Black Beauty by Anna Sewell


Birthday

In honour of Anna Sewell‘s birthday today I am reviewing the only book she wrote: Black Beauty. Sewell began writing in 1871 aged 51 but as she grew more ill she was painfully writing notes that her mother typed up, or she was dictating to get her story finished. It is always a little bit wonderful when you read about authors who are still trying to get their story out as they are ill, dying, or incapacitated; it means that they want their story out in the world so much that they will keep going until the end, not give up and leave it unfinished in a pile because it became too hard while they were sick.

Published: March 1st 2003
Goodreads badgePublisher: Scholastic
Pages: 245
Format: Book
Genre: Junior Fiction
★   ★   ★   ★   ★  – 5 Stars

Black Beauty is handsome and spirited, with a sweet temper. When he is four years old he is sold to a new owner who gently breaks him in. He is no longer free to gallop around the fields yet there is happiness and adventure among the hardship as his station changes from being a carriage horse on a country estate to a cab horse in town. At the same time he is aware that his well-being and future depend very much on the kindness or cruelty of his various masters.

Black Beauty‘s original title was Black Beauty: The Autobiography a Horse, translated from the original equine. I love this, and Sewell’s approach of using the animal autobiography genre is apparently considered the first of its type. Written over several years, Black Beauty was finally published in 1877. This creates a great setting for the history not only of the use of horses, but the society as well. The way people talk about horses, and using horse driven cabs is a wonderful image to have as the story progresses.

Black Beauty’s story is a gripping yet simple, complex, touching and achingly sad all at once. This is the story of a horse who goes through life working for many people, doing and seeing many things, and understanding the life, hardships, and joys of being a horse. It is a beautiful story, nothing is hidden and everything is laid bare, and that is why it is amazing.

I liked the way that Sewell did not shy away from the facts about life and about horses; facts are facts and the era of writing does play a role, but Sewell also set out to write a story directed at all those who worked with horses. I read that her intention was to promote the humane treatment of horses, and apparently Black Beauty is credited with having the greatest effect on the treatment of animals of any publication in history, resulting in changing the public attitude, as well as creating legislation to protect horses. That’s pretty amazing for her only book, and she didn’t even live to see the full impact it had.

People often get upset and mention how horrified they were about certain parts in this book, and I won’t lie, there are some bad moments where horse mistreatment is shown to various levels. However, as shocking and blunt these sometimes can be, they are not an ongoing focus. There is a lot of talk about cruelty, but there are equal amounts that show kindness and compassion. The sentiments mentioned in this story may seem cruel, but this book was also written in a time when this was the way of the world; and Sewell spends just as much time telling us that if horses were treated better than these situations would not be called for.

And while there is abuse, there is also a strong sense of justice for that cruelty that is more important. Throughout Black Beauty people are being reprimanded for whipping too much, jailed for mistreatment of horses, and people on the street have no issue pulling up riders or drivers who are being cruel. That is why this book is powerful, it shows the cruelty but also the consequences.

Black Beauty begins his story in a loving home where he is taught the ways of the world by his mother. She tells him to be “gentle and good, and never learn bad ways; do your work with good will.” Throughout this book he uses this advice to be the best horse he can be no matter what his situations and what he is required to do. As he changes home and he experiences new things he keeps this in mind, always trying his best.

What I found very interesting is that Black Beauty is given many names through this book, he begins his life as Darkie, and as he grows older and sold he is renamed Black Beauty, as well as Jack, Black Auster and others. But there is a reason the book is called Black Beauty, I never could figure out why but when I finished it this time I realised and understood, and that made it so much more wonderful.

What I also found heartbreaking but terribly sweet was when he was being sold once more at a horse fair. Being an older horse with injury and having recently come from a hard life, it was moving but beautiful as he says that his new owners “made as much of me as if I had been the ‘Black Beauty’ of olden time.” There is so much said in those words. He never lets his spirits down and he remains as good a horse as his mother wished through all he has been through, yet he knows why he is not as glamourous as he was. It is a true testament that he keeps his head high and makes the best of it all, but in the flickering moment he remembered his past with the meadow, his friends, and the love and affection he received from his master. Sewell manages to mean so much by saying so little, it is beautifully touching some of the things in this book.

