly there is an entire world of contention that I have been cut out of. The experiences described in this book will no doubt be familiar to some, certainly on both sides, and while I know of the general judgements and opinions, seeing it play out before me with Facebook groups and battles between mums and non-mums was a curious insight into a world I have never come across before. I’m hoping Moriarty took creative licencing with some of this because it was wild reading about these Facebook groups and what some of these women do.

Moriarty lays forth a story that has mystery and deceit, not to mention drama and emotional torment in her usual style. Crawford does a great job as narrator too. Her tone and pacing was great and didn’t distract from the story in any way. Overall it is engaging, captivating, a definite reflection of the modern parenting experience as well as the experiences of those left out of the conversation.

You can purchase Those Other Women via the following

QBD | Booktopia | Book Depository

Dymocks | WorderyAngus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

 

10 Things I Hate About Me by Randa Abdel-Fattah

Published: 1st October 2006 Goodreads badge
Publisher:
Pan Australia
Pages: 278
Format: Paperback
Genre: Young Adult
★ – 1 Star

At school I’m Aussie-blonde Jamie — one of the crowd. At home I’m Muslim Jamilah — driven mad by my Stone Age dad. I should win an Oscar for my acting skills. But I can’t keep it up for much longer…

Jamie just wants to fit in. She doesn’t want to be seen as a stereotypical Muslim girl, so she does everything possible to hide that part of herself. Even if it means pushing her friends away because she’s afraid to let them know her dad forbids her from hanging out with boys or that she secretly loves to play the darabuka (Arabic drums).

There are so many things wrong with this story. Ignoring the fact that there are plot holes and an unbelievable plot in the first place, I don’t think this told the story Abdel-Fattah was trying to tell.

One thing that irked me was that for a modern sixteen year old girl she gave out way too many personal details to a virtually anonymous person who gives no details back in return. She reveals so much to them and we know nothing, secret identity or not. This secret admirer could be anybody and it is her blind trust that they are genuine which annoyed me the most. Plus, on the truly petty side, her email doesn’t make any sense whatsoever.

Another thing was her hypocritical nature. For all her arguments against racist stereotypes she is rude and stereotypical herself against others. The only issue there is it isn’t classed as racism so it isn’t seen as bad. The comments she makes to some people are just as outdated and rude but she doesn’t see that there is a problem with it. The other thing she never has a problem with is that she is in love with the racist boy at her school which is problematic in itself.

I understand she is hiding herself and can’t expose who she is, but she is also weak and a coward that even if she can’t say anything, she can’t even reprimand their behaviour in her mind. She can’t fume and get angry that she can’t tell these idiots off, we don’t see her have any emotion at all where she is fearful of revealing herself but also angry she can’t fight back against the racist behaviour. It would have made her a better character to know she was struggling with standing up for what’s right and trying to protect herself at the same time.

I hated that after an entire book about telling us how over reactive her father is about her social life and how she is a good girl who wouldn’t do anything wrong, she proves him right the second she is able to go out with friends. It was a waste of so many scenes making us root for her against her dad as it proved she really was just like he expected her to be.

As a main character she doesn’t feel fully formed, like she is still under construction. She talks about detention like she has been there all the time despite going for the first time, and her relationships with other characters are confusing. She has deep conversations with people she barely knows and doesn’t say anything to people she has been friends with for a while. Overall the dialogue is unnatural and doesn’t feel real. These aren’t conversations that real teenagers would be having, certainly not the way it’s been written. I will admit I skimmed some parts as the narrative becomes boring and cycles around the same things quite a lot. There are super cringy moments and eye rolling moments which highlight further how strangely this story is written.

This certainly failed in whatever goal it was trying to achieve. Hate is Such a Strong Word by Sarah Ayoub is a much better example of what Abdel-Fattah is trying to do and while it isn’t exactly the same, it’s a better exploration of the Lebanese experience in Australia with all the exploration of racism, fitting in, and teenage drama.

You can purchase 10 Things I Hate About Me via the following

BooktopiaDymocks

 Fishpond | Amazon | Amazon Aust | Audible

Blinky Bill and Nutsy (#3) by Dorothy Wall

Published: 1937 (print)/05 June 2013 (audio) Goodreads badge
Publisher:
Angus & Robertson/Bolinda Publishing
Pages: 156/2 hrs and 56 mins
Narrator: Julie McGregor
Format: Audiobook
Genre: Classic
★   ★   ★ – 3 Stars

While telling the adventures of Blinky Bill, a naughty little boy in the form of a koala, the stories also present messages of conservation. Blinky Bill is known for his mischievousness and his love for his mother. In general throughout the stories he does things that are realistic for koalas as well as things that child readers would like to do. Dorothy Wall tells the stories directly to the children and Blinky often interacts with the readers in an introduction. Her dedications are often to ‘All the Kind Children’, with her own son Peter and other common Australian names of the 1930s appearing. The books are also fully illustrated by Dorothy Wall herself.

