Beauty in Thorns by Kate Forsyth

Published: 3 July 2017 (print)/ August 2017 (audio) Goodreads badge
Publisher:
 Vintage Australia/Wavesound Audio
Pages: 464/19 hours
Narrator: Juliette Burton
Format: Audiobook
Genre: Historical Fiction
★   ★   ★   ★   ★  – 5 Stars

The Pre-Raphaelites were determined to liberate art and love from the shackles of convention. 

Ned Burne-Jones had never had a painting lesson and his family wanted him to be a parson. Only young Georgie Macdonald – the daughter of a Methodist minister – understood. She put aside her own dreams to support him, only to be confronted by many years of gossip and scandal.

Dante Gabriel Rossetti was smitten with his favourite model, Lizzie Siddal. She wanted to be an artist herself, but was seduced by the irresistible lure of laudanum. 

William Morris fell head-over-heels for a ‘stunner’ from the slums, Janey Burden. Discovered by Ned, married to William, she embarked on a passionate affair with Gabriel that led inexorably to tragedy.

Margot Burne-Jones had become her father’s muse. He painted her as Briar Rose, the focus of his most renowned series of paintings, based on the fairy-tale that haunted him all his life. Yet Margot longed to be awakened to love. 

Bringing to life the dramatic true story of love, obsession and heartbreak that lies behind the Victorian era’s most famous paintings, Beauty in Thorns is the story of awakenings of all kinds.

Once again Forsyth has written a beautiful book that is filled with beauty, history, and heartache. I had been looking forward to reading this book and it certainly didn’t disappoint. The lives of the Pre-Raphaelites is tragic and inspiring, and to be swept up into their world was a vivid adventure.

This retelling of Sleeping Beauty explores the life of the famous artists who called themselves the Pre-Raphaelites. It was an area of history and art I knew little to nothing about but discovering their story thorugh this book was delightful.

Forsyth brings their stories to life with such detail and expression, and I marvelled at how these characters are more than character, they are people from history who contributed to the world and who brought their art and passion to the public.

What I found absolutely marvellous is that I could look up the halls of the Oxford Union Debating Chamber and see the murals in their completion whilst listening to the story about their creation. Seeing the completed works of these historical figures and putting real faces to the names is a delight that historical fiction can bring, especially when Forsyth does such a wonderful job keeping it as close to historically accurate as possible, with her own fairy tale mastery woven through.

The narration shifts between all of the character offering up a rounded perspective of their experiences and characters. The passion of Rossetti and the tragedy of Lizzie, as well as the brilliant and fascinating men and women who surrounded them is fascinating to read about. The story moves slowly but not dully, the exploration of character and the creation of art is fulfilling. With multiple characters to explore Forsyth balances their introductions and their voices very well, each having depth and complications that make you understand who they are and who they were.

I was fascinated about how so many known people from history connected to these characters, Kipling and Bernard Shaw all connect with these artists and Forsyth has blended their stories together beautifully. This is a wonderful skill I have noticed in all of Forsyth’s books. She seamlessly includes a range of information into the story that act like natural conversation and narrative without ever falling into the exposition chunk trap, which makes for a wonderful read but also help define the period and inform readers of the historical aspects of the story. Details about the movements of characters and filling in events that occur during the skipped time fall into place. I often got caught up in the story that when a character mentions people passed away years ago or were married for a certain amount of years I realised how much time had passed and it amazed me that it felt so right to just go on this journey with these character across their entire lives.

Forsyth covers numerous decades over the lives of these artists and their families. Even in the short space of reading this book I felt nostalgic, as these great figures entered their older age and they themselves were reminiscing about their youth. I recalled the chapters when they were young and carefree. I felt like I had gone on this journey with these artists and I empathised with them and pitied them.

When characters like Georgie and Ned reminisce about being young I thought back to the chapters where they were so carefree and idealistic, painting the mural and found myself becoming wistful sad and nostalgic alongside them. It hadn’t been 30 years for me, but I had been on this journey of their lives and seen their struggles and achievements and I wanted to mourn for them and celebrate them in a small way.

Burton does a wonderful job narrating the audiobook. I could picture everything with Forsyth’s words and Burton distinguishes these characters and brings their personalities off the page. Listening to the audio also gave the sensation of storytelling, I was being told a story about these grand artists from long ago and I loved listening to Burton tell me about their lives.

I implore you to look up their artwork when you have finished reading this book, I loved that I could see the finished product of a piece I’d only read about, or see the models that Forsyth describes in her story. It is a benefit of historical fiction and with a wonderful historical fairytale as beautiful as this it was a delight to relive it in a new way.

You can purchase Beauty in Thorns via the following

QBD | Booktopia | Book Depository

Angus and Robinson | Dymocks

Fishpond | Amazon Aust | Amazon | Audible

Seasons Greetings, Everyone!

It’s ticked over to Christmas here in Australia and the day is looking to be hot and lazy.

As the Christmas lunch is being prepared and the presents await to be opened I hope all of your celebrations whatever they may be are wonderful!

My plans include eating cheese, drinking wine, listening to carols about snow and cold weather, and eating more cheese.

I hope your Christmas Day is filled with all things jolly and I encourage everyone if they can, to sneak off and read a book in a quiet corner.

What’s Up Top by Marc Martin

Published: 28th August 2017Goodreads badge
Publisher:
 Viking
Illustrator: Marc Martin
Pages: 40
Format: Paperback Picture Book
★   ★   ★   ★   ★  – 5 Stars

What’s at the top of the ladder? Is it a hat? Is it a cat? Is it a snail on a whale?

Simple, playful and absurdist, this new picture book by Marc Martin is about imagination and creativity.

