Peter Pan by J. M. Barrie

Birthday

A huge happy birthday to James Matthew Barrie, author of the wonderful Peter Pan! I loved this book, I love that Barrie creates this world and these characters that are wondrous and engaging, but he also writes the story with heart and sometimes blunt truths, there is no real romanticising about life, Neverland is the wonder away from the rest of the world and that is why it is marvellous.

In Kensington Gardens in London there is a status of Peter Pan honouring Barrie. Peter is playing his pipes and has animals at the base; it certainly lends itself to the theory that Peter Pan has a connection somehow to the Greek god Pan. I know him best for the novel Peter Pan, but J. M. Barrie had dozens of others works before and after of both stories and plays, right up until his death in 1937. He was knighted in 1913 for his literary work and in the same year became Rector of St Andrews University. His other successes include becoming the President of the Society of Authors, a title which he took from Thomas Hardy which is cool.

I never knew he was knighted, but I do remember that when I was studying Barrie and Peter Pan at university, it became very clear that he was certainly peculiar, or at least lived a strange life, one that no doubt impacted on him. He was not all strange though, he knew some excellent writers of the time including Robert Bernard Shaw, H. G. Wells, and Robert Louis Stevenson.

He was the ninth child out of ten, two having died before he was born, and as an adult he was only 5″ 1′ (about 155 cm). When he was young his brother David, who was the next eldest and his mother’s favourite, died just before his 14th birthday. It devastated his mother and Barrie then it seems devoted himself to trying to fill David’s place, to the extent that he even dressed in his clothing. Barrie wrote a biography of his mother called Margaret Ogilvy, and in it he discusses his mother’s reaction to David’s death, as well as his attempts to please her afterwards. If you want to read it it is available from Project Guttenberg for free.

There was a wonderful theory that we heard in class that Barrie wanted so badly to be David and be the “son who never grew up” for his mother that he developed psychological problems and even managed to stunt his growth and proper adolescent development. This does not seem to have any grounds in fact I think he was just short, but he was no doubt strange enough that he probably tried. His innocence that he held until adulthood made him the perfect candidate to write a story like Peter Pan, he never properly grew up, and loving to write and tell stories probably helped this, he could stay young and innocent forever through words. He was initially discouraged from becoming a writer, I for one am very glad he chose to write, where would we be without Peter Pan to fill our dreams and fantasies and to fly us to Neverland in the middle of the night?

Peter Pan has many influences, but the main ones that inspired the play and the characters of the Darlings was the connected to Mr and Mrs Llewelyn-Davies and their boys George, John, Peter, Michael, and Nicholas. And before the legends and did you know facts appear, no he did not create Wendy, it was a name prior to the first appearance of Peter Pan, Barrie simply popularised the name.

There is truly so much going on with Barrie, his relationship to the Llewelyn-Davies family that helped create this Peter Pan world, not to mention the sad fate that many of them had. The entire history and environment and life of Peter Pan is absolutely fascinating I could write forever on, but I won’t, I will however review Peter Pan, one of the greatest books, certainly became established in society and popular culture, and definitely a classic for all ages.


Published: January 1st 2002
Goodreads badgePublisher: Puffin
Pages: 242
Format: Book
Genre: Junior Fiction
★   ★   ★   ★   ★  – 5 Stars

The boy who refuses to grow up teaches Wendy and her younger brothers how to fly. Then it’s off to magical Neverneverland for adventures with mermaids, Indians, and wicked Captain Hook and his pirate crew.

Everyone seems to know the story of Peter Pan, the boy who wouldn’t grow up, Tinkerbell and Wendy, and the mystical world of Neverland. I first knew of this story through the Disney version, but I also had a video of an Australian cartoon version which I also loved. Many of the versions of this story keep a lot of the same elements in it, there is no Peter Pan without pirates, Indians, or mermaids, but there are certainly some varying elements compared to the book.

The story of Peter Pan first appears in The Little White bird, a story written in 1902 by Barrie and was intended for adults, not children. The first real sighting of Peter is in the stage play in 1904 where it was titles Peter Pan, or the Boy Who Wouldn’t Grow Up. The novel version, which is probably the most well known version (aside from the movie interpretations), was extended from the original play and published in 1911 as a novel.

