Space Sushi by L. R. Currell

Published: 7th June 2014
3349b-goodreads-buttonPublisher: 
Smashwords Edition
Pages: 33
Format: ebook
Genre: 
Short Story
★   ★   ★   ★   ★   – 5 Stars

This story is part of the upcoming inaugural “Futuristic in Nature” anthology which will be released annually. Volume one will be available in July/August. 


Chang Luis Sahari is the most celebrated food critic in the cosmos.
  But the competition is always snapping at his heels. 

Set 100 years in the future, Space Sushi follows a passionate food critic as he faces his hardest challenge yet. A dish which is such a delicacy that it is only enjoyed by the rich and the elite. A tasty delight that is as potent as it is gorgeous with the potential to kill him. The culinary wonder is poisonous and there is no known antidote. Death is guaranteed if the poison is digested, already it has claimed an impressive number of victims.

There are very few chefs who can prepare it with the meticulous care necessary to make it safely edible. 

Chang’s employer sends him to the universally renowned Chef Nikons restaurant to sample the notorious Ambrozian sea slug from the Andromeda galaxy. Despite being in the care of a personal friend and a gastronomic legend who has prepared the dish fifteen times Chang still feels extremely nervous. 

After all, it isn’t every day that you sample a meal that could be your last.

I was asked for a review by the author

Space Sushi is a short story that is very well told with an equal balance of information, anticipation, and good writing. Currell tells the story in a light but detailed manner that is engaging and makes you eager for not just the outcome but the journey towards it. Set one hundred years in the future there are similarities to the present world but also new technologies that represent the advancements that have been made, while also touching on a few downsides.

Throughout the story we learn about the main character Chang and his food critic profession, how he is so skilled, and why he is one of the best. Asked to try the dish by his boss in order to help the company cyberzine sales, Chang attends the yet to be officially opened restaurant where his friend Chef Nikon is to prepare it. With his T 21 worker bot Tablet at his side, Chang prepares himself to taste the prominent dish, the wonder of the cosmos that is supposedly delicious but with a touch of danger attached.

As a character Chang is used well in establishing the atmosphere of not just the nervousness about what he is experiencing and anticipating, but also providing a wider context, history, and supporting details about the world in which the story is set. We are provided with an intense build up about what may and has already happened to people from consuming this esteemed and potentially poisoned dish so as a reader you understand why Chang is nervous and why the dish is famed and loved by those who can afford it.

While we wait alongside Chang as his dish is prepared we are hidden from what is happening in the kitchen, aside from what the Chef Nikon tells us when he emerges on occasion, as well as any details provided by Chang’s personal waitress that evening Judy. Being the only customer in the restaurant we are allowed to focus on Chang and the other three characters. We follow their interactions with Chang and we use their conversations to aid the story and build on the narrative. It isn’t until you finish the story that you really notice just how well Currell uses these other characters either. Everything plays together in telling this story and by limiting the descriptive aspect in the story so much of our knowledge is provided through the conversations and interactions among the characters.

Space Sushi is a wonderful short story with a narrative that manages to entertain but also build up your own anticipation and nervousness as you get involved with Chang’s story. You become captured in the story and by the end of it you are left wanting more.

Before Nightfall by Rachel Amphlett

3349b-goodreads-buttonPublished: 5th June 2014
Publisher:
Self Published
Pages:
576
Format:
ebook
Genre:
Suspense/Romance
★   ★   ★   ★   ★   – 5 Stars

“If they move you, they will kill you.”

Kate Foster is quick to forget the advice from a pre-deployment hostage survival course once she’s catapulted into a new job in Eastern Europe, despite the good-looking instructor. But a simple day’s task in Istanbul six months later goes horribly wrong. 

Trapped and alone, her only hope of survival is the man who trained her – ex-FBI Hostage Rescue Specialist, Finn Scott.

For Finn, it’s his worst nightmare. Kate was the one person he almost let into his heart. Haunted by memories of a failed hostage rescue, he is thrust into a situation beyond his control. Now, against a sinister adversary whose ambitions will split apart Eastern Europe, Finn must overcome his demons to prevent an international catastrophe.

And avoid losing Kate forever.

Note: I was given a copy of this book to review

Before Nightfall is an engaging story that keeps you guessing and hoping for a happy ending while offering interesting and unique characters that always have something up their sleeve and secrets to hide.

The story involves Kate, a woman who was looking to challenge herself and applies to work overseas in the Business Development division of a company. For staff safety she must undergoes hostage training, but does not hold up to the standards expected by her interrogator Finn Scott. Despite this, she already has the job, and inexperienced or not, she gets to go overseas with her new boss Ian Hart. Now, six months later when a routine trip in Istanbul gets her kidnapped, she must rely on the information she was told during her training, try to recall anything that will help her stay alive.