The third and final Blinky Bill book brings the adventures of the rambunctious koala to an end and introduces a whole new set of characters to get to know. Gone are the days of the same few characters, now there’s a heap of new names and creatures to get to know. If you’re like me and grew up in Australia in the 90s, you will recognise many of these characters from the television series, the difference is the story is not the same at all.

Wall has turned this simple bush story into a strange tale about animals behaving more and more like humans in ways that don’t even make sense. It’s gone from animals with a society but still behaving like animals to a complete anthropomorphising of these characters with chequebooks and boarding houses, hair getting put in rollers and the need for potato bins. They are now living their lives like humans but in animal form.

From waxing lyrical about the wonders of zoos at the end of book two, Wall opens book three showing us the animal abuse suffered and the desperate need to escape. The inconsistencies are annoying to read about, especially when there are so many contradictions not only in previous books but in the same story. The established society had changed so much and with new characters it was like a new story starting from scratch.

This time Nutsy joins Blinky on his adventures around the bush as she is the new addition to his family. Found lost and alone Mrs Koala invites her to stay and soon she is out adventuring with Blinky. With new friends like Splodge, Nutsy and Mr Wombat there is a consistency in the tales as these faces pop up again and again. Blinky has adventures around his home with the same mischief causing approach, angering various animals, helping others, and there’s the standard chapter where he and his friends make their way onto human land and cause chaos.

I know coming at this almost 100 years later will skew any interpretations but I can see how this would have been received by kids and parents when it was first published. They would related to Blinky being a naughty boy and getting into trouble as well as Mrs Koala’s frustrations. The fascination with Australian animals they may have seen near their homes or not see at all would be delightful, a long tradition seen with English literature coming to an Australian setting. It would also be a way to gain sympathy for these creatures, I can see Wall’s attempts at trying to sneak in references to helping them after fires and treating them like wild animals but it is quite subtle.

For all its faults from a modern perspective it was interesting to see the original story and the adventures of Blinky and the mischief he gets up to. Even though the audiobooks are three separate stories, the physical copies are always a collection of all three together. Listening to the audiobooks back to back was like reading the collection but it also made me realise the changes between each book. McGregor does a good job as narrator and the voices and tone she uses suited the style of writing. I missed out on the illustrations Wall had done scattered through the pages but looking at my paperback copy they are simple and are more decorative than anything else. As a classic it reads as such and it’s a good source material to gain inspiration from which is why Blinky Bill is still as captivating today.

You can purchase Blinky Bill via the following

QBD | Booktopia | Book Depository

Dymocks | Angus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

Blinky Bill Grows Up (#2) by Dorothy Wall

Published: 1934 (print)/05 June 2013 (audio) Goodreads badge
Publisher:
Angus & Robertson/Bolinda Publishing
Pages: 150/2 hrs and 31 mins
Narrator: Julie McGregor
Format: Audiobook
Genre: Classic
★   ★   ★ – 3 Stars

While telling the adventures of Blinky Bill, a naughty little boy in the form of a koala, the stories also present messages of conservation. Blinky Bill is known for his mischievousness and his love for his mother. In general throughout the stories he does things that are realistic for koalas as well as things that child readers would like to do. Dorothy Wall tells the stories directly to the children and Blinky often interacts with the readers in an introduction. Her dedications are often to ‘All the Kind Children’, with her own son Peter and other common Australian names of the 1930s appearing. The books are also fully illustrated by Dorothy Wall herself.

After coming home to his mother after the last batch of mischief, Blinky has gone out adventuring again and he meets a whole host of new creatures. Wall has changed her approach with this story completely. While the first book kept the animal more natural, this one tends to stray into the anthropomorphising area. There are lucky dips and bazaars, and while the animals are still animals, they start participating in more human type activities. 

The koala culls are still underway, it is mentioned that 200 000 of them have been shot which explains why there are none left in the area. Again, no idea why, if there was a mention of the need for it other than fun it would still be terrible, but Wall makes it sound like they are culling them just because they can. Especially given the description of the killing of Blinky’s father in book one. Strangely enough Blinky himself is now not immune to killing. He easily advocates for killing other animals and even has animals killed himself for trivial reasons but is horrified when humans do it and sees it as unjustified. 