With the extended novel there is a chance to expand on character and ideas. There is also a lot more story within the book compared to what people know from the popularised Disney film. There is a lot more involvement of Mr and Mrs Darling in the book, and they come home as their children are flying out the window and know that their children are missing. Wendy, John, and Michael’s visit to Neverland happens in real time, and the time they spend there with the Lost Boys, Peter and Tinkerbell is time passing back in London. We get to see the reaction and life Mr and Mrs Darling have while their children are gone.

Barrie actually opens Peter Pan telling us the story of Mr and Mrs Darling, it is all very sweet. This also helps you understand them as people and parents, they are not just the parents with the story focusing solely on the children and their adventure, it is about the whole story sequence, not just the characters, but in the same wonderful way it is also so much about the characters.

I remember when I first read this story and realising that having a dog as your nanny was not a Disney invention of movie quaintness, it is actually in the book. Nanna it seems gets to have opinions about things and is a very good nanny. There is no first person narration for any of the characters, but Barrie does tell us what everyone thinks when it is required. Though this is not the only strange thing, there are other peculiarities, Mr Darling literally spends time in the doghouse out of guilt for his missing children, neighbours walking by and judging and everything. That was rather strange, but it has its humorous sides as well. It isn’t so much an absurd, only very strange at times.

There are many great moments in this book, even just reading about flying, the journey to Neverland and the adventures that await them. There is a little violence in this book regarding pirates and fairies, but it isn’t described in great detail, but it is still there. Peter helps this a little, in his own childlike way, brushes over things and quickly moves on to the next thing, always chasing another adventure as we are told. Tinkerbell speaks in the book, and there are additional characters and variations of scenes which make it that much better. A lot of Peter’s character is seen in his actions and his leadership. He can change from being proud and selfish to being rather noble and sweet very quickly.

Peter Pan is certainly not the exact character that the movies portray him as; in the book Peter Pan has much more selfish childishness as well as the naivety and cockiness. It is actually mentioned one of the reason Hook hates Peter so much is that he is always so cocky.

Peter is not the only bunt one, Barrie does enough of his own in his narration and explaining, it is very matter of fact, but Barrie expands on what needs to be told and what does not. The voice Barrie uses is one of a storyteller, you get the feeling he is speaking to readers as he recounts the lives and adventures of Peter and Wendy, this certainly adds to the magical nature, like a tale of times that once were.

Barrie definitely brings us some memorable characters in this book, not to mention quotes like “Second star to the right, and straight on till morning” and particularly “To die will be an awfully big adventure”, which is one that has stayed in my mind for years. It is rather telling of Peter’s mind when he says this. He has such a carefree attitude, never worrying and is not typically one to fret over anything. He definitely has a child’s mind, he moves from one thing to another, and quickly forgets things if they are over or no longer concern him. Though the connection and relationship he has with Wendy is sweet, you can feel that he loves the idea of having a mother and being cared for, but he wants things his way in his land, being the child forever.

The ending of Peter Pan and the events in the final chapter I found to be some of the most heartbreaking moments in this book, and certainly was not something I was expecting. I think it is a brilliant ending, but I felt such a pain as I read because it was so innocent, but also so sad at the same time; Barrie did an excellent job. There are entire moments of brilliance in this book, heartfelt, magical, and all round beautiful. You take the abruptness and the selfish Peter and you see him and others in so many other lights that it is all part of the magic and wonder that is Barrie’s story. There is so much to gain from reading this over a movie, the movie can bring you to the book, but the book can give you the soul of the story.

The Bloody Chamber & other Stories by Angela Carter

Birthday

Today is the birthday of author Angela Carter and in honour of that I am looking at her collection of short stories in The Bloody Chamber. It is an excellent collection, if you are a fan of fairytales, or love seeing fairytales reinvented in amazing ways, then I suggest you read these stories.

Born in England in 1940, Angela Carter wrote many books in her lifetime, sadly she only lived until she was 51 years old. However in that time she managed to write a large collection of stories, poems, radio plays, as well as children’s books and much more. What I found interesting was that before she died, Carter was planning on writing a sequel to Jane Eyre. I think this would have been fantastic, it was supposedly going to be told from the perspective of Jane’s step-daughter Adele, that would have been interesting to see.

