Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin

Published: 5 July 2022 (print)/12 October 2022 (audio) Goodreads badge
Publisher:
Random House /Vintage Digital
Pages: 397/13 hrs and 52 mins
Narrator: Jennifer Kim and Julian Cihi
Format: Audiobook
Genre: Fiction
★   ★   ★   ★  – 4 Stars

On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn’t heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. They borrow money, beg favours, and, before even graduating college, they have created their first blockbuster, Ichigo: a game where players can escape the confines of a body and the betrayals of a heart, and where death means nothing more than a chance to restart and play again. This is the story of the perfect worlds Sam and Sadie build, the imperfect world they live in, and of everything that comes after success: Money. Fame. Duplicity. Tragedy.

Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin’s Tomorrow, and Tomorrow, and Tomorrow is a dazzling and intricately imagined novel that examines the multifarious nature of identity, games as art form, technology and the human experience, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love. Yes, it is a love story, but it is not one you have read before. 

I had heard praises for this book for so long, but I never knew it was about videos games until I actually started reading. I wish I’d picked it up sooner now. As a massive fan of Ready Player One I was curious about how this would be a similar love letter to video games but Zevin does a wonderful job. Not only showing how important, creative, and wonderful video games can be, but also how the human condition is balanced so precariously around friends, family, grief, and chance.

Zevin’s writing is incredibly vivid, this books reads like it is playing out before you on a screen. The other day, months after having read it, I was thinking of a scene and couldn’t remember the movie I had seen it in, before realising it was actually a scene from this book. There is fantastic foreshadowing but you never know it is foreshadowing which makes it even more incredibly heartbreaking.

The story is character driven but is also following a captivating story through their lives. It’s fractured and broken and strewn across the chapters and it is slowly pieced together as you read and switch perspectives. It’s skilfully told, interwoven stories and periods in their lives that reflect and mirror and resonate as you read. It’s fascinating to see the layers of their lives and the games they create, how their past and presents shape them and how those around them impact on who they become. Moments in their lives that shaped them, which tell a story of their own, are laid out before you and as the pieces fit together and you learn more, it becomes both beautiful and tragic.

An important thing to note is I don’t think you need to know anything about videos games to appreciate the story, or their role in it. There is enough context and explanation for you to know what is going on. The gaming aspect is very much behind the scenes while not being too actual game or tech heavy. It’s a love letter to videos games without being solely about video games. It goes through real history with a false history alongside and looks at the emotional and human connections that come through gaming.

I adore the characters. They are incredible realistic. They are flawed, compassionate, and human. Seeing their journey over the years and how the influence each other, adore each other, hate each other. It was wonderful to see the complexities of the human experience play out in a way that feels relatable.

Sam and Sadie are complex people and I loved seeing them grow from their youth to adults. From the beginning they are fully developed, alive on the page, and we follow their lives and their growth so intimately they only become more solidified as their experience shapes them. Secondary characters like Marx and Dove as great too, and Zevin balances our opinions of them through Sadie and Sam’s eyes well so it’s a constant see saw of how we think of them.

I read this as an audio and the format of transcripts, point of view swaps, and time skips aren’t hindered at all and you still completely experience and understand the wonderful story being told. There’s strings that connect that you aren’t aware of until they’re pulled together at the end when it falls in pace, but you are never left lost by the time jumps and the format. A truly beautiful story that is about an area not usually given the respect it deserves.

As the story progresses through the years you are reminded that the world was a much simpler place pre 2000, but at the same time post millennium has advantages too. It’s a perfect balance between the love of games and the knowledge of how impactful they can be coupled with an emotional journey through life and love and the universe.

