The Complete Tales of Beatrix Potter

Published: 1st November 2006 (print)/9th May 2006 (audio) Goodreads badge
Publisher:
Warne/Blackstone Publishing
Pages: 400/3 hrs 11 minutes
Narrator: Nadia May
Format: Audiobook
Genre: Short stories/Classic
★   ★   ★  ★  – 4 Stars

This complete and unabridged collection contains all of Beatrix Potter’s Tales in one deluxe volume with all their original illustrations. The stories are arranged in the order in which they were first published so they may be read in their proper sequence.

Of course the most well-known tale by Beatrix Potter is of Peter Rabbit, but that isn’t my favourite by far. I adore The Tailor of Glouster, and I have a soft spot for The Tale of Jemima Puddleduck. I was surprised that these tales aren’t as short as I remembered. Some of course are longer than others, but there is a decent story being told with intricate plots and characters, conflicts and drama of all kinds.

In this complete collection there were stories I knew, there were also characters I knew but whose stories I had never read. Then there were others that I had never heard of, like The Tale of Mrs Tittlemouse which was a delightful tale of the small mouse who was incredibly houseproud who must fight off intruders, and deal with the mess people kept making. I loved her little house with the larder and pantry, this underground world mimicking the human one.

There are many stories to love in this collection and I think perhaps the only one I wasn’t quite fond of was The Tale of Piggling Bland. It is one of her later ones and is certainly quite strange, though not overly complicated on the surface. I never could understand this story, even as a kid. The pigs being sent to market in hope of being bought by humans, but not for food but for labour, possibly? It’s all a bit strange and not one of her better ones in my opinion.

One things I did love was how Potter ages the characters. They are not the same forever, stuck in their youth and misgivings. Peter and Benjamin grow up, have families of their own and become responsible. I also love how the characters are connected to one another. Jemima Puddleduck is known to Tom Kitten and so forth. It creates a wonderful universe where there are also humans who interact with them, but they have their own society as well, with proper etiquette and propriety included. A smaller version of the human world.

Some tales have the animals interacting with humans, others don’t seem to have any connection at all. The little world where they shop and have their own homes, where there are others like them is a great society. The theme across all the stories is that the animals are their natural selves but also have human tendencies. They dress in clothes, but eat their typical food and have natural enemies. All a bit bizarre when you can talk to one another over sugar but at the same time have a neighbour eat another.

Nadia May does a brilliant job with the narration. Her gentle tone suited the stories remarkably well and because of how Potter has written the tales, it supports the idea that she is telling you the story herself.

I loved delving back into the world of these animals and their stories. Potter’s tales are a wonderful mixture of mischief, cautionary tales, and general life for these animals. Foxes lust after eggs, rats and mice infest houses, fish eat toads, but with bonnets and petticoats to manoeuvre there is also a delightful society of creatures, personified but not so much as it stops them being animals.

You can purchase The Complete Tales via the following

QBD | Booktopia | Book Depository

Dymocks | Angus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

We Have Always Lived in the Castle by Shirley Jackson

Published: 31st October 2006Goodreads badge
Publisher:
Penguin
Pages: 146
Format: Paperback
Genre: Gothic Mystery
★ – 1 Star

Merricat Blackwood lives on the family estate with her sister Constance and her Uncle Julian. Not long ago there were seven Blackwoods—until a fatal dose of arsenic found its way into the sugar bowl one terrible night. Acquitted of the murders, Constance has returned home, where Merricat protects her from the curiosity and hostility of the villagers.

I think it is no small feat for a book with only 146 pages to bore me so much. I had heard this was a classic, I had heard this was a Gothic mystery. A short Gothic mystery sounded like a great read. Unfortunately this was not the case.

To the credit of Shirley Jackson I was intrigued for a few chapters but then I was uninterested. I could see the Gothic mystery feel Jackson was going for. I got into the mood of the book, the small town, the eyes and whispers, not to mention the old house with the secluded family and secrets. After a good introduction to this town and these strange characters it plateaus and not a lot happens. The mystery around Merricat and her sister is decent, but there was something that couldn’t keep me engaged. I think it was perhaps the fact I figured out the secret from the beginning, but even then it is slow.

