Artemis Fowl and The Opal Deception (#4) by Eoin Colfer

Published: April 30 2005
Goodreads badgePublisher: Puffin Books
Pages: 343
Format: Book
Genre: Junior Fiction/Young Adult Fantasy
★   ★   ★   ★   ★  – 5 Stars

The evil pixie Opal Koboi has spent the last year in a self-induced coma, plotting her revenge on all those who foiled her attempt to destroy the LEPrecon fairy police. And Artemis Fowl is at the top of her list.

After his last run-in with the fairies, Artemis had his mind wiped of his memories of the world belowground. But they have not forgotten about him. Once again, he must stop the human and fairy worlds from colliding—only this time, Artemis faces an enemy who may have finally outsmarted him.

I would like to take this moment to quote myself if I may. Ahem, “What’s great is that there are no grand corporate plots, evil nemesis’ and no fairy political struggle infringing on the human world.” I wrote this about book one and I am actually rather pleased it has taken until Book Four to prove me wrong. Book four was always going to be interesting based on the end of book three, but this took it to another level. Artemis is always a fantastic character, but having to deal with the outcome of the last book, it only added to his charm.

Book four sees the return of dear Opal. Poor Opal has not come out of the last LEP encounter all that well but that is not going to stop her. Revenge is the key theme through this book, always a thrilling subject. As I say, I like how we had to wait to see this grand scheme. We were not thrust into it unexpectedly, and we actually got to see the cause before the retaliation which was brilliant. It was not a knee jerk reaction, nor was it rushed and passed over. Colfer thought this out and it paid off. By waiting as he did, really for the opportune moment, it had the impact and the consequences it needed to suit the world and characters it affected. By now we have history and cause, we know all the characters involved rather well, and it gels together so much better once we have become invested in these characters and their lives.

Like all Fowl books The Opal Deception is very intriguing and you only realise, well, I only realised how clever it was once I had finished. You knew it was clever and amazing and sneaky while it was going on, but then you think about it, and the title and the characters and you go, ‘ohhh, that’s quite clever actually’.

We’re given the same great characters as usual, plus some new ones, each with a witty and unique personality that is executed well. Despite visiting the same people each time, it actually doesn’t get old, even if it does sound like that in reviews. Colfer has created these characters that each time is a joy to see them do what they do. And through the narrative and the events that take place, new sides of everybody are revealed and offers that little something different about them. The story offers twists very early on and doesn’t shy away from anything. This is a little bit of a shock but it is also brave and probably necessary. Though I say this seeing how it ended and guessing where it might go next. The internal struggles described and played out in this book were also very well done, and believable, especially for Butler and Artemis I felt.

I approve very much of how Colfer keeps things in real time as it were. Artemis gets older, life goes on and real life happens amidst all this magical and exciting action and espionage. Can we call it that? I don’t see why not. I recall commenting on how enjoyable it was catching glimpses of a new side of Artemis when he is thrown into new situations, and this continues here. Whether it is his age or his experiences there is a new side of dear Arty seeping through and it is a joy watching him analyse and struggle with himself in his typical manner. But what I found great was how Artemis’ past actions had shaped him, and how without them how different he could have been. It makes you realise where he was in book one and how without realising it he has changed.

There is the usual suspense Colfer offers, but in a different form this time I felt, just as intense mind you, but focused on different expectations. I loved it, it was making me anxious trying to cope with the mystery and suspense of where this story was going. Before it was a lot about the mission or the situation they were in, and the same was true here, but there is also an additional personal suspense I guess you could call it. Less about the adventure and more suspense and guessing about characters and the direction they were headed instead; very unexpected but welcomed. Though really, trying to guess where the story is headed and trying to think a step ahead of Artemis is always a challenge and a pleasure when it comes to these books.

I think book four is a very good turning point in the Artemis saga. So much has changed by the time you are finished this book you really have no idea where it will go, again a little like the previous book, but Colfer knows what he is doing, and he directs us and leads us on the new path. I think these changes make book five more inviting because you essentially start a new saga of sorts, but with the same people you have known for what seems like forever. Definitely one of my favourites so far and one I would really like to read again quite soon.

