No One Would Do What the Lamberts Have Done by Sophie Hannah

Published: 27 July 2025 (print)/20 January 2026 (audio) Goodreads badge
Publisher:
Bedford Square Fiction/Bedford Square Publishers & W. F. Howes Ltd
Pages: 406/10 hrs and 59 mins
Narrator: Gabrielle Glaister, Joe Thomas, and Natalie Husdan
Format: Audiobook
Genre: Mystery
★   ★   ★ – 3.5 Stars

You think it will never happen to the ring of the bell, the policeman on the doorstep. What he says traps you in a nightmare that starts with the words, ‘I’m afraid…’

Sally Lambert is also afraid, and desperate enough to consider the unthinkable. Is it really, definitely, impossible to escape from this horror? Maybe not. There’s always something you can do, right?

Of course, no one would ever do this particular something – except the Lamberts, who might have to.

No one has ever gone this far. Until Sally decides that the Lamberts will…

I find it fascinating people who DNF this book having opinions when the book clearly tongue in cheek straight out says people miss the point and key moments by not reading straight till the end.

This is also the same people who rate it low because it’s ‘absurd’ when there is a key moment discussing how absurd the whole endeavour is. Hannah essentially grabs you by the shoulders, stares you in the face, and somehow without breaking the fourth wall manages to look you in the eye and say ‘isn’t this absurd?’.

This book is very self aware and meta but it never feels like it is, there is an ideal balance that keeps it in line. Yes it’s absurd and surreal and it’s weird, but it’s fun and that’s what absurd humour does. The point is that it’s ludicrous so you can hardly say it’s failed on that front. You can hardly critique it for being absurd when that is its selling point.

I personally picked this book up because a Stuart Turton quote was on the front and I adore his books. When I read the blurb I thought it sounded good and away I went. I will admit I was baffled, I was halfway through the book and there was no murder. But I had my theories, I thought it would suddenly turn – and it does – just not in the direction you expect.

When it does get absurd the only thing to do is go along with it because why not? As a result we’re rewarded as one of the readers who goes all the way to the end – another fun joke about readers bailing early and not understanding – because it gives two good wrap ups of the events away from the ‘story’ we’re being told.

It is definitely a matter of perspective and what the narrator/author found important. The Champ debacle and the need for some flare keeps a lot hidden, which they do admit, but the end result is an interesting switch and even in the narrative they admit it’s a weird focus. The layers of what is happening in the story is creative and well done, certainly nothing I’ve read before.

This isn’t a typical mystery or typical murder, but once you stop trying to make the book fit into your expectations and enjoy it for what it is you can see it is weird and baffling but also enjoyable and in a strange way interesting.

At times I had theories about narrator and about where it was heading. There are obvious set ups for murders and characters who could clearly take an extreme step and murder someone before any actual crime is committed against them, but Hannah balances it well so while these threads you weave are left hanging, you are off on another line and you’re swept away in the absurdities trying to grasp that really yes, no one would have done what the Lamberts have done.

I liked the ending because for those of us who finished it there are clues. The heavy implications that it has a hidden murder if you spot it, but could also be a coincidence is clever. It brings the story home after the weird plotline of the found book.

People who gave up at 8, 10, 25, and 30 percent didn’t even hit the story at all, we’re still in ‘on the run’ territory, the second half is where things happen and even with an hour to go we hit part two so the breakup of perspectives is amusing.

I definitely think you need the patience to see it through and get rewarded. You have your own puzzle hunt about what you think happened as you read and even if your theories don’t pan out, the mystery of what is happening or going to happen next is as much a traditional mystery set up as you can get.

You can almost hear the narrator and the author grabbing the reader by the face and very slowly spelling it out for them. There are words to that effect and it feels like they are telling you what is happening without saying anything specific. I found it really creative and a fun and clever story. Definitely worth taking a chance on it.

You can purchase No one Would Do What the Lamberts Have Done via the following

QBD |  Dymocks | Booktopia

Wordery |  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

One of Us is Back (#3) by Karen M. McManus

Long Lost Reviews is a monthly meme created by Ally over at Ally’s Appraisals which is posted on the second Thursday of every month. The aim is to start tackling your review backlog. Whether it’s an in-depth analysis of how it affected your life, one sentence stating that you only remember the ending, or that you have no recollection of reading the book at all. 

