Tuck Everlasting by Natalie Babbit

Published: November 1st 1985
Goodreads badgePublisher: Farrar, Straus and Giroux
Pages: 144
Format: Book
Genre: Historical/Junior Fiction
★   ★   ★   ★  – 4 Stars

Doomed to – or blessed with – eternal life after drinking from a magic spring, the Tuck family wanders about trying to live as inconspicuously and comfortably as they can. When ten-year-old Winnie Foster stumbles on their secret, the Tucks take her home and explain why living forever at one age is less a blessing that it might seem. Complications arise when Winnie is followed by a stranger who wants to market the spring water for a fortune.

Tuck Everlasting is a novel by Natalie Babbit and is set in the summer of 1880. This is a great story about a young girl Winnie who lives opposite the woods, dreams of adventure and stumbles upon a great secret. Being only ten years old she greets things and thinks things through as a child and is quick to access and accept those around her. I love it when authors write children protagonists, and all characters really, to match their ages. There is something great about reading a book and while it may seem illogical and a bit strange as we read, you know it is because it is through the eyes of a child and that is how they think and react. What makes Winnie great also is the era in which she lives. She has the child’s mind but she had the 19th century society influence as well.

While Winnie is trying to have an adventure she meets the Tuck family. This is where the curiosity begins because we are given two conflicting sides. This is soon replaced with a new curiosity as we get to know the Tucks better. Once Winnie is introduced to Mae, Angus, Miles and Jesse, it is from that moment she has her own little adventure all to herself.

The Tuck’s are a very decent family, you can tell the era which they come from in their speech and lifestyle, nothing special in particular about them on the outside. Jess and Miles are young men who like to travel and be adventurous while Mae and Angus are happy just being together. When Winnie stumbles upon the Tucks they are so bewildered and yet glad to have found her and they treat her as one of their own almost instantly, Jesse especially. I did find it a little odd that this seventeen year old boy was so attached and fond of a ten year old. I understand how she was smitten, him being bronzed, curly haired and being “even more beautiful up close” but he practically proposes to her. But aside from that it was a good story, it didn’t go where you thought it would which was a good thing I think. There was surprises and twists and in such a short book that was quite well done.

This was made into a ok movie starring Alexis Bledel of Gilmore Girls fame, but having read the book I think there is slightly more to enjoy in the book. In my mind, and a lot of the time I think I am right, the book trumps the movie. Sometimes they are both as bad as each other, but a lot of the time books come out on top. One of my favourite moments is when you discover a movie you liked was originally a book. Either I will track down the book to see the changes, or hope that it was better, or sometimes, like Hugo, you want to find out if it just as spectacular. I have to say Babbit’s book definitely trumps the movie in this case, but only just. With credit to the film a lot was similar.

Babbit’s idea is not new by any means but they people she placed around this idea were, and they were real and honest people who did not choose this life and were doing their best to protect people from it. It is an honourable and heartfelt book that makes you think, but even without reading anything into it, this story is simply about a little girl who has this wonder in her life and where that wonder takes her. It is as simple as that.

Book Banning

Last September was the 30th anniversary of Banned Books Week where people come together and celebrate the freedom to read. I do not understand the notion of banning books. No one is forcing you to read these books, no harm will come to your children if they look at, touch, or god-forbid actually read the book. Are these individuals (and their committees) so scared of people thinking for themselves, and having ideas in their head that may challenge what others believe?

The list of books that have been banned or at least challenged over the years is astounding. The seemingly innocent book The Lorax was banned in 1989, and yes, even the dictionary wasn’t excluded with schools and libraries in America banning certain dictionaries in 1969. It wasn’t any better in 1987 when a school board banned the American Heritage Dictionary because it contained “objectionable” words. Now I know this was many years ago, surely people have come to their sense by now? Of course they haven’t. Last year a new set of books were requested to be banned including The Hunger Games and the Twilight series. It is not just new books either, last year’s list also showed the reappearance of To Kill A Mockingbird and Brave New World; the same books that have been challenged probably every year since they were published.

