I Kissed Shara Wheeler by Casey McQuiston

Published: 3 May 2022 (print)/14 October 2024 (audio) Goodreads badge
Publisher:
St. Martin’s Press/Macmillan Digital Audio
Pages: 356/9 hrs and 24 mins
Narrator: Natalie Naudus
Format: Audiobook
Genre: Contemporary Young Adult
★   ★ – 2 Stars

Chloe Green is so close to winning. After her mums moved her from SoCal to Alabama for high school, she’s spent the past four years dodging gossipy classmates and a puritanical administration at Willowgrove Christian Academy. The thing that’s kept her going: winning valedictorian. Her only rival: prom queen Shara Wheeler, the principal’s perfect progeny.

But a month before graduation, Shara kisses Chloe and vanishes.

On a furious hunt for answers, Chloe discovers she’s not the only one Shara kissed. There’s also Smith, Shara’s longtime quarterback sweetheart, and Rory, Shara’s bad boy neighbour with a crush. The three have nothing in common except Shara and the annoyingly cryptic notes she left behind, but together they must untangle Shara’s trail of clues and find her. It’ll be worth it, if Chloe can drag Shara back before graduation to beat her fair-and-square.

Thrown into an unlikely alliance, chasing a ghost through parties, break-ins, puzzles, and secrets revealed on monogrammed stationery, Chloe starts to suspect there might be more to this small town than she thought. And maybe—probably not, but maybe—more to Shara, too.

After seeing this book for months I finally caved and read it. At least now I know what it’s about and can stop thinking about it. The downside is I now know it wasn’t that good. This is a story I think may have worked well in a movie but in a book it sounds stupid played out.

Once you tolerate the Annoyingly American High School shoved in your face, the story is ok. I kept going for the mystery and the scavenger hunt but you suffer some annoying plot and dialogue decisions in the process. I wasn’t even a fan of the narrator, her voices are grating but the narration voice outside dialogue is good.

It is like a worse version of Paper Towns, and at least McQuinston acknowledges the similarities. But the fact that Paper Towns was pointedly not about tracking someone down, Margot was not someone who needed saving, just goes to prove this is a terrible way to bring it to a new audience because that misses the point of Paper Towns entirely.

I enjoyed the familiar scepticism that “cool” people only talk to you when they are lining you up for a trick or to humiliate you. I also enjoyed the real time evolution of the rumour mill and how even those who witness something with their own eyes start to believe what they hear about an event and try and spread it around. There was some self-awareness as other characters shoot that down. It was a new approach and I liked the pushback.

There is no satisfactory conclusion to this and it should have ended a lot sooner. Even with the “revolution” it felt tacked on at the end, even the few comeuppances weren’t that satisfying. If you wanted a grand reveal have it all happen and then throw in an epilogue, but the fact we have to endure the messed up life of a character, not even the main character, who helps her undo all her BS and her manipulation because she’s a lost fawn, was unnecessary. I’d rather sit through a wrap up epilogue that tells us this instead of having Chloe do all the work to save Shara, even if she does at least point out her crappy behaviour and manipulative tendencies in lieu of an actual conversation.

Yes, there is the whole suppressed high school, Alabama town thing going on which is supposed to be a justification, but it doesn’t make for an enjoyable read. Shara is not a character worth investing in, her manipulation despite how misguided it was isn’t worth the effort afterwards. Chloe goes through a whole thing tracking her down and it’s a lot of effort for no satisfactory ending.

The scavenger hunt part was intriguing, but when that fell apart the book wasn’t as enjoyable. The writing wasn’t pulling its weight and I don’t know whether it was the narrator or not, but the dialogue and story weren’t good. The first half was good then promptly drops off a cliff into the sea by the end. Four hours too long which at a nine hour book is just plainly a bad second half.

I am now unsure whether McQuinston is an author for me. It happens unfortunately and it’s happened before. I stop reading One Last Stop, and while I assumed Red, White, and Royal Blue was not great was because it was so about US politics, but it might just be this isn’t my kind of writer. But hopefully this queer, Sapphic romance is right up someone’s alley and maybe even the fact that Chloe does call Shara out on her nonsense is a small saving grace for the story. No one entirely gets away unaccountable despite their sob story.

You can purchase I Kissed Shara Wheeler via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

The Dos and Donuts of Love by Adiba Jaigirdar

Published: 8 June 2023 (print)/8 June 2023 (audio) Goodreads badge
Publisher:
Feiwel & Friends/Hodder Children’s Books
Pages: 336/8 hrs and 27 mins
Narrator: Priya Ayyar
Format: Audiobook
Genre: Contemporary YA Romance
★   ★ – 2.5 Stars

“Welcome to the first ever Junior Irish Baking Show!”