Merricat is a strange character. She is airy and absent, and if it wasn’t for the fact she interacted with villagers at the start I was half convinced she was a ghost and only Constance could see her. It’s an entirely confusing story as Jackson tries to keep not saying things and keeps etiquette from stating things outright. The dynamic between the remaining Blackwood’s is stilted, Merricat is unreliable as a narrator and she speaks in riddles half the time so you have no idea what is happening.

What was worse than it being confusing was that it became quite boring. I got myself to the halfway point and it got so dull I couldn’t bring myself to continue. I tried but I had no interest in these characters or their lives. The hook of the secret and the general strangeness wasn’t enough to hold me. I even tried skimming but didn’t care for that either. I ended up looking at the plot on Wikipedia, confirmed I knew what had happened and was relieved that I hadn’t read the rest of it, even if it was only 146 pages long I couldn’t make myself read any further.

There is an exciting ending, if one could call it that. Something happens at any rate, but perhaps this tale of Gothic mystery just wasn’t for me. In a similar vein to The Woman in Black, I cannot see the point of dragging things out endlessly for a mood. For even Hill’s story was 138 pages and it managed to have more substance than this one did.

You can purchase We Have Always Lived in the Castle via the following

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Dymocks | WorderyAngus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

Watership Down by Richard Adams

Published: June 1975 (print)/1 September 2005 (audio) Goodreads badge
Publisher:
 Avon Books/ABC Audio
Pages: 478/5 hrs
Narrator: Kerry Francis
Format: Audiobook
Genre: Classic/Young Adult/Fantasy
★   ★   ★ – 3 Stars

Set in England’s Downs, a once idyllic rural landscape, this stirring tale of adventure, courage and survival follows a band of very special creatures on their flight from the intrusion of man and the certain destruction of their home. Led by a stout-hearted pair of friends, they journey forth from their native Sandleford Warren through the harrowing trials posed by predators and adversaries, to a mysterious promised land and a more perfect society. 

The way I had heard people talk about this book I was expecting it to be filled with death, heartache and disaster. I compared it to Animals of Farthing Wood where they lost members of their party and the entire book was about their journey. This was not entirely the case, but I guess, in a way, this was also a tough journey, especially into the unknown.

The different rabbit warrens were interesting and seeing the different scenarios they came upon made for an entertaining read. Seeing our world through the rabbit perspective was curious because sometimes they knew what things were other times they didn’t. This of course was due to where they lived. They knew some human things but not others because they had never seen them before.

I listened to a dramatisation which said it was unabridged but I was looking at my physical copy later and I’m sure most of it was there, but with dramatisations there is a lot less “he said, she said” required not to mention description as you can act it out with different voices and sound effects which might have made the difference.

The actors brought the characters to life really well, I liked the voices chosen for them and it reflected their personalities. Hazel was a wonderful character, he wasn’t flawless but he had a good heart. Surprisingly Fiver didn’t annoy me as much as I thought he would with his dramatics. They never explained much but perhaps that was the mystery of the rabbit world.

Adams was clever with parallels, the stories of El-ahrairah to influence the decisions of the rabbits. It created an understanding of the rabbit community and practice and how their beliefs played into their everyday life. Inspiration from their folklore to aide their current perils. Not only that but their own ingenuity to become greater than they were in order to survive.

As heartless as it sounds, I enjoyed the ending. I liked that brains beat brawn and even if some parts were strange, overall it was a good story. I’d always heard about this horrible ending and I can see how it might be a tad traumatic if you were a kid. I watched the movie afterwards, the 1970s version, and I can see their point. Despite the cartoon nature the violence really shines through and I will agree that end scene was visually very bloody and violent.

Thinking about it, I did enjoy the story more than I might have been in the middle. I have a few questions such as their ongoing (but logical) obsession with does, but also the fact they never try to rescue anyone else from their sorry lives when they meet them. Surely there would have been others who would have loved to come and join them, but they never thought to ask. If that is my only true criticism then that’s not so bad.