The good folks and folkettes at The University of Melbourne compiled a list of books in 2010 that have been banned in Australia over the years. It is rather long, the complete list is here but it is curious to see some of the books that we Australians and whoever is on these committees thought were ban worthy. One of the well known Lady Chatterley’s Lover by D. H. Lawrence that was banned across multiple countries with trials and controversies concerning those who tried to have it published. When Lady Chatterley’s Lover did get to be sold in 1960, one newspaper said a bookstore in London had 400 people waiting in line; mostly men surprisingly, and sold all of its 300 copies in under 15 minutes.

The ban of this book I can understand based on the sexual nature and the views of society at the time; it lasted for forty years so it was a serious issue. Even now it is contentious. The interesting ones are the ones that don’t last very long, maybe a year or a few years. Most of the time public outcry fixes these issues and stops or reinstates a book fairly quickly, or common sense comes into play. One interesting one on the University list is William Adlington’s translation of The Golden Ass of Lucius Apuleius, which was banned in 1933 until 1936. I don’t know if it was a different version than my version of The Golden Ass, but the copy I have on my shelf seems rather ok.

I can’t help but think as I look at these lists that banning books has no purpose whatsoever. What was so wrong in 1933 that people couldn’t read about that was suddenly improved in 1936? This is the ideal argument why books should never be banned. Why should we let one person (or their committee) tell us that children, or even worse, adults cannot read what they like. Reading is reading. I do not want to hear an excuse that one person (or their committee) believes a book has immoral tones, or witchcraft, or immoral sexuality. Lady Chatterley’s Lover is a prime example of this. This book caused such a scandal, but do you know what, society changed, the book was reinstated and now people look around and absentmindedly ask, ‘really, that was banned?’ while thumbing through 50 Shades of Grey.

What I am saying is book banning has no place in a decent society. In her article Jennifer Magelky tells me that they were banning books way back in 450BC. Anaxagorus had his works burned because he said the sun was a white stone and the moon reflected the sun’s rays, which was deemed derogatory towards the gods.  But I would like to think as we continue through the 21st century with our sexual ads and music, our commercialisation of everything, our acceptance that we deserve everything and nothing is a privilege, and the fact we are still hover boardless, people still want to stop children from reading books because they promote discussion or show situations and characters that make one person (or their committee) uncomfortable.

I understand sexuality and especially homosexuality makes people uncomfortable in some countries. Especially in the decades where nobody had sex and children were bought at the baby store. But then society came to its senses and went ‘oh it wasn’t as bad as we feared and no one was corrupted’. And what’s to say is someone’s of corruption? Is reading Catcher in the Rye really corruptive just because it contains too many swearwords? Is Animal Farm corruptive because it exposes and teaches about the dangers of corrupt power, ruthless governments, and dictatorship? Is To Kill A Mockingbird really corruptive because it shows you that everyone should be treated equally as human beings and you cannot judge someone based on the colour of their skin? How is pointing out the faults and the truths about ourselves a bad thing?

There is another article by R. Wolf Baldassarro from 2011 that discusses the apparent issue with Catcher in the Rye which covers its scandalous history. Yet despite being so contentious, it is equally loved as hated. According to Baldassarro between 1961 and 1982 it was the most censored book in high schools and libraries in America. In 1981, it was apparently both “the most censored book and the second most taught book in public schools in the United States”. At least they’re improving.

Australia seems to have a little more sense on its shoulders than others. We did ban Catcher in 1956, however it was lifted a year later because of public outrage I believe. A lot on the UoM list were based around sexuality though they’re not the only types in there. In America, in my opinion, they seem to get antsy about a lot of things, very quickly, that hold very little importance to the grand scheme of things. In 2007 a young adult novel by Maureen Johnson was being banned from a school library because it contained lesbian characters. Not only were they homosexual, but in one scene they kissed! The same issues from the 1930s are still lingering in 2007 and even 2013. How is this possible?