As a character Kate is one we are meant to worry about. We are shown and reminded continuously that she may not be able to cope with her situation, that she was unprepared and seemingly unqualified despite her training. While we do see a small part of this, Kate actually comes through quite well, she is strong and clever, and while it doesn’t always show, the strength underneath is quite powerful, even if it is not in the manner we are expecting.

There is a mystery about why Kate has been taken, we are given hints and clues but no real reason at first. When the answers are revealed it soon becomes a complicated and intriguing series of events that reveal so much more than what you first anticipate. What Amphlett does reveal is explained well. The secrets Finn won’t discuss, the half truths given by Hart, the unspoken words of seemingly innocent characters. It’s all there, and all waiting to be unearthed in a truly suspenseful style.

There is enough romance, suspense, and twists to keep you satisfied and it’s a story that keeps its secrets close. I liked that the strong romance elements were kept at a minimum, but I liked the restrained ongoing and obvious unspoken attraction between Finn and Kate. I enjoyed watching them pine for one another without doing anything about it, almost denying to themselves something was even there. Finn’s tormented soul made the storyline interesting away from the kidnapping, while still connecting them together.

I really liked how Amphlett handles the hostage and kidnapping aspects. Kate is portrayed in a way that suits her character well, she is strong, but inexperienced but she is also determined. Amphlett isn’t trying to make her out to be an unbreakable force, but she is not entirely out of her depth either.

With no spoilers I will say that by the end of the book when everything comes to light and everything is revealed, you realise how creative and clever Amphlett has been. It doesn’t go in the direction you think, nor do anyone’s secrets turn out to be what you suspect either. It is a great book that brings enough romance, suspense, action, and uniqueness meaning there is a little something for everyone to enjoy.

Bitter Greens by Kate Forsyth

Birthday

Today is the birthday of Australian author Kate Forsyth!

Kate Forsyth is an Australian author known for her children’s books, her heroic fantasy series, as well as her historical novels. With more than twenty books under her belt for both adults and children, there are stories to suit all ages. She has also won or been nominated for numerous awards, including winning the Aurealis Award five times. Before becoming a writer, Forsyth worked as a journalist before then moving on to freelance work to have more time to focus on her writing. Having written her first novel at the age of seven Forsyth has gone on to become an internationally bestselling author, and shows no sign of stopping anytime soon.

Forsyth’s love of fairytales is one of the reasons I really like her, her adult historical fictions Bitter Greens and The Wild Girl allow a backstage pass behind the fairytales we know and love today, including new insights into what the truth is behind these gripping stories. Bitter Greens about the origins of the tale of Rapunzel, and The Wild Girl about the woman and the love story behind many of the Grimm Brothers fairytales. Understanding how these timeless tales came about gives them so much more meaning and puts important and forgotten faces in front of stories where they belong.

One of the other things I love about Kate Forsyth is her ongoing and enduring passion for fairytales. It is a joy to hear her speak about fairytales and her passion, as well as the impact and influence they have had on her life, as is listening to her discuss her passion for books and reading in general. I implore you all to pick up one of her books, any of her books, and start reading them straight away, and I wish Kate a very happy birthday!

To learn more about Kate and her work just pick a link and start clicking!

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Published: 20th March 20123349b-goodreads-button
Publisher: 
Vintage Australia
Pages:
 576
Format: 
Book
Genre:
 Historical Fiction
★   ★   ★   ★   ★   – 5 Stars

Charlotte-Rose de la Force has been banished from the court of Versailles by the Sun King, Louis XIV, after a series of scandalous love affairs. She is comforted by an old nun, Sœur Seraphina, who tells her the tale of a young girl who, a hundred years earlier, is sold by her parents for a handful of bitter greens…

Selena is the famous red-haired muse of the artist Tiziano, first painted by him in 1512 and still inspiring him at the time of his death, sixty-four years later. Called La Strega Bella, Selena is at the centre of Renaissance life in Venice, a world of beauty and danger, seduction and betrayal, love and superstition, retaining her youth and beauty by the blood of young red-haired girls.

After Margherita’s father steals a handful of parsley, wintercress and rapunzel from the walled garden of the courtesan Selena Leonelli, he is threatened with having both hands cut off unless he and his wife give away their little red-haired girl. And so, when she turns seven, Margherita is locked away in a tower, her hair woven together with the locks of all the girls before her, growing to womanhood under the shadow of La Strega Bella, and dreaming of being rescued…

Three women, three lives, three stories, braided together to create a compelling story of desire, obsession, black magic and the redemptive power of love.