 

You can purchase Tomorrow, and Tomorrow, and Tomorrow via the following

QBDDymocks

WorderyBlackwell’s

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Odder by Katherine Applegate

Published: 20 September 2022Goodreads badge
Publisher:
Feiwel Friends
Pages: 272
Format: Paperback
Genre: Fiction
★   ★   ★   ★ – 4 Stars

Meet Odder, the Queen of Play:

Nobody has her moves.
She doesn’t just swim to the bottom,
she dive-bombs.
She doesn’t just somersault,
she triple-doughnuts.
She doesn’t just ride the waves,
she makes them.

Odder spends her days off the coast of central California, practicing her underwater acrobatics and spinning the quirky stories for which she’s known. She’s a fearless daredevil, curious to a fault. But when Odder comes face-to-face with a hungry great white shark, her life takes a dramatic turn, one that will challenge everything she believes about herself—and about the humans who hope to save her.

Inspired by the true story of a Monterey Bay Aquarium program that pairs orphaned otter pups with surrogate mothers.

I only knew Applegate from her incredible Animorphs series so I was surprised when I came across this book. It is a beautifully told story. It looks like a big book but since it’s told in verse it’s a fairly quick read, but at the same time it is one you can easily take your time with.

It is amazing how Applegate can tell such a beautiful story of an otter’s life with so few words, but each one is important and captures the right mood and tone. The world under the waves, the actions, instincts, and dangers of an otter’s life are told beautifully. You don’t need paragraphs of descriptions about the ocean or what it feels like tow swim through the water, Applegate captures it with a few lines and you’re immediately there alongside Odder and her friends, experiencing the underwater world for the first time.

Verse reads completely different than poetry, and of course separate again from prose. The lyrical nature makes the words flow, and it feels melodic as you read. The short sentences and the limited words don’t hinder understanding at all and Applegate chooses the right words to capture mood, tone, and action perfectly.

There is heartbreak, love, and joy and I continued to be amazed how such a beautiful and complex story could be told in such an apparently simple style. You really don’t need it to be a novel though, free verse is lyrical, flowing and perfect to feel like you are riding the ocean waves, and swimming sleekly through water like an otter.

Applegate brings Odder to life so well as we experience her thoughts and her desires. Her curiosity at the world around her and her love for the ocean captivates you and you get to experience what life as an otter would be like. We understand other otters through her perspective and even understand the humans through Odder’s observations and experience.

Odder is a sea otter, I have only seen river otters in the zoo so I was picturing that the entire time, despite the adorable cover picture which gives you an indication of what Odder looks like. There is also a scattering of pencil illustrations throughout. Santoso’s illustrations are gorgeous and bring another level of beauty to this book and complement Applegate’s poetic words.

I was surprised to find myself becoming emotional towards the end. Seeing Odder grow up, see her life change as she lives in the sea, experiences danger and loss, as well as her time being cared for by humans. It’s a journey for her but also for the reader and those around her. After you’ve gone on this journey with her you feel proud of her resilience and achievements. And the fact she can still find hope after giving up was surprisingly impactful. Applegate pulls some incredible emotional punches through so few words. It truly is an art.

You can purchase Odder via the following

QBD | Booktopia | Blackwell’s

Dymocks | WorderyAngus and Robinson

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Other Ever Afters: New Queer Fairy Tales by Melanie Gillman

Published: 20th September 2022Goodreads badge
Publisher:
Random House Graphic
Pages: 240
Format: Graphic Novel
Genre: Fairy Tale
★   ★   ★   ★ – 4 Stars

Once upon a time . . . happily ever after turned out differently than expected. In this new, feminist, queer fairy-tale collection, you’ll find the princesses, mermaids, knights, barmaids, children, and wise old women who have been forced to sit on the sidelines in classic stories taking center stage. A gorgeous all-new collection in graphic novel format from a Stonewall Honor-winning author and artist.

What if the giant who abducted you was actually thoughtful and kind? What if you didn’t want to marry your handsome, popular, but cold-inside suitor? What if your one true love has all the responsibilities that come with running a kingdom?

