A is for… A Rabbit’s Tale by Jackie Hosking

Published: 2nd July 2025
Publisher:
Walker Books Australia
Illustrator: Lucinda Gifford
Pages: 32
Format: Picture Book
★   ★   ★   ★  – 4.5 Stars

A quirky, funny and clever alphabet book with a twist – with bright and colourful illustrations by much loved illustrator Lucinda Gifford

A is for A rabbit.
B is for Buy this book!

A hilarious alphabet story – for anyone who ever wanted a pet … and for everyone who loves a wonderful tail, um, tale with a twist!

I love this book. It’s such a clever play on the A is for… structure. Everything in this book is connected to rabbits and there is no narrative outside of the ABC format, but that doesn’t mean there isn’t a fun story.

As we go through the alphabet we see our character connect to rabbits in a fun way, A is for A rabbit, B is for Buy a rabbit and so on. The best thing is R is not for Rabbit (though Hosking does point out in a small note that R is also for Rabbit). But my favourite one is ‘U is for Understandably, you want your own rabbit’.

Cleverly through this alphabet non story there is a story about sharing, about jealousy, and above all loving your new awesome rabbit. There is a fabulous twist at the end and it was surprising how a simple format with very few words could be so delightful and funny. I love Hosking’s approach to this and Gifford’s illustrations add context and humour and aide the unspoken narrative remarkably well.

You can purchase A is for a Rabbit’s Tale via the following

  Dymocks | Booktopia | Wordery

  Fishpond | Amazon Aust

Find Layla by Meg Elison

Published: 01 September 2020 (print)/01 September 2020 (audio) Goodreads badge
Publisher:
Skyscape/Brilliance Audio
Pages: 188/6 hrs and 32 mins
Narrator: Jesse Vilinsky
Format: Audiobook
Genre: Contemporary
★   ★   ★   ★ – 4 Stars

A neglected girl’s chaotic coming-of-age becomes a trending new hashtag in a novel about growing up and getting away by an award-winning author.

Underprivileged and keenly self-aware, SoCal fourteen-year-old Layla Bailey isn’t used to being noticed. Except by mean girls who tweet about her ragged appearance. All she wants to do is indulge in her love of science, protect her vulnerable younger brother, and steer clear of her unstable mother.

Then a school competition calls for a biome. Layla chooses her own home, a hostile ecosystem of indoor fungi and secret shame. With a borrowed video camera, she captures it all. The mushrooms growing in her brother’s dresser. The black mold blooming up the apartment walls. The unmentionable things living in the dead fridge. All the inevitable exotic toxins that are Layla’s life. Then the video goes viral.

When Child Protective Services comes to call, Layla loses her family and her home. Defiant, she must face her bullies and friends alike, on her own. Unafraid at last of being seen, Layla accepts the mortifying reality of visibility. Now she has to figure out how to stay whole and stand behind the truth she has shown the world.

One thing I adored about this book was how imperfect it was. Being only fourteen is a prime age for Elison to work with. Layla is grown up enough and seen enough that she knows how the system works, knows how to care for herself and her brother, while still having the inability to act too grown up or understand everything completely. She is strong but is lacking a lot of critical thinking, impulse control, and her development has been shaped by her mother’s actions.

I was impressed at the topic being addressed. Neglect is important and having it so boldly portrayed in this story was fantastic. Showing how easily it goes unnoticed, especially how Layla could cover some of it up but not all of it due to her age and maturity, despite her intellect, felt real. It was a great decision not to have Layla be a slightly older competent teen, someone who could navigate their situation better, but also not have her be a self-assured competent twelve or thirteen year old either. Not that there couldn’t be a capable twelve year old who can care for herself and her brother, but I think having Layla struggle but also succeed as best she did is important. This is the balance of not being able to clean the house for fear or wrath and not having the skills to try, especially with events too big like water damage.

I enjoyed and was intrigued by a lot of the book but I really started to love it more towards the end. This was no doubt because of the work put in at the start. The slow build up and establishment of Layla and her brother is ideal given the wrap up and rollercoaster at the end.

Something I find interesting is how misleading the blurb is. It’s not that that doesn’t happen, but it isn’t exactly right in how it plays out in the book and is certainly not the main focus of the book.

I’m not going to say I could write a better one, given it does actually describe events in the novel, but the lead up to these events are important and it implies Layla is passive and a victim in the outcome when her resourcefulness and her determination make things happen. She is a driver of her situation, however misguided, and that strength form someone in her situation was amazing to read about.

Vilinsky was a great narrator and brought Layla to life. Each character felt unique and I felt emotionally connected the Layla, her whole self and emotional journey coming through remarkably well.

The bittersweet ending is amazing and I’m surprised such a choice was made but I love that it doesn’t shy away from realities and that there can sometimes be no perfect endings, just different. It was the best ending for the story we’d experienced and it made the book even better for it.