Even Bond is not spared with Ian Fleming’s The Spy Who Loved Me being banned in 1962 because of its high level of sexuality. The thing I understand is yes, there is a lot of violence and sex, but why does that stop it being available? Surely children are not going to be the first people to line up for a Bond book. As Mark Twain said, “Censorship is telling a man he can’t have a steak just because a baby can’t chew it.” If you don’t want to read it, don’t read it. What harm can come of giving the option. Do these individuals (and their committees) think they can control what people do, say, and feel? Why do they think they have control over what people read?

The worst part about banning books is those that don’t even contain anything scandalous are getting banned as well. Extreme sex and violence in the wrong age bracket is an issue I will give you that, but by changing the facts of life and pretending things don’t exist is doing more harm than any book would ever do.

There are stacks of books that have or almost made it in the banned book lists, even The Hunger Games and Twilight were being contested because of their content. The popularity of these books and the fact society hasn’t crumbled yet shows that people overreact. If you have so little faith in your child’s ability to separate reality and fiction, or grasp an understanding of the basic facts of humanity no matter how different it is from their own lives, then I pity the parent (and their committee). One day they’ll find out kids know about these things even without reading them in a book and there is not a lot they can do to stop it.

There are so many great articles to read about banned books that are very fascinating, especially when you read these banned books now and cannot figure out what the issues are. But that is the joy. Societal change! Society changes, people change society and then society looks back on itself and judges itself. It is a very weird cycle in which I do not try to understand. A society can try to ban Harry Potter because it promotes witchcraft, and the same society can ban Fahrenheit 451 which is a book about a government burning and banning books. The irony is beautiful. And no, Harry Potter doesn’t promote witchcraft. It shows loyalty and friendship and the power of being a decent person. It shows that small people can do big things, and it shows you that people come from their circumstances and this does not make anything excusable. It’s practically Horton Hears A Who. Another ironic one is The Diary of Anne Frank which was once challenged for its sexual content, but it was also challenged in 1983 by someone (and their committee) in Alabama because it was “a real downer”. Of course it is!

This isn’t against America, it just seems a lot of examples do come from there, so apologies America. But it is rather interesting as an outsider looking in; of all places America should not be complaining about books, freedom of speech is in their constitution. Why isn’t the world’s freedom of speech being put to good use instead of against other people’s free speech? People pull that out at every chance they have but they seem to ignore it when it is about a topic they don’t like. As Oscar Wilde once said, “The books that the world calls immoral are books that show the world its own shame.”

The Lovely Bones by Alice Sebold

Published: 1st September 2006Goodreads badge
Publisher:
Little, Brown and Company
Pages: 323
Format: Paperback
Genre: Fantasy
★   ★   ★  – 3 Stars

Since I mentioned this book in a previous review I thought I should post it up as well. This was another one of those books that tried to get turned into a movie successfully. I won’t say it failed exactly, I rather enjoyed the movie, however when you read the book there is so much more going on, and a lot more gets covered. This, I think, makes it a much better book than movie.

The Lovely Bones is the story about Susie Salmon, like the fish.  It tells the story of a young girl who watches those she left behind struggle to cope and accept her death. This is a touching story, it wasn’t over emotional but it was not heartless either. There are no gruesome descriptions exactly, but there is violence and adult themes.

Having this told through a young girl she sees what she sees and makes assumptions and deductions with no great analysis of an adult. Her insights are still quite sound but there is a hint of the teenager and young girl as well. It does not look like a long book but it covers many years and within that we see a lot change as the world passes Susie by. There are no other points of view but Susie’s focus does follow other people she knew besides her family and watches their lives evolve as well.