Carter was listed on The Times “50 greatest British writers since 1945” in 2008, at tenth place it is a position I agree with immensely, what I didn’t agree was that Terry Pratchett didn’t make that list at all, but we can only just forgive that because of the others that were included.

Published: July 13th 2006
Goodreads badgePublisher: Vintage
Pages: 176
Format: Book
Genre: Fairy Tales/Fantasy
★   ★   ★   ★   ★  – 5 Stars

The Bloody Chamber & Other Stories is an anthology of short fiction by Angela Carter. All of the stories share a common theme of being closely based upon fairy tales or folk tales. However, she’s stated: “My intention was not to do ‘versions’ or, as the American edition of the book said, horribly, ‘adult’ fairy tales, but to extract the latent content from the traditional stories.”

The Bloody Chamber was published in 1979 and is a collection of short stories that are dark, sinister, and marvellous all at once. What Carter manages to do is turn the fairytales we know on their head, and she makes us look at them in a new light completely. The book comprises of ten stories, The Bloody Chamber; The Courtship of Mr Lyon; The Tiger’s Bride; Puss-in-Boots; The Erl-King; The Snow Child; The Lady of the House of Love; The Werewolf; The Company of Wolves; and Wolf-Alice.

Carter looks at stories such as Beauty and the Beast, Little Red Riding Hood, Puss in Boots, Bluebeard, as well as folklore tales, and what she has come up with are so unique, and so amazing that it is very hard to think of them as their original stories sometimes. There is definitely so much that that can be read into these stories, I know there are hundreds of references alluded to and mentioned in short story The Bloody Chamber that have scholars running about trying to interpret, but what references that are there does not distract from the story, nor does typically knowing the originals, they are easily enjoyed without understanding the origins, but for well known stories such as Little Red Riding Hood, Beauty and the Beast, or Puss in Boots, then it creates an eye opener for readers.

What is wonderful about these stories is that it isn’t just another version of the traditional telling, Carter brings so much more into these stories, she alternates points of view, and she brings in strong powerful women with highly emotional and intellectual insights that create meaning and force in these tales.

Her story The Werewolf, based on Little Red Riding Hood, had a huge impact on me. Very much like the novels of John Marsden’s when I realised stories did not have to be simple and straight forward; what Carter showed me in this story was that fairytales can be complex and may not be as they appear. From this simple story I suddenly looked at other fairytales like Hansel and Gretel in a whole new light, I realised and embraced that even the simplest stories of the Gingerbread man or Snow White could be recreated in an entirely new light, changing everything it was meant to be.

I already had a huge love for fairytales, and when I read Carter’s reinventions it opened my eyes to a world of interpretation, mixing and transforming these classics into something that is powerful and magical, while still showing signs of the history of the fairytales I knew. Personal favourites would have to be Company of Wolves, Wolf-Alice, and The Werewolf, definitely interesting since they are all variations on Little Red Riding Hood, a story that I didn’t like as a child, and yet has become one that I have enjoyed most in adapted form.

 Company of Wolves was turned into a very good film in 1984. It is classified as a British Gothic fantasy-horror film and director Neil Jordon co-wrote the screenplay with Carter. It is another variation on the Little Red Riding Hood story and is set in the modern day. It is a little gruesome at times, but it is an excellent film all the same.

There is something for everyone with Carter’s works and her writing makes you reconsider writing and storytelling, especially for fairytales. They hark back to the originals where it was more truthful and realistic, certainly told as cautionary tales, but also as a representation of powerful women. To steal from Wikipedia a wonderful synopsis: “By contrasting the barren and horrific atmosphere found typically within the Gothic to the strong heroines of her story, Carter is able to create sexually liberated female characters that are set against the more traditional backdrop of the fairy tale.”

A truly wonderful set of stories that stay with you long after you finish them, I wish Angela Carter a happy birthday and I want to thank her for the influence she has had on my own writing, as well as my ideas about fairytales and the power and possibilities they possess, no matter what the form.

