The Book Thief by Markus Zusak

Published: 14th March 2006 (print) / 15 June 2012 (audio)Goodreads badge
Publisher:
 Alfred A. Knopf / ABC Audio
Pages: 552 / 14 hours 22 minutes
Narrator: Dennis Olsen
Format:
 Audio
Genre: Historical YA
★   ★   ★   ★  – 4 Stars

It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will be busier still.

By her brother’s graveside, Liesel’s life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger’s Handbook, left behind there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordian-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor’s wife’s library, wherever there are books to be found.

But these are dangerous times. When Liesel’s foster family hides a Jew in their basement, Liesel’s world is both opened up, and closed down.

I’m glad I finally got a chance to read this, it has been on my list for a very long time and thankfully it didn’t disappoint. There were some adjustments to make with the audio format, it took a lot of getting used to, but at the heart of it, it’s a beautiful story.

Zusak’s approach to the story is quite unique. I loved the narrator and I loved how the story jumped around in time, always connecting back to things with a seamlessness. I actually kind of liked that some parts were spoiled early on, it made me think that if key spoilers were going to be announced in the first few chapters, whatever secrets that were kept must have been even bigger. Little did I know that Zusak’s plan was to ruin you in a completely different way with words that crush you and emotions that sneak up on you when you thought you were safe.

There are so many components that bring this book together: the characters work together with the history, and their environment brings it all together perfectly. Zusak’s blunt in some ways, but can weave a descriptive sentence in other ways as well. In a conflicting situation, I both loved and hate the side notes. I liked that they were like small information snippets or opinions from the narrator that provided more information to the reader and it gave it a nice aspect of being like footnotes while you read. The problem with them though is they didn’t translate to audio very well. Not that they couldn’t have, just that they weren’t done very well in this instance. Olsen does a fine job with the audio, but the sidenotes are told in hushed tones, something that is very hard to hear sometimes. It also made me realise I’m not a fan of accordion music.

Another thing I loved was that Zusak doesn’t shy away from harsh realities. He brings out the strain and the tension of Hitler’s Germany, as well as the pressure to conform and the consequences if you don’t. Zusak manages to explore a wide range of the social and political climates through his characters without it feeling like they are being forced into situations in order to explain things. There was no sense of Forrest Gump where all the important things happen to be connected to the characters, and yet with the structure Zusak has created, there is always a natural way to get all the information across and bring the main characters into the story.

I did think it was a bit long. I get that it is meant to be an ongoing story that builds up gradually over the course of the war, but my halfway I was a bit tired. I still enjoyed the story, but I was surprised that I was only half way. In a way it made sense not to rush it, there is a lot of power in a slow story that sinks its teeth into you and makes even the smallest action weigh heavy by the end of the book, especially over the course of a war. Of course I got my second wind and by the time I got to the end I’d gotten back into the swing of the story and Zusak brings this epic journey to a brilliant end. It’s poignant, heartbreaking, and for all the warning you get through the entire book, Zusak still manages to punch you in the heart.

You can purchase The Book Thief via the following

Booktopia | Book Depository | Wordery

QBD | Dymocks | Fishpond

Amazon | Amazon Aust

 

 

Hug Machine by Scott Campbell

Published: 26th August 2014 Goodreads badge
Publisher:
 Atheneum Books for Young Readers
Illustrator: Scott Campbell
Pages: 40
Format: Hardcover Picture Book
★   ★   ★   ★   ★  – 5 Stars

Who have YOU hugged today? Open your arms to this delightfully tender, goofy, and sweet tale.

Watch out world, here he comes! The Hug Machine!

Whether you are big, or small, or square, or long, or spikey, or soft, no one can resist his unbelievable hugs! HUG ACCOMPLISHED!

This endearing story encourages a warm, caring, and buoyantly affectionate approach to life. Everyone deserves a hug – and this book!

