The Lovely Bones by Alice Sebold

Published: 1st September 2006Goodreads badge
Publisher:
Little, Brown and Company
Pages: 323
Format: Paperback
Genre: Fantasy
★   ★   ★  – 3 Stars

Since I mentioned this book in a previous review I thought I should post it up as well. This was another one of those books that tried to get turned into a movie successfully. I won’t say it failed exactly, I rather enjoyed the movie, however when you read the book there is so much more going on, and a lot more gets covered. This, I think, makes it a much better book than movie.

The Lovely Bones is the story about Susie Salmon, like the fish.  It tells the story of a young girl who watches those she left behind struggle to cope and accept her death. This is a touching story, it wasn’t over emotional but it was not heartless either. There are no gruesome descriptions exactly, but there is violence and adult themes.

Having this told through a young girl she sees what she sees and makes assumptions and deductions with no great analysis of an adult. Her insights are still quite sound but there is a hint of the teenager and young girl as well. It does not look like a long book but it covers many years and within that we see a lot change as the world passes Susie by. There are no other points of view but Susie’s focus does follow other people she knew besides her family and watches their lives evolve as well.

It is an interesting concept everyone going into this limbo/heaven place. Susie gets to control where she goes and what she sees, as far as I could tell it could be anything she wanted. There are other people in the world as well and Susie interacts with them, but she does spent the majority of her time watching her family and friends on Earth. We are not told a lot about where she is or whether this is the final place but you do not pay a lot of attention to the why or how, you focus more on watching and seeing everything Susie sees. There is a sense of anticipation, Susie’s death is not an accident and as the days and weeks and years go by you wait and hope to see whether her killer will be punished. As readers we know who has killed her, as does Susie, and we watch with her as clues are given and hidden, and we wait anxiously for justice to be served, if at all, Sebold teases us with where the story goes.

Unfortunately about halfway through the book I found myself waiting for it to end, only to realise I still had a lot more to go. It was not because it was boring or annoying exactly, more the fact it seemed to be dragged out unnecessarily as a space or time filler than a plot requirement. I did keep going and as I neared the actual end I did rethink my early observation and concluded that perhaps while it seemed unneeded it may have actually been just enough. There was a concluding feel that wasn’t rushed, technically if you wanted to, you could say it was always a conclusion from page one, the whole thing was about the aftermath of death and that takes time. It was realistic time and time that was detailed and in-depth so in that sense no you can’t just rush through the middle bits.

Sebold concludes this with respect to the reader who has sat and followed these lives and the ending is satisfactory in my mind. It wasn’t a life changing book, or something spectacular, but it was well done and successfully told.

Wander Home by Karen A. Wyle

Published: October 10th 2012
Goodreads badgePublisher: Karen A. Wyle via Smashwords
Pages: 373
Format: eBook
Genre: Fantasy/Paranormal
★   ★   ★   ★  – 4 Stars

Death is what you make it. . . .

Eleanor never wanted to leave the daughter she loved so much. The overpowering urge to wander — to search, without knowing what she sought — drove her away. She left little Cassidy in her family’s loving care. But Cassidy and the others died in an accident before Eleanor could find her way home.

Now, they are all reunited, in an afterlife where nothing is truly lost: places once loved may be revisited, memories relived and even shared. Surely this is a place where they can understand and heal. And yet, the restlessness that shaped Eleanor’s life still haunts her in death — and now, she find herself dreaming of a man she never met. 

Somehow, she must solve the mystery of her life — or none of them will be at peace.

Note: I was given a copy of this book by the author to review

Wander Home opens with a great description of a day at the beach, and instantly we get a sense of something different. Wyle doesn’t stop the story to explain though, she just keeps the scene going, choosing her moment to tell us about it, not when we ask for it. I have known many an author to do this to readers and I have to say I rather like the mystery if there is a chance it gets revealed to us later.