Bitter Greens is the story of the fairytale Rapunzel, told against the backdrop of seventeenth century Europe and through the lives of many extraordinary women. The story focuses on three women in particular, Charlotte-Rose de Caumont de la Force – a member of King Louis XIV’s court, Margherita – a girl stolen from her family and shut away, and a courtesan surrounded by magic – Selena Leonelli. Each of their stories is told through an intricately threaded narrative and through the eyes and lives of these women, a wonderful story is told about passion, history, and fairytale.

The way Forsyth connects each of these stories together is brilliant. Her storytelling ability is engaging, mystical, and pulls at all the right emotions. What she has done is create a compelling novel that is based on history, based on the life of Charlotte-Rose de Caumont de la Force, based on a period of time with royalty and court, convents, and just to keep things interesting, the Black Death.

The story starts with Charlotte- Rose and we learn of her banishment from court and it is through her new life in the convent that the stories of the other women are brought to life through the tale told by Sister Seraphina. The altering nature of each woman’s story was particularly enjoyable because it allowed you to feel like you too were being told the story in multiple sessions by someone. An entire story cannot be told in one afternoon in the garden, and Forsyth does not try to pretend like it is possible.

As I read about the convent life Charlotte-Rose endures I remember liking it to a women’s prison, though I’m sure that is a slight exaggeration but the way Forsyth describes it, especially coming from the life Charlotte-Rose had in court, it seems like a horrible place to end up and made me wonder why anyone willingly chose it. But as we see it through Charlotte-Rose’s eyes we are only exposed to her view of things, and it is writing like this that is truly excellent. The story Forsyth writes is enthralling and is one that is packed with detail making you feel like you are there beside each character the entire time. This is not just for Charlotte-Rose’s story though, the details throughout this book are extraordinary and there are minute details and grand details that not only add to the story but make you admire the writing and writer even more so.

By telling us the three women’s stories – Charlotte-Rose, Margherita, and Selina Leonelli, you learn that everyone has a story. The women in this story do not necessarily start out as the people they become, nor do they remain the same people there were, there are, like for everyone, many influences in their lives and each of these unique women are certainly victims of their circumstance, but it is what they do with it that can change everything and makes this a gripping story.

As I say there are many points of view as well as jumps in time through this book, meaning every perspective and every story can be told. This does not result in any confusion however as each story is woven together beautifully, heartbreakingly, and magically all at once. They are all connected, flowing one after the other, twisting together with such ease that you never lose your place, nor forget what has come before. You do however get so engrossed with each story that Forsyth is telling you are suddenly brought back to reality when the scene chances again and you realise you are in a memory, or the past, or someone else’s mind.

Bitter Greens isn’t so much a story within a story, but at the same time it is. Sister Seraphina tells the tale of Margherita to Charlotte-Rose, but through these two stories we see many other stories emerge, histories and pasts, all connecting together in the epic tale filled with history, passion, and longing. It is truly spectacular and a joy to become lost in and the historical aspects only add to the wonder. The detail and the complexities certainly show the years of research behind it, even passing comments can be something wonderful as you recognise a small seemingly obscure part of history being referenced.

Along with everything else this book has to offer from, the way Forsyth brings the story to an end is superb. The details possibly forgotten by the reader are brought back and reconnected to the story and a full circle is made where you didn’t know one needed completing. After initially being a tad saddened by the ending I soon recovered and understood. It is also hard to argue with history about where a story ends up. What was also wonderful was that the Afterword provides you with a brief ongoing story about Charlotte-Rose’s life, and what became of her and how her story got to be told, there is also additional information in the Forward.

There is a lot of power in Bitter Greens, not just in the life and realities people had to deal with during this time, but also the power of the people, the women, and the stories of the past. Historical fiction, good historical fiction, can make you see the past in a new light, bring out the everyday and make it shine. That is what Forsyth has done with this book, made it not just Rapunzel’s story retold, but looked at where she came from and how she came to be with integrity and adventure.

This book not only makes you realise there are more fairytale writers away from Grimm, Perrault, and Anderson, but discovering how these stories were created is astonishing. The fact that there is so much truth threaded into this work of fiction is marvellous and it makes you wish that some of the magical elements were a little bit real. Though having said that there is actually more reality than magic, and what magic there is is more on the unconventional side than fairytale magic typically is, enough to steep it more in reality than pure fantasy.