I love this book because it is simplistically sweet, a great story about a boy who just likes giving hugs because it makes him feel good and he thinks people will enjoy them as well. There is humour and heart, and it’s great to see the Hug Machine embrace (pun 100% intended) all manner of people and things in the effort to make them feel good. The Hug Machine takes us through who he hugs, why he hugs, and the ways he keeps his energy up whilst hugging all day long.

Campbell’s story is a delight to read but it is supported wholly by his illustrations as well. The expressions of the Hug Machine make this book because while the people and animals he hug may look confused at times, the serious and loving expression on his face while he hugs adds another great level.

What I love about this is that it is pure. It’s not moralistic or filled with lessons, not that some can’t be learnt from this, but it reads solely as a fun story about a little kid who loves to improve people’s mood and day with a hug.

You can purchase Hug Machine via the following

Booktopia | Book Depository

Wordery | Fishpond

Angus & Robertson | Dymocks

Amazon | Amazon Aust

Stardust by Neil Gaiman

Published: October 1st 1998 (print) / 1 May 2017 (audio)Goodreads badge
Publisher:
 Harper Perennial / Bolinda / BBC audio
Pages: 248 / 2 hours 32 minutes
Narrator: Eleanor Bron
Format:
 Audio
Genre: Fantasy
★   ★   ★   ★  – 4 Stars

Life moves at a leisurely pace in the tiny town of Wall—named after the imposing stone barrier which separates the town from a grassy meadow. Here, young Tristran Thorn has lost his heart to the beautiful Victoria Forester and for the coveted prize of her hand, Tristran vows to retrieve a fallen star and deliver it to his beloved. It is an oath that sends him over the ancient wall and into a world that is dangerous and strange beyond imagining…

I had watched the movie years before I even knew it was a book, and was glad enough time had passed that I didn’t remember it so I couldn’t compare the two. I listened to this as an audiobook too which was actually a full-cast dramatization from the BBC. That made it a really great experience, aside from the fact they get a bit too detailed and you have to listen to people talk while they’re eating and drinking which for me was super uncomfortable to listen to. The cast did a great job telling the story. It had great voice casting as well as accompanying soundtrack and sound effects. It was a little something extra than a normal audiobook experience.

One thing I found really interesting about this is that it felt like a short story, even though it was a full novel. The whole book had this duel sense to it, it had a simple premise but it felt full whilst reading it, and it felt substantial even when it wasn’t an overly busy plot.

Tristran is naïve in a way, he is in love which makes him idealistic. He doesn’t pick up on cues from Victoria about her lesser interest in him and he is determined to win her heart. On his quest to find the fallen star we see his good nature shine, and we become involved with his story and worry for his safety because there is no telling where this story might go. The unexpected and the cruel happen much like any fairytale story, but there is still a sense of good shining through.

The thing I love about magic is how the rules can be interpreted and how the regular rules of the universe don’t work. I loved the way Gaiman told this story, I loved how magic is used and how the rules of the magical world play out in the human one in different ways. There are twists and turns and for a simple find and recover story, there are intricate subplots happening that intertwine and connect, even when you don’t realise it. This is where Gaiman is good at his storytelling, creating a story that captivates you and pulls you in, without making it needlessly complicated or grand, yet still providing substance and beauty.

One thing which I both enjoyed and was a bit struck by, was the ending. It is great certainly, but it does end rather abruptly. You get a satisfactory ending for the story that’s told, but I feel like more could have been said just to round off the edges better instead of cutting it so sharply. But that may be the way of the fairy tale Gaiman was trying to tell.

When I finished I did sit down with the intention to rewatch the movie, but from the first instance I saw the differences I turned it off. Even if it was a decent adaptation, one of the things I loved most about the book was changed in the movie and I chose to preserve that memory instead. The way Gaiman uses magic was some of the best parts and when that didn’t translate I chose to not continue, though I’m sure it was a decent movie, it was more a personal choice than that it was a poor adaptation.