You can purchase Find Layla via the following

QBDDymocks | Booktopia

 Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Not Here to Make Friends (#3) by Jodi McAllister

Published: 3 January 2024 (print)/2 January 2024 (audio) Goodreads badge
Publisher:
Atria Books/Simon & Schuster Australia
Pages: 400/9 hrs and 35 mins
Narrator: Matty Morris, Aileen Huynh
Format: Audiobook
Genre: Romance
★   ★   ★   ★ – 4 Stars

Murray O’Connell is standing on the greatest precipice of his career. As showrunner of the reality dating show Marry Me, Juliet, Murray is determined to make this season a success.

Nothing and nobody will stand in his way.

Except perhaps Lily Fireball, the network’s choice for this season’s villain. Lily has classic reality TV appeal: She’s feisty, dramatic, and never backs down from a fight. She also happens to be Murray’s estranged best friend and former co-showrunner.

What was once a perfectly planned season turns to chaos as the two battle for control. Working in reality television, they’re used to drama, secrets, and romance. But what happens when suddenly they’re at the center of the storyline?

I love this series. This is the third version of this story but while there is a whole other side being explored, there’s obvious overlaps and seeing that cross over with what I’ve read in books one and two are great nods to the other points of view while also being a fresh new story on its own. Lily has intrigued me from the very beginning. I have been dying through two books to know Lily’s story. Now I finally have it.

It is amazing to see how easily people can be produced. It’s come up before, not in the reality TV space, but how people can be manipulated or at least be used to gain information or make people reveal more than they normally would. We all know about the editing to get the best TV, it’s something we’ve seen it in the past two books and now we finally have the answers.

Murray has suffered a lot as a result of this and I love how his rushed, tired, and frantic existence is captured in his narration. You can see how run off his feet he is, something that we’d seen briefly in the other books but it’s fun to see the poor man suffer at the whims of these characters who aren’t doing the story they originally planned on.

It isn’t all heart-warming and sunshine, nor a revisit to scenes and plots we’ve read before. Seeing behind the scenes of reality TV has never been my cup of tea. I don’t actually like seeing how manipulative producers and editing can be. Now McAlister has given us the perspective of those behind the scenes it’s hard to see the enjoyment in these shows. Where previous books showed how the characters could defy the chosen narrative and make their own paths, it’s hard seeing how those less fortunate can’t escape being manipulated by what makes “good TV”.

Having said that, it’s still great. It’s interesting because a few chapters in you know where it’s going, you’ve also read the other books so one side you’ve seen already. Yet McAlister has still makes these characters intriguing enough, their dynamic engaging enough, that you need to see how they both react to what happens in this story.

Despite being on the dodgy side of ethics, Murray and Lily do know they aren’t the best people. Coercing people into their narratives and staging things to get the outcomes they want are things they know aren’t good, but they know they are good at them as well.

The replay of scenes we’ve read before never feel repetitive and it’s a good reminder of what’s happened and the different points of view and how those events came to be. Reading the three books gives a perfect view of every angle of the story. The final story being the behind the scenes manipulations, puppetry, and wrap up of the mysteries of the previous books is perfect.

You can purchase Not Here to Make Friends via the following

QBDBooktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Harriet Gets Carried Away by Jessie Sima

Published: 06 March 2018Goodreads badge
Publisher:
 Simon and Schuster Books for Young Readers
Illustrator: Jessie Sima
Pages: 32
Format: Picture Book
★   ★   ★   ★  – 4 Stars

Harriet loves costumes. She wears them to the dentist, to the supermarket, and most importantly, to her super-special dress-up birthday party. Her dads have decorated everything for the party and Harriet has her most favorite costume all picked out for the big day. There’s just one thing missing–party hats.

But when Harriet dons her special penguin errand-running costume and sets out to find the perfect ones, she finds something else instead–real penguins Harriet gets carried away with the flock. She may look like a penguin, but she’s not so sure she belongs in the arctic. Can Harriet manage her way back to her dads (and the party hats ) in time for her special day?

This is an adorable story, coupled with even more adorable illustrations. I loved the duel meaning of getting carried away and the fact we have Harriet who is already an outgoing person, it’s no surprise she is giving a warning to reign herself in a little.

I initially thought Harriet was going to be kidnapped by the penguins, but she chooses to follow them and gets caught up in their adventure. This is where the warning from her dads come in because it’s clear this was always a risk of her being caught up by something she fancies and wandering off.

The story is a delightful adventure and I loved how Harriet had agency over what she was doing and where she chose to be. She was clever, negotiated, and resourceful all while trying to get home to her party.

Sima’s depictions of Harriet and her costumes are so good, and I love how things are scaled. The pictures are creative and clever as we see penguins in their hot air balloons and the city backdrop as Harriet and her dads prepare for her party. It’s rare you see a lot of scenery shots, usually there are a lot of close ups in picture books when it comes to matching event in the story. But I liked how Sima tells the story at a distance, where everything is in frame, and it suits the narrative perfectly.

The vastness of the scenery with the penguins, even in the shop to show the little girl wandering a large store really puts you in the scene and you can imagine little Harriet wandering around the supermarket. That isn’t to say there aren’t great close ups too, Harriet trying to get back home through various means, and even the variations on her different costumes choices are joyful.

