Why the Audiobook is Not Always the Better Choice

I love audiobooks. I love that I can still read books while I am driving to work or shopping or otherwise unable to have a book in my hand. I also love that when you get good audiobooks with good narrators you can become so engrossed in a book you listen to it all day every day until you are done. But there is a flip side. There are risks to listening to audios. Not only if you have a bad book it can make it hard to skim and skip over the terribleness of it all, but you are at the mercy of the narrator and how they chose to interpret the text. This may mean you dislike a book you otherwise might have enjoyed.

 

The effect of the Wrong Voice

The voices a narrator chooses for a character can have immense effects on how you as a reader feel towards them. A voice that is too young, childish, and babyish make you look down on a character, makes you see them as childish and immature, something that may not have happened had you had your own voice in your head. If the voice is harsh and grating on your ears, and certainly not one you would ever feel suited that character then that too can be a turn off. I’ve turned off a couple audios recently because I could not stand the voices used for characters. It wasn’t anything I could get used to and it hurt my ears every time they spoke.

 

Bad narration

Connected in part to the wrong voice is also straight up bad narration. If a narrator does a bad job you do find you take it out on the book. Was the book bad, or was it just badly read? So often you can get used to a bad narrator, adjust your ears and your mind to their style and proceed as normal, or you focus more intently on the story and try to ignore their banality or slowness. Other times having a bad narrator can make you dislike a book, something that might not have happened had you had a physical copy in your lap instead. There is one upside to a slow reader though, the ability to put things on 1.5x or 2x speed on certain platforms which wonderfully makes the story play at regular speed instead of dragging on.

 

Changing narrators in the series

This one I cannot understand but at the same time I do. Narrator availability and time between books impacts this but it messes with your mind. Having spent ten hours imaging a character as a middle aged lady of reason, a bit of middle class, nothing too fancy but not that common either can jar the senses upon starting book two when a very different voice hits your ears with a twang and a jovialness that she never had before. Suddenly everything is less upper middle class, still doing the exact same things in the exact same house with the same cat, but the character seems different. It hardly seems right having this voice attached to the lady you had moulded in your mind to be a certain way. This is why I love when series have the same narrators, it makes everything more seamless and doesn’t mess with the characters in your head.

 

The Songs

When authors feel the need to fill our pages with songs, little hums, and all around general musical merriment, it is a fun thing to have a quick read, glance at the words, not worrying about rhythm or melody. Get the gist and off you go! With audio, to get the Full Experience, some narrators like to sing will full gusto and it makes you realise How Many Songs are in this book and Why Are There So Many Songs? It doesn’t do anyone any good having to sit through these things. It must be part of someone’s Beginners Guide to Torture having to sit through these songs in these books where they have no place being.

 

These are of course only my opinions, a few things that got me thinking after I listened to one of my favourite books as an audio and realised what a horrible mistake I had made. I have also had a lot more wonderful audiobook moments, but sometimes it is a little fun to point out that they aren’t always the best route to take. I suppose you only find out once you try, and thankfully 99% of the time there is another format you can fall back to when you decide your ears deserve better. 😛

This is Not My Hat by Jon Klassen

Published: October 9th 2012Goodreads badge
Publisher:
 Candlewick
Illustrator: Jon Klassen
Pages: 40
Format: Picture Book
★   ★   ★   ★   ★  – 5 Stars

When a tiny fish shoots into view wearing a round blue topper (which happens to fit him perfectly), trouble could be following close behind. So it’s a good thing that enormous fish won’t wake up. And even if he does, it’s not like he’ll ever know what happened…

I have so much love for this book. Klassen tells a brilliant story, there are two layers and it’s hilarious how they contradict one another. This is the second book in the Hat Trilogy and it’s clear from page one it is as wonderful as the first hat fiasco.

The narrator is a small fish who has stolen a hat, and reading about how he is going to get away with it is wonderful because the illustrations show you the exact opposite. I love the illustrations of both fish. Klassen puts so much expression into an expressionless fish and the attitude of both parties is amusing.

The text is simple and on top of the page and the illustrations are dark like the ocean and it works well because it focuses your eyes on the two fish without much distraction. The story is simple, straightforward, and yet Klassen has told a thrilling underwater tale all the same.

You can purchase This is Not My Hat via the following

QBD | Booktopia | Book Depository

Dymocks | Wordery | Angus and Robinson

 Fishpond | Amazon | Amazon Aust

 

Watership Down by Richard Adams

Published: June 1975 (print)/1 September 2005 (audio) Goodreads badge
Publisher:
 Avon Books/ABC Audio
Pages: 478/5 hrs
Narrator: Kerry Francis
Format: Audiobook
Genre: Classic/Young Adult/Fantasy
★   ★   ★ – 3 Stars

Set in England’s Downs, a once idyllic rural landscape, this stirring tale of adventure, courage and survival follows a band of very special creatures on their flight from the intrusion of man and the certain destruction of their home. Led by a stout-hearted pair of friends, they journey forth from their native Sandleford Warren through the harrowing trials posed by predators and adversaries, to a mysterious promised land and a more perfect society. 