You can purchase Stardust via the following

Dymocks | Booktopia

Book Depository | QBD

Amazon | Amazon Aust

Fishpond | Wordery | Angus & Robertson

Artemis by Andy Weir

Published: 14th November 2017Goodreads badge
Publisher:
Broadway Books
Pages: 352
Format: Paperback
Genre: Science Fiction
★   ★   ★  – 3 Stars

Jazz Bashara is a criminal.

Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you’re not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you’ve got debts to pay and your job as a porter barely covers the rent.

Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she’s stepped square into a conspiracy for control of Artemis itself—and that now, her only chance at survival lies in a gambit even riskier than the first.

As someone who ADORED The Martian almost to a serious fault, I was disappointed this didn’t live up to the same feeling. Once I adjusted my expectations and stopped trying to compare it to The Martian, I enjoyed the story. Pushing past that barrier proved extremely difficult because I found myself constantly thinking back to Weir’s other work which, not only is unfair to him, but unfair to my reading experience. I kept expecting it to feel the same, to have the same likeable characters, and the same awe inspiring world.

Jazz is a character who is who normally doesn’t get up to too much trouble herself, she merely aides the illegalities of others. She is clever, too clever for what she is doing but she is stubborn and doesn’t listen when people tell her she has great potential. One of her clear character “charms” is that she is continuing her teenage rebelling well into her twenties which is something you have to get used to because it gets on your nerve a bit. I kept forgetting how old she was meant to be with her behaviour sometimes, but taken with the perspective of her whole story and experience it is slightly forgivable.

Some of Weir’s justifications for her behaviour and relationships was a bit thin, a stolen boyfriend at 17 causes a 10 year rift between friends, and a strange jealously of a fellow co-worker adds to her childish nature as well. There is nothing wrong with having an unlikable character, my only concern was that she was meant to be likeable on some level and it hasn’t hit that mark at all. But character assessment aside, once you accept who she is as a character you can focus more on the story around her.

My interest increased when I realised it was to become somewhat of a mystery. I liked the detective aspect and the problems that needed to be solved. I enjoyed the challenges Jazz faced, especially being in the unique situation of being on the moon. It added new problems and barriers, and it allowed Weir to introduce us more to this world he had created. The only downside was I felt the language was repetitive, and the delivery of information wasn’t always as seamless and natural as it could have been.

Weir has created a great world, one that works in a believable manner. It is futuristic while being grounded in a known reality, combined with a long held science fiction premise: a society on the moon with people who visit, people who live there, and people who are born there. His complicated world construction is aided once again by maps to help you picture the location of everything  and get a sense of this futuristic location with logistics about the day to day life explained through plot points and exposition. The science once again came across as realistic and plausible. It didn’t feel quite so seamless and natural as The Martian, but that might have something to do with the story structure itself. Instead of Watney writing his journal and explaining his process in that form, Jazz tells us her own story in first person and it feels clunky and at times unnatural.

I know it sounds like I didn’t enjoy it but that’s not true. I didn’t love it, but I liked it and I liked the story Weir told. The plot went beyond just a space story and it shows that people will always be people no matter their circumstance or location. There was mystery and intrigue, and there was clever science that I really enjoyed learning about and seeing put into practice.

I quite liked the ending, I think Weir redeemed himself with how he handled the final chapters. There is intrigue, mysteries, and the suspense of things not going to plan. I’d gotten used to Jazz by the end and while I actually thought there were going to be a few more surprises I enjoyed the ending. It made sense for the journey we’d been on and the story Weir was trying to tell.