Shireen Malik is still reeling from the breakup with her ex-girlfriend, Chris, when she receives news that she’s been accepted as a contestant on a new televised baking competition show. This is Shireen’s dream come true! Because winning will not only mean prize money, but it will also bring some much-needed attention to You Drive Me Glazy, her parents’ beloved doughnut shop.

Things get complicated, though, because Chris is also a contestant on the show. Then there’s the very outgoing Niamh, a fellow contestant who is becoming fast friends with Shireen. Things are heating up between them, and not just in the kitchen.

As the competition intensifies, Shireen will have to ignore all these factors and more— including potential sabotage—if she wants a sweet victory!

This is a hard one to review because so many issue I had with it are specific plot points but being vague about the problems is doing it a disservice as well. I’ll try my best to be vague but spoiler free. It begins with an established Romeo and Juliet (or Juliet and Juliet) type situation that’s already transpired, but that isn’t the focus as the post break-up of Shireen and Chris is where we come in.

We learn a lot about Shireen early on, her love of baking shows and baking, her friendship with Fatima and her recent break up. Her parents run a doughnut shop which has a rivalry with the one across the street which is where her relationship with Chris comes from. I enjoyed getting to know about Shireen’s life and it was great to have everything be established without chunks of exposition, Jaigirdar reveals things seamlessly as the story goes on.

I was curious about the format of the Junior Irish Baking Show. The filming and show structure decisions go against what I know from the baking and reality TV world but it worked for the plot and when you create your own made up show you can do what you like. One peculiar aspect was the fact the judges would have more sway than producers, and that the producers would hide cheating, despite the truth being they would jump on that drama and get views out of it or at best be accused of favouritism and unfair conditions for everyone else in the competition if they didn’t act.

There are a lot of confusing elements of this story which, as I said, if I start to unpack I’ll be breaking down the plot points, but Shireen’s relationship with her parents swung between being supportive, to indifferent, to contradictory. They were unsure about her being on the show which was understandable, but then they became supportive, but also never minded Shireen never stayed and watched the show with them or seemed invested to talk to her about it. It may be a cultural thing, Shireen mentions how they display affection a few times, this might be the way it goes in her Bangladeshi house.

The less confusing aspects were just plain potholes. As the story went on the basic structure from the start started to fall apart and things just didn’t make realistic sense. It was already hard to believe that the judges are in charge, but to believe there is no security in the studio, and what security there is so is unfathomably unrealistic. It takes you away from the story because it just would not happen. It’s one thing to put your disbelief aside if the characters and the story is compelling enough, but since the characters were slightly flat and underdeveloped, and the storyline was a little outlandish, there is a point where you can’t drive around a plot hole anymore and you have to fall into them.

Shireen’s selfish and judgemental attitude is easy to pin on her being a teenager, as well as being hurt and lashing out when she is upset. By the end there is an attempt at character development but unfortunately it felt rushed and shallow and didn’t feel much more than her apologising for her behaviour without actually changing it. To her credit she is flawed without becoming unlikable, there is a good balance there.

Chris was a confusing character. She is on the baking show, but has been established as not being much of a baker, but she needs to win, but also doesn’t think she’s good enough to and doesn’t really like to bake. Shireen isn’t her only competition so it was a weird reason to have this cause conflict between them. If we’re supposed to be invested in Chris and Shireen patching up their friendship/relationship Jaigirdar doesn’t give you much to work with. We got so little from Chris on the page it was hard to understand her character at all aside from the few points Shireen mentions on the page.

The love triangle or potential love interest angle was also barely addressed. It hovered in the corner but I never felt it became really viable. The past drama over Chris was more of a focus than diving into anything with Niamh who was also underdeveloped.

There were positives to admire. The representation of Asian cultures was strong and the celebration of their cuisine was positive. The exploration of online bullying, racism, and fatphobia are addressed naturally and with respect. That was one part of the story that felt real. Of course the adults would reach out to make sure the kids were ok it was strange again that it was the judges taking the lead and not an on set counsellor or producer but I understand the connection Jaigirdar was trying to make with Shireen.

Ayyar does a good job at narrating. The accent switches were good and helped establish characters though it was an interesting choice to have an Irish/Bangladeshi be narrated as American when everyone else got their own character’s accent.

There are puns a plenty if that’s your thing and you have to admire Jaigirdar for creating a set of judges who are the unsubtle off brand versions of real celebrity judges. Padma Bollywood is the Paul Hollywood you can put in a book without it being Paul Hollywood. Mary Berry and Gordon Ramsey also get their own alternate selves. Overall, it’s light hearted full of baking and culture so if you are after an easy read this would be perfect, but even light reads shouldn’t throw some parts of reality out the window.