The way I had heard people talk about this book I was expecting it to be filled with death, heartache and disaster. I compared it to Animals of Farthing Wood where they lost members of their party and the entire book was about their journey. This was not entirely the case, but I guess, in a way, this was also a tough journey, especially into the unknown.

The different rabbit warrens were interesting and seeing the different scenarios they came upon made for an entertaining read. Seeing our world through the rabbit perspective was curious because sometimes they knew what things were other times they didn’t. This of course was due to where they lived. They knew some human things but not others because they had never seen them before.

I listened to a dramatisation which said it was unabridged but I was looking at my physical copy later and I’m sure most of it was there, but with dramatisations there is a lot less “he said, she said” required not to mention description as you can act it out with different voices and sound effects which might have made the difference.

The actors brought the characters to life really well, I liked the voices chosen for them and it reflected their personalities. Hazel was a wonderful character, he wasn’t flawless but he had a good heart. Surprisingly Fiver didn’t annoy me as much as I thought he would with his dramatics. They never explained much but perhaps that was the mystery of the rabbit world.

Adams was clever with parallels, the stories of El-ahrairah to influence the decisions of the rabbits. It created an understanding of the rabbit community and practice and how their beliefs played into their everyday life. Inspiration from their folklore to aide their current perils. Not only that but their own ingenuity to become greater than they were in order to survive.

As heartless as it sounds, I enjoyed the ending. I liked that brains beat brawn and even if some parts were strange, overall it was a good story. I’d always heard about this horrible ending and I can see how it might be a tad traumatic if you were a kid. I watched the movie afterwards, the 1970s version, and I can see their point. Despite the cartoon nature the violence really shines through and I will agree that end scene was visually very bloody and violent.

Thinking about it, I did enjoy the story more than I might have been in the middle. I have a few questions such as their ongoing (but logical) obsession with does, but also the fact they never try to rescue anyone else from their sorry lives when they meet them. Surely there would have been others who would have loved to come and join them, but they never thought to ask. If that is my only true criticism then that’s not so bad.

You can purchase Watership Down via the following

QBD | Booktopia | Book Depository

Dymocks | Wordery | Angus and Robinson

 Fishpond | Amazon | Amazon Aust | Audio – Dramatisation

Blogiversary Winner

After a month long giveaway the time has come to draw the winner from my blogiversary celebrations. Thank you every one who entered, it was amazing to see the number of entries for my giveaway and how many wonderful and supportive comments you all left. 😊

The winner was drawn via Rafflecopter and I’m very pleased to announce that the winner is

_Sandra_

The winner has been notified by email.

Congratulations!

I Want My Hat Back by Jon Klassen

Published: 27th September 2011Goodreads badge
Publisher:
 Candlewick Press
Illustrator: Jon Klassen
Pages: 32
Format: Picture Book
★   ★   ★   ★   ★  – 5 Stars

The bear’s hat is gone, and he wants it back. Patiently and politely, he asks the animals he comes across, one by one, whether they have seen it. Each animal says no, some more elaborately than others. But just as the bear begins to despond, a deer comes by and asks a simple question that sparks the bear’s memory and renews his search with a vengeance.

This is the first book in Klassen’s Hat trilogy and it is a brilliant story that both children and adults can enjoy. Ideal to be read alone or out loud the story is told entirely through dialogue with Klassen’s wit and straightforward sentences as Bear asks everyone he meets if they have seen his hat.

I loved the call back to the earlier dialogue and I liked that the bear politely went through all the animals he found, each having a different response. It never gets repetitive and Klassen includes enough animals that it is long enough but also has a few surprises.

The illustrations are part of the charm because the expression Klassen gives the animals are fantastic, and a lot is said through staring. The colours are dulled but still stand out on the page, the focus is on the animal interactions with only a little background but it isn’t missed. A lot of the time too the narrative is a companion to the dialogue, one not quite working without the other. There is something magical about Klassen’s work that makes the entire experience delightful.

The dialogue is the real gem and Bear is a great character. As the story progresses you see that Bear is not a bad bear, he just wants his hat back. He is polite and helpful and no one surely can blame him for anything that happens. If anything even happened at all. Which is doesn’t.

A fantastic beginning to a trilogy. It’s simple, yet clever, and it is certainly unexpected.

You can purchase I Want My Hat Back via the following

QBD | Booktopia | Book Depository

Dymocks | Wordery | Angus and Robinson

 Fishpond | Amazon | Amazon Aust

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