Sewell is also very good a segues, Beauty’s voice is telling us his story and Sewell paces it right and places everything where it needs to be to make the story flow smoothly. Nothing is interrupted, yet nothing is left out either. She captures all parts of life, other horse experiences and their own stories. Through a horse’s eyes a person is judged in many ways in terms of their character. Beauty often gives people a well assessed judgement and we are shown why that judgement stands. Even in short paragraphs and a few lines Sewell can make it seem like we’ve gotten all we need to know about a person based on how a horse sees them.

The details in this story are also amazing, whether it is in the narrative or listening to another horse tell their story. Horses notice everything, the feeling of the human touch, kindness and pain. Sewell captures these beautifully and demonstrates that horses base their opinions on people not by who they are so much, but by how well they treat their horse. Through this technique you also see the horses reactions to war, ill-treatment, old age, and illness.

Other people have kept writing the Black Beauty story, but I can’t imagine ever wanting to read these other adventures, or read extended version about what occurred in the book, leaving the beautiful story as it is is enough for me, there is so much heart in the original that by adding to it will spoil it. There have also been multiple movie and television versions of Black Beauty, and I have never seen a film version I didn’t like, and only a handful I’ve seen have made minor changes to the plot as far as I could tell. I think with a story like this either reading it or watching it can be hard. It is really up to the individual, but when it is done well, it can be equally as wonderful as the book.

Happy Birthday Anna Sewell, it is sad you did not live long enough to see the effect your book had on the world, but I thank you for writing it.

Freaky Friday (#1) by Mary Rogers

Published: 1988
Goodreads badgePublisher: Puffin
Pages: 154
Format: Book
Genre: Junior Fiction
★   ★   ★   ★  – 4 Stars

Annabel thinks her mom has the best life. If she were a grown-up, she could do whatever she wanted Then one morning she wakes up to find she’s turned into her mother . . . and she soon discovers it’s not as easy as it looks

This is a great book that covers the wonderful scenario of a child wishing they were a grown up for a day and some how thinking it was going to be fantastic. I rather enjoy these kinds of stories, not entirely sure why but there is the fact we get to read about a 10 year old or a 13 year old or whatever being in an adult body but still having the intellect and thought process of someone younger. Hilarity ensues.


Freaky Friday
doesn’t use a child, Annabelle is 15, but she is someone’s child which is the better focus of the story. Her behaviour is that of a self-centred teenager sometimes and she is portrayed well in that respect. Personally, I don’t think the same story would not have worked if she was any younger or older. Being 15 she is old enough and yet not old enough at the same time which only adds to Rogers’ storytelling.

I used to read this so much when I was a kid, I never found myself wanting to switch places with my mother but I enjoyed the mystery surrounding it and what it was that caused the switch. We do not get to see the switched Annabelle’s side of this story through her mother’s eyes, we just see the results at the end and hear the odd mention as the day progresses.

Adult Annabelle has to deal with the maid, keeping control over the family problems and the issue of missing children. Rogers is very good in writing through the voice of Annabelle as she tries to behave like her mother. You can see she is trying to be responsible while still reverting to age appropriate reactions and slip ups.

Not analysing the short story too much but there is a lot of trust involved here, who knows what Annabelle could have messed up or done, not to mention no one really thought just how weird it could get if your daughter become you and having to deal with all the possibilities your husband might pose. That takes away from the innocence a bit I guess, it wasn’t meant to be a long switch that was the result of something unchangeable.

What I did like about this book as opposed to others in this story is that it was not just a child wanting to be a grown up version of themselves, it was Annabelle envying her mother’s life. I think that’s what gives it that little bit extra, it wasn’t about the child so much as it was about the child and the mother, they are connected. Annabel isn’t being selfish she is being jealous. There are no extreme morals thrown in our faces by Rogers but you do get a sense by the end that every one has had it tough and you can’t just wish things to be better and you should be happy with who you are.