You can purchase The Dos and Donuts of Love via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

The Last to Die by Kelly Garrett

Published: 4 April 2017 (print)/17 March 2020 (audio) Goodreads badge
Publisher:
Sourcebooks Fire/Tantor Media
Pages: 223/4 hrs and 43 mins
Narrator: Heather Costa
Format: Audiobook
Genre: Young Adult Mystery/Thriller
★   ★ – 2.5 Stars

It all started out as a game.

Just a way to have fun. We figured as long as we had rules, it wouldn’t be a problem.

RULE #1: Only break into one another’s houses.

RULE #2: Only take stuff that can be replaced.

It worked for a while. Whoever’s turn it was to break in got a rush, and the rest of us laughed over the trophies they brought back. But then someone went too far. Lives got ruined. Someone is dead.

And I might be next.

When I added the book to StoryGraph I was intrigued by the 2.7 average rating, it had been an engaging and compelling story so far, especially something so short, and with only an hour to go I was keen to see how it would wrap up, what big explosive end of story Garrett would come up with.

Granted, there was a surprise twist, not the twist I was actually expecting, but it was a twist. Adjacent to what you’re expecting given the lead up but also not the fun twist I thought of. From there is was…mild. From a semi-intense scene, there are little answers and a few strange choices on ending.

I didn’t like the ending, it was rushed and actually lacking a lot of clarifying details that are kind of important in these types of mysteries. It isn’t even done well enough where it’s left open to let the reader decide what happened, it feels like it was just ignored. After a long drawn out line of clues, the ending wraps up incredibly quickly, and where it ends it incredibly unsatisfying given the character journeys. I’m still not entirely sure Harper learnt anything, but at the same time, given the way they act through the story it’s a weird ending where there’s consequences, but I don’t know if there’s remorse.

There are a lot of unanswered questions. Some are weird choices to leave unanswered, even in the final standoff they’d be perfect the drop in. Once you notice one mystery isn’t going to be answered, you start to realise how many there really are. Not all important of course, but some definitely are, then there’s others that are raised and never addressed again, like the author forgot they were left open.

One thing the story had going for it was while a lot of the characters are unlikable, they were compelling which I liked. You know they are horrible people, but they have a little compassion in them, misguided or vacuous as it may be, but there is something to latch onto. All of these characters are shallow people and have no real connections with their friends which is an interesting take. They are rich, bored teens who don’t really like each other, so the detachment feels correct to be fair, though Harper could be on her way to some kind of depression or she’s never been able to form real attachments and that’s just how she is.

I am very much in the camp of not needing to like characters or narrators. What I feel let down is the ending where the motive and consequences are lacking clarification. The small bit of information we get is there to tick a box, and the rest of the unanswered questions are ignored. If you are going to write a mystery, the reveal and outcome needs a little attention as this is what the hints and clues and build ups have been for. The fact most of the book does this well, builds drama and tension to have it fail absolutely at the end was a letdown. The answers are there, but the executions could have been spread out and extended better. No real satisfying closure for a good read.

The blurb promises it to be unputdownable with a dark story and dynamic writing. At times it was there, but for all the work to build it up only to have it fall at the end makes everything leading up to the flop meaningless.

You can purchase The Last to Die via the following

 Dymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Love, Creekwood by Becky Albertalli

Published: 30 June 2020 (print)/23 July 2020 (audio) Goodreads badge
Publisher:
Penguin/Penguin Audio
Pages: 128/2 hrs and 47 mins
Narrator: Michael Crouch, James Fouhey, Kate Rudd, Bahni Turpin
Format: Audiobook
Genre: Young Adult Romance
★   ★ – 2.5 Stars

A gorgeously romantic new novella set in the world of Becky Albertalli’s bestselling and beloved Simonverse novels- Simon vs. the Homo Sapiens Agenda, The Upside of Unrequited, and Leah on the Offbeat.

It’s been more than a year since Simon and Blue turned their anonymous online flirtation into an IRL relationship, and just a few months since Abby and Leah’s unforgettable night at senior prom.

Now the Creekwood High crew are first years at different colleges, navigating friendship and romance the way their story began – on email.

I know I can’t complain that a book called Love, Creekwood would be filled with so much romance, but I wasn’t expecting the entire book to be these characters going on and on about how in love they are with each other? Is there no plot? The answer to that is no. There is no plot.

This is the universe from Simon vs. the Homo Sapiens Agenda and even that book, the book of romance and pining, didn’t feel this annoyingly love obsessed. Especially given Simon and Bram are two years into their relationship, there is no reason they should be as distraught at being apart as they are.

These people are a few hours way from one another and they act like they will never see each other again. Which is absurd given how many times they do actually see each other. Some of them are lamenting being separate for three days or two weeks and it is exhausting to try and find a fun plot around the mourning and pining. There is a bit in there about a fun roommate and playing soccer which is never really expanded on but it was something.

