Poems of Banjo Paterson

Ok, we have to post some poems because they are truly great reads. You can’t just talk about the man behind the poems. There is something wonderful about hearing these poems being read aloud but they are also wonderful to read yourself as well. There is a great sense of adventure and suspense and daring in these poem and there is a reason they are Australian classics that are loved across the board, especially The Man from Snowy River. You should also listen to the darling Slim Dusty singing Waltzing Matilda because if anyone is going to sing it it should be Dusty, but you can read the poem here which is slightly different.

Clancy of the Overflow (published in The Bulletin 21 December 1889)

I had written him a letter which I had, for want of better
Knowledge, sent to where I met him down the Lachlan, years ago,
He was shearing when I knew him, so I sent the letter to him,
Just “on spec”, addressed as follows: “Clancy, of The Overflow”.

And an answer came directed in a writing unexpected,
(And I think the same was written in a thumbnail dipped in tar)
‘Twas his shearing mate who wrote it, and verbatim I will quote it:
“Clancy’s gone to Queensland droving, and we don’t know where he are.”
In my wild erratic fancy visions come to me of Clancy
Gone a-droving “down the Cooper” where the western drovers go;
As the stock are slowly stringing, Clancy rides behind them singing,
For the drover’s life has pleasures that the townsfolk never know.

And the bush hath friends to meet him, and their kindly voices greet him
In the murmur of the breezes and the river on its bars,
And he sees the vision splendid of the sunlit plains extended,
And at night the wondrous glory of the everlasting stars.

I am sitting in my dingy little office, where a stingy
Ray of sunlight struggles feebly down between the houses tall,
And the foetid air and gritty of the dusty, dirty city
Through the open window floating, spreads its foulness over all.

And in place of lowing cattle, I can hear the fiendish rattle
Of the tramways and the buses making hurry down the street,
And the language uninviting of the gutter children fighting,
Comes fitfully and faintly through the ceaseless tramp of feet.

And the hurrying people daunt me, and their pallid faces haunt me
As they shoulder one another in their rush and nervous haste,
With their eager eyes and greedy, and their stunted forms and weedy,
For townsfolk have no time to grow, they have no time to waste.
And I somehow fancy that I’d like to change with Clancy,
Like to take a turn at droving where the seasons come and go,
While he faced the round eternal of the cashbook and the journal –
But I doubt he’d suit the office, Clancy, of “The Overflow”.

The Man from Snowy River (published 26 April 1890)

There was movement at the station, for the word had passed around
That the colt from old Regret had got away,
And had joined the wild bush horses – he was worth a thousand pound,
So all the cracks had gathered to the fray.
All the tried and noted riders from the stations near and far
Had mustered at the homestead overnight,
For the bushmen love hard riding where the wild bush horses are,
And the stockhorse snuffs the battle with delight.

There was Harrison, who made his pile when Pardon won the cup,
The old man with his hair as white as snow;
But few could ride beside him when his blood was fairly up –
He would go wherever horse and man could go.
And Clancy of the Overflow came down to lend a hand,
No better horseman ever held the reins;
For never horse could throw him while the saddle girths would stand,
He learnt to ride while droving on the plains.

And one was there, a stripling on a small and weedy beast,
He was something like a racehorse undersized,
With a touch of Timor pony – three parts thoroughbred at least –
And such as are by mountain horsemen prized.
He was hard and tough and wiry – just the sort that won’t say die –
There was courage in his quick impatient tread;
And he bore the badge of gameness in his bright and fiery eye,
And the proud and lofty carriage of his head.

But still so slight and weedy, one would doubt his power to stay,
And the old man said, “That horse will never do
For a long a tiring gallop – lad, you’d better stop away,
Those hills are far too rough for such as you.”
So he waited sad and wistful – only Clancy stood his friend –
“I think we ought to let him come,” he said;
“I warrant he’ll be with us when he’s wanted at the end,
For both his horse and he are mountain bred.

“He hails from Snowy River, up by Kosciusko’s side,
Where the hills are twice as steep and twice as rough,
Where a horse’s hoofs strike firelight from the flint stones every stride,
The man that holds his own is good enough.
And the Snowy River riders on the mountains make their home,
Where the river runs those giant hills between;
I have seen full many horsemen since I first commenced to roam,
But nowhere yet such horsemen have I seen.”

So he went – they found the horses by the big mimosa clump –
They raced away towards the mountain’s brow,
And the old man gave his orders, “Boys, go at them from the jump,
No use to try for fancy riding now.
And, Clancy, you must wheel them, try and wheel them to the right.
Ride boldly, lad, and never fear the spills,
For never yet was rider that could keep the mob in sight,
If once they gain the shelter of those hills.”

So Clancy rode to wheel them – he was racing on the wing
Where the best and boldest riders take their place,
And he raced his stockhorse past them, and he made the ranges ring
With the stockwhip, as he met them face to face.
Then they halted for a moment, while he swung the dreaded lash,
But they saw their well-loved mountain full in view,
And they charged beneath the stockwhip with a sharp and sudden dash,
And off into the mountain scrub they flew.