I will also add that personally, if I had to choose a movie adaptation, I would got with the 1976 Jodie Forster and Barbara Harris version. Disney, for some unknown reason, has adapted Freaky Friday three times over the years, the first screenplay being written by the author, which could explain why it was a better story. But then as we must modernise and make it more relatable to the kiddies a 1995 version was made that wasn’t completely bad, but by 2003 when Jamie Lee Curtis and Lindsay Lohan took a crack, I must say that is where they completely ruined the story for me and I had to go read the book again just to try and forget what they’d done. Though because this was one of my most read books as a child I must always let it win over any movie version.

What I did learn however is that 1. This is the first in a series which I never knew about, and 2. Apparently in 1882 a similar story was written involving a father and son. I think seeing a father and son switch places would be extremely interesting, but coming from the 1880s that has to make it even greater. I found it on The Project Gutenberg site and as soon as I finish I will regale you in its wondrous tale (fingers crossed it is as wondrous as I hope it to be).

The Magician’s Elephant by Kate DiCamillo

Birthday

Happy Birthday Kate DiCamillo! I discovered Kate DiCamillo a couple of years ago and I have fallen in love with her work and with her words. A couple of DiCamillo’s books have been made into films, the first being Because of Winn-Dixie, the other The Tale of Desperaux; great books, but both of which I offer the ‘Better Than the Movie‘ guy.

Now, I have gushed in the past about DiCamillo’s skills as a writer, I think so much of what she has written has been so eloquently described, beautiful in description, and heart warming in terms of story. One of my first blog posts was a review of her gorgeous story The Tale of Desperaux, which also made it into my Top Five of 2012. DiCamillo once said “I decided a long time ago that I didn’t have to be talented. I just had to be persistent.” I would disagree with her and say that she has got a talent, and for someone that has the ability to write such beauty with such simplistic tools and environments, she manages to make even the smallest aspects of life magical and terribly profound; you only have to read Despereaux or Edward Tulane to see that. Today, in honour of her birthday, I am posting the review of another of her works that I thought was very touching: The Magician’s Elephant.

Published: September 8th 2009
Goodreads badgePublisher: Candlewick Press
Pages: 201
Format: Book
Genre: Junior Fiction/Fantasy
★   ★   ★   ★  – 4 Stars

 

What if? Why not? Could it be?

When a fortuneteller’s tent appears in the market square of the city of Baltese, orphan Peter Augustus Duchene knows the questions that he needs to ask: Does his sister still live? And if so, how can he find her? The fortuneteller’s mysterious answer (an elephant! An elephant will lead him there!) sets off a chain of events so remarkable, so impossible, that you will hardly dare to believe it’s true.

This is the story of Peter Augustus Duchene, a ten year old who went to a fortune teller and made magic happen. Peter’s story is as an orphan in the care of a soldier, looking for answers and wishing for miracles. When miracles begin to happen it is the start of something extraordinary.

The magician’s elephant is unintentional and yet her arrival is one of great joy for Peter, if only he knew what to do about it. The magician himself is an interesting character in the story, he plays such a large role yet he is limited as well. So much of his story is unknown, yet what we see of him is his remorse and his confusion about his actions. I think that for him we do not need a glamorous and detailed back story, for me I think watching him reflect and deal with the aftermath of his magic gave a beautiful insight into who he was as a person.

Behind Peter’s storyline of looking for answers and discovering truths is the strange relationship between the magician and Madam LaVaughn, as well as many others in the city. All the characters in this story have their own sense of magic about them that make the so likeable, even those who do not possibly deserve it at first glance. DiCamillo manages to give them histories and depth in so few words, it really is amazing. There are connections between these characters and you feel connected to each no matter how fleeting they appear.