I love this book. It’s clever, funny, creative, all the great things which make up good children’s books. The story is told in rhyme, and what starts off simple soon descends into nonsense and absurdity which is so much fun to read, especially out loud. What’s Up Top? is just as much fun for adults to read as it is for children, Martin has done a great job to make this a fun experience for everyone, and certainly one you can reread. It’s also an ideal book for invoking children’s imaginations and allowing them to interact with the story as they too can start to theorise ‘what’s up top?’

The text is simple and is on one side, while the opposite side illustrates whatever might be ‘up top’. I enjoyed the illustrations, they are realistic and colourful, but also basic and don’t take away from the story by being overly detailed.

Martin entices you and tells a humorous story and I loved every page. This was a notable Book in the 2018 CBCA awards and I can see why. It’s a fun and engaging book that has humour, mystery, and intrigue all wrapped up in 40 pages.

You can purchase What’s Up Top? via the following

Booktopia | Book Depository | QBD

Angus and Robinson | Dymocks

Fishpond | Amazon Aust

The Woman in Black by Susan Hill

Published: 1st December 2001 Goodreads badge
Publisher:
 David R. Godine Publisher
Pages: 138
Format: Paperback
Genre: Classic/Paranormal Gothic
★   ★   ★  – 3 Stars

What real reader does not yearn, somewhere in the recesses of his or her heart, for a really literate, first-class thriller–one that chills the body, but warms the soul with plot, perception, and language at once astute and vivid? In other words, a ghost story written by Jane Austen?

Alas, we cannot give you Austen, but Susan Hill’s remarkable Woman In Black comes as close as our era can provide. Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child’s scream in the fog, and most dreadfully–and for Kipps most tragically–The Woman In Black.

I read this expecting to be unnerved and unsettled but it didn’t quite reach that point. Overall it was enjoyable, but I found it a bit boring and slow at times. I understood the haunting, creepy nature but it didn’t grab me like it probably should. For the most part it was an ok story and I was curious about it, but that was as far as I got.

Reflecting the stories of centuries past this isn’t a horror story to frighten you, it’s meant to put you ill at ease with stories of ghosts and a mysterious woman lurking in graveyards. Small towns on moors with constant fog with secrets and unwilling to trust strangers.

You have to wait for the story to kick off and once that happens the plot unfolds properly and you get a few explanations and events that keep you intrigued. One thing I wasn’t expecting was how much the ending affected me. After reading about Kipps and his life, his experience with this old house and what he finds there I was anticipating the ending, but when it came to read about it I was quite moved. It’s that I remember most from this book, for that I give Hill credit for her writing. It burrows in when you think you aren’t paying attention and then turns your emotions on you in unexpected ways.

This is a relatively short book and it was better than the film, though both tell the story well. I think I missed that ending from the film which to me made this book all the better.

You can purchase The Woman in Black via the following

QBD | Booktopia | Book Depository

Angus and Robinson | Dymocks | Wordery

Fishpond | Amazon Aust | Amazon | Audible

Does my Head Look Big in This? by Randa Abdel-Fattah

Published: 1st August 2005Goodreads badge
Publisher:
 Pan Australia
Pages: 293
Format: Paperback
Genre: Young Adult
★   ★   ★  – 3 Stars

The slide opened and I heard a gentle, kind voice: What is your confession, my child? 
I was stuffed. The Priest would declare me a heretic; my parents would call me a traitor… 
The Priest asked me again: What is your confession, my child? 
I’m Muslim. I whispered.

Welcome to my world. I’m Amal Abdel-Hakim, a seventeen year-old Australian-Palestinian-Muslim still trying to come to grips with my various identity hyphens.

It’s hard enough being cool as a teenager when being one issue behind the latest Cosmo is enough to disqualify you from the in-group. Try wearing a veil on your head and practicing the bum’s up position at lunchtime and you know you’re in for a tough time at school.

Luckily my friends support me, although they’ve got a few troubles of their own. Simone, blonde, gorgeous and overweight – she’s got serious image issues, and Leila’s really intelligent but her parents are more interested in her getting a marriage certificate than her high school certificate!

I thought I would like this more. I didn’t dislike it, but it wasn’t the amazing book people made it out to be. It felt clunky and uneventful, and while there are great moments that shine through, the moments that falter stand out more.

The dialogue was…awkward. Conversations didn’t feel natural and Abdel-Fattah uses a lot of them to explain everyone’s back stories or Amal to educate the character (or us) about various topics and situations. They never seem to talk about anything else. The language was stilted and while what they are saying is valid and important, it doesn’t sit comfortably in the story. I don’t mind being told these things, but I think a more seamless inclusion was needed. This includes the excessive amount of metaphors and examples used, I understood that Amal wearing the veil sparked a need to educate the people around her but I felt overloaded with them.

I enjoyed the parts where Amal talks about why she wants to wear the veil and why it is important to her. I loved that I got to dislike the principal because of her own opinions and prejudices, no matter how subtle they were. And I liked Amal not putting up with anyone’s ignorance or preconception; her confusion, real or mocking, over why there is a problem at all is wonderful.

What was weird was being late reading this, it feels so old but it wasn’t at the time of course. I did not realise this was published in 2005, I thought it was the early twenty tweens, not the mid-2000s. The benefit of this however was I did enjoy reliving 2002 when Big Brother and Craig David were hot topics of discussion, I even think a bum bag reference was made which was fun.

It wasn’t all bad. There are some good moments like Amal’s frustration of being the token Muslim and I enjoyed getting to read about Muslim practice and faith. But it remained an average book, one I couldn’t connect with and whose clunky writing never let me fall into the story completely.

You can purchase Does My Head Look Big in This via the following

QBD | Booktopia | Book Depository

Angus and Robinson | Dymocks | Wordery

Fishpond | Amazon Aust | Amazon | Audible

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