Then fast the horsemen followed, where the gorges deep and black
Resounded to the thunder of their tread,
And the stockwhips woke the echoes, and they fiercely answered back
From cliffs and crags that beetled overhead.
And upward, ever upward, the wild horses held their way,
Where mountain ash and kurrajong grew wide;
And the old man muttered fiercely, “We may bid the mob good day,
No man can hold them down the other side.”

When they reached the mountain’s summit, even Clancy took a pull,
It well might make the boldest hold their breath,
The wild hop scrub grew thickly, and the hidden ground was full
Of wombat holes, and any slip was death.
But the man from Snowy River let the pony have his head,
And he swung his stockwhip round and gave a cheer,
And he raced him down the mountain like a torrent down its bed,
While the others stood and watched in very fear.

He sent the flint stones flying, but the pony kept his feet,
He cleared the fallen timber in his stride,
And the man from Snowy River never shifted in his seat –
It was grand to see that mountain horseman ride.
Through the stringybarks and saplings, on the rough and broken ground,
Down the hillside at a racing pace he went;
And he never drew the bridle till he landed safe and sound,
At the bottom of that terrible descent.

He was right among the horses as they climbed the further hill,
And the watchers on the mountain standing mute,
Saw him ply the stockwhip fiercely, he was right among them still,
As he raced across the clearing in pursuit.
Then they lost him for a moment, where two mountain gullies met
In the ranges, but a final glimpse reveals
On a dim and distant hillside the wild horses racing yet,
With the man from Snowy River at their heels.

And he ran them single-handed till their sides were white with foam.
He followed like a bloodhound on their track,
Till they halted cowed and beaten, then he turned their heads for home,
And alone and unassisted brought them back.
But his hardy mountain pony he could scarcely raise a trot,
He was blood from hip to shoulder from the spur;
But his pluck was still undaunted, and his courage fiery hot,
For never yet was mountain horse a cur.

And down by Kosciusko, where the pine-clad ridges raise
Their torn and rugged battlements on high,
Where the air is clear as crystal, and the white stars fairly blaze
At midnight in the cold and frosty sky,
And where around The Overflow the reed beds sweep and sway
To the breezes, and the rolling plains are wide,
The man from Snowy River is a household word today,
And the stockmen tell the story of his ride.

Happy Birthday Banjo Paterson!


Birthday
Today is the 150th birthday of the Australian poet Banjo Paterson and who would I be if I didn’t acknowledge some of the great poetry he wrote and the impact he’s had on our culture.

banjo150

Google Doodle

Banjo Paterson was born Andrew Barton Paterson in 1864 and lived at the property “Narrambla” which is out near Orange, NSW. He moved around a lot later on but when he married his wife Alice Emily Walker, they lived at Woollahra, NSW with his two children. Paterson’s parents were Scottish immigrant Andrew Bogle Paterson and Australian Rose Isabella Barton. Also, fun fact, Paterson’s mother was related to the future first prime minister of Australia, Edmund Barton. So that’s cool.

Through his life Paterson was a poet, a lawyer, a journalist, a soldier, a jockey, as well as a farmer, but his poems are what he is mainly remembered for. I think there are a few of Paterson’s poems that we all know because they have infiltrated society and culture more than others. I’m fairly sure we all know about The Man from Snowy River, or at least have heard it being referenced. Written in 1890 The Man from Snowy River was first published in The Bulletin on 26 April and has since been made into a successful movie and a TV show. The poem tells the story of a pursuit to recapture the colt of a prizewinning racehorse that has run off into the mountain ranges and is living with brumbies. The poem recounts the attempt to recapture the colt and the bravery of the hero Clancy who risks the terrible decent of the impassable slope to chase after the horses. This was not Paterson’s first poem, however, Clancy of the Overflow was a shorter poem published the previous year, but some characters reappear in The Man from Snowy River.

I vaguely recall seeing The Man from Snowy River film with my sister when I was young but it was never a favourite of mine, and I can’t say I knew of any others of his poems that well. You get taught about Banjo Patterson in primary school and you learn about of a few poems, but there are some that stay with you and some don’t. Though a few years ago now, back in 2000, the Royal Easter Show did an excellent Man from Snowy River Spectacular which broadened my love of Paterson’s poems. It was an excellent show, the arena was set up to re-enact the story and the riders and the horses put on an epic display while the poem was being narrated alongside, it was really amazing.