Call of the Jersey Devil by Aurelio Voltaire

Published: May 28th 2013
Goodreads badgePublisher: Spence City
Pages: 248
Format: Book
Genre: Horror/Paranormal/Humour Fiction
★   ★   ★   ★   ★  – 5 Stars

Five suburban mall rats and a washed up Goth singer find themselves stranded in the Pine Barrens of New Jersey where they discover two horrifying truths: The Jersey Devil, hellspawn of folklore and legend, is real; and New Jersey (as many already suspected) is the gateway to Hell!

With the help of one lone witch, this small group must face off against their deepest fears and the most unholy monsters in a battle where their very souls, the world they live in, and any chance of returning to Hot Topic in one piece is at stake!

I was given an ARC copy of this book by the publisher.

The idea that the gateway to hell is in a forest in New Jersey is a pretty enticing way to base a novel. As soon as we begin the story we are thrown into the world of a mysterious creature and what it is capable of doing, then as we move on to a different world entirely we know it is just a matter of time before two worlds collide and creates the trouble this causes for those involved.

Call of the Jersey Devil tells the story of five “mall rat” teenagers who travel to the New Jersey Pine Barrens to see Gothic singer Villy Bats, however things are not all they seem, and when all hell starts to break loose (I love that this has become a literal phrase), they are soon faced with an entire underworld itching to get out through the gates of hell. Enlisting the help of a witch the teens and Villy must fight to stop the gates from opening further, and flooding the world with demonic incarnations, one of which is the legendary figure known as the Jersey Devil.
Being a fan of Voltaire’s work and having watched him provide updates on the book’s development for months, I sat here patiently waiting to finally get a chance to read it. After given the chance to read an Advanced Reader Copy I jumped at the opportunity. Having now finished it, almost unable to put down unless I had to, I am so glad it lived up to my expectations and went beyond what I ever thought it would be. It seems wrong to seemingly praise Voltaire for somehow writing such an excellent book as a first time novelist, almost as if it were unexpected, but not only do I know many first time authors who write excellent books, but Voltaire has a long successful creative and storytelling history behind him, this time it has simply descended on the page rather than in a graphic novel, a song, or a film.

But while Voltaire is a good storyteller, there is no doubt he is also a good writer. There are sentences and phrases in this book that are wonderful, all nestled in amongst the joking and the teenagers, and the whole ordeal of this demonic spawn and an opening underworld. The descriptions are excellent as well, whether they are of people, demons, or the environment around them. The way Voltaire writes you can immediately conjure up images and feeling of people and events; especially the scenes in the woods, not to mention the ominous feeling of uncertain darkness and the monsters it hides.

Along with descriptions there are also some very insightful moments in this book, as well as evoking one-liners and entire ideas expressed eloquently, often needing very few words attached to them. Voltaire has a way with words that is very beautiful; perhaps this is the long established creator within, or simply an observant and insightful personality coming through on the page, or perhaps both. Whatever the case it is certainly a talent to create a compelling and engaging story that can make you think, feel, as well as be fearful and grossed out all at the same time.

What I enjoyed about Call of the Jersey Devil is the fact that is has so much in it, but it never seems crowded, nor does it jump and feel fractured as you read. The opening of the book and early chapters are definitely designed to set up our characters and lead us into the oncoming events that connect you to the title. This beginning I feel is needed because it impacts on the remainder of the story, as well as how you perceive and assess the characters themselves.

Whether this was my own over thinking or not, but I felt that we were introduced to these “mall rats” as we were to give us a chance at creating our own preconceptions and assessments on them as people. Certainly other characters and they themselves fed this opinion, but in doing so it gives a lot of power to the rest of the novel which then begins to break down these initial judgements.

Voltaire changes point of view throughout and we are able to see the unfolding events through almost every characters eyes and thoughts. In doing so we are also given the opportunity to gain an insight into their history and back story to show you who they are and how they came to be that way. Aside from providing histories, it is interesting to see how each character treats the circumstances they are in, some relish it, some fear it, while others hate it.