You can purchase Watership Down via the following

QBD | Booktopia | Book Depository

Dymocks | WorderyAngus and Robinson

 Fishpond | Amazon | Amazon Aust | Audio – Dramatisation

Long Lost Review: Mrs Frisby and the Rats of NIMH (#1) by Robert C. O’Brien

Long Lost Reviews is a monthly meme created by Ally over at Ally’s Appraisals which is posted on the second Thursday of every month. The aim is to start tackling your review backlog. Whether it’s an in-depth analysis of how it affected your life, one sentence stating that you only remember the ending, or that you have no recollection of reading the book at all. 

Todays LLR is one I actually found in my drafts from the long ago time of 2013. It’s a short, strange review but it’s a decent start because I remember very little about the book without it. It’s so strange reading this now because I would not have written this review like this now, but that’s what 5 years of practice will do. I don’t say much in this review in terms of specifics but I seemed to quite enjoy the book.

Published: 25th July 2017Goodreads badge
Publisher:
 Tinder Press
Pages: 341
Format: Paperback
Genre: Children Classic
★   ★   ★   ★   ★  – 5 Stars

Mrs. Frisby, a widowed mouse with four small children, must move her family to their summer quarters immediately, or face almost certain death. But her youngest son, Timothy, lies ill with pneumonia and must not be moved. Fortunately, she encounters the rats of NIMH, an extraordinary breed of highly intelligent creatures, who come up with a brilliant solution to her dilemma.

This story is yet another example of “why, oh why have I not read this book sooner?” It makes you wonder if somewhere in this wide world there are rats out there doing as these rats do. It was a really great read and nothing was skipped over and everything was explained in great detail, especially concerning the rats themselves, which managed to leave nothing unanswered but still keep the story interesting and engaging.

Mrs Frisby is a great mother, regardless of being a mouse, certainly a fine example of just what a mother will do when her child and family are in trouble. And so modest too, truly a darling. What was great was how everything was described and explained from the mice and rats perspective, the settings and narration took you into their world and made you realise how much they pick up from their surroundings, both in the human world and from nature.

The ending left me wanting to know more because there is such a strong investment in their story when it ends you really want to know what happened afterwards. There is a sequel that wasn’t written by the author but hopefully that fills in where this leaves off, or even just addresses the final mystery, but even without that there is a concluding feel where you know things will happen and the plans that are put in place by the mice and the rats will come into fruition.

 

The Woman in Black by Susan Hill

Published: 1st December 2001 Goodreads badge
Publisher:
 David R. Godine Publisher
Pages: 138
Format: Paperback
Genre: Classic/Paranormal Gothic
★   ★   ★  – 3 Stars

What real reader does not yearn, somewhere in the recesses of his or her heart, for a really literate, first-class thriller–one that chills the body, but warms the soul with plot, perception, and language at once astute and vivid? In other words, a ghost story written by Jane Austen?

Alas, we cannot give you Austen, but Susan Hill’s remarkable Woman In Black comes as close as our era can provide. Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child’s scream in the fog, and most dreadfully–and for Kipps most tragically–The Woman In Black.

I read this expecting to be unnerved and unsettled but it didn’t quite reach that point. Overall it was enjoyable, but I found it a bit boring and slow at times. I understood the haunting, creepy nature but it didn’t grab me like it probably should. For the most part it was an ok story and I was curious about it, but that was as far as I got.

Reflecting the stories of centuries past this isn’t a horror story to frighten you, it’s meant to put you ill at ease with stories of ghosts and a mysterious woman lurking in graveyards. Small towns on moors with constant fog with secrets and unwilling to trust strangers.

You have to wait for the story to kick off and once that happens the plot unfolds properly and you get a few explanations and events that keep you intrigued. One thing I wasn’t expecting was how much the ending affected me. After reading about Kipps and his life, his experience with this old house and what he finds there I was anticipating the ending, but when it came to read about it I was quite moved. It’s that I remember most from this book, for that I give Hill credit for her writing. It burrows in when you think you aren’t paying attention and then turns your emotions on you in unexpected ways.

This is a relatively short book and it was better than the film, though both tell the story well. I think I missed that ending from the film which to me made this book all the better.

You can purchase The Woman in Black via the following

QBD | Booktopia | Book Depository

Angus and Robinson | Dymocks | Wordery

Fishpond | Amazon Aust | Amazon | Audible

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