Good Girl, Bad Blood (#2) by Holly Jackson

Published: 30th April 2020 (print)/9th September 2021 (audio) Goodreads badge
Publisher:
Electric Monkey/Harper Collins
Pages: 417/11 hrs and 45 mins
Narrator: Jot Davies, Clare Corbett, Kristin Atherton, Luke Poli, Maryam Grace, Richard Hughes
Format: Audiobook
Genre: Young Adult
★   ★   ★   ★  – 4.75 Stars

Pip Fitz-Amobi is not a detective any more. With the help of Ravi Singh, she released a true-crime podcast about the murder case they solved together last year. The podcast has gone viral, yet Pip insists her investigating days are behind her. But she will have to break that promise when someone she knows goes missing. Jamie Reynolds has disappeared but the police won’t do anything about it. And if they won’t look for Jamie then Pip will, uncovering more of her town’s dark secrets along the way… and this time EVERYONE is listening. But will she find him before it’s too late?

The storyline of the second Good Girl’s Guide to Murder book takes place not long after the events in the first. Having come off the notoriety of her first investigation, Pip is trying to settle back down to real life again as promised but soon becomes involved in a missing persons case and so much more. The angle Jackson takes to justify Pip’s involvement this time round is valid. Jamie is missing, the police are otherwise engaged, and Pip’s ongoing curiosity and the pleas of her friend are hard to ignore.

Jackson weaves in the aftermath of book one as Pip recaps her first investigation formally to a wider audience. This also leads her into her second in a natural way. The characters who are impacted in the first book get to continue their story which is satisfying. It isn’t forgotten and the effect on the whole community is still there.

The story builds from a slow start into a gripping conclusion. There is a lot of mystery to work with and while it takes time to get going, there is still a finger on the pulse. The ending stayed with me much longer than the rest of the book, but that wasn’t because the rest of the book was bad. The slow start builds and builds, a complicated network of crimes and new development take you down various paths into a new uncovered piece of information. The connecting plot points play out well, stung along to one new discovery then another. The sordid world of various crimes growing with each chapter.

There is a wonderful exploration about the complexity of human beings. How circumstances can change someone, how trying to do the right thing isn’t always enough. It is a different approach compared to book one where there is a sole cold case to work through. Now, a real time missing person lends itself to more fervent behaviours, more panic as one thing leads to another, and a real time reaction of the public.

The story explores morally what is right, about who is really a bad person, and who is in the right, if anyone. What justifications are there for anything anybody does? It’s also incredibly sad, realising how unforgiving people can be. The right to be judge, jury, and executioner. Mob mentality, small town judgement, and people’s expectations are on show in full force and as intricate the story is, the simplicity of it is heartbreaking.

The ending was amazing, not only in the twist which, looking back, was laid out wonderfully, but also the outcome of the big finale. I’m impressed Jackson went in that direction, especially as it substantially darkens the series, and makes it more real for Pip. The whole book felt more real. Even with the completely possible events in book one, somehow this was more believable.

Once again I loved the formatting of the book. The inclusion of the podcast adds another element which is ideal for the audiobook. Having transcripts in the book is great but having them acted out in the different ways is a nice advantage for an audiobook to have. Usually things are slightly lacking from the physical copy – pictures, emojis and what have you.

The narrators did a fantastic job and Pip comes to life once more with Atherton at the helm. Her fear, her frustrations, and her passion are evident, and her youth and uncertainty are there as well. All the narrators did a great job with their characters, it didn’t feel like a radio drama, but at the same time having a whole cast of characters with their own voices made it feel like a full story.

This is an interesting second book, obviously there is more to come because the aftermath of this book is going to have ramifications both to Pip personally and the wider community. It’s already going down a dark path so it will be interesting to see what comes next.