Published: 27 July 2023 (print)/27 July 2023 (audio) Goodreads badge
Publisher:
Penguin/Penguin
Pages: 368/10 hrs and 12 mins
Narrator: Shannon McManus, Holly Linneman, Robbie Daymond, Jeff Ebner
Format: Audiobook
Genre: Young Adult Mystery/Thriller
★   ★   ★   ★ – 4 Stars

At first the mysterious billboard seems like a bad joke: Time for a new game, Bayview. But when a member of the crew disappears, it’s clear this ‘game’ just got serious – and no-one understands the rules.

Ever since Simon died in detention, life hasn’t been easy for the Bayview Crew. First the Bayview Four had to prove they weren’t killers. Then a new generation had to outwit a vengeful copycat. Now, it’s beginning again.

The thing is, Simon was right about secrets-they all come out, eventually. And Bayview has a lot it’s still hiding.

Everyone’s a target. And now that someone unexpected has returned to Bayview, things are starting to get deadly.

Simon was right about secrets – they all come out in the end. 

This I’m resigning into a Long Lost Review because my notes are few, my memory of it is non-existent, and even the blurb is giving me nothing. I have a few notes but don’t remember much from this book. Even reading plot summaries nothing is sticking. Given my notes are about it being a bit confusing probably has something to do with it.

As the story starts there is a pause to recap previous books as characters are introduced. It’s seamless enough, but it’s a lot to recap given the complexity of previous books which makes it a little wordy and awkward all the same.

The cast has grown which is acknowledged, there are a lot of people to keep track of, and to mix the old ones in with the new and bring new readers up to speed and refresh memories is a lot. With the return of previous characters you can see growth, how they haven’t changed, how they are beyond high school even though it hasn’t been that long.

I have given it four stars so I must have enjoyed it, but maybe also I enjoyed McManus’ writing style, enjoyed returning to these characters, and maybe the plot was good and interesting at the time but isn’t one that sticks.

You can purchase One of Us is Back via the following

QBD |  Dymocks | Booktopia

Wordery |  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Eleanor Jones is Not a Murderer by Amy Doak

Published: 04 September 2023 (print)/28 November 2023 (audio) Goodreads badge
Publisher:
Penguin Books/Penguin Random House Australia Audio
Pages: 282/5 hrs and 29 mins
Narrator: Lola Bond
Format: Audiobook
Genre: Young Adult Mystery
★   ★   ★   ★ – 4.25 Stars

Eleanor Jones is Not a Murderer by Amy DoakEleanor Jones has just started at her ninth high school. She likes to stay invisible, on the outer. So it’s bad luck that the first person she talks to at school, Angus Marshall, is stabbed and left for dead. And the last message on his phone is from Eleanor.

Eleanor realises the police don’t have all the facts. In trying to understand what happened to Angus, she inadvertently becomes involved with an eclectic group of fellow students – who all have their own reasons to want this mystery solved.

As they slowly unravel Angus’ secrets, Eleanor discovers the true meaning of friendship – and uncovers a danger lurking at the heart of the town…

I will excuse that maybe it’s a QLD thing, but this feels very American. I’m not sure whether Doak wrote it in a way to be broadly appealing outside of Australia, or whether QLD is just like that, but it didn’t completely have that great Aussie feel I love from our YA.

My experience with our schools is we don’t have the hierarchy of popular kids and the losers. I cannot fathom how just because a group of “cool” kids went to a public fish and chip shop other teenagers could never ever walk in there any other time of their life because it was the cool kids hang out. Like, what? And why must we think being studious means you don’t have friends? Ok that’s a character choice this time, but I knew plenty of studious people who had lots of friends. Is this trying to be a US stereotype knock off to appeal? Or is QLD just like this? There is even the overdone cool kid party which is close enough to being the US teen trope too.

What was interesting about Eleanor is she bucks the trends I was expecting. Nine schools in five years I’m surprised she is even open to trying to make friends. I’d’ve figured she’d realise there was no point and know she was moving in a few months so she wasn’t going to get attached to people. I mean, good for her for not doing this, but it’s interesting. Especially in the digital age where it is easier to keep in touch, but being in a place for a few months doesn’t let you make close friends that are work keeping touch with.