Artemis Fowl and The Eternity Code (#3) by Eoin Colfer

Published: April 27 2003
Goodreads badgePublisher: Puffin Books
Pages: 329
Format: Book
Genre: Junior Fiction/Young Adult Fantasy
★   ★   ★   ★   ★  – 5 Stars

Artemis Fowl has constructed a super-computer from stolen fairy technology. In the wrong hands it could be fatal for humans and fairies alike. But no need to worry. Artemis has brilliant plan. He’s not going to use it; he’s just going to show it to ruthless American businessman with Mafia connections. His bodyguard, Butler, will be with him.
What could possibly go wrong…?

The more I read of Mr Fowl and his antics the more I enjoy them; and by enjoy I mean adore and have messed up thinking and a headache trying to figure out what is happening or about to happen. It is glorious! We begin with Artemis trying one last hurrah before going straight and as soon as soon as he begins, chaos ensues. Taking us slightly back to book one we see more fairy technology being adapted for Artemis’ use as he tries to sell modified technology. This, of course, unintentionally attracts the attention of the LEP and as things begin to go wrong, the old gang arrives to join the adventure. Is it really an Artemis book without them really? There is clearly a developing connection between Holly and Artemis, their friendship has been growing as we saw previously, but this time we see how far it has come.

What was great about this book was that we see a couple of Artemis’ failings. I think I mentioned in the Arctic Incident review that it was good to see his unnatural calm and control shaken, but this time it was less shaken than suddenly outsmarted and seemingly beaten, though by his exterior it is hard to tell how this affects him, which is why Colfer lets actions do the talking. This act of being outsmarted naturally never lasts long for Artemis and new plans are formed, but those brief moments where he is on the back foot are always a small delight.

There is added drama and suspense in this book for more direct and personal reasons than before, but naturally nothing Artemis can’t deal with. The LEP assistance is always great with the wit and sarcasm it brings, and you often wonder what would happen if there weren’t there, but as we saw from book one, Artemis makes thing happen when he wants something and he would easily adjust.

There are so many great intricacies in this book that I would love to rave about but alas, spoilers, and anything I want to mention I fear has a chance of ruining something. I will say this: what Artemis knows, and what Artemis thinks of, I am fairly certain he has already thought about before we have even had time to register the initial cause of why he is thinking it. There are times I think he knows them before Colfer sometimes as well, but if Colfer is let in on the plans, he hides them ridiculously well, always eager to just spring something on us.

Based on the events in this book I am eager to see what the next book deals with. I think more LEP exploration based on the conclusion of this, but I am sure our dear Artemis, who is growing older and more clever and charming and adorable by each book, will not be far away for long.

Fairy Tales by Hans Christian Andersen

Birthday
Published
: October 22nd 1998
Goodreads badgePublisher: Oxford University Press
Pages: 376
Format: Book
Genre: Fairy Tales
★   ★   ★   ★   ★  – 5 Stars

Happy Birthday Hans Christian Andersen!

I have to admit, most of my favourite fairy tales come from Hans Christian Andersen. I’m not against the Grimm Brothers by any means, but I know what I like with Andersen, with the Grimms I generally think they are all pretty good but I wouldn’t know an absolute favourite.

This favourite for Andersen is of course The Little Match Girl. I think it is one of the most beautiful and heartbreaking stories, and yet by the end Andersen brings in his own version of happily ever after which was nothing like I had ever seen before.

Knowing the Grimm’s work, I thought Andersen was greater, there was more than princesses, more than forests and enchantments; instead there were conceited kings, and there were ducklings, soldiers in love, silent mermaids, admirable princes: each with their own stories about love and sorrow and justice. There was no attempt to make life fall into place, there was no real justice for those who did wrong, and not simplistic and easy happily ever after to sooth the senses after the tragedy that had been experienced. This is why I admire Andersen so much, possible without meaning to he provides a happily ever after of simple happiness than orchestrating love and marriage and vengeance disguised as justice.