You can purchase Good Girl, Bad Blood via the following

QBD | BooktopiaDymocks

WorderyAngus and Robinson | Blackwell’s

 Fishpond | Amazon | Amazon Aust | Audible

Kill Joy (#0.5) by Holly Jackson

Published: 18 February 2021 (print)/04 March 2021 (audio) Goodreads badge
Publisher:
Electric Monkey/Electric Monkey
Pages: 160/2 hrs and 59 mins
Narrator: Kristin Atherton, Richard Hughes
Format: Audiobook
Genre: Young Adult Mystery
★   ★   ★   ★ – 4 Stars

Pippa Fitz-Amobi is not in the mood for her friend’s murder mystery party. Especially one that involves 1920’s fancy dress and pretending that their town, Little Kilton, is an island called Joy. But when the game begins, Pip finds herself drawn into the make-believe world of intrigue, deception and murder.

But as Pip plays detective, teasing out the identity of the killer clue-by-clue, the murder of the fictional Reginald Remy isn’t the only case on her mind…

Find out where it all began for Pip in this prequel to the best-selling A Good Girl’s Guide to Murder and Good Girl, Bad Blood.

This prequel to A Good Girl’s Guide to Murder is a captivating read. It’s definitely one I would suggest reading after you’ve finished book one, there isn’t spoilers per se, but there is a lot dependent on knowing what happens in book one that makes it more impactful. I thought it was much better to read an origin type story knowing the end with an understanding of who these characters were. Especially since they can be fleshed out much better in the novel length format.

Having said that, it’s a fantastic story on its own; Pip’s deductive mind, the great costumes, and the roles everyone plays while still being themselves all make this short novella a thrilling story. Jackson keeps the tantalising mystery alive and delivers thrills to the reader with unexpected events and surprises and a night that doesn’t entirely go to plan.

Jackson’s use of language and Pip’s imagination lead you to into theories of your own about whether they might be there only for a fictional murder or if something more nefarious is going on. Being a #0.5 prequel you have a little knowledge that nothing major will happen, but that doesn’t mean you are safe either. It is easy to become caught up in the hints of mysterious footsteps, shadows in corners, missing party members, as well as the unknown factor about what is on other people’s character cards.

There are hints to the first book, reminding us that this is a town with a real murder, and it shows how fresh it was on Pip’s mins when her project starts not long after these events. But at the same time it remains its own fun story about a fun evening between friends and a great story on its own.

It introduces us to the characters, the town, and a new side of Pip. I love how we get to see the small spark of Pip’s deduction skills and having read the main book first see how far she can go when given a real mystery to dig her nails into.

I adored the ending. I was fascinated at Jackson’s approach to the murder mystery and old style Poirot type investigations. The various levels of commitment from each person, as well as the switch between being in character and being themselves adds another level because while it is played like a real murder, it is still a group of teenagers playing a game.

It is a great book to read if you have read A Good Girl’s Guide and it’s a great introduction if you haven’t. There’s a great sense of Pip’s character if you know how she works through the main book, and it’s a wonderful lead in to see the friends and some of the main players in the bigger story.

You can purchase Kill Joy via the following

QBD | BooktopiaDymocks

WorderyAngus and Robinson | Blackwell’s

 Fishpond | Amazon | Amazon Aust | Audible

A Good Girl’s Guide to Murder (#1) by Holly Jackson

Published: 2 May 2019 (print)/5th Aug 2021 (audio) Goodreads badge
Publisher:
Farshore/Electric Monkey
Pages: 432/12 hrs and 56 mins
Narrator: Jot Davies, Clare Corbett, Kristin Atherton, Olivia Forrest, Luke Poli
Format: Audiobook
Genre: Young Adult
★   ★   ★   ★  – 4 Stars

The case is closed. Five years ago, schoolgirl Andie Bell was murdered by Sal Singh. The police know he did it. Everyone in town knows he did it.

But having grown up in the same small town that was consumed by the murder, Pippa Fitz-Amobi isn’t so sure. When she chooses the case as the topic for her final year project, she starts to uncover secrets that someone in town desperately wants to stay hidden. And if the real killer is still out there, how far will they go to keep Pip from the truth?

I have been eyeing off this book for years and I finally started reading it and I’m so glad. It is captivating and draws you in fairly quickly and never quite lets go. Who can resist the allure of a possible mistake in a closed case and a town so ready to condemn an apparent murder? The further you go the more doubt is cast. There are hints and clues that don’t connect, the misdirection and hidden secrets from people in town and a cast of characters to keep you guessing.