There are some great quotes in this book, some are very beautiful and touching, but there are funny ones as well, one favourite was “Is the child having some hat related fit?” Little things like that make characters come alive and add that little something extra to a story. It isn’t probably needed, but that what makes them so great.

I thought this book was not as emotionally profound as her previous books like Despereaux or Edward Tulane but it still managed to be heartfelt and beautiful nonetheless. DiCamillo’s books always show that she is such an eloquent write. So many of her books are filled with such simple scenes and characters, yet they are somehow also filled with such depth and beauty. It is superb.

The ending is magical and we are given answers to the questions in the same way we are not given answers. This is ideal because we can take what we can from it ourselves. There is a lot in this book about humanity and how we see the world, but also about kindness to one another. There is also a lot of emotion displayed on the surface of this story that makes it wonderful, it does not always need to go any deeper than that. A very special story that reveals humanity at its best and with its failings I think. Such a small snippet of human life, such a seemingly innocent action, told like it had the importance and magic of the world. After all, the magician “had intended lilies; yes, perhaps. But he had also wanted to perform true magic. He had succeeded.”

As I leave you with these thoughts on this fine Monday morning, I offer you something else. I discovered last night, as I snooped around the interweb until all hours of the morning, that Reading Rockets has posted snippets of an interview with DiCamillo that is really interesting to watch; she talks about becoming a writer, her novels, and she offers advice to new writers. It is always interesting to listen to authors in interviews; some offer the same advice, some recall their hardships into publishing, but somehow, no matter how many versions of ‘to write you must read’ you hear, it is always comforting to get that little bit extra motivation to follow in the footsteps of those writers you adore.

The link to this interview is below, watch it, enjoy it, then ignore the socially imposed unhappiness of Mondays and read something spectacular.

Reading Rockets interview with Kate Dicamillo.

Hating Alison Ashley by Robin Klein

Published: October 1st 1985
Goodreads badgePublisher: Puffin Books
Pages: 192
Format: Book
Genre: Junior Fiction
★   ★  – 2 Stars

‘Utter loathing and hatred ‘ I said. ‘I wouldn’t even be on the same bus as you… If I could have caught a virus in time.’ Erica Yurken knew she was destined for great things. Never in any doubt about her own genius she felt superior to everyone at notorious Barringa East… that is until Alison Ashley turned up.

Hating Alison Ashley is about a new girl arriving at school and Erica Yurkan instantly hating her because she looks out of place and a better class of person. That’s it. So we sit through Erica assuming the worst, convinced Alison is out to get her and finding more things to hate no matter how small and shallow.

The first thought when I started reading this was that we finally got a story from someone other than the middle class. Granted it was less eloquent in my mind but that isn’t important. This book was so surprising and a very odd read. It was interesting to see Erica’s family and social point of view but by golly she was an annoying child. You forget she’s only supposed to be 12 years old or something if she’s only in year six. And the stories she comes up with were so unrealistic they just became annoying as every time she opened her mouth it was a lie. And not even a decent one.

There is a great line in this book that was put in there at just the right moment when my patience of putting up with Erica was getting thin. It is a great observation – “Erica Yurkan you have an exaggerated sense of your own importance”. This is so true and for someone coming from her family she is the most judgmental and snobbish person.

Even if you try and justify it, because of her family life etc etc she acts out etc etc. But she doesn’t even act out properly. What she does is she thinks she is superior to everyone when she isn’t, she hates those different than her and looks down on those she thinks are stupid and less deserving, she isn’t shy about openly criticising everyone and she can’t accept any one else might be having their own issues. She really is a horrible person, but again, we can justify it and say well look at what she comes from and how she is hiding up her shame, but that is no excuse.

By the end there is hope for Erica as she starts to realise that she isn’t fooling anyone, and that perhaps her life isn’t so bad after all. But you do have to put up with a lot to get her to that point. Again she is only supposed to be 12 years old so it is just weird most of the time. I guess it is supposed to shows you can’t judge anyone cause you don’t know their life but I think this took it too far. Erica’s family wasn’t what shocked me the most, that I could easily picture, it was this 12 year old hating someone so much and letting it consume her life just because she was ashamed or jealous or some stupid reason like that. Luckily she attempted some form of redemption in the end because Erica is a lot of personality to deal with in one book.