I knew more Andersen fairy tales growing up than I did Grimm, sure I watched the Disney versions of Cinderella, Snow White and knew the story of Hansel and Gretel, but at the end of the day Red Riding Hood scared me, and the idea of a prince saving me from my family, or defeating a witch had no real interest to me; the messages in The Ugly Duckling, or the Steadfast Tin-Soldier did more for my than warning me to stay on the path or defeating a witch in an edible house.

Andersen was on track to do a lot of things before he started writing fairy tales; he began working as a weaver’s apprentice before moving into the world of acting. There he discovered he had an excellent soprano voice he was accepted into the Royal Danish Theatre. This however did not come to anything as his voice changed, but this seemingly unfortunate turn of events in fact started Andersen on his writing journey. After being told he would make a good poet by a fellow company member, Andersen took this to heart and began writing, his first novel The Ghost at Palnatoke’s Grave being published in 1822.

The first fairy tale he wrote was called The Tallow Candle, in the 1820s and told the story of a candle who did not feel appreciated. He worked on many short stories as well as theatre pieces and poetry, but it is his collection of fairy tales that have made him well known in the long run; though as soon as I can track down these other works I have every intention of reading them.

The immortal fairy tales we know today were first published in 1835 consisting of nine tales, including The Tinderbox, The Princess and the Pea, Thumbelina and The Little Mermaid. New stories were added in later installments in both 1836 and 1837, however like it is with most works of genius, these did not sell well and Andersen went back to novels to get by.

His personal life is fascinating, he was a friend of Charles Dickens, and his life was filled with misfortune and great opportunities at the same time. If you really want to know more about what a troubled yet brilliant person Andersen was you can read his autobiography The Fairy Tale of My Life: An Autobiography. There have been a few film versions of his life as well, though some more fanciful than others.

Andersen paved the way for Kenneth Grahame and A. A. Milne and their stories, and Lewis Carroll and Beatrix Potter would also take their inspiration from him as well. From slow beginnings it is astonishing how loved and well known his works are, even more so than those he was known for most in his early years.

April 2nd is celebrated as International Children’s Day which I did not know until now. Reading his fairy tales are such a joy and are so moving and emotional at the same time, just as all good stories should be. Where would the world be today without the selfless little mermaid, or the child who spoke against a king, or even the simple prince who judged royalty based on a legume?

You can read a range of fairy tales from a range of authors and backgrounds at SurLaLune. It is a great website where you can find out about variations, histories and general amazing things about fairy tales we know and love, as well as those we’ve never heard of before.

Black Beauty by Anna Sewell


Birthday

In honour of Anna Sewell‘s birthday today I am reviewing the only book she wrote: Black Beauty. Sewell began writing in 1871 aged 51 but as she grew more ill she was painfully writing notes that her mother typed up, or she was dictating to get her story finished. It is always a little bit wonderful when you read about authors who are still trying to get their story out as they are ill, dying, or incapacitated; it means that they want their story out in the world so much that they will keep going until the end, not give up and leave it unfinished in a pile because it became too hard while they were sick.

Published: March 1st 2003
Goodreads badgePublisher: Scholastic
Pages: 245
Format: Book
Genre: Junior Fiction
★   ★   ★   ★   ★  – 5 Stars

Black Beauty is handsome and spirited, with a sweet temper. When he is four years old he is sold to a new owner who gently breaks him in. He is no longer free to gallop around the fields yet there is happiness and adventure among the hardship as his station changes from being a carriage horse on a country estate to a cab horse in town. At the same time he is aware that his well-being and future depend very much on the kindness or cruelty of his various masters.