I loved the story and while I always enjoy the illustrations, I found I particularly liked the style Sima chose and think it enhanced the story even further. I don’t want to say it is a benefit of the author being the illustrator because I have seen perfect matches and compliments between text and illustration before with different people, but there was something about Sima’s illustrations that really stood out to me and made the story even better.

You can purchase Harriet gets Carried Away via the following

 Dymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust

The View from the Balcony by Janette Paul

Published: 25 March 2025 (print)/1 April 2025 (audio) Goodreads badge
Publisher:
Pan Macmillan Australia/Bolinda Publishing
Pages: 400/11 hrs and 9 mins
Narrator: Lucy Moir
Format: Audiobook
Genre: Fiction
★   ★   ★   ★ – 4 Stars

Three women and the healing power of friendship.

Andie has no memory of the man who pushed her out of the way of a speeding car. A week before Coral’s biggest career highlight, her mum has a fall. And the last thing Mara wants is to be assigned to work at the hospital bedside of the much-despised senior partner of her law firm.

Andie, Coral and Mara become the daily visitors to the three patients at the end of East Wing of Hepburn House Rehabilitation Hospital. The balcony that connects the three rooms provides an oasis, a healing place, but more than that, too: a place where their lives will interconnect and never be quite the same again…

A heartwarming and evocative novel of love, friendship and family, where hope overcomes all – even terrible hospital coffee.

This is a wonderful story about women and their lives, it’s also about friendship and support and all the different types of experiences people can have. It’s about the multifaceted aspects of family, friendship, work, and romance, and how responsibility is often a burden when carried alone.

I enjoyed the emotional journey the women went on and even though there were disasters and chaos at times, in all of their lives, I enjoyed that they were allowed a real experience, full of heart. No dramas. It isn’t bland, simple, or emotionally uninteresting either, it was a beautifully real story about three people in different stages of their lives and the struggles and joys they experience.

All three women have stress in their lives and things that are causing chaos for them. Mara deals with the stress of family obligations and lack or support, Coral is dealing with the pressures of family and her obligations, while Andi is dealing with the trauma of her accident and healing.

I don’t know whether I need to worry that someone my age and in my situation resonated with Coral so much. I felt sympathy and had a connection with her and her circumstances as she was pulled in every direction and made to feel bad for wanting a break or time to herself. It might be Paul’s great writing though, you really get into the mindsets of these characters. You understand their stresses, their fears, and with remarkable ease you understand who they are and where they’re coming from.

Paul’s approach of writing about the unseen and oft forgotten people was a great decision. When someone is recovering the temptation is to focus on their story, who they are meeting in the hospital, what their recovery journey is like. To have this flipped and we’re focused now on those in a supportive role it reminds you how even popping in for a visit each day can be draining and a demanding practice.

The setting of a care hospital is a great place to interact because with a mix of patients, staff, plus the fly in fly out nature of family and visitors it makes for a great place to overlap, interact, and gauge these characters and their lives.

I loved all the characters, even the difficult and harsh ones, because you know there’s reasons why, there’s life history, there’s emotional issues or illness that makes them hard to deal with. But their complexity makes them real, turns them into people you know, you’ve met, and the ability Paul has to layer so much depth into the characters without being heavy handed is amazing.

I actually enjoyed the three narrators didn’t find one another until the end of the book. It wasn’t like they were the only three characters either, each one has a little group around them so they are never alone, but they still never cross paths. It works too because it is completely believable and understandable. In a place like the rehab centre people pop in and out all the time, and often you’re so wrapped up in who you’re there to visit you only notice people in passing as you bustle onto your next duty of the day. This is contrasted by the evidence that those in recovery did find one another and formed relationships, which we only catches glimpses of through our main characters. In another book these characters would be the main focus and Coral and co would be the side characters we never get a chance to see deeply.

There’s complications of course. There’s decisions that need making, there’s circumstances that work in a ward but not in the outside world. There’s risks to take and opportunities to weigh up which was as impactful and consequential as any major disaster. I’m glad there wasn’t a huge Event the characters had to deal with. The three main characters had their own events to deal with and overcome and I loved how that was perfect for this type of story.

Paul brings great closure with the ending, Val and Coral finally get to have their moment, the realisation of clarity or whether the clarity was new or just a fluke is irrelevant as it helped heal them both. I was hoping Mara and the physio Riley were going to hook up, they are a good match and the few interactions they had felt like they really clicked. There’s career prospects and personal growth, and new opportunities to leave readers feeling hopeful.

I will admit I am a little annoyed at the ending, but only because I was rooting for Coral so much. She deserved great things and regardless of her acceptance I was annoyed her obligations – despite her decision that they weren’t – stopped her doing something she had earned, worked for, and should be able to celebrate. But my disappointment was made up in the comradery these women showed, the ride or die for someone they barely know and are spurred into by the people around them.

You can purchase The View from the Balcony via the following

QBDDymocks | Booktopia

 Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

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