It is an interesting concept everyone going into this limbo/heaven place. Susie gets to control where she goes and what she sees, as far as I could tell it could be anything she wanted. There are other people in the world as well and Susie interacts with them, but she does spent the majority of her time watching her family and friends on Earth. We are not told a lot about where she is or whether this is the final place but you do not pay a lot of attention to the why or how, you focus more on watching and seeing everything Susie sees. There is a sense of anticipation, Susie’s death is not an accident and as the days and weeks and years go by you wait and hope to see whether her killer will be punished. As readers we know who has killed her, as does Susie, and we watch with her as clues are given and hidden, and we wait anxiously for justice to be served, if at all, Sebold teases us with where the story goes.

Unfortunately about halfway through the book I found myself waiting for it to end, only to realise I still had a lot more to go. It was not because it was boring or annoying exactly, more the fact it seemed to be dragged out unnecessarily as a space or time filler than a plot requirement. I did keep going and as I neared the actual end I did rethink my early observation and concluded that perhaps while it seemed unneeded it may have actually been just enough. There was a concluding feel that wasn’t rushed, technically if you wanted to, you could say it was always a conclusion from page one, the whole thing was about the aftermath of death and that takes time. It was realistic time and time that was detailed and in-depth so in that sense no you can’t just rush through the middle bits.

Sebold concludes this with respect to the reader who has sat and followed these lives and the ending is satisfactory in my mind. It wasn’t a life changing book, or something spectacular, but it was well done and successfully told.

Wander Home by Karen A. Wyle

Published: October 10th 2012
Goodreads badgePublisher: Karen A. Wyle via Smashwords
Pages: 373
Format: eBook
Genre: Fantasy/Paranormal
★   ★   ★   ★  – 4 Stars

Death is what you make it. . . .

Eleanor never wanted to leave the daughter she loved so much. The overpowering urge to wander — to search, without knowing what she sought — drove her away. She left little Cassidy in her family’s loving care. But Cassidy and the others died in an accident before Eleanor could find her way home.

Now, they are all reunited, in an afterlife where nothing is truly lost: places once loved may be revisited, memories relived and even shared. Surely this is a place where they can understand and heal. And yet, the restlessness that shaped Eleanor’s life still haunts her in death — and now, she find herself dreaming of a man she never met. 

Somehow, she must solve the mystery of her life — or none of them will be at peace.

Note: I was given a copy of this book by the author to review

Wander Home opens with a great description of a day at the beach, and instantly we get a sense of something different. Wyle doesn’t stop the story to explain though, she just keeps the scene going, choosing her moment to tell us about it, not when we ask for it. I have known many an author to do this to readers and I have to say I rather like the mystery if there is a chance it gets revealed to us later.

There is no real surprise this book is about death and the afterlife, Wyle’s preface tells readers that it is set in the afterlife, but the way she has chosen to write about it gives it a new perspective, and does actual make you forget this is supposed to be death. In that sense there was a Lovely Bones feel about it all. There was no connection to earth like Susie Salmon had, yet the ability to change “heaven” to be what you wanted and see people you once knew or even wanted to meet was similar. Not to lessen the impact of Wander Home mind you, it has been very well constructed as a reality and through description and detail it adds depth and truth.

We are first introduced to Cassidy, her grandparents Sarah and Jack, and her great grandmother Amanda playing on the beach. We are given no real answers about what is going on, not only regarding their situation, but also to the rules of this reality. You can only assume that this is how the world works and accept it, and then hope it is going to be revealed later on. The initial mystery does not remain long as the arrival of Cassidy’s mother Eleanor starts a chain reaction of clarification. As things are explained to Eleanor, we too are given an explanation. This is often the case, we learn as they learn. In well written stories it makes the necessary information parts smoother without the need of long paragraphs where entire worlds are broken down for reader understanding before the story can continue.

The story is engaging in as much as you want to find out more about the world, and find some answers to your own questions, such as where everyone else is. When I stopped to finally go to bed I found myself wanting to return in the morning to see where this intrigue lead me, always a good sign in a new book. The focus on this single family makes you wonder where everyone else can be. However these questions are answered further into the book and you soon realise, once you have a greater understanding of how the world operates, just how complex yet simplistic is actually is.