There is no real surprise this book is about death and the afterlife, Wyle’s preface tells readers that it is set in the afterlife, but the way she has chosen to write about it gives it a new perspective, and does actual make you forget this is supposed to be death. In that sense there was a Lovely Bones feel about it all. There was no connection to earth like Susie Salmon had, yet the ability to change “heaven” to be what you wanted and see people you once knew or even wanted to meet was similar. Not to lessen the impact of Wander Home mind you, it has been very well constructed as a reality and through description and detail it adds depth and truth.

We are first introduced to Cassidy, her grandparents Sarah and Jack, and her great grandmother Amanda playing on the beach. We are given no real answers about what is going on, not only regarding their situation, but also to the rules of this reality. You can only assume that this is how the world works and accept it, and then hope it is going to be revealed later on. The initial mystery does not remain long as the arrival of Cassidy’s mother Eleanor starts a chain reaction of clarification. As things are explained to Eleanor, we too are given an explanation. This is often the case, we learn as they learn. In well written stories it makes the necessary information parts smoother without the need of long paragraphs where entire worlds are broken down for reader understanding before the story can continue.

The story is engaging in as much as you want to find out more about the world, and find some answers to your own questions, such as where everyone else is. When I stopped to finally go to bed I found myself wanting to return in the morning to see where this intrigue lead me, always a good sign in a new book. The focus on this single family makes you wonder where everyone else can be. However these questions are answered further into the book and you soon realise, once you have a greater understanding of how the world operates, just how complex yet simplistic is actually is.

Once you see that this afterlife is filled with people from everywhere and every time, it is interesting to see how they live their lives. We are told that sleep in unnecessary, though people still enjoy it, but whether food and drink is required is unclear. There seems to be a lot of conversations involving and revolving around food which sparked my query, but there are multiple other unnecessary things that people did as well. Humans, I think, like having structure. In a world where you can be whenever and have such freedom everyone still manages to fall into the same systems they know.

There is a society of sorts in this story, no matter how surreal or fantastical, and people relive and do what they enjoyed in life. People make things and they work, whether they need to or not. People teach, people create, and there are markets and festivals where money is exchange more as recognition of a job well done for the creation than anything else. People buy chairs from a craftsman when they could conjure one themselves.

In that sense there is a lot to make you forget it is anything like death. Is this the point? Again we come back to <i>The Lovely Bones</i> idea, “heaven” was what you made it, places are created and shared and remembered because of what people did and how they lived. The entire world is made up of the memories of the humans who live within the world. In that sense it is rather philosophical, at the very least poetic or something.

Wyle does have a very poetic way of writing, some of her descriptions are really well written, and even the seemingly non-important details are not neglected. Her vocabulary is also very advanced, I found that I had discovered three new words by the end of the book: contrapuntal, sartorial, and atavistic; all of which I had never heard before and all of which are fantastic words. There is a great quote in there about reading as well: “[Reading] let you climb inside of people – even though they were made up people – and end up understanding humans, in general, a little better.” I think this is yet another great understanding of the power of reading. Another one of my favourite lines was “Kindly allow me the prejudices of my time”, for some reason I thought that was a very eloquent line; it really stood out to me.

The ideal Wyle has created is highly alluring. If only there was a realm, in life or death where you could change, relive, feel, think, and be in any age you wished. Young and playful, old and wise, it is an interesting concept, especially the ability to relive old memories with exact detail whenever you pleased, emotions included and everything. Though if anything it should make you appreciate the fact you can do most of those things now, instead of spending you time wishing and waiting for it to be possible later on. Not to get swept up in the promise of an ideal and instead live while you have the chance.

Through Eleanor’s narrative we realise that things may not be as simple as it first appeared. Just when we think we finally have figured out the world we are given new information that is mysterious, and being mysterious to the characters themselves makes it more intriguing. Initially we see alternating views between members of the family but as the story progresses it is clear Eleanor becomes the driving force in the story. This was not a bad thing, while the story was still being introduced we get a lot about the other characters and their histories, and despite the focus being around Eleanor’s story a lot more, we still learn about the other characters, they are not forgotten.