Villy was an interesting character, if not complex. I enjoyed his character more I think because of his complexities and imperfections, that is what makes him real. The same can  be said for the others; these characters, especially the mall rats: Stuey, Prudence, Ari, AJ, and Aleister, are portrayed as real people, all with the quirky, obnoxious, selfish, vain and adoring aspects that is within anybody. Voltaire is very good at showing the readers that there is certainly a ‘group persona’ that is separate from who someone really is. This is why having alternating points of view and providing back stories helps you understand these characters a lot more, you see them as who they are, not only as the face they put on for the public.

You do get to see these characters behave separately from their group persona. This helps you not to instantly dismiss them as selfish teenagers who are loud and obnoxious and rude to one another, they all have a reason and Voltaire shows us, giving us a little more understanding, and yet almost not enough to excuse everything that they do, more to show how it has shaped who they became. This doesn’t always change any opinions or add much sympathy, but we are given an explanation.

Towards the middle of the book the story settles in nicely and it is now that everything begins to unravel, and it isn’t long before it is strange, and is possibly grotesque to some, but it is brilliant. There is a strange absurdness about it that is compelling and wonderful. You can certainly see where the influences came from of the genre films, and yet it does not read as cliché and over done either. The additional elements Voltaire added makes it humorous, and yet still terrifying and clever at the same time.

While it is grotesque in some parts, you cannot ignore the humour, this almost balances out the unpleasant details and descriptions Voltaire gives to the demonic faction within the woods. There is snarky sarcasm, and amusing moments that sit either side of the ‘horror’ aspect, but there is also some that cuts through the horror and breaks up the unpleasant scenes.

There were events in this book that took me by surprise in some cases, and not in others, but all were engaging, and in some cases saddening, all contrasting within a single chapter at times. There are also some very heartfelt moments in this book which was certainly a surprise, but certainly well placed and executed. There is the correct balance between the parody, the horror, and the realism to make it work very well. It isn’t even an equal balance, that is not what the story requires, but where these moments happen and by whom are perfectly placed to suit the character and the narrative.

I loved the ending of this book; I thought it was perfect for where the story began and how it played out. I think the way Voltaire established his characters and how we get to know them, not to mention the situations they get themselves in, helped explain and make the ending scenes and epilogue ideal. What was wonderful was the fact that Voltaire keeps you engaged and laughing throughout and until the end, which is very hard when you have demons, teenagers, witches, and the paranormal to contend with. There is also amazing and detailed artworks that accompany this story, certainly not required as the descriptions do them justice, but by having a startling sketch to illustrate a scene create an impressive impact on the mind when you continue reading. And entire idea can be captured in one of those drawings, there are just the right amount to suit just the right needs.

In his interview Voltaire said he was a storyteller, and he is; but there is also novel here. Within this story there are glimpses and hints of beauty and art, hiding amongst this “storytelling”. So while when you hear storyteller you may think casual conversational tone, there will be a lot that will surprise you with this book. For someone who does not read, Voltaire can write. But we already knew that. You only need to look at his songs or his films, or his other works to know he is talented, and know that reading does not always equate to talent or skill in writing.

You still have time for pre-orders before Call of the Jersey Devil is released on May 28th.

Mine to Avenge by Kerry Letheby

Published: November 1st 2012
Goodreads badgePublisher: Love Of Books
Pages: 488
Format: Book
Genre: Mystery/Suspense
★   ★   ★   ★   ★  – 5 Stars

When Alcandor is blamed for the tragic death of his friend’s sister in Greece in 1940, little does he know of the repercussions this will have for him and his family for the next seventy years. Unable to forgive himself, and wanting to give his young family a new start, Alcandor leaves Greece and brings his family to settle in the Riverland of South Australia in 1948. Although Greece and his past are far behind him, Alcandor harbours a terrible secret and he remains a fearful man. Alcandor subdues his fear, and he and his family adapt to an idyllic life of freedom and opportunity. 

However, eighteen years after leaving Greece, Alcandor learns that his past has caught up with him. His family needs to know the truth, but circumstances tragically intervene before he can warn them. Years later, Alcandor’s sons show signs of odd behavior hinting at possible mental instability, before disappearing without a trace. And in the next generation, Alcandor’s grandson exhibits the same strange behaviour not long before he is killed in the tragedy of September 11, 2001. It is not until 2010 that Alcandor’s great- granddaughter, Alethea, discovers that there is far more behind her family’s tragic history than mental illness, and little does she know that the threat against her family is much closer than she realises, and very far from over.