Once you see that this afterlife is filled with people from everywhere and every time, it is interesting to see how they live their lives. We are told that sleep in unnecessary, though people still enjoy it, but whether food and drink is required is unclear. There seems to be a lot of conversations involving and revolving around food which sparked my query, but there are multiple other unnecessary things that people did as well. Humans, I think, like having structure. In a world where you can be whenever and have such freedom everyone still manages to fall into the same systems they know.

There is a society of sorts in this story, no matter how surreal or fantastical, and people relive and do what they enjoyed in life. People make things and they work, whether they need to or not. People teach, people create, and there are markets and festivals where money is exchange more as recognition of a job well done for the creation than anything else. People buy chairs from a craftsman when they could conjure one themselves.

In that sense there is a lot to make you forget it is anything like death. Is this the point? Again we come back to <i>The Lovely Bones</i> idea, “heaven” was what you made it, places are created and shared and remembered because of what people did and how they lived. The entire world is made up of the memories of the humans who live within the world. In that sense it is rather philosophical, at the very least poetic or something.

Wyle does have a very poetic way of writing, some of her descriptions are really well written, and even the seemingly non-important details are not neglected. Her vocabulary is also very advanced, I found that I had discovered three new words by the end of the book: contrapuntal, sartorial, and atavistic; all of which I had never heard before and all of which are fantastic words. There is a great quote in there about reading as well: “[Reading] let you climb inside of people – even though they were made up people – and end up understanding humans, in general, a little better.” I think this is yet another great understanding of the power of reading. Another one of my favourite lines was “Kindly allow me the prejudices of my time”, for some reason I thought that was a very eloquent line; it really stood out to me.

The ideal Wyle has created is highly alluring. If only there was a realm, in life or death where you could change, relive, feel, think, and be in any age you wished. Young and playful, old and wise, it is an interesting concept, especially the ability to relive old memories with exact detail whenever you pleased, emotions included and everything. Though if anything it should make you appreciate the fact you can do most of those things now, instead of spending you time wishing and waiting for it to be possible later on. Not to get swept up in the promise of an ideal and instead live while you have the chance.

Through Eleanor’s narrative we realise that things may not be as simple as it first appeared. Just when we think we finally have figured out the world we are given new information that is mysterious, and being mysterious to the characters themselves makes it more intriguing. Initially we see alternating views between members of the family but as the story progresses it is clear Eleanor becomes the driving force in the story. This was not a bad thing, while the story was still being introduced we get a lot about the other characters and their histories, and despite the focus being around Eleanor’s story a lot more, we still learn about the other characters, they are not forgotten.

Overall it was a good read, it was different and imaginative. Wyle manages to capture family dynamics rather well and the relationships between family members whether it is husbands and wives, mothers and daughters, or the wisdom of a great grandmother to a child. Despite the nature of the topic it is not a complicated read, though there are a few minor adult themes. Whilst reading I did find a few spelling and name errors but I have since been informed by the author that these issues where in fact not mistakes, but rather deliberate conscious actions; either way they do not distract from the story. There are no jarring sentences and the detail and description of the locations are more than enough to compensate minor mistakes. And on a side note, there is a discussion about whether the Hanging Gardens ever existed; by chance I read an article this morning that concluded there is strong evidence that they never did. So there you go.

The Last Battle (#7) by C. S. Lewis

Published: March 5th 2002 (originally 4 September 1956)
Goodreads badgePublisher: HarperCollins
Pages: 229
Format: Book
Genre: Junior Fiction/ Fantasy
★ – 1 Star

The last battle is the greatest battle of all.  Narnia… where lies breed fear… where loyalty is tested… where all hope seems lost. During the last days of Narnia, the land faces its fiercest challenge – not an invader from without but an enemy from within. Lies and treachery have taken root, and only the king and a small band of loyal followers can prevent the destruction of all they hold dear.