I explained this book to my sister as one she must read. She argued she did not like historical novels but I told her this was too good a story to pass up. I believe my words were “But it has fairytales! And prostitutes! And the plague!”. Possibly not the best argument but it is certainly not an untrue one. Bitter Greens does have all of these things, but what Forsyth does with the fairytales, prostitutes, and the plague is something to be admired, she takes these components and captures them into this story and turns them into a novel that is must read for lovers of history and fairytales alike. This is so much more than a simple Rapunzel story, it is a story that will leave you amazed, educated, and delighted.

Siren’s Song by Heather McCollum

Today I am very excited to share with you my review of the young adult paranormal/romance Siren’s Song by Heather McCollum as part of the blog tour hosted by Spencer Hill Press. Links to purchase the book and find our more information on Heather and the book are after the review.

Goodreads badgePublished: March 25th 2014
Publisher:
 Spencer Hill Press
Pages: 376
Format: ebook via Netgalley
Genre: YA Paranormal Romance
★   ★   ★   ★   ★  – 5 Stars

Jule Welsh can sing. She enthralls people with her bel canto voice. But it takes more than practice to reach her level of exquisite song; it takes siren’s blood running through her veins. Jule is starting her senior year at Cougar Creek High when her relatively normal world begins to resemble a roller coaster flying through a carnival scare house. Her mother is diagnosed as insane and committed, a psycho-stalker is snapping pictures of her to put into his homemade Jule-shrine, her voice is suddenly putting people into comatose trances, oh and the gorgeous new guy in town, Luke Whitmore, is interested in her . . . but also wants to kill her.

I am going to be vague and secretive because I don’t want to give anything away because finding out is the best part of this book so you’ve been warned.

I adored this book, I simply adored it. There is no other way to explain it. The story McCollum has written is one that is filled with mystery and intrigue, and a brilliant combination of magic and reality that brings this paranormal romance to life.

From the beginning I was enthralled by the narrative and I fell in love with the characters. There is an ideal balance of secrecy and unanswered questions that tease you as you read and as we follow Jule in her experiences we learn as she does, though we are also not told everything either.

The paranormal element McCollum has in this book is excellent, the siren aspect is wonderful on its own but couple with everything else it’s marvellous. There is an excellent balance between the paranormal and the real, there is no domination of either and while the paranormal plays a large part in what is happening through the story, we are not actually given a large or overloaded exploration of it either. With first person narration by Jule this is understandable, but even when it becomes more prominent story wise, we are given exactly what we need to know in order to understand the story and the history of events, just as Jule is to understand what is happening around her.

Having only read a few paranormal romances I didn’t know what to expect but at the same time I had an expectation in mind. This, I am pleased to say, was nothing like what McCollum delivered. I have nothing against other paranormal romances, as I say I’ve really enjoyed a few, but for me the paranormal side of this young adult novel was fresh and new, certainly unexpected and brilliantly executed.

Initially I thought that Jule was not asking enough questions in the beginning when she saw strange things, I certainly thought some things required asking for an explanation, but as the story progressed I started to understand the possible reasons why. If like Jule you live your life not believing in the impossible or magical, then you may not recognise it immediately. Logic takes over and you use real world examples to explain away what you heard or saw, and while it may seem odd, your mind does not assume it is supernatural.

What I found interesting was that when Jule does discover the truth she is quite accepting. After a reasonable yet quite restrained reaction to what she finds out, she then listens quietly and doesn’t react as you expect. She asks direct questions, establishing the validity in what she is being told and doesn’t let them go unanswered or avoided. Her determination is what I love about her, she isn’t passively accepting things around her but she is willing. I think this understanding is helped by the fact there is clear evidence to substantiate the claims being made and while Jule remains wary on the surface she can’t help but believe what she sees. Though to her credit, while she seems to believe the circumstances around her, there is an underlying scepticism that rears its head every now and then as she doubts what she’s been told. This questioning is also evident regarding her connection with Luke. With all the facts behind her she does not assume that everything is as it appears and what feels real may be masked by magic and short term.

Her understanding of the magical elements in her life was not lost on her and while she goes along with these feelings for Luke she never forgets that they may not be real or everlasting. This is just another reason why Jules is a wonderful character. Her friendships and her common sense are excellent tools in this story, but she also has a sense of responsibility and she is willing to do things for the greater good.

Each of McCollum’s characters are excellent and intriguing, they pull you into their world and lives so completely you struggle to leave. Each character is their own entire person, and through their actions, their relationship with others, as well as what is said and left unsaid we are shown a great sense of who they are which only adds to the story as a whole. When the characters in a story feel complete and real, regardless of their role played, you can find yourself having pity and sympathy for characters with even the smallest part. It is truly wonderful.