Mine to Avenge is an excellent book. The amount of work and time and thought Kerry has put into this book is amazing. There are interconnected things everywhere, not to mention the research she has done about the history of Greece and America and Adelaide, and all the other places mentioned in the story. If you followed her blog tour she mentions a few details about where she got her ideas and how she wrote this story, and I always have a great admiration for people who put so much time and effort into their work for others to enjoy. There surely must be a time where they want to just wing it because it is easier, but a lot don’t, they want it to be as accurate as possible, especially if dealing with real times and real places and events.

 When Alcandor Galanos is blamed for the death of his friend’s sister in 1940 Greece, it sets in motion a vendetta that will follow his family for the next seventy years. Kerry takes us on this journey of mystery and a vengeance that haunts the Galanos family, and by the end of the book you close it with so much inside your head about the connections and the lives of all the characters it is extraordinary. We are given multiple points of view and there is a fractured chronology as we get to see everyone’s side of the story as is required. This was evident right from the beginning because Chapter one opens with September 11, 2001, and leaving us on a cliff Kerry then jumps back to 1940 Greece where she shows us how it all began with another side of the story. It is writing like that that makes you eager to keep reading, if not to see where the exciting chapter leads, but also because you know there is still a cliff hanger from the very first chapter that is always on your mind as you are given this new information. But through this novel you get so many moments unanswered with new questions and as you continue you are abuzz with theories and you half read and half try and leap ahead in your mind and connect the dots.

 The way Kerry captured moments of the past was wonderful. With real events like September 11 and World War 2 and conflicts in Greece, she manages to portray the feeling and environment wonderfully, as well as the characters who are embroiled in these events. For September 11, because it was the only real one I had any real connection too; the way the confusion and the environment were captured was done extremely well, without it having to be the main focus of the scene. I especially liked how other characters reacted, even those who were not directly involved, specifically Nina and her children Alethea and Mila. Nina cared for her children and protected them from the scenes outside their window and the way Kerry tells their side of the events, you instantly can establish the fear hidden deep under a need to keep children unafraid, but you also can sense the almost young adult 12 year old Alethea who senses the fear, but wants to help her mother by being calm for her.

 Kerry has thought about everything, she has small details that make all the difference, the fact a mother protects the September 11 news from her kids, and how they treat the situation is very real, and very touching without showing the horrors, but still managing to capture the scene perfectly. The emotions, fear, uncertainty and missing description creates the images for you. This is evident in the other cases of terror with the family, creating the family bond, the family love amidst the destruction of the world around them was insightful and heart warming without a sense of over the top emotion.

There are so many gripping moments in this novel, even away from September 11, which isn’t really a huge part of the novel in the scheme of things, though it has its consequences and influences though which play their role in this interwoven narrative as does everything else. But with these scenes, and gripping moments of curiosity and intrigue, you become very involved in the lives of these characters, you have become so invested in their personal lives over their lifetime and knowing the dangers that surround them your brain works overtime to try and anticipate or deduct what it happening, about to happen, or has already happened.

Through the multiple points of view, as well as the jump between years you get to see the evolution of this family, and see children become fathers, mothers, and great grandmothers. When you read about characters when they are older with their families you also have the knowledge behind you of their childhood and their previous moments up until that point. And by having the same experiences retold from different eyes Kerry has compiled these lives, and this mysteriousness into an exquisite packages that leaves nothing unturned, even if it is still being uncovered in the final pages.

There are wonderful transitions between characters and emotions, nothing is rushed, yet nothing is drawn out unnecessarily with unneeded details. Each character is captured and portrayed so well, with such affection you do see them as real people, or as whole characters with a history and past.

As I reached the halfway mark point the cogs inside my head that had been working overtime to think and deduce started to click into place. When suspicions were confirmed it was as if a curtain had been lifted and the pieces started to fall into place. Of course there is always the missing pieces in the puzzle that magically end up under lounge cushions and under pets, these were yet to come, but that doesn’t stop a small sense of delight at the developing result.