Overall it was a good read, it was different and imaginative. Wyle manages to capture family dynamics rather well and the relationships between family members whether it is husbands and wives, mothers and daughters, or the wisdom of a great grandmother to a child. Despite the nature of the topic it is not a complicated read, though there are a few minor adult themes. Whilst reading I did find a few spelling and name errors but I have since been informed by the author that these issues where in fact not mistakes, but rather deliberate conscious actions; either way they do not distract from the story. There are no jarring sentences and the detail and description of the locations are more than enough to compensate minor mistakes. And on a side note, there is a discussion about whether the Hanging Gardens ever existed; by chance I read an article this morning that concluded there is strong evidence that they never did. So there you go.

The Last Battle (#7) by C. S. Lewis

Published: March 5th 2002 (originally 4 September 1956)
Goodreads badgePublisher: HarperCollins
Pages: 229
Format: Book
Genre: Junior Fiction/ Fantasy
★ – 1 Star

The last battle is the greatest battle of all.  Narnia… where lies breed fear… where loyalty is tested… where all hope seems lost. During the last days of Narnia, the land faces its fiercest challenge – not an invader from without but an enemy from within. Lies and treachery have taken root, and only the king and a small band of loyal followers can prevent the destruction of all they hold dear.

Note: This review is what I wrote the second I finished this book. I put the book down and stormed to the computer and wrote this. I feel it captures my feeling at the time when I read it. I apologise if you liked this book, I understood from the many five star reviews people did, but I saw just as many on my side so I don’t feel too bad about it. I don’t know if you can pick up the anger in my writing tone, it is hard not to, but I was trying to be as civil as possible.

“I hated the ending. Simple as that. I wanted to throw the book across the room, scrunch it into a pile and set it on fire. I get your message Mr Lewis. Don’t shove it down my throat. You managed to slip it in unbeknownst to me in the second book, I don’t know enough of the Bible to know if you did it in any other story except the first and that was tolerable, but when you blatantly spell it out in such an insulting and judgmental manner I get pretty damn pissed off.

The book started off ok, it was a bit sad to see how the once beautiful Narnia had become but it was a new adventure and I accepted it. The whole ape thing confused me and I thought it was weird but I accepted it. Times were tough in Narnia, it was thousands of years since the early days and everyone had evolved, I accepted it. Then the children come back, there is hope yet. Oh not everyone, ok…it might be alright. But no, no it was not. The further this book went I could see the happiness and tolerance metre in my head slowly drop. Then the final part of the book came and I just got angry. I don’t know the last time I got as angry at a book as I did at this. I forgot all the other great books I had read of this series and focused on how Lewis managed to screw up the last book of the series. He almost got through it without making an ass out of himself and causing a divide in the readers. The rest of the books would vary from a few people, but this book would divide one way or the other I could tell.

We effectively rushed through the ending, skipping long explanations and just saying this is what happened and this is what it is now. Let’s all be accepting good Narnian slaves and live forever after in this wonderland and don’t think too much of how you are here. Oh and never mention those who got left behind cause they are the devil incarnate. Thank you Mr Lewis, I hope you’re happy with yourself.”

So that was was my initial reaction and review. I would like to add that almost a year later, and a lot calmer, I wouldn’t change anything because that is how I felt about what happened but I will try and offer a better summary. This is the seventh book in my chronological system, I cannot imagine how this could possible be anything other than last so that is undisputed. We are not given any real explanation why the story begins how it does and so for a lot of it I was confused about what was going on. The ending of The Silver Chair and the past history Lewis used I was expecting a slight continuation, but not having that I thought perhaps we were doing another seemingly unconnected The Horse and His Boy style book. The issue I had with that was that this was supposed to be the final book, the book that concluded all the stories, all the magic, all the crossovers and lives that we had seen; and when that didn’t seem to be happening I was very confused. The ape thing I mentioned was were my anger sort of began. Maybe not anger but I think having come from this succession of great Narnia history and beauty, seeing it being tampered with felt disrespectful. I don’t want to make any connection between the ape/human debate because I can’t entirely see how that is relevant considering what we have seen, but knowing Lewis’ ability to throw in symbolism at every turn it wouldn’t surprise me.