Black Beauty‘s original title was Black Beauty: The Autobiography a Horse, translated from the original equine. I love this, and Sewell’s approach of using the animal autobiography genre is apparently considered the first of its type. Written over several years, Black Beauty was finally published in 1877. This creates a great setting for the history not only of the use of horses, but the society as well. The way people talk about horses, and using horse driven cabs is a wonderful image to have as the story progresses.

Black Beauty’s story is a gripping yet simple, complex, touching and achingly sad all at once. This is the story of a horse who goes through life working for many people, doing and seeing many things, and understanding the life, hardships, and joys of being a horse. It is a beautiful story, nothing is hidden and everything is laid bare, and that is why it is amazing.

I liked the way that Sewell did not shy away from the facts about life and about horses; facts are facts and the era of writing does play a role, but Sewell also set out to write a story directed at all those who worked with horses. I read that her intention was to promote the humane treatment of horses, and apparently Black Beauty is credited with having the greatest effect on the treatment of animals of any publication in history, resulting in changing the public attitude, as well as creating legislation to protect horses. That’s pretty amazing for her only book, and she didn’t even live to see the full impact it had.

People often get upset and mention how horrified they were about certain parts in this book, and I won’t lie, there are some bad moments where horse mistreatment is shown to various levels. However, as shocking and blunt these sometimes can be, they are not an ongoing focus. There is a lot of talk about cruelty, but there are equal amounts that show kindness and compassion. The sentiments mentioned in this story may seem cruel, but this book was also written in a time when this was the way of the world; and Sewell spends just as much time telling us that if horses were treated better than these situations would not be called for.

And while there is abuse, there is also a strong sense of justice for that cruelty that is more important. Throughout Black Beauty people are being reprimanded for whipping too much, jailed for mistreatment of horses, and people on the street have no issue pulling up riders or drivers who are being cruel. That is why this book is powerful, it shows the cruelty but also the consequences.

Black Beauty begins his story in a loving home where he is taught the ways of the world by his mother. She tells him to be “gentle and good, and never learn bad ways; do your work with good will.” Throughout this book he uses this advice to be the best horse he can be no matter what his situations and what he is required to do. As he changes home and he experiences new things he keeps this in mind, always trying his best.

What I found very interesting is that Black Beauty is given many names through this book, he begins his life as Darkie, and as he grows older and sold he is renamed Black Beauty, as well as Jack, Black Auster and others. But there is a reason the book is called Black Beauty, I never could figure out why but when I finished it this time I realised and understood, and that made it so much more wonderful.

What I also found heartbreaking but terribly sweet was when he was being sold once more at a horse fair. Being an older horse with injury and having recently come from a hard life, it was moving but beautiful as he says that his new owners “made as much of me as if I had been the ‘Black Beauty’ of olden time.” There is so much said in those words. He never lets his spirits down and he remains as good a horse as his mother wished through all he has been through, yet he knows why he is not as glamourous as he was. It is a true testament that he keeps his head high and makes the best of it all, but in the flickering moment he remembered his past with the meadow, his friends, and the love and affection he received from his master. Sewell manages to mean so much by saying so little, it is beautifully touching some of the things in this book.

Sewell is also very good a segues, Beauty’s voice is telling us his story and Sewell paces it right and places everything where it needs to be to make the story flow smoothly. Nothing is interrupted, yet nothing is left out either. She captures all parts of life, other horse experiences and their own stories. Through a horse’s eyes a person is judged in many ways in terms of their character. Beauty often gives people a well assessed judgement and we are shown why that judgement stands. Even in short paragraphs and a few lines Sewell can make it seem like we’ve gotten all we need to know about a person based on how a horse sees them.

The details in this story are also amazing, whether it is in the narrative or listening to another horse tell their story. Horses notice everything, the feeling of the human touch, kindness and pain. Sewell captures these beautifully and demonstrates that horses base their opinions on people not by who they are so much, but by how well they treat their horse. Through this technique you also see the horses reactions to war, ill-treatment, old age, and illness.