There is not real sense of how long Blinky has been gone on this round of adventuring, whether it is a few days or weeks, Mrs Koala seems happy to have him back each time though regardless. The Australian animals are on show once more, though Wall includes a hedgehog (though the illustration is of a porcupine) instead of an echidna which was curious. But possums, bull ants, goannas and lyrebirds all get to be on show. There’s also introduced species like foxes and rabbits who get their own part of the story too.

Where Wall starts to lose my understanding is when she informs the readers that koalas are happy in the zoo. This is part of the story where she breaks the fourth wall and address readers directly. The narrative style has always been one where Wall is telling Blinky’s story to a reader and even with this shift the tone remains the mystical lyrical style that brings you into Blinky’s world, but it also tells readers that instead of being happy in their natural habitat koalas love being at the zoo. She then contradicts herself by telling readers not to kidnap the koalas from the zoo and keep them as pets because they need to be surrounded by their bush, and yet my understanding is, being in the zoo, a 1930s zoo on top of that, is hardly any better.

There’s a lot more confusion with this second collection of stories than the first. Blinky still goes on adventures but they feel less connected. It jumps all over the place and it’s jarring to go from animals running a fundraising bazaar to Blinky orchestrating vengeance on predators to Blinky causing mischief at a farm to back in the bush meeting friendly animals like birds and hedgehogs. Granted this story has been strange from the start, but by the end it turned into a strange propaganda about zoos and animals and I was glad to be finished.

You can purchase Blinky Bill via the following

QBD | Booktopia | Book Depository

Dymocks | Angus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

Blinky Bill (#1) by Dorothy Wall

Published: 1933 (print)/05 June 2013 (audio) Goodreads badge
Publisher:
Angus & Robertson/Bolinda Publishing
Pages: 100/2 hrs and 3 mins
Narrator: Julie McGregor
Format: Audiobook
Genre: Classic
★   ★   ★ – 3 Stars

While telling the adventures of Blinky Bill, a naughty little boy in the form of a koala, the stories also present messages of conservation. Blinky Bill is known for his mischievousness and his love for his mother. In general throughout the stories he does things that are realistic for koalas as well as things that child readers would like to do. Dorothy Wall tells the stories directly to the children and Blinky often interacts with the readers in an introduction. Her dedications are often to ‘All the Kind Children’, with her own son Peter and other common Australian names of the 1930s appearing. The books are also fully illustrated by Dorothy Wall herself.

When I say I have wanted to read this series for almost half of my life I would not be telling a life. I remember gazing in wonder at the huge, illustrated hardback collection at the bookshop and wishing I had the money to buy it. Even when I eventually bought the much smaller, cheaper paperback it still sat on my shelf for years waiting for me to pick it up. Now that I have read the stories, I’m glad I can tick it off because it is quite a unique, strange collection and yet one that has captured the hearts of people all around this country given he is still popular and being reimagined for kids today.

First published in 1933 the time period is evident in Wall’s writing style and the events in this book. The notion of Australian animals is a fascination and similar to May Gibbs with the Gumnut stories, telling stories of “the Australian bush” was the way to go. We’re introduced to Blinky after he’s born and how the animals around comment on him, watch him get named, and then, in a weird turn of events see him being nannied by a wallaby and almost get eaten by a snake. Why a newborn koala is being taken from the tree to the ground is not even the first question, the better one is why his mother can’t raise him herself. But such was the times I suppose and Wall is reflecting human behaviour onto these animals.

To give her some slight credit, Wall doesn’t overly anthropomorphise the animals. There is a group that live around the tree and are neighbours, animals hunt and are preyed upon, and we see Blinky’s early life. He is cheeky and mischievous, the iconic red “knickerbockers” on him from a young age.

Wall doesn’t hold things back either, there is a proper depressing description of the death of Blinky’s father in the first chapter, one told from both his perspective and the others. Definitely something I wasn’t expecting. It isn’t graphic, but it is rough to listen to. As Blinky grows up and explores the bush we see more of the animal life and the balance with humans and see the tense relationship between them.

Blinky has always been portrayed as being cheeky, but he is a lot rougher and harsher in the book. He hates his neighbour, he also runs away a lot when he doesn’t get his own way. The “reality of bush life” is through this story, Wall obviously wanted a cute tale about the Aussie bush creatures but it isn’t quite as cute with hunters culling koalas for no reason and animals preying on others, but it also has a simplicity about it where Blinky comes across various Australian animals and having brief encounters with them. Wall’s Australian knowledge only goes so far as Blinky’s mother is called Mrs Bear for most of the book until it switches to Mrs Koala and Blinky is called a cub not a joey, but given the actual weirdness in the story that part I might forgive her for.

You can purchase Blinky Bill via the following

QBD | Booktopia | Book Depository

Dymocks | Angus and Robinson | Project Gutenberg

 Fishpond | Amazon | Amazon Aust | Audible

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