Jackson has written a story that starts off so simple and yet as each chapter goes on, and Pip gets further information from the people in her tiny village, the stakes are raised and threats come from all sides. I loved the numerous angles and there’s tension and mind games that even as readers you get embroiled in.

As with a lot of things in a small town, secrets are unearthed and things that have been kept hidden come to the surface, affecting more than just one person’s life. It never felt sensationalised, but the knock on effect is clear. Pip’s innocent investigation for a school project never leads her astray from her capabilities, but at the same time her own personality latches on and her consumption of the case and the need for answers brings danger.

Pip is a great character. Her passion and dedication grows from an interest for a school project to something of an obsession as she uncovers more and more secrets and unanswered questions. Her focus and her determination to get to the bottom of this crime is something I think you can achieve with her approach to her investigation, especially as so many people think there has already been a culprit named.

Jackson is great at balancing Pip’s access to information and the reasonable assumption no one would talk to a teenager about certain things. Small town gossip and prejudice is a wonderful tool too and it works in sync with Pip’s perseverance.

Each character felt real too, which is important when creating a community. No one felt one dimensional even the red herrings all had full lives and stories, making them as likely as the next to be suspects. The realness of characters is important too if readers are meant to believe they could hide things, deceive, or have more depth than it first appears. Jackson does this well as everyone Pip interviews, helps, or is hindered by bring their own lives to the page and it is definitely a strength of the book.

I know the book is filled with great formatting around transcripts, emails and Pip’s notes, but I loved the audio version of this so much. It was a mix between an audiobook and a radio drama. The phone conversations sound like phone conversations, the recordings Pip references sound like conversations on tape recordings being played back, and the different voices bring in another great element.

I initially thought it would be a weird, off putting things to have it cut from clear narration to audio that replicated being recorded in a room but it worked remarkably well and helps place you in the scene immediately. It is definitely a bonus instead of having the poor narrators read out transcripts verbatim, having to name each character who speaks before reading their lines for page after page.

It isn’t entirely like a radio drama, there is regular narration as well which help break up Pip’s research and the outside story. It was a clever way to lay out how she was conducting her research and piecing it all together, plus those listening to the book don’t miss out on the creative storytelling Jackson has designed.

I didn’t realise just how long I had been planning to read this until I looked for the sequel and saw there was not one, but two I could get my hands on. So my bad for the delay but it is a seriously good story and one you should definitely pick up if you haven’t.

This is one you should read in order, not only because the second book spoils practically everything from book one fairly soon, but there is something wonderful about seeing Pip’s growth and her determination as she investigates.

You can purchase A Good Girl’s Guide to Murder via the following

QBD | BooktopiaDymocks

WorderyAngus and Robinson | Blackwell’s

 Fishpond | Amazon | Amazon Aust | Audible

Long Lost Review: The 143-Storey Treehouse by Andy Griffiths

Long Lost Reviews is a monthly meme created by Ally over at Ally’s Appraisals which is posted on the second Thursday of every month. The aim is to start tackling your review backlog. Whether it’s an in-depth analysis of how it affected your life, one sentence stating that you only remember the ending, or that you have no recollection of reading the book at all. 

Published: 1 October 2021 (print)/19 October 2021 (audio) Goodreads badge
Publisher:
  Pan Macmillan Australia /Macmillan Australia Audio
Pages: 304/ 1 hr and 40 mins
Narrator: Stig Wemyss
Format: Audiobook
Genre: Junior Fiction
★   ★   ★   ★  – 4 Stars

Andy and Terry’s treehouse now has 13 new storeys, including a word-o-matic (it knows every word in the whole world!); a recycling depot; a wrecking ball; a deep, dark cave with a real live, fire-breathing dragon; a too-hard basket; a SUPER BIG STUFF storey; a baked-bean geyser (it erupts on the hour, every hour); a Ye Olde Worlde Historical Village; a fish milkshake level (the penguins love them!); a complaining room; a spooky graveyard (where it’s always midnight, even in the middle of the day); a toffee apple orchard guarded by a kind scarecrow; and a camping ground where you can have a nice, relaxing camping holiday – unless you get caught by hobyahs, put in a bag and poked with a stick, that is … Well, what are you waiting for? Come on up!