To her credit, I was very surprised when the Big Reveal happens, Eleanor was quite sensible. Not entirely, but she knows when to bail and not be a hero. I loved that. It’s stupid, but I shouldn’t be so proud that these kids, while doing their own investigation as is the style, still go to adults, and police, and don’t try and save the day entirely themselves. I shouldn’t be amazed and impressed when they leave it to the adults and pass on messages when someone is on trouble. I love that and I need more of it. I got so cranky in a book because it was too stupid how the teen detective acted, and I just need these detectives, as fun as they are, to also not go so far that things would be stupid and unbelievable and ‘if they’d just told someone’. They even mention the cops may have more info than they let on and surprise surprise and might be able to do something.

I loved the characters and I loved their dynamics. There isn’t a lot of emotional turmoil and drama which keeps it light but there are still deep moments. If A Good Girl’s Guide was a bit too intense this is a great substitute. A good Aussie feel despite the few American vibes and the mystery is still captivating. A great example of small towns and needing outlets and enrichment.

With great pacing and a constant intrigue in the mystery it’s definitely a page turner. It’s a lighter version of these kinds of teen detectives which is perfect for those who want the style without the emotional intensity.

You can purchase Elanor Jones is Not a Murderer via the following

QBD |  Dymocks | Booktopia

Angus & Robertson

Fishpond | Amazon Aust | Audible

Every Last Suspect by Nicola Moriarty

Published: 04 June 2024 (print)/04 June 2024 (audio) Goodreads badge
Publisher:
HarperCollins Australia/Bolinda Publishing
Pages: 384/8 hrs and 56 mins
Narrator: Claire Warrillow, Eva Seymour, George El Hindi, Jessica Stanley
Format: Audiobook
Genre: Domestic Thriller/Mystery
★   ★   ★ – 4 Stars

Complicated, driven, loving. Manipulative, irresistible, monstrous.

Love or hate her, Harriet Osman is impossible to turn down. But someone in her life has finally snapped, leaving her lying in a pool of her own blood. Harriet isn’t one to die quietly though, and she is determined to reveal her killer before she goes.

Was it her devoted husband, Malek, with a violent past? Her best friend and lover, Victoria, with a deadly secret only Harriet knew? Or the new woman in her life, fellow school mum Karen? The one with an impeccable reputation … or so she says.

Bullying, friendships and games (in and out of the bedroom) combine with envy, lust and revenge, creating a darkly twisted tale of drama and suspense where the question isn’t who killed Harriet, but why did it take them so long?

I recently heard Moriarty speak at the Newcastle Writers’ Festival and was intrigue by her new book. I’ve enjoyed her books in the past and the premise was interesting and a different way to approach a mystery and a whodunit. The victim uses her dying moments to try and work out who has killed her. Who would have a motive to harm her? If only it could be figured out before she died then maybe she could leave a clue to those who find her. It piqued my interest and I was curious to see how it played out, especially Moriarty’s discussion about having a character who was unlikable, but balanced to also gain sympathy from readers.

I enjoyed the breakdown of the points of view, the three suspects Harriet believes could be her murderer. As we get each perspective we see how Harriet has influenced their behaviour and impacted on their lives in ways even they couldn’t imagine.

One thing I love about well done mysteries is having characters who can be complicated enough to have depth and feel real on the page, but also needing enough motive and be the kind of person who could kill someone. Moriarty does this incredibly well because as these lives play out in the Western Suburbs, the almost parasitic way Harriet has infiltrated their thoughts and their lives is enough to make you think they have a chance to risk everything to get payback.

The possible motives of the characters are fantastic and I loved the complexity and unique way everything is revealed. The surprise/non surprise party for Harriet is a great way to gather everyone and I loved how it’s a jumping off point to set things in motion as well as bring everything to a head.

The representation of messy families, jealousies, fears, hidden pasts, and semi toxic friendships is wonderful and nothing ever felt false or overdone. Each character brings their history and personality to the story and you could feel their real lives being impacted by Harriet and her actions.

I loved how complex Harriet was. She is a mean girl, a toxic friend, a person everyone loved and wanted to be friends with but could also burn you at the slightest thing. She was flawed but not entirely bad either and having her deductions in her own head as she dies it gives us an insight into her motives that beautifully contrast how those motives are perceived by everyone around her. Her flaws and own short comings make her be perceived in a harsh light, more than she intends, but she is also in no way completely innocent either. Moriarty has balanced her wonderfully.