Note: This review is what I wrote the second I finished this book. I put the book down and stormed to the computer and wrote this. I feel it captures my feeling at the time when I read it. I apologise if you liked this book, I understood from the many five star reviews people did, but I saw just as many on my side so I don’t feel too bad about it. I don’t know if you can pick up the anger in my writing tone, it is hard not to, but I was trying to be as civil as possible.

“I hated the ending. Simple as that. I wanted to throw the book across the room, scrunch it into a pile and set it on fire. I get your message Mr Lewis. Don’t shove it down my throat. You managed to slip it in unbeknownst to me in the second book, I don’t know enough of the Bible to know if you did it in any other story except the first and that was tolerable, but when you blatantly spell it out in such an insulting and judgmental manner I get pretty damn pissed off.

The book started off ok, it was a bit sad to see how the once beautiful Narnia had become but it was a new adventure and I accepted it. The whole ape thing confused me and I thought it was weird but I accepted it. Times were tough in Narnia, it was thousands of years since the early days and everyone had evolved, I accepted it. Then the children come back, there is hope yet. Oh not everyone, ok…it might be alright. But no, no it was not. The further this book went I could see the happiness and tolerance metre in my head slowly drop. Then the final part of the book came and I just got angry. I don’t know the last time I got as angry at a book as I did at this. I forgot all the other great books I had read of this series and focused on how Lewis managed to screw up the last book of the series. He almost got through it without making an ass out of himself and causing a divide in the readers. The rest of the books would vary from a few people, but this book would divide one way or the other I could tell.

We effectively rushed through the ending, skipping long explanations and just saying this is what happened and this is what it is now. Let’s all be accepting good Narnian slaves and live forever after in this wonderland and don’t think too much of how you are here. Oh and never mention those who got left behind cause they are the devil incarnate. Thank you Mr Lewis, I hope you’re happy with yourself.”

So that was was my initial reaction and review. I would like to add that almost a year later, and a lot calmer, I wouldn’t change anything because that is how I felt about what happened but I will try and offer a better summary. This is the seventh book in my chronological system, I cannot imagine how this could possible be anything other than last so that is undisputed. We are not given any real explanation why the story begins how it does and so for a lot of it I was confused about what was going on. The ending of The Silver Chair and the past history Lewis used I was expecting a slight continuation, but not having that I thought perhaps we were doing another seemingly unconnected The Horse and His Boy style book. The issue I had with that was that this was supposed to be the final book, the book that concluded all the stories, all the magic, all the crossovers and lives that we had seen; and when that didn’t seem to be happening I was very confused. The ape thing I mentioned was were my anger sort of began. Maybe not anger but I think having come from this succession of great Narnia history and beauty, seeing it being tampered with felt disrespectful. I don’t want to make any connection between the ape/human debate because I can’t entirely see how that is relevant considering what we have seen, but knowing Lewis’ ability to throw in symbolism at every turn it wouldn’t surprise me.

As I say not a lot was explained so there were times where I was reading and going along with it because I could not figure out where any of this was headed. I know Lewis had a tendency to add religion into his books. I got the message in The Magician’s Nephew, this, somehow, was a lot worse because it was not even using the imagery and the metaphor and symbolism that that book had, and even The Lion, The Witch and The Wardrobe was subtler (for me anyhow). I won’t tell you not to read it, not at all, and I know this is simply my view on the book, other people have loved it, bear that in mind and don’t go into this book expecting the worst. I just want you to know that for me, this book is very different than the previous ones. Lewis seems to take things to another level, perhaps if he had been gradually building throughout this series the book would not have been such a shock, but for me it seemed unexpected and extreme considering where we had come from. There had been no indication that those sorts of things were possible nor that they would happen. I may have to reread some reviews to understand why people loved it, and I have an inkling, but I am willing to try.

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