You can purchase Artemis via the following

Book Depository | QBD

Dymocks | Fishpond | Booktopia

Amazon | Amazon Aust

Angus & Robertson

 

Chasing Odysseus (#1) by S. D. Gentill

Published: 1st March 2011 Goodreads badge
Publisher:
 Pantera Press
Pages: 353
Format: ebook
Genre: Fantasy/Young Adult
★   ★  – 2 Stars

Weak-eyed Hero is the beloved daughter of Agelaus, a Herdsman of Mount Ida, which looms over the fortified citadel of Troy. Hero, raised under the gentle hand of her father, in the protective company of her three wild, but noble, brothers, is ruled by a fierce piety, and tormented by her Amazon heritage. 

The Herdsmen of Ida hold a sacred trust. Throughout a 10-year Greek siege, they have been feeding the citizens of Troy using the secret tunnels that run beneath the fortress walls. Faithful and fearless, they traverse the ancient passages that only they know. Now Troy has fallen, and despite having led the survivors out of the carnage, the Herdsmen are falsely accused of betrayal. 

Agelaus is murdered by the anguished Trojans. The Herdsmen find themselves hated and hunted by both the Greeks and their friends, the people of Troy. They are forced into hiding, labelled cowards and traitors. Desperate to free their people from the stigma of treachery, young Hero and her brothers accept a magical ship from Pan, their beloved woodland god. They chase after Odysseus, the strategist of those who laid siege to Troy. Only he can explain how the Greeks entered the city, and in doing so cleanse the Herdsmen of the stain of treachery. 

I have wanted to read this book for ages and totally forgot I’d gotten a copy from NetGalley (bad reviewer!). What I found though when I did start reading it, was that it was quite underwhelming. I had been so intrigued by this book for ages and heard good things that I genuinely thought I would enjoy this more than I actually did. I like Greek mythology and I like The Odyssey but while this had familiar characters and references, it did not hold my interest. I found myself skimming just to get through faster.

The story begins up in the mountains that overlook Troy with the herdsman Agelaus and his four children; Hero and her three brothers, Machaon, Cadmus and Lychon. We are introduced to their lives as the Trojan War enters its tenth year and we’re shown what life has been like for those outside the city. We learn early on of Hero’s heritage as an Amazon and how she was rejected by them and left with Agelaus because of her poor eyesight and she is adopted into his family.

The main story kicks off with the fall of Troy and Agelaus is accused of being a traitor who helped the Greeks raiders get into the city. This of course sparks outrage and backlash and it falls on Hero and her brothers to clear the name of her father and discover how the Greeks breached the walls of Troy. This of course means chasing after Odysseus in an effort for him to reveal how he got into the city.

The premise of the story seems intriguing enough, but it is the characters that I feel let it down. I didn’t like Hero as a character. I kept waiting for her Amazonian heritage to come into play and have her be some mighty force, even with her poor eyesight. Instead she is subdued and focuses more on praying to the gods than doing much in terms of helping. Her brothers constantly mock her for her devotion to the gods, and I will say I did like the reminder that just like the present day, not everyone believed in the gods. Her brothers aren’t that interesting either. They all kind of mixed into one another and I didn’t feel connected to them at all.

As for the story, I was intrigued by the premise but it just seemed so strange and mediocre. Gentill does well to reference the original story of The Odyssey, following Odysseus after he ransacks Troy and all the places he visits, but aside from that familiarity I wasn’t that interested. Nothing seems to happen, following after Odysseus isn’t very captivating and even though Gentill tries to add danger and suspense, my lack of interest in the characters didn’t make me concerned for their safety or success and following an already established story didn’t add any real mystery as to what might happen next, probably not in the way Gentill expected it to.

There are heartfelt moments and sad moments which tries to give depth to the narrative, but not executed well enough to feel substantial in my opinion. This is only the first book in a trilogy so it is highly possible all the characters will get some kind of development and growth as the story progresses. The only problem with that though is my interest hasn’t been piqued enough in this book to want to keep going with the series.

You can purchase Chasing Odysseus via the following

Booktopia | Dymocks | Fishpond

QBD | Angus & Robinson

Amazon | Amazon Aust

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