Published: 4 October 2016 (print)/4th Aug 2020 (audio) 
Publisher: G.P. Putnam’s Sons Books for Young Readers/Penguin Random House Australia
Pages: 320/8 hrs and 1 min
Narrator: Robbie Daymond
Format: Audiobook
Genre: Young Adult
★ – 1 Star
Henry Page has never been in love. He fancies himself a hopeless romantic, but the slo-mo, heart palpitating, can’t-eat-can’t-sleep kind of love that he’s been hoping for just hasn’t been in the cards for him-at least not yet. Instead, he’s been happy to focus on his grades, on getting into a semi-decent college and finally becoming editor of his school newspaper. Then Grace Town walks into his first period class on the third Tuesday of senior year and he knows everything’s about to change.
Grace isn’t who Henry pictured as his dream girl-she walks with a cane, wears oversized boys’ clothes, and rarely seems to shower. But when Grace and Henry are both chosen to edit the school paper, he quickly finds himself falling for her. It’s obvious there’s something broken about Grace, but it seems to make her even more beautiful to Henry, and he wants nothing more than to help her put the pieces back together again. And yet, this isn’t your average story of boy meets girl. Krystal Sutherland’s brilliant debut is equal parts wit and heartbreak, a potent reminder of the bittersweet bliss that is first love.
I’m sad this wasn’t a great Aussie YA because we usually do it so well. The Americanisation was disappointing when I learnt Sutherland was Australian and we missed out on a great Aussie story. I thought it was a bad American book but when I realised it was a bad book Americanised for the overseas market somehow that was somehow worse.
To get in our little slice of Australia there is a horrible stereotypical character which is absolutely painful. Sutherland should know how terrible this is for us to see the over exaggerated Australian in media and she should stop perpetuating it. It isn’t even that the narrator of the audiobook CANNOT do an Australian accent to save their life, but the dialogue Sutherland has written is so awful I kept having to pause it because it hurt to listen and I need it to stop. I couldn’t even stop and pick up my copy of the book because it’s not just the accent, I was not enjoying so much of this book and I could get through it faster listening to it.
I also find it hilarious that Murray who is so Australian it keeps being rammed down our throats, that his own parents would chastise Henry for using the word ‘bastard’. Like, give us some realism here please for the love of god.
I need to write or read a story where a teen’s favourite music is from the last 20 years and not something from before they were born. I get it’s probably easier to not date things or whatever, but if your goal is to create the Unique Girl and the Unique Boy then the fact it happens far too often diminishes that. There is another stereotype about how one kiss with a boy led Grace to come out as a lesbian and Henry’s favourite movie is Fight Club which is an interesting choice and given my opinions of Henry that doesn’t surprise me.
In a story where the word cripple is used, albeit by a character with a limp, to also have other characters wonder if it’s politically correct to mention someone has a limp was a curious contrast. It was a shock to hear the word cripple used and whether Sutherland justifies it by having a character describe themselves it still felt weird.
Grace wears typical guy clothes but it is stressed that she isn’t a tomboy. The role Grace plays is usually reserved for the boy in these types of YAs, the one who thinks the Deep Thoughts, but she is also playing her role as the Mysterious Girl that intrigues the boy who apparently has never seen another girl in his life. The self-reflection and acknowledgement of the Manic Pixie Dream Girl doesn’t stop it from being an eye roll.
Henry is a romantic and a dreamer but he is also a fool. The way Henry talks about Grace is cringe worthy and he has already put her on a pedestal because she’s so intriguing. There isn’t anything remarkable about Grace, she is a normal, sarcastic, cynical teen and the book wasn’t doing anything to work against the tropes that has Henry wanting to “save her”. One redeeming factor is when Grace quizzes Henry on why he’s never had a girlfriend, one of the first reasons he gives is he’s seventeen and I will give Sutherland credit for that being a legitimate reason.
There were other issues as well. Betrayal of trust and stalking were twice used as a joke, and despite being published in 2016 there are two problematic jokes and gays and lesbians, plus one about AIDS being funny with no sense of irony that I can discern if that’s even an excuse.
It was basically for all this combined that I did not finish this book and left at the halfway mark. I’ve read reviews that the ending is good but aside from speed running the entire second half to have some reasonable ending isn’t too appealing. I’ve read other one star reviews that explain what’s wrong with this book a lot better than I can and it’s a comfort to know there’s others out there like me. I am contemplating watching the movie to see if it’s remotely tolerable and let me see the ending without need me to finish this godforsaken book but I don’t think I care enough about this book to watch the movie. If not a summary will suffice because I couldn’t keep going even to see if there was any redemption and I have a bad feeling the movie will take away any depth these characters had.
You can purchase Our Chemical Hearts via the following
QBD | Booktopia | Book Depository
Dymocks | Wordery | Angus and Robinson
Fishpond | Amazon | Amazon Aust | Audible
Lost in a Good Book 