The ending is deeply satisfying because not only is the revelation fantastic, the wrap up is incredibly clever. Things you don’t think are important come back, and things that felt important weren’t or they are in a different way. Unconnected things become connected and there’s misleads and expectations that don’t come to light. All the while making you think if some things had been discovered sooner would they have made a difference? You’re never really sure and it’s a great thing to leave readers thinking about.

You can purchase Every Last Suspect via the following

QBD |  Dymocks | Booktopia

Wordery |  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

 

 

Beating About the Bush (#30) by M. C. Beaton

Published: 3 October 2019 (print)/ 24 October 2019 (audio) Goodreads badge
Publisher:
Minotaur Books /Audible
Pages: 236/6 hrs and 22 mins
Narrator: Penelope Keith
Format: Audiobook
Genre: Cosy Mystery
★   ★   ★  – 3 Stars

When private detective Agatha Raisin comes across a severed leg in a roadside hedge, it looks like she is about to become involved in a particularly gruesome murder. Looks, however, can be deceiving, as Agatha discovers when she is employed to investigate a case of industrial espionage at a factory where nothing is quite what it seems.

The factory mystery soon turns to murder and a bad-tempered donkey turns Agatha into a national celebrity, before bringing her ridicule and shame. To add to her woes, Agatha finds herself grappling with growing feelings for her friend and occasional lover, Sir Charles Fraith. Then, as a possible solution to the factory murder unfolds, her own life is thrown into deadly peril. Will Agatha get her man at last? Or will the killer get her first?

Thirty books. Have I really suffered through thirty of these books? Though surprisingly I did not suffer that much this time around which came as a shock to no one more than myself. I went in with trepidation given past evidence and while it wasn’t perfect, there was a spark of the old writing style and structured, edited, and coherent storytelling.

The old outlandish plots are back with Agatha falling in love with a donkey whose been accused of murder. It was a strange shift from the Agatha of late, it was a refreshing change and so out of the blue it was easier to go along with it and revel in the absurdity of it all. The humour shown in earlier books is back, this time written well and used by characters in enjoyable ways so you fall comfortably into the story and accept it.

Agatha’s usual jealousy of Toni is there, a new love interest though as unsustainable as the others, and while the key characters get a mention, they are barely featured in the story. An offhanded reference here, one line there, they are hardly main players this time around as the focus is on the bigger plot of Agatha, Toni, and the donkey. Everything isn’t fixed entirely, the predictability remains, the outlandish outbursts and short temper of Agatha rains down on those who cross her, and we can’t have a new book without Agatha getting herself into dire strife. Things are better but there are no miracles.

Beaton passed away while I was reading this book and at the time I did hope someone was going to keep writing them because it looked like Beaton was finally realising that Charles and Agatha should be together. Reading the summary of one of the upcoming books I’m learning this was never going to eventuate. I’ve been burned before and watched good character development be pushed back into the box for worn out tropes and lazy writing so I have little hope on that front. The will they/won’t they is a good tantaliser but there must be a day when you can’t string it along forever. It’s actually annoying Beaton died after this book (if she was actually still writing them) because it’s the closest we’ve come to having Agatha and Charles get together and it’s a shame we didn’t get that as a reward for all the pain and suffering we’ve put up with. If nothing else the only thing I wanted as a reward from enduring thirty of these books was the two of them getting together and this is the closest Beaton has come without actually doing anything about it.

Because it’s taken me two years to write some of these reviews because of *gestures at everything* three more books have been published. Now, I don’t think I have the strength to read those three books but at the time this was the latest publication. This was my goal. This was where I wanted to get to and given the way this whole grand plan of mine worked out I think I’m going to stop. I read the thirty published books through 2020 and while it’s taken me longer to review them than planned I have met that goal and I don’t know if I feel inclined to keep going with the series. I’m calling that a win and while this was the most enjoyable book in a long, long while, I will wait and see if my own curiosity tempts me to see if the writing really does change with this new author and pick it up again. But if I’m honest with myself I really don’t think I’ll be back.

You can purchase Beating About the Bush via the following

QBD | Booktopia | Book Depository

Dymocks | Wordery | Angus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

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