A List of Shakespeare Retellings

This post will be exactly what it says on the label: a list of Shakespeare retellings. When it comes to Shakespeare there are a myriad of sources that borrow from the bard in storyline and content. A lot of the time the focus in on movies that are replicas of the plays or are modern retellings like 10 Things I Hate About You, Kiss Me Kate, and Gnomeo and Juliet, but there are a range of books that retell some of Shakespeare’s most famous works and rework them into completely new and wonderful stories.

There are far too many to create a list myself so this will be a post of mainly links but I am putting my faith in the internet for gathering up some amazing titles I never would have heard of otherwise. I am looking at a range of formats – I have fiction, YA, children’s books, graphic novels, LGBTQIA stories and yes, more film retellings so hopefully one, some or all of these will pique your interest.

Also, a few years ago I did an entire month long celebration for Shakespeare’s 400th birthday so feel free to check that out and find some more fun Shakespeare goodies!

Young Adult

Rewriting Shakespeare

13 Shakespeare-inspired Young Adult Novels

Best YA Shakespeare Retellings

13 Shakespeare Adaptations Aimed at Teens

As I Descended by Robin Talley



LGBT Related Adaptations of Works by William Shakespeare

Sapphic Shakespeare Retellings

That Way Madness Lies ed. Dahlia Adler


Graphic Novels

Manga Shakespeare

4 Graphic Novel Adaptations of Shakespeare

10 Best Shakespeare Comics and Graphic Novels



Shakespeare Adaptation Retellings



William Shakespeare Screen Adaptations

William Shakespeare Movie Adaptation Viewing Guide

15 Great Adaptations of Shakespeare

Shakespeare Movie Adaptations


Picture Books/Children’s Books

Teaching Shakespeare with Picture Books

William Shakespeare

Romeosaurus and Juliet Rex by Mo O’Hara

Ella Ballerina and a Midsummer Night’s Dream

Shakespeare Adaptations for Children

Do you have a particular favourite Shakespeare retelling? Are there any amazing books you’ve read that do the Bard proud in how it has been reimagined? Let me know in the comments.

Romeosaurus and Juliet Rex by Mo O’Hara

Published: 11th December 2018Goodreads badge
Illustrator: Andrew Joyner
Pages: 34
Format: Picture Book
★   ★   ★   ★  – 4 Stars

In this hilarious take on Shakespeare for children—with dinosaurs instead of people—Romeosaurus and Juliet Rex get along perfectly well until they realize that their families should be mortal enemies!

“Your family would eat mine,” says Romeosaurus, who comes from a family of herbivores. Yes, it’s true—Juliet Rex’s family are carnivores, and Romeosaurus’s family are plant-loving herbivores.

With two families up in arms (very short ones for Juliet Rex) the two friends run away, determined not to let family baggage determine who their friends should be.

It’s Shakespeare Day and what better way to celebrate that than with a Shakespeare adaptation in the form of a picture book! This is Shakespeare’s Romeo and Juliet told through dinosaurs which is a brilliant concept and should start a whole series of Shakespeare told through dinosaurs.

Romeosaurus and his friends do all the normal things we’ve come to see from a Romeo and Juliet story: there is a masked ball, Romeosaurus sneaks in with his friends and causes chaos but not before he and Juliet spot each other and become friends. All the main plot points from the original are covered, all our favourite characters (with a slight variation on the details and circumstances as you’d expect). I love that this book doesn’t make Juliet the plant-loving herbivore – instead she is the large, carnivorous T-Rex in a smashing dress; I also love that there is a Shakespeare cameo in his dinosaur alternate form that introduces the story much like is done in the original play.

The illustrations are fantastic, it’s dinosaurs but they’re in period clothing, but also in the wild 150 million years ago. The myriad of anachronistic elements can be ignored but also cherished because this is such a cute story and the little jokes about logistics and dinosaur anatomy bring in a different type of humour with issues such a stegosauruses inability to climb due to their lack of claws, and jokes about tiny T-Rex arms.