As I say not a lot was explained so there were times where I was reading and going along with it because I could not figure out where any of this was headed. I know Lewis had a tendency to add religion into his books. I got the message in The Magician’s Nephew, this, somehow, was a lot worse because it was not even using the imagery and the metaphor and symbolism that that book had, and even The Lion, The Witch and The Wardrobe was subtler (for me anyhow). I won’t tell you not to read it, not at all, and I know this is simply my view on the book, other people have loved it, bear that in mind and don’t go into this book expecting the worst. I just want you to know that for me, this book is very different than the previous ones. Lewis seems to take things to another level, perhaps if he had been gradually building throughout this series the book would not have been such a shock, but for me it seemed unexpected and extreme considering where we had come from. There had been no indication that those sorts of things were possible nor that they would happen. I may have to reread some reviews to understand why people loved it, and I have an inkling, but I am willing to try.

The Silver Chair (#6) by C. S. Lewis

Published: March 5th 2002 (originally 7 September 1953)
Goodreads badgePublisher: HarperCollins
Pages: 257
Format: Book
Genre: Junior Fiction/ Fantasy
★   ★   ★   ★   ★  – 5 Stars

A prince imprisoned – a country in peril. 
Narnia…where giants wreak havoc…where evil weaves a spell…where enchantment rules. Through dangers untold and caverns deep and dark, a noble band of friends are sent to rescue a prince held captive. But their mission to Underland brings them face-to-face with an evil more beautiful and more deadly than they ever expected.
 
The Silver Chair. The sixth, though sometimes fourth book (no, not letting this idiotic thing go yet) of The Chronicles of Narnia. This is the first book after we see the last of the Pevensie siblings. If you were reading the original publication order then this would be the first book in the series where the Pevensie siblings do not appear. I however, as stated in previous reviews, unknowingly followed the order my box set gave me which placed them in the chronological order. However you chose to read these books, or did read these books is up to you and probably does not really matter except when commenting about them in book reviews and trying to phrase certain things. Since this is classed as the fourth of the “originals” it does tie in with the Pevensie so we will look at it like that, despite all this extra knowledge due to the fact it now isn’t actually number four. Still with me? It’s horrid I know.

The Silver Chair brings the return of Eustace, cousin and former brat of The Dawn Treader adventures. The story begins with Eustace returning to school after the holidays when his cousins Lucy and Edmund visited, and after his transformation in Narnia. This story also introduces a new character in Jill Pole;  their relationship between the pair isn’t one of great admiration and fleeing from bullies is what gets their adventure going. Ah Jill Pole, the annoying and useless hero of Narnia. I apologise Jill, you were not that bad and you recovered well, but you did cause some strife.  Dear Jill is suddenly and surprisingly thrown into the world of Narnia with Eustace as Narnia calls to help them, or get help from them, we are yet to find out.

There is mystery and intrigue from the get go in Narnia. Despite being an adventure story Lewis manages to create a lot of questions and intrigue in seemingly simple storylines. Aslan appears early on, and it was interesting to see how he treats the non cherished children. I do enjoy The Silver Chair as a story, the new characters are a great change from the usual bunch, and now we have popped off the last of the famous four we get to explore more of Narnia. Eustace is a lot more bearable after his last adventure, and Jill is alright, but throwing her into this world where she is demanded of so much is a bad mix. Watching her fail at every turn is a tad annoying, I always got annoyed at her, but you can see how she faults and so you do understand which is almost more annoying.

I think the new settings and people makes this a high favourite. More of Narnia is explored and it shows that lives exist away from the drama of previous books. Time has also moved a lot faster than in the real world and so the world has changed once again, creating new issues problems and a new history to learn. One of the new characters Puddleglum is by far a favourite character of mine; his cynicism and glumness is always a joy, and he is very matter of fact when you look past the despair he always seems to feel.