As I was organising my review of the 169 Storey Treehouse I realised I skipped reviewing a few of the Treehouse books. I am here to start rectifying that today, I found the lovely notes I wrote when I read it in 2022 so I can at least remember what it was about.

This is Treehouse book number eleven. It doesn’t feel like there have been eleven, each one is fresh and engaging despite being formulaic. They are fun, wacky, humourous, and have unique antics that always seem to make sense in the story even if they make no sense.

Unlike some previous books, there is an actual storyline this time around instead of the plot consisting of jumping through random rooms and floors in the treehouse. There are references to old books and previous levels which doesn’t always happen, and given there are 143 levels it makes sense you could easily reuse a room.

Wemyss does an amazing job once more with the audiobook. It’s always a delight listening to him not only do the narration but also the side dialogue as he describes the illustrations and quirky remarks you miss out on with the audio format. The chatter of the little creatures running around the place are fun to listen to and it fits in well with the overall tone of the story.

I still enjoy the recap at the end of the book as they write down their adventure for their book. I know in the past I disliked the formula sometimes but I like the reliability of it, especially given the middle bits are always so different. I think when the story in the middle is done well, and there is a structure of sorts and isn’t wacky event after wacky event, it’s a better book.

Griffiths makes each book fresh and new and by now we are well aware of Terry and Andy’s dynamic so you know how each character behaves and how they influence a story. It is still easy enough to jump into this series wherever you first find it because they are easily a standalone despite the references to their past works. Story wise it makes no difference which adds to the timeless charm of the series.

You can purchase The 143-Storey Treehouse via the following

QBD | BooktopiaDymocks

 Angus and Robinson | Blackwell’s

 Fishpond | Amazon | Amazon Aust | Audible

Piranhas Don’t Eat Bananas by Aaron Blabey

Published: 1st September 2015Goodreads badge
Publisher:
 Simon and Schuster
Illustrator: Aaron Blabey
Pages: 24
Format: Picture Book
★   ★   ★   ★  – 4 Stars

Everyone knows that piranhas don’t eat bananas — except for Brian. This little fish loves to munch not only on bananas, but on fruit of all kinds Brian’s piranha friends think he’s crazy. Piranhas don’t eat bananas — their sharp teeth are for eating meat And there’s a scrumptious pair of feet dangling in the water nearby…

First up, I adored the illustrations. Who knew you could show so many expressions on a fish. Kudos to Blabey for giving me pure delight just looking at those little green faces.

I had no idea what this book was about before I picked it up, I see so many of Blabey’s picture books with alluring and interesting titles that I add them to my list and vow one day to get there. I am so glad I have finally got there because this book was amazing and so much fun to read.

I loved how enthusiastic the little piranha was about sharing his fruit with his friends, despite being rejected each time because bums and knees are more appetising. Disney’s Tarzan taught me that piranha’s are native to South America so our bums and knees are safe here in Australia unless there is a severe ecological crisis, but I liked how fun the story was about the joys of nibbling on people.

There wasn’t any malice or taunting, this is a fun book about one piranha’s love of fruit but not about the other piranha’s teasing them for the choice. The rhyming was fantastic, the narrative flow got you turning the pages but the rhymes were clever, the dialogue was clever, and the story, while simple, was fun.

The illustrations were brilliant. As I said, the expressions on these little green piranha faces was divine and I liked how they were individuals. Each fish had their own personality and looking at the pictures was as enjoyable as the text, even if the illustrations were simple, they filled the page and complimented the text so well that you don’t even notice.

This might be my favourite Blabey picture book, I loved everything about it, I even loved the little information pages where Blabey with both humour and interesting fact, tells the reader about piranhas as well as bananas and how the two rarely meet, citing both the dangers of banana skins, and the lack of piranha usually feasting on them.

You can purchase Piranhas Don’t Eat Bananas via the following

QBD | Booktopia | Blackwell’s

Dymocks | WorderyAngus and Robinson

 Fishpond | Amazon | Amazon Aust

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