Other people have kept writing the Black Beauty story, but I can’t imagine ever wanting to read these other adventures, or read extended version about what occurred in the book, leaving the beautiful story as it is is enough for me, there is so much heart in the original that by adding to it will spoil it. There have also been multiple movie and television versions of Black Beauty, and I have never seen a film version I didn’t like, and only a handful I’ve seen have made minor changes to the plot as far as I could tell. I think with a story like this either reading it or watching it can be hard. It is really up to the individual, but when it is done well, it can be equally as wonderful as the book.

Happy Birthday Anna Sewell, it is sad you did not live long enough to see the effect your book had on the world, but I thank you for writing it.

The Boy in the Striped Pyjamas by John Boyne

Published: September 12th 2006
Goodreads badgePublisher: David Fickling Books
Pages: 224
Format: Book
Genre: Historical Fiction/Junior Fiction
★   ★   ★   ★   ★  – 5 Stars

Berlin 1942

When Bruno returns home from school one day, he discovers that his belongings are being packed in crates. His father has received a promotion and the family must move from their home to a new house far far away, where there is no one to play with and nothing to do. A tall fence running alongside stretches as far as the eye can see and cuts him off from the strange people he can see in the distance.

But Bruno longs to be an explorer and decides that there must be more to this desolate new place than meets the eye. While exploring his new environment, he meets another boy whose life and circumstances are very different to his own, and their meeting results in a friendship that has devastating consequences.

First of all I understand why this book is either loved or disliked. I didn’t know this was classed as a children’s book until I picked it up and I was a little surprised but I have read kids books on just as tragic topics so it isn’t unheard of. As for the book where do I even begin?

From the moment I started reading this book I was greeted with a child’s voice that had such innocence within it and observation with no deep thought it was wonderful. Bruno is a nine year old boy in his own world with his own priorities. His world changes around him and he doesn’t understand and tries to make the best he can out of what he is made to do. What I think people find hardest is how naive Bruno seems to be, he is only nine after all, and what is wonderful about children is they don’t understand adult prejudice until it is drummed into them and they become adults. Bruno doesn’t understand why things are happening, he just does as he is told, tries to fill in his own answers and pieces together the rest.

I liked that this story made you understand that there were more people involved than just Hitler. It is so interesting to see what happened from the point of view from an officer or someone within the system but also apart from the consequence. There was so much more going on during this era and it does not just boil down to the actions of one man, this book shows just what goes on behind the scenes of the man in charge. And there is no better angle than through a child, even if his family is involved, he is unaware of what it means.

It is sad and unsettling this book because you know it is perfectly true to some point. Within the first few dozen pages you realise that this very well could be, and as you read these phrases that are drilled into these children and hear the lessons they are taught, you know that this was what was happening. Now I say again, yes this is fiction, not exact historical fiction, and it is YA fiction so give it some liberties before slandering it. It tells these events in as good a way as say Two Weeks With The Queen tells you about homosexuality and AIDS. It is a story told through the eyes of a child, that has to be the biggest advantage this story has.

Writing style was rather like A. A. Milne at times with the repetition and matter of fact and selfish way children can sometimes think and behave and this I felt added something by reinforcing this was a little boy who was being left in the dark and didn’t even know it. Bruno has such an innocent look on the world and he is constantly trying to figure it all out. His conversations with Shmuel at the fence show just how naive he is, and how very wrapped up in his sheltered world he seems. But also Boyne writes through Bruno in such a way that it perfectly matches the mind of a nine year old boy worried about his own problems and ignorant to the greater picture.

Boyne maintains his style of describing without actually telling and a lot of things are described but not written down, and I trusted this to get me to the end. This approach was good because it keeps a lot of the explicit violence and unpleasantness about the events in this book out but it allowed Boyne to keep the story realistic allowing you to easily figure out what was going on. As I read and I saw the pages start to thin on one end I really didn’t want to go on, and with so few pages left I knew it was going to be wrapped up quickly. I got through it and I’m glad I did. The ending was a bit unfulfilling but expected. It gives you a lot to think about and you certainly don’t stop thinking about it quickly.

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