Award-winning author Melanie Gillman’s phenomenal colored-pencil art creates another “ever after” for the characters who are most worthy of it.

This was a fabulous recommendation and it holds up to the praise. It is filled with wonderful fairy tales that are unique, meaningful, and feel like the traditional ones we’ve known for generations.

One things I adore is that these princesses aren’t the typical kind you find in retellings – they are not the tough, kick arse princesses, they are still maids, still children, but they have their worlds changed. They are saved from their storylines and empowered by love. There is an amazing message about not letting fairy tales devour girls and instead to let the system of oppression and rule starve.

Gillman hasn’t made them complicated, or too on their head, but they are about people being saved from fate, from the society around them, from their despair and from themselves. They are really beautiful stories.

It is a great collection of stories that showcase different types of experiences but also put unrepresented people in stories that have been dominated by others for so long. From stories about Sapphic love to a story about a trans character dealing with dead naming and their supportive grandmother there is a lot of queer representation and experiences to explore.

The illustrations are lovely. The colours are beautiful and the art style ties in with the other worldly mystical nature of fairy tales while also feeling beautifully modern as well.

This is a super quick read, but each tale is profound in meaning, full of heart and love and it is a reminder that fairy tales can be written every day. These feel old, they feel ancient. They feel as timeless as those that have passed down for centuries but also feel more hopeful.

You can purchase Other Ever Afters via the following

QBD | Booktopia | Blackwell’s

Dymocks | Wordery

 Fishpond | Amazon

169-Storey Treehouse (#13) by Andy Griffiths

Published: 5 September 2023 (print)/5 September 2023 (audio) Goodreads badge
Publisher:
Macmillan Australia/Macmillan Australia Audio
Pages: 272/1 hr and 37 mins
Narrator: Stig Wemyss
Format: Audiobook
Genre: Junior Fiction
★   ★   ★   ★ – 4 Stars

Now, Andy and Terry have built their biggest and most astonishing treehouse yet! It has everything they – and you – could wish for, including an electric pony stable, a Santa Land, a NOISY level, a kangaroo-riding range, a weather dome (where you can have whatever weather you want whenever you want it), a 100% edible gingerbread house and a potato-powered translation transmitter that allows you to talk to everything everywhere all at the same time.

There’s also a hall of funhouse mirrors, which is the perfect place to hide from Mr Bunkoff who is trying to catch Andy, Terry and Jill in order to send them to SCHOOL.

But Anti-Andy, Terrible Terry and Junkyard Jill, their trouble-making opposites, are trapped in one of the mirrors – and they want out. (Oh, and Mr Big Nose wants them to write their book … RIGHT NOW.)
Well, what are you waiting for? Can our heroes escape school, do battle with their doppelgangers AND meet their book deadline? Come on up to find out! 

After thirteen books the Treehouse series has come to an end. It doesn’t feel that long ago since The 13-Storey Treehouse came out, but here we are thirteen books later and it’s all over. After a rocky previous book I was so glad this one was back on point. It was funny, it had classic Andy and Terry bits, classic absurd logic while still being realistic in universe, and a great new set of levels to enjoy.

I enjoyed the throwback to a level full of Santa clones, a nice reminder of the slightly forgettable 156-Storey book. There is also a fun level with a treehouse in the treehouse. I would like to see a giant wall sized poster of each level because a treehouse level could be an open flat landing, or it could be an enclosed space with rooms, I have seen both through this series so it would be nice to see a definitive look now that we’re finished.

After thirteen books of antics it’s finally addressed that these kids should be in school. The principal is the typical adult who is loud and unreasonable. I enjoyed the depiction of school as something strange and unwelcoming. As it’s described to the trio it isn’t that far from the truth, but it is also described in a way that would be unappealing to those used to running free. It would definitely be a fun read for kids currently being forced to attend school against their wishes.

