Alice in Wonderland (#1) by Lewis Carroll

Published: June 25th 1998
Goodreads badgePublisher: Oxford University Press
Pages: 111
Format: Book
Genre: Fantasy/Literature
★   ★   ★   ★   ★  – 5 Stars

Journey with Alice down the rabbit hole into a world of wonder where oddities, logic and wordplay rule supreme. Encounter characters like the grinning Cheshire Cat who can vanish into thin air, the cryptic Mad Hatter who speaks in riddles and the harrowing Queen of Hearts obsessed with the phrase “Off with their heads!” This is a land where rules have no boundaries, eating mushrooms will make you grow or shrink, croquet is played with flamingos and hedgehogs, and exorbitant trials are held for the theft of tarts. Amidst these absurdities, Alice will have to find her own way home. 

In recognition of Lewis Carroll turning 181 last month I feel a review is in order of the glorious Alice in Wonderland. I know this is a book that has been turned into so many movies and television shows (41 at last count according to Wikipedia), but the only one I see as being even remotely similar (that I have seen) is the Hallmark telemovie Alice in Wonderland starring Tina Majorino as Alice with a host of stars including Gene Wilder, Whoopi Goldberg, Christopher Lloyd and so many more.

When I studied this book at Uni I discovered that Carroll based Alice on someone he knew; much the same way J.M Barrie did for Peter Pan. Alice Liddell was the 10 year old sister of a friend of Carroll’s and he’d became a good friend to the family. He liked her a lot and he told the story of Alice in Wonderland (then Alice’s Adventures Underground) for her and her sisters. I found this website that gives a nice history about the book which is really quite interesting, and I think it would be much better than me telling you because I would become distracted in the fascinating history and not review the actual book. Plus trying to remember a university class almost five years ago may not do it justice. The edition of my book actually has a long introduction that tells the story, but it is not really necessary whatsoever to know.

I always loved this story, and when I read it growing up I liked the absurd nature of it. I am certain I did not understand half of the things I did as I got older, which personally I think is half the fun. There is a quote by Clifton Fadiman that states When you reread a classic, you do not see more in the book than you did before; you see more in you than there was before. . Whether it is about the book or yourself it doesn’t matter, I think learning something about yourself each time you reread something is just as wonderful. You can see how you have changed since the last time, in one of those small ways that you don’t notice until your attention is brought to it.

Carroll has written this book in the style that a young girl would, she is trying to remember all the proper etiquette she has be taught but she also thinks like a young girl which then reflects in her actions. The story opens with Alice being bored by her circumstance and her sister’s inability to read anything interesting that has pictures and dialogue. What I do remember discovering upon one of my later readings was that there is also a brother, so while I knew there was the older sister no one remembers she had a brother as well. Again, not important but still rather interesting.

As the narrator Carroll speaks to the readers on the odd occasion, especially during the rabbit hole sequence. He addresses readers as Alice falls which works well when you are reading to yourself but also lends itself to the fact it was initially an oral story. Everything Carroll describes does not seem as outrageous as it actually is; when he writes about growing larger, rabbits in waistcoats and singing griffins it seems perfectly natural. There is an accepted reality that Wonderland brings that is so absurd around every corner that you don’t question it. If there had been more real world similarities I think the absurd ones would stand out a lot more.

Aside from all the strangeness in this book the most strange is watching as this young girl eats and drinks everything she finds. Though one of my favourite quotes is “if you drink much from a bottle marked ‘poison,’ it is almost certain to disagree with you, sooner or later.” Something in the matter of fact way Alice approaches this world is part of the joy I think. She is very understanding and accepting of her circumstances, she is driven by her curiosities more than anything which explains away a few things, the need to know outweighs thinking about consequences. This comes more from her being such a young child than anything else I think, and perhaps in part who she is a person. She does have faltering moments where she struggles to remember who she was, as she recites the lessons and what she knows Alice attempts to assure herself she is who she thinks she is. So in that respect Wonderland does begin to affect her.