I will not give away any more of this plot as it is too glorious not to experience yourself, but by the end of the book, when we are truly still having things revealed, it is done so wonderfully that you close the book feeling like you have been involved in something amazingly complex that works so well on oh so many levels.

The Viking’s Apprentice (#1) by Kevin McLeod

Published: March 28th 2013
Goodreads badgePublisher: Self published
Pages: 125
Format: eBook
Genre: Junior Fiction/Fantasy
★ ★ ★ ★ ★ – 5 Stars

What happens in Campbell’s Cove, must remain in Campbell’s Cove. 

Campbell’s Cove is a town steeped in a rich history of dragons, witches and brave warriors. History tells of one Viking warrior who rose above them all to claim the ultimate prize. Hundreds of years later strange things start happening in the town. Could the Viking stories be true? Has the evil returned? Who can protect the people?

When school friends Peter and George take their summer holiday with Peter’s Granddad it turns into an adventure that they will never forget. Peter must face a future he could never have dreamed of and learn of a past that has been kept secret for hundreds of years. A fight for friendship and survival and a struggle against an ancient evil that takes them into the Caves of Campbell’s Cove and beyond.

The Viking’s Apprentice is the debut novel for author Kevin McLeod and as soon as I read the plot and saw the cover I went hunting for this book. When I realised it was an ebook only I downloaded the necessary apps and away I went head first. This is an excellent book, just as it looked like it would be. What McLeod does is he has created a world of mystery and magic within our own and even in this first book, for even as I read I could tell there would be a second, is he has engaged readers. He uses stories of an ancient time, seemingly simple, but with so much hidden meaning and history behind it, to reveal the past, explain a story and begin an adventure. However it is the way in which he does this is what was wonderful: by using characters to do the work for him he enables readers to learn alongside the children as they too hear the wild adventures of the past, hearing tales of heroics of Vikings and warriors, dragons and battles.

The story begins with Peter and his friend George going to stay with Peter’s Grandad at Campbell’s Cove for the holidays. We learn that Peter does this often and what we know of Grandad is he is a teller of stories, stories about the Cove’s history, rich in dragons, warriors, and witches. The descriptions in this story are wonderful, but it also allows the reader to create their own images. The images created as you read Grandad’s stories to the boys about when dragons were fought and villages were under threat are excellent. In so few words seemingly complete stories can be told. This is another clever trick by McLeod; readers are given the same position as the children in the beginning, we, as they, sit impatiently while Grandad recounts his stories. This is where our knowledge comes from and we must wait, unless you start speculating like I did, but McLeod gives nothing away until you and the children need to know.

In other books like Fforde or Colfer or Nix where you know the authors like to play with you so readers only get what the author wants them to have until they’re ready, McLeod does this as well, and uses the children wonderfully to do so. They are not exactly withheld information, but within the story characters respect the relationship between the boys and the Grandfather, and when questions are being asked the main response is, ‘I think it would be best for your Grandad to tell you, or ‘he wants to be the one to tell you’. I liked that part, we are being held filled with suspense about what exactly is going on, but there is a reason for it that you know will be better to help gain a full idea of the story.

That is not to say we stick with the children the entire time through this story. McLeod gives us both sides of this saga, and the ambiguity and secretive unspoken and unexplained snippets about the coming danger is very creative. This is where we are treated as a reader away from the children; there is no information though, only secrets and mysterious figures. What I always like is that there are unexplained actions that occur but we see no explanation of meaning we are left to try and figure it out for ourselves. For a book suited at this age and audience, it is rather intricate and mysterious, something I applaud.

Where this story begins to grow in excitement is when these two stories we’ve seen combine and the past seems to return, and perhaps the Vikings and dragons of Grandad’s tales are become less of a story and more of a reality. I am offering no spoilers so don’t even try, but I will say that I adored how this was revealed and how it played out. I really liked though that McLeod was able to capture the urgency in the story with his writing, you definitely feel that things have become chaotic, or have calmed down, or that there is an eerie feeling. This certainly helps create feeling of a story without actually making it blatantly obvious and announcing it to readers. By the end of this book you are hanging out for the next one, McLeod has set up this story very well and he adds just enough to make you want to keep reading about these characters and see the effects and consequences o the events in this book. I look forward to continuing this series.

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