One of the new features I loved was the WHATEVER-THE-WEATHER-YOU-WANT dome. What makes Griffiths’ writing great is the way Andy and Terry play off one another and this new storey was a perfect example. The banter and bickering between them starts off funny, goes on long enough to keep being funny, but stops just shy of becoming too much. There is an unspoken self-awareness of how long Terry’s ineptitude should be and Griffith balances it great in the book.

A reoccurring theme is signage, the use of signage, and Terry’s inability to follow signage. A great repeating gag that works well. Terry’s antics are fun as stand alones, but there is something fun about an ongoing joke, especially when executed well as Griffith usually does.

There is a lot of use of the new levels, I always find it more interesting to have new levels introduced and them being used. Nothing worse than adding thirteen new levels and have them never seen again. I know some of them don’t always add to the plot and are very nonsensical, but a few books in the past have made good use of them into the plot and this is another great example. The mirror trio that come to cause trouble are fun and it’s interesting the way the opposites are shown.

One of the joyful things about the Treehouse series is how it defies logic while also having its own set of rules for their universe. Flying cats, aliens, translators that work for animals, and cloning machines make sense in the forest but rules like injuries and gravity do still apply.

Stig’s voice shines through as he narrates the host of characters in this story. I will miss his exasperated tones as Andy and his befuddlement as Terry. Not to mention his wonderful way of bringing the illustrations to life with his chatter from the various creatures Denton draws on the page.

After thirteen books it’s a little sad to see this series come to an end but in true Andy and Terry form it’s an entertaining conclusion to the series. The formula remains and is integrated into the plot remarkably well, it’s hardly noticeable. We get a final Mr Big Nose book, a great additional break in the fourth wall, antic, chaos, a lot of laughs, and an ending that makes you know the trio will be living their best Treehouse lives in the forest.

You can purchase The 169-Storey Treehouse via the following

QBD | BooktopiaDymocks

WorderyAngus and Robinson | Blackwell’s

 Fishpond | Amazon | Amazon Aust | Audible

A Fox Called Herbert by Margaret Sturton

Published: 3rd April 2020Goodreads badge
Publisher:
Anderson
Illustrator: Margaret Sturton
Pages: 32
Format: Picture Book
★   ★   ★   ★  – 4 Stars

Meet Herbert, the rabbit who knows he was born to be a fox. When his mommy isn’t looking, he puts on pointy fox ears, makes himself a bushy tail, and asks his sister to paint him orange, just like a fox. But Mommy doesn’t understand; why can’t he just be a good rabbit?

This delightful picture book is a true celebration of being ourselves and supporting our loved ones. Let this joyful tale inspire you to be who you are and follow your dreams.

The story is a simple one about identity, there is no bigger meaning or explanation. Herbert feels like a fox and wants to look like one.

I liked that it isn’t an explicit animal allegory for trans or gender diverse kids, it is an entry level to identity and being able to be the identity you feel inside with support and understanding. The fact you have to find meaning yourself is fantastic because it can mean so many different things to different people on a range of different levels. The simplicity of it means you can read whatever you want into it without the text telling us what it’s meant to mean.

The illustrations are cute. Sturton’s designs are playful and she captures the playfulness and childlike innocence of Herbert. The colours are great and the full page spreads juxtaposed against the white space and the text works well in telling the story.

There are certainly other stories out there more complicated, more literal, and more detailed about identity but I liked that this doesn’t put Herbert in any particular category. He isn’t labelled, he isn’t trying to change anything right now. He only wants his mum to understand he doesn’t feel like the rabbit she thinks he is. Feeling like you are in the wrong body can mean a lot of different things, and the fact Sturton doesn’t choose one path for Herbert means this book can be interpreted by a lot more people, and maybe help them understand that there is nothing wrong in finding a body you are more comfortable in.

You can purchase A Fox Called Herbert via the following

QBD | Booktopia | Blackwell’s

Dymocks | Wordery

Fishpond | Amazon | Amazon Aust

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