This was turned into a movie starring singer Delta Goodrem, they had changed the story a bit as per usual, but some of the plot was close to the book. I wasn’t a fan of the movie myself but that may just be me, so if you liked this book you may enjoy watching the movie.

The Boy in the Striped Pyjamas by John Boyne

Published: September 12th 2006
Goodreads badgePublisher: David Fickling Books
Pages: 224
Format: Book
Genre: Historical Fiction/Junior Fiction
★   ★   ★   ★   ★  – 5 Stars

Berlin 1942

When Bruno returns home from school one day, he discovers that his belongings are being packed in crates. His father has received a promotion and the family must move from their home to a new house far far away, where there is no one to play with and nothing to do. A tall fence running alongside stretches as far as the eye can see and cuts him off from the strange people he can see in the distance.

But Bruno longs to be an explorer and decides that there must be more to this desolate new place than meets the eye. While exploring his new environment, he meets another boy whose life and circumstances are very different to his own, and their meeting results in a friendship that has devastating consequences.

First of all I understand why this book is either loved or disliked. I didn’t know this was classed as a children’s book until I picked it up and I was a little surprised but I have read kids books on just as tragic topics so it isn’t unheard of. As for the book where do I even begin?

From the moment I started reading this book I was greeted with a child’s voice that had such innocence within it and observation with no deep thought it was wonderful. Bruno is a nine year old boy in his own world with his own priorities. His world changes around him and he doesn’t understand and tries to make the best he can out of what he is made to do. What I think people find hardest is how naive Bruno seems to be, he is only nine after all, and what is wonderful about children is they don’t understand adult prejudice until it is drummed into them and they become adults. Bruno doesn’t understand why things are happening, he just does as he is told, tries to fill in his own answers and pieces together the rest.

I liked that this story made you understand that there were more people involved than just Hitler. It is so interesting to see what happened from the point of view from an officer or someone within the system but also apart from the consequence. There was so much more going on during this era and it does not just boil down to the actions of one man, this book shows just what goes on behind the scenes of the man in charge. And there is no better angle than through a child, even if his family is involved, he is unaware of what it means.

It is sad and unsettling this book because you know it is perfectly true to some point. Within the first few dozen pages you realise that this very well could be, and as you read these phrases that are drilled into these children and hear the lessons they are taught, you know that this was what was happening. Now I say again, yes this is fiction, not exact historical fiction, and it is YA fiction so give it some liberties before slandering it. It tells these events in as good a way as say Two Weeks With The Queen tells you about homosexuality and AIDS. It is a story told through the eyes of a child, that has to be the biggest advantage this story has.

Writing style was rather like A. A. Milne at times with the repetition and matter of fact and selfish way children can sometimes think and behave and this I felt added something by reinforcing this was a little boy who was being left in the dark and didn’t even know it. Bruno has such an innocent look on the world and he is constantly trying to figure it all out. His conversations with Shmuel at the fence show just how naive he is, and how very wrapped up in his sheltered world he seems. But also Boyne writes through Bruno in such a way that it perfectly matches the mind of a nine year old boy worried about his own problems and ignorant to the greater picture.

Boyne maintains his style of describing without actually telling and a lot of things are described but not written down, and I trusted this to get me to the end. This approach was good because it keeps a lot of the explicit violence and unpleasantness about the events in this book out but it allowed Boyne to keep the story realistic allowing you to easily figure out what was going on. As I read and I saw the pages start to thin on one end I really didn’t want to go on, and with so few pages left I knew it was going to be wrapped up quickly. I got through it and I’m glad I did. The ending was a bit unfulfilling but expected. It gives you a lot to think about and you certainly don’t stop thinking about it quickly.

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