I liked the email format, I liked getting snippets of their lives and references to things that have happened or will happen. It succeeds in telling you about their lives outside of the emails and you don’t need full context because the characters are talking to each other in places. The emails aren’t the sole point of information and are fun love letters on the side, even if they do branch into slightly different things as well. Which is sweet, and ties into the Simon origins, I’m just saying a bit more plot would have been nice than an entire book about characters talking about missing touching and smelling one another.

There was a moment of self-awareness when I think it was Leah or Abbey who mention that not seeing your girlfriend for six days is cause for people to bring out the world’s smallest violin and is a classic first world problem; so Albertalli knows the dramatics these people are exhibiting.

I did this as an audiobook which was fun because the multiple different narrators were all those who I’ve heard in other books, a bit of a who’s who in narration. It was quite fun because they are so familiar they reminded me of all the other great books I had heard them in and the different characters they voiced.

I appreciated the audiobook experience but I’d forgotten how rough it can be hearing emails through audio, especially and entire book of them. The downside of social media in books is hearing everyone’s email addresses read out in full every single time, which for group emails was a long wait to get to whatever the email was actually about. When I read books with emails it’s easy to skim and see the to and from, and subject if necessary and get straight into the message. Hearing the fun name at whatever dot com over and over was hard but I understand they can’t chose to abridge that for ease because that goes against what an audiobook is.

For those who loved the original Simon story (which I did to be fair), and the companion Leah on the Offbeat, it is nice to see the next stage of their lives, I’m just a bit bummed it was so focused on the being in love to the point of nothing else side. Even a novella, keeping the lamenting and including a bit more plot would have been nice, but again, goes against the fun of the email format.

You can purchase Love, Creekwood via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

 Fishpond | Amazon | Amazon Aust | Audible

Cool for the Summer by Dahlia Adler

Published: 11 May 2021 (print)/11 May 2021 (audio) Goodreads badge
Publisher:
Wednesday Books/Macmillan Audio
Pages: 259/6 hrs and 20 mins
Narrator: Natalie Naudus
Format: Audiobook
Genre: Young Adult Contemporary Romance
★   ★ – 2.5 Stars

Lara’s had eyes for exactly one person throughout her three years of high school: Chase Harding. He’s tall, strong, sweet, a football star, and frankly, stupid hot. Oh, and he’s talking to her now. On purpose and everything. Maybe…flirting, even? No, wait, he’s definitely flirting, which is pretty much the sum of everything Lara’s wanted out of life.

Except she’s haunted by a memory. A memory of a confusing, romantic, strangely perfect summer spent with a girl named Jasmine. A memory that becomes a confusing, disorienting present when Jasmine herself walks through the front doors of the school to see Lara and Chase chatting it up in front of the lockers.

Lara has everything she ever wanted: a tight-knit group of friends, a job that borders on cool, and Chase, the boy of her literal dreams. But if she’s finally got the guy, why can’t she stop thinking about the girl?

I am so glad this is my second Adler book because I have wanted to read her stuff for years and I’m glad I loved the first one because I’d be disappointed if this was my first introduction, though the sliding doors element of Going Bicoastal might have tempted me past this mediocre read. There is no real plot except Larissa having a crisis over her feelings. The benefit is it’s a fast read because I kept waiting for the plot to start and I realised it was already two thirds of the way through and nothing had actually happened yet.

Instead of having a character look on at the popular kids Adler has written this from the inner circle and perspective from those in that group. The characters are exhausting. The effort they go to to be in their friend group is so much more work than friends need to be with a lot more rules. The US American trope of popular kids is on clear display and they are vacuous and shallow. There are some examples where they show some depth, but they are all still shallow and showing compassion within your shallow and entitled group doesn’t hold much sway. Plus they aren’t given a lot of depth so most of them are easily forgettable. It doesn’t do much to break the stereotypes. I feel bad for Larissa even having these people as friends sometimes. It’s always a fascinating study reading these kinds of books. We didn’t have this in my school, we had groups sure, but not the hierarchy these US high school books always contain. It makes it a strange novelty and a tired trope to see it in these books.

There were some good moments. I enjoyed the stuff with Jasmine, it felt like the only time Larissa was her real self, less performative, which was possibly the point even though it’s never addressed. I did enjoy the casualness of Larissa’s bisexuality. It wasn’t an issue, dealing with it wasn’t the plot (technically), and it was an established thing. I do like it when diverse books can have a character have an identity but not make the entire plot about that identity.

It felt like a novella despite being a full length book, and could easily have been cut down to a short story. No plot would be lost since there isn’t any and with a tighter story it could have been a lot more enjoyable.

You can purchase Cool for the Summer via the following

Booktopia

 Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust

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