Two of my favourite characters and scenes have to have been the Mock Turtle and the Gryphon. There is nothing in that scene I love more than the other; it is funny, clever, sweet all at the same time. What is great about Carroll, like Dahl, is that there are songs and poems within the story. The songs the Mock Turtle and Gryphon sing are beautiful and a lot of fun. In terms of creating characters Carroll is an expert at creating varied and unique figures that contrast Alice well, and also manage to suit the Wonderland world ideally without making them generic and all the same. He starts us off simply with a rabbit in a waistcoat and then slowly drags us further from the world we know until we reach the Queen of Hearts who is playing croquette with flamingos. In between we get mad tea parties, caucus races and not enough pepper, all of which makes it a joyful and amusing journey.

Each character offers a lot of wisdom to Alice as she passes through Wonderland. The Duchess, the King, the Cheshire Cat are just some of the many who offer strange and seemingly confusing advice that is somehow profound in their own ways. The irony is of course that Alice offers no moral to readers, it is simply a tale of wonder and adventure. The Duchess herself says that ‘Every thing’s got a moral, if only you can find it.’ That is why this book is so great, there is no need for morals, it is what it is and what it is is a strange mix of absurdity and nonsensical actions that make up a bizarre series of events. Why read any deeper meaning into it and spoil the fun?

The ending I know has caused some issues to some people but I don’t really mind it. I think there is nothing wrong with how Carroll has finished the book. There is a sense that it is open to interpretation but I also think that it depends on who you look at: Alice or her sister. Since the sister was not there and has the rational mind of someone who reads books without pictures and dialogue, perhaps she is trying to justify Alice’s story, unable to believe it is true. It is something I think you have to make up your own mind about when you read it for it is the only way you’ll know.

Pinocchio by Carlo Collodi

Published: May 1st 1996
Goodreads badgePublisher: Puffin
Pages: 272
Format: Book
Genre: Adventure/Fantasy/Fiction
★   ★   ★  – 3 Stars

The old wood-carver Geppetto decides to make a wonderful puppet which can dance and turn somersaults, but by chance he chooses an unusual piece of wood — and the finished puppet can talk and misbehave like the liveliest child. But Pinocchio is brave and inquisitive as well as naughty, and after some hair-raising adventures, he earns his heart’s desire.

Rule one: Never judge a book by its movie; especially if it was turned into one by Disney.

There is nothing adorable and heartfelt about Pinocchio in this book, you spend a lot of the time being annoyed at him for being an insolent little cow, and he certainly gets what he deserves. In the beginning Pinocchio is very well knowledge for someone who has never been to school, seen the world, and is only a day old; yet he uses this knowledge well in his circumstances. As the book goes on he gets gradually more tolerable in nature but it does take awhile. He does a lot of complaining and whinging which gets old, and there are quite a few moments where he recaps his adventures in full detail, right down to the conversations. I can’t say I have ever seen that before, but if we look at him as a child then I supposes he must fill in his whole story to the person, it is through his dialogue after all.

Each chapter gives you a couple of lines summary, which personally I think is unfair. With a story like Pinocchio where chapters can end on cliff hangers and in the middle of a scene, I think having the conclusion told to you before you even begin is a bit pointless. Where is the surprise that he runs into Assassins if we knew they were coming?

There is a morbid nature to a lot of events in this novel, nothing too extreme but it is very blunt. I think the fact the Pinocchio is a puppet is supposed to take away the shock of what happens to him and what he does, but the intent and the actual actions are certainly violent. There are multiple cruelties done to him and others, and his life is threatened in serious ways as well. While Collodi is not detailed in what he writes, he doesn’t hide anything either.

The writing appears to direct the story towards a younger reader, especially with the constant rehashing about good behaviour in young boys and the importance of going to school. There is a sense Collodi is talking to the readers as an oral tale rather than one written, but despite the tone, he does not talk down to the readers either. Collodi follows the story and excludes the unimportant events in the narrative. There are big time jumps varying from a day to a year with only a sentence explaining time has changed. And I am quite convinced that the existence, non existence and size of Pinocchio’s ears changes as the story deems fit.

Since we can’t ignore it, I will say that this book takes things a lot further than the film, a bit darker but still along the same lines. There are familiar faces and scenarios, but there are some vast differences that change the tone completely through quite a lot of the book. You do not always feel a lot of sympathy for Pinocchio in this I must say. You start off on the wrong foot with him when he is made, and even though you see him struggle you get more annoyed each time he fails.