O’Hara keeps the two as friends, and through the story we also learn friends are important and can come in any form, even the carnivorous kind. It has a wonderful mix of happily ever after that picture books can bring, but there’s also a touch of the original Shakespeare tragedy which is absolutely fantastic.

You can purchase Romeosaurus and Juliet Rex via the following

Booktopia | Book Depository

Dymocks | Angus and Robinson

 Fishpond | Amazon | Amazon Aust

Hamlet by John Marsden

Published: 8th April 2013Goodreads badge
Bolinda Audio
Length: 5 hours
Format: Audio CD (4 Discs)
Narrator: Humphrey Bower
Genre: Young Adult
★   ★   ★   ★   ★  – 5 Stars

Hamlet’s father has just died. By the time they’ve filled in the grave his mother has remarried. Hamlet suspects foul play, and it’s troubling his spirit. Or maybe he was always troubled. Ophelia is in love with him. His best friend Horatio can’t work him out. Then, on a cold, still night, Hamlet meets the ghost of his father…

John Marsden, one of Australia’s most-loved writers, takes Shakespeare’s famous play and turns it into a moving and full-blooded novel.

I have wanted to read this novelisation of Hamlet since it was first published and I am so incredibly happy that I was not disappointed. It exceeded my expectations (whatever they were) and it has made me wish that more of Shakespeare’s plays were given the Marsden novelisation treatment because I think they would be divine.

Whether it’s Marsden magic or just the fact that the novel could include more detail, but I had so much more sympathy for Hamlet listening to this than I ever did with the play. Marsden’s words really brings out Hamlet’s home life and his despair, yes, he is a dramatic idiot and you roll your eyes at him at the start, but through the rest of the story you see what his life is like, what he is like, and you really pity him and for the situation his father put him in and how it affects him.

The plot follows the play in terms of events, I did find myself waiting lines to be included that are so well known from the play, but Marsden doesn’t fall for cheap copying, the same elements are there, the same moments, but Marsden doesn’t reduce this novelisation to simply adding quotes from Shakespeare in it.

The tragedy is there, Horatio is amazing and I love him throughout. He is my absolute favourite character in this whole thing. The extension of the story allows more character depth I found, you really get a sense of not just Hamlet, but also Ophelia, Claudius and the rest. Claudius’ villainy is evident; Marsden shows us his thoughts and feelings, his desires and plans in detail that offers explanation and depth to his character. The same is true of Ophelia as her love for Hamlet is expressed through the thoughts and actions of a young woman discovering who she is and what she wants.

Marsden doesn’t update the play either, the same events are there, but they aren’t modernised or anything. Set in a time with swords and ships the locations are the same, and Marsden’s writing feels write for the era in which it is set. Not overly complex but not basic either, very poetic and melodic at times, very Shakespeare without being Shakespeare.

This was my first time listening to an audio book and it was a wonderfully absurd contrast listening to a novel which is based on a play, meaning that it was like a radio play of sorts, even though it is not written as such. Humphrey Bower as narrator did an excellent job and because you are so engrossed in the story it’s easy to follow as the voices change and you’re hardly aware that is just one person reading. I would easily call this my favourite adaptation of Hamlet and I would readily sit down and read, or listen, to it all over again.

You can purchase Hamlet via the following

Print book

AmazonBook Depository

Booktopia | QBD


Amazon Aust | Amazon

Booktopia | Book Depository




What’s So Special About Shakespeare?

“He was not of an age, but for all time!”
– Ben Jonson

It’s interesting to wonder why we’re all here discussing the death anniversary of a man who died 400 years ago, who was born more than 450 years ago and who was a playwright in London. He wasn’t by far the first playwright, nor was he the only playwright at the time, and he didn’t appear to do anything that differently than any one else at the time. But is this really the case?