I think one of the reasons I was kept up until three and four in the morning reading this book was the fact I didn’t want to stop and I needed to see where the story was headed and what was going to happen. I think if I’d had the time I definitely would have happily read it in one sitting, though having the excitement drawn out over a few days made it that little bit better.

There are some of the best sentences in the book as well. Two of my absolute favourites are “Loved with obsessive devotion, hated with barely controlled fury” and “The bravest warriors scream inside while fighting for what’s right”. The way McCollum tells this story is filled with suspense and secrets and wonderful explanations. They are unique, creative, and the ideal balance that makes then filled with tension and drama and the kind of writing that makes you gasp with excitement and your heart pound with uncertainty.

The conversations and dialogue are great through the book. There is just something about Luke’s portrayal as a character and the dialogue he delivers that is divine. Even the characters pick up on it, he is clever and funny, and he knows the right thing to say in the right moment with the touch of humour and restraint that make it so enjoyable to read.

There is humour threaded through this story which makes it fun to read. There is a humour that comes from characters that have had a long time to accept their situation and there is also a humour where the newly initiated try and make things less terrifying than they appear, a way to diffuse the tension. This is equalled beautifully by the serious moments that grab your attention so suddenly that you aren’t sure what is happening until you’re halfway through it. This is where McCollum excels, through the exquisite depiction of power and danger, magic and love, friendship and family. The kind of amazing writing and narrative that keeps you on the edge of your seat, sitting upright in bed, holding your breath while still managing to squeal and gasp as you read.

The reason this book was hard to put down was the fact McCollum has created a novel that not only pulls you long by the strength of her characters, but also with a plot that will not let you walk away willingly. The desire to keep going, to find out the secrets, and see how it is resolved is powerful and one I found very hard to ignore. Siren’s Song captures the beauty, the danger, and the seemingly mundane into a story that stays with you even after that last page.

 In honour of the release of Siren’s Song, Heather is giving away two One Direction lawn tickets to the 28th September show in Charlotte, NC. You can read the Terms and Conditions and enter through Rafflecopter here

 

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An Australian Short Story by Ryan O’Neill

Published: October 2012
Publisher: The Lifted Brow
Format: Online
Genre: Short story
★   ★   ★   ★   ★  – 5 Stars

I love Ryan O’Neill’s approach to writing stories and this short story is no exception. An Australian Short Story is compiled entirely of lines from other stories, 149 to be exact, and all Australian authors and poets with works ranging from 1850 to 2011. The idea a story could be created with snippets and lines from others is one that seems so simple and yet sounds highly complicated all at the same time. The effort and research that would have gone into this is certainly admirable and at the end of it it is actually quite a good narrative.

The story, which first appeared in Issue 14 of the Lifted Brow, is of a husband and wife on their property, a writer without words to write, a frustrated wife, and a relationship that neither is committed to admitting out loud isn’t going very well.

Like O’Neill’s other short stories a lot is told in a short space, and a marriage, a life, and a yearning is captured well within these borrowed words. The story flows seamlessly and if it were not for the citations you would not know that this wasn’t a pure piece of original fiction. The works O’Neill draws from are vast, with Henry Lawson, Peter Carey, Amanda Lohrey, and Patrick White being just a few.

As wonderful as this sampled story is though, it is highly perplexing. Where I would normally commend O’Neill on the excellent image provoking description of a writing desk, or that eloquent and captivating description of wine, or imagery of a disintegrating jacaranda, I find myself commending Christina Stead, Damien Broderick, and A.G. McNeil instead.

Do I adjust this by saying I commend him on his choice of words, that certainly can mean a few things. And I think there needs to be a commendation about this. The way O’Neill arranges his narrative is one that engages you and makes you feel a sense of pity for those involved and the lives they choose to live. As you read you don’t know they aren’t original lines, they are certainly original moments and original scenes, and once you’ve read the story you are then able to return and admire the effort in construction. There is however one line in there sampled from O’Neill’s Flinch which was a particularly fine sentence, so perhaps only 148 works are truly borrowed from.

Avid fans of the sampled works may one or two familiar lines, but what O’Neill has managed to select are in the majority of a combination of nondescript, common, and seemingly ordinary sentences, and yet has managed to weave a telling story as a result. Personally I just knew that that specific “Yes” was from Morris Lurie’s 1979 Running Nicely even before I looked, you could just tell.

An Australian Short Story is yet another example of O’Neill’s marvellous story telling ability and capturing moments in time with skill, creativity, and unique characters.

 

You can read the story on The Lifted Brow website

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