The book reads very much like a succession of moral tale after moral tale, the exception being Pinocchio is so misguided and distracted he keeps messing up and never learning. There are moments where you get tired of his inability to stay on track but I suppose it teaches the lesson and shows you may not get the right way the first go but don’t give up, all those lessons for the children reading.

Overall it was a good book and you do see him change and become a better person, but I think all the times he fails makes this seem less real. You are supposed to see how he has grown but I don’t think it has been written in the correct way that makes you actually believe it. Because Collodi brushes over a lot and writes in simple terms it seems like a shallow remorse in my eyes but I see that it is supposed to have been the major turning point considering where we came from.

The Shipping News by Annie E. Proulx

Published: June 1 1994
Goodreads badgePublisher: Scribner
Pages: 352
Format: Book
Genre: Fiction
★ – 1 star

When Quoyle’s two-timing wife meets her just desserts, he retreats with his two daughters to his ancestral home on the starkly beautiful Newfoundland coast, where a rich cast of local characters and family members all play a part in Quoyle’s struggle to reclaim his life. As Quoyle confronts his private demons — and the unpredictable forces of nature and society — he begins to see the possibility of love without pain or misery.

I know it probably is not wise to bring to mood down so early on into this endeavour, but I feel after the five star and highly praised books we need to even it out a little. I often find myself reading books that people define as a ‘classic’. That horrid little term which, to quote the other annoyingly quoted man Mark Twain, ‘is something that everybody wants to have read but nobody wants to read’. But I have indeed read some of these classics, one such being The Shipping News, something which according to Amazon Books,  “shows why Annie Proulx is recognised as one of the most gifted and original writers in America today”. Yeah no. I had to first read this book for my Extension English class in 2005 and much to the annoyance of my teacher it took me six months to finish it. I just did not like this book. I couldn’t get into it, I didn’t like any of the characters or the narrative whatsoever. Then of course we had to watch the film with Kevin Spacey, and I apologise to Mr Spacey because now every time I see him in a film I think back to this horrid movie and it makes me dislike him. Very bad I know.

There wasn’t anything in there that I hated especially about it, it was just that it bored me to tears and I simply dreaded picking it up again. I think I only smiled once through the whole thing and that was because one chapter opened up with a joke which was a little bad but very clever at the same time. Other than that I have no idea why people love this. I have seen reviews that talk about the beauty of Newfoundland and the intense character of Quoyle, but to me it is irrelevant. I don’t care how much Proulx describes the wonderful location, the fact we have to read about Quoyle’s drab life in Newfoundland is enough to cancel out any beautiful imagery. It is certainly a love or hate book I have discovered. I have come across a few of these. They somehow manage to divide people into five star ratings or one, maybe two.

There is so much in this book that could have made it intriguing: Quoyle’s wife Petal and all her issues, the fact Quoyle must raise his daughters after his sea change from New York, even the mystery surrounding Quoyle’s ancestral history in the town isn’t strong enough to actually make you interested or care. Instead we watch this man slowly sinking and no matter how hard he fights he barely stays above water. Even when things start going well for him the mood does not change, we may as well be back at square one where everything crumbles around him.

As the years pass and people still talk about this book I wondered if whether my age had anything to do my interpretation of reading this story. Was it the fact I was 17 and had this book thrust upon me for the sake of study? I would like to say no because I can recall so many other books that we had to study at school that I adored, even the strange science one On Giants’ Shoulders by Melvyn Bragg . I loved that book. So based on that, I stand by my argument that this book was simply  slow and dull and by having the long and dull movie thrust upon me as well did not make me appreciate the book any more.

As a character Quoyle annoyed me, his life seems to be a continual monotone of nothing, but what was worse was that so was his personality. Away from narrative, the way Proulx had written this story was disagreeable as well. I understood the connection and significance of the ropes and knot references but the way her sentences flowed and were constructed just got up my nose. I know books don’t suit everyone so I understand people out there loved it, but just for those people who see it being raved about and then hate it yourself, you are not alone and are not one of the weird people who “don’t understand the classics”. I hope you take that away with you because remember, one day there will be a book you adore and no one else will understand why. Remind them of this moment.

A shorter version of this review was originally posted on goodreads

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