Why are we still talking about Shakespeare and his plays, what makes him so fascinating to us? It is of course because his legacy of works is so incredible it’s hard not to admire the man who wrote them. The themes, the stories, the execution of these grand ideas about tragedy, love, fate, comedy, and the mystical are astonishing and timeless. You only have to see at how frequently he’s been remixed and redone in multiple forms over the centuries, across continents, everything from books to films to ballets.wpid-wp-1424525891884

He’s lasted because his words have been cemented in culture and every time you ‘break the ice’ or go on a ‘wild goose chase’ and claim ‘love is blind’ you are reminding the world of Shakespeare and keeping his legacy alive. The complexity of his characters and the creativity and drama of his plays are worth preserving and anyone who claims he’s stuffy and old just haven’t found the right way to experience his work or they just don’t realise how much of our culture revolves around Shakespeare and how he sneaks into everything we do, say, and see.

A session I went to at the Newcastle Writers’ Festival this year asked the question What Makes Shakespeare Special? The speaker broke down the numbers and tried to work out why he is so special. Looking at the number of plays written compared with his contemporaries Shakespeare contributed to and produced around 40. Is it his play count that makes him last? With others like Thomas Haywood claiming he wrote 220 plays then the answer’s no. Was it his command of the English language? At the time a farm labourer had a vocabulary of 300 words, and educated and literate person had 3-4000, Shakespeare had a vocabulary of 15000 words. As this session made mention, the Old Testament has 5600 words, and Milton has 8000.

As impressive as 15000 is, this does include each variation of word eg. cry, cries, cried. So does that count? Compared to other playwrights like Christopher Marlowe and Ben Jonson he seems to use more words, but he also had more plays. The argument can be made that proportionately he didn’t, if they wrote more plays they too would have more words.

Shakespeare vocabulary is average at best, so if it isn’t the words what is it? Something the speaker said that resonated with me was that it’s “what [Shakespeare] does with the words rather than any exceptional words”. Shakespeare uses familiar words but uses them to maximum effort. What had the greatest effect on a play was that these simple words contained so much meaning. An example used was in Twelfth Night: A line spoken by Sir Andrew Aguecheek is “I was adored once too.” This is a simple line but it opens up so much about Aguecheek as a character. It’s impactful, that is what makes Shakespeare special and why he’s lasted. He uses his words carefully and with intent. Even in things like his puns show that words were chosen carefully that bring out character and meaning to the greatest effect.
Shakespeare is also more varied, he wrote comedies, tragedies and histories. He covered a lot and explored so many topics and relatable themes. Even if you weren’t a Danish prince you could understand Hamlet’s struggle, and experience the drama in Taming of the Shrew. Every modern adaptation of a play shows these are lasting and still relevant issues that people face.

Shakespeare is special because of characters. This was deduced at this session and I agree. The flawed, complex characters are what make Shakespeare so endearing. He created the most unusual and most representative characters that people can relate to. His characters make grand speeches, there’s satire and chit chat, they’re frank and confessional but they can be rounded and real. There’s a great mixture. As the speaker noted, it isn’t about the high drama, it’s about ordinary interchanges.

I think it will be a long time before Shakespeare is forgotten about. I think as long as people keep reinventing his works, retelling his words, and drawing upon him for inspiration then Shakespeare will live on. He’s special in his unremarkableness in a way. He was just a playwright from Stratford and he became a superstar through history. He used his words to tell captivating plays and that’s it. Somehow in this simple act that dozens others were doing alongside him he’s become a historical figure of grand standing. It’s unexplainable and remarkable and something that may continue to mystify.

For 400 years since his death Shakespeare has continued to live on, and I have no doubt he will do so for centuries to become.

Shakespeare 400th OwlI didn’t reference anything really in this aside from that session but I’ve included a few links below, some that look at this more academically than I did, including another quick (4 minute) radio interview. They’re all interesting but I would have gone on forever trying to discuss it all and I quite liked the NWF session so it was my key focus. This is also my last Shakespeare post and the finale to my month long dedication. Thank you for going on this month long journey of Shakespeare with me. It was fun and informative for me and I hope it was for you as well. Or, if you blacklisted my blog for the past 30 days I hope you’ll come back come 1 May :D.

Links and Bits

Why do we still care about Shakespeare?

What’s so great about Shakespeare?

What makes Shakespeare so special?