It is not only new characters as The Silver Chair brings a few old faces again as the story connects more with Prince Caspian than to The Dawn Treader. Aslan’s appearances seem more aggressive than in previous books, though that too is understandable considering what happens. What I always enjoyed about this story was the magic involved; it is a different magic than that in previous books. We see the darker side and the evil and beauty other magic holds; similar to that in The Lion, the Witch and the Wardrobe but a little bit different again. The plot aides this magic well, but alone the story developed is actually quite interesting and engaging. Outside of the rest of the series and continual adventures it stands on its own fairly well. It was good not to rehash every bit of the past and just take the necessary components, something that some of the previous books over indulged in. Another advantage of removing yourself from the legend and past of the Four Kings and Queens of Narnia.

With these later books being a little less continual you can say it kind of follows on, but the events of Dawn Treader are not in vain, it all comes together in the slightest ways. Characters and stories do still reappear and bring the world of Narnia completely together on the page. No good will come from reading this series in a random order, there is not enough recap to allow that, but by changing the order depending on editions it forces you to chose. Pick a version, whether original or chronological, and stick with it. It is always easier to read things in the given order (which ever order you choose) as it avoids confusion, and especially as the series comes to a close it is more important than before.

Love Day

I have chosen this 14th of February as a time to reach out to those of us who tire of the ‘romance thing’ and think (like I did) that they wouldn’t read a romance novel. Now I understand the Romance genre is a huge selling point and for years there have been books written that indulge this love of romance, and entice the mushy side of our brains, aide the yearning people feel…perhaps venturing into a little too much towards Daisy and Keeping Up Appearances there. But the fact still remains that we cannot ignore the Romance. And on my tireless quest to fulfil the expected and probably unnecessary post for this strange “holiday”.

We once again turn to the goodreads crew who like to catalogue the book world for our easy convenience. Under the category Best Romance Novels of All Time I am greeted with covers for Twilight, 50 Shades of Grey, and The Hunger Games. Now I haven’t read The Hunger Games, I have been meaning to but it hasn’t happened yet, but from what I understand it is about a dystopian world where children fight and bread comes into it at some point, not so much the romance. I am just quite simply and blatantly ignoring the other two in obvious bias towards literature and yes even romance. What I did discover in this list of Top 100 books is I recognised a few, particularly The Notebook, Jane Eyre, Pride and Prejudice, and The Time Travellers Wife. I have actually read Jane Eyre and didn’t think of it as Romance at the time but I now see there are varying types of Romance, not all sex in the jungle with Fabio, nor over the top sensual desires of women and teenagers. I may also have forgotten that Nicholas Sparks is a romance writer and I did actually want to read The Notebook (perhaps less Dear John), and I have The Time Travellers Wife waiting patiently on my shelf as well so my whole anti romance stance may need a readjustment. There are as many on that list I do want to read as not, though in the minority I will admit, so having redefined Romance to myself I am now participating in the genre. I will say that well written romance is fine, what I don’t like is the mushy, sexual, Mills and Boone, quivering member type stories. And we once again head towards Daisy and Onslow…

So as we impeccably link the Romance back to the oh happy day I do hope you are having a great Valentine’s Day. I may not enjoy it myself, but I see the appeal. There is actually a book the Google god tells me that is called The Trouble With Valentine’s Day by Rachel Gibson, however much like the disappoint one discovers that The Lottery does not help you win the lottery, neither does The Trouble with Valentine’s actually give you clear and concise listings of what is wrong it. I shan’t get into it now or my cynicism will flare up again.

I have linked you all to this Best Romance Novels of All Time list so feel free to peruse and expand your Romance collection, perhaps you too will discover The Hunger Games is romantic, and I would like to veer you towards the Bronte’s and Austen’s hidden in the list amongst the strange vampiric, sensual, sappy, and perverted novels. The comments do raise arguments as people disagree with the list but it has been voted for by users of the site so you have no one to blame but yourselves.

Enjoy your day and read something spectacular.

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