To the Memory of…

“The remarkable thing about Shakespeare is that he is really very good – in spite of all the people who say he is very good.”
– Robert Graves

Ben Jonson was a close friend and fellow playwright with William Shakespeare who performed in many of his plays, and vice versa. After Shakespeare died and the First Folio was published, Jonson wrote an eighty line tribute which accompanied the 1623 edition. The poem is filled with praise and argues that, despite whatever private reservations he might have had, Jonson wanted to go on public record as one of Shakespeare’s greatest admirers. It’s a great poem and one that reminds us that in his lifetime Shakespeare had many friends and fellow actors and playwrights who knew and respected him.

To the Memory of My Beloved the Author, Mr. William Shakespeare
By Ben Jonson
To draw no envy, Shakespeare, on thy name,
Am I thus ample to thy book and fame;
While I confess thy writings to be such
As neither man nor muse can praise too much;
‘Tis true, and all men’s suffrage. But these ways
Were not the paths I meant unto thy praise;
For seeliest ignorance on these may light,
Which, when it sounds at best, but echoes right;
Or blind affection, which doth ne’er advance
The truth, but gropes, and urgeth all by chance;
Or crafty malice might pretend this praise,
And think to ruin, where it seem’d to raise.
These are, as some infamous bawd or whore
Should praise a matron; what could hurt her more?
But thou art proof against them, and indeed,
Above th‘ ill fortune of them, or the need.
I therefore will begin. Soul of the age!
The applause, delight, the wonder of our stage!
My Shakespeare, rise! I will not lodge thee by
Chaucer, or Spenser, or bid Beaumont lie
A little further, to make thee a room:
Thou art a monument without a tomb,
And art alive still while thy book doth live
And we have wits to read and praise to give.
That I not mix thee so, my brain excuses,
I mean with great, but disproportion’d Muses,
For if I thought my judgment were of years,
I should commit thee surely with thy peers,
And tell how far thou didst our Lyly outshine,
Or sporting Kyd, or Marlowe’s mighty line.
And though thou hadst small Latin and less Greek,
From thence to honour thee, I would not seek
For names; but call forth thund’ring Aeschylus,
Euripides and Sophocles to us;
Pacuvius, Accius, him of Cordova dead,
To life again, to hear thy buskin tread,
And shake a stage; or, when thy socks were on,
Leave thee alone for the comparison
Of all that insolent Greece or haughty Rome
Sent forth, or since did from their ashes come.
Tri’umph, my Britain, thou hast one to show
To whom all scenes of Europe homage owe.
He was not of an age but for all time!
And all the Muses still were in their prime,
When, like Apollo, he came forth to warm
Our ears, or like a Mercury to charm!
Nature herself was proud of his designs
And joy’d to wear the dressing of his lines,
Which were so richly spun, and woven so fit,
As, since, she will vouchsafe no other wit.
The merry Greek, tart Aristophanes,
Neat Terence, witty Plautus, now not please,
But antiquated and deserted lie,
As they were not of Nature’s family.
Yet must I not give Nature all: thy art,
My gentle Shakespeare, must enjoy a part.
For though the poet’s matter nature be,
His art doth give the fashion; and, that he
Who casts to write a living line, must sweat,
(Such as thine are) and strike the second heat
Upon the Muses’ anvil; turn the same
(And himself with it) that he thinks to frame,
Or, for the laurel, he may gain a scorn;
For a good poet’s made, as well as born;
And such wert thou. Look how the father’s face
Lives in his issue, even so the race
Of Shakespeare’s mind and manners brightly shines
In his well-turned, and true-filed lines;
In each of which he seems to shake a lance,
As brandish’d at the eyes of ignorance.
Sweet Swan of Avon! what a sight it were
To see thee in our waters yet appear,
And make those flights upon the banks of Thames,
That so did take Eliza and our James!
But stay, I see thee in the hemisphere
Advanc’d, and made a constellation there!
Shine forth, thou star of poets, and with rage
Or influence, chide or cheer the drooping stage;
Which, since thy flight from hence, hath mourn’d like night,
And despairs day, but for thy volume’s light.

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