But before any of that, Waltzing Matilda was the one that stayed with me more than any other. That is one I think that everyone gets to know from a young age. Waltzing Matilda is a poem that is set to music that is revered by a lot of people, but if you look at the narrative it is about a man who steals a sheep and to escape being captured commits suicide in a billabong. There is something wonderfully morbid in that this is a poem we cherish. People even wanted to make it our national anthem at one point. I can’t say when we win at the Olympics or before footy games, or standing at school assemblies I would think we want that being sung, but some do. I’m not saying it isn’t an awesome poem or song, it is, but I just can’t see it as a national anthem. Because it is a song though, Waltzing Matilda has been covered by a lot of people, being originally set to music makes it more accessible I suppose than the poetry and the ballads.

What I found interesting was that Paterson did not live out in the bush while he was writing. A lot of works about rural Australia are romanticised and Paterson was no different. He was living in the city as a lawyer while he was writing about these mountain ranges and billabongs. I think though poetry needs a bit of romanticising, even if you lived in the rural areas surely in poetry you are not going to be discussing the ins and outs of farming troubles and the fact your cattle are or aren’t breeding. Instead you write about the sun setting over the hills, and the cockatoos screeching in the evening, you write about the continuing plains of barren lands and the river the winds through the ancient cliffs. No one needs to hear about the boring parts of the rural areas, romanticising is what poetry is all about.

Paterson did a lot more than just write poetry, he helped with the war effort not only as a war correspondent in the Second Boar War but as an ambulance driver in WW1 and did three voyages with horses to Africa, China, and Egypt resulting in being repatriated to Australia as a Major. He is remembered for his poetry of course more than his war effort or any of his other jobs, and after he returned home he continued writing, releasing short stories, verse, and essays but he also continued to contribute to various journalism publications.

Banjo Patterson is the guy on our $10 note for those who don’t know, and over his lifetime he wrote hundred of works which you can find a list of on Project Gutenberg, and he was even commemorated on a stamp in 1981. I’m sure there are people all over Australia who have their favourite Banjo Patterson poem, some know one, some know all, and there are always new people discovering him each day.

Paterson died in 1941 from a heart attack but he continues to live on in Australian culture and through his poetry and other works that have continued to inspire and entertain children and adults alike to this day. Happy 150th birthday, Banjo!

Learn more about Banjo Paterson

The Graveyard Book by Neil Gaiman

Published: September 30th 2008
Goodreads badgePublisher: Bloomsbury
Pages: 289
Format: Book
Genre: Junior Fiction/Fantasy
★   ★   ★   ★   ★  – 5 Stars 

Nobody Owens, known to his friends as Bod, is a normal boy. He would be completely normal if he didn’t live in a graveyard, being raised and educated by ghosts.

There are dangers and adventures for Bod in the graveyard. But it is in the land of the living that real danger lurks for it is there that the man Jack lives and he has already killed Bod’s family.

Sometimes there are five star books that change your world and make you cry and move you so much you think nothing could ever be compared to it. Then there are other five star books like this that are just so so well written, not always complicated or deep, but just with such beauty and honesty and with characters that are so amazing and sincere and complicated that you fall in love with them immediately. You get absorbed into their story and their life and while there aren’t life changing moments or anything too grand that makes you get overly excited, you just get attached in the beauty of the basics and a good, proper, well written story. And if that experience is going to happen to you then it is definitely going to happen with one of Neil Gaiman’s. This type of reaction isn’t limited to Gaiman or The Graveyard Book, there have been many books that have such complex simplicities that they are just wonderful reads without needing to be grand, but it is especially wonderful when it is compacted into a supposedly simple “children’s book”.

The Graveyard Book opens with a few different perspectives given; including a very clever second person point of view from the baby which blends back into third person seamlessly, and it is also a rather dark start but one that doesn’t address or dwell too much on the darker elements. We start almost in the middle of a scene with the man Jack, one we get almost no explanation for and as story unfolds we are thrust into this strange set of circumstances and we are introduced to the graveyard and a few residents through the events that unfold.

While the beginning is slightly dark and strange and…not confusing but with a few omissions that make you feel like you’re missing something, it actually fills in nicely as it starts to fall into place. What was great about this story is that we are shown not told in many instances and scenes and characters are brought to life (no pun intended) allowing you to capture each character and who they are not just from how their described, but how they are portrayed in their actions. Gaiman tells us a lot about his characters through their actions and how others see them which in turn reflect how they are seen by us.

Adopted baby Bod’s life in the graveyard is aided by his new ghost parents Mr and Mrs Owens as well as Bod’s guardian, Silas, who looks out for Bod and provides for him where the other ghosts cannot. Bod loves his parents certainly, but Silas is someone he looks up to and reveres. The admiration small children can have for an adult is truly wonderful and Gaiman captures it well. Silas is someone who Bod admires for his skills, his knowledge, his secrets, and he is someone in Bod’s life that he never wants to let down or disappoint. Their relationship is one of the highlights in the story, and while Bod’s view shifts as he gets older, it never strays far from the wonder and admiration he had a child.

So much of Bod’s story is written beautifully, not just the events he experiences but as a person. As a character he is very confident, he speaks his mind, and he speaks wisdom far above his age. He is a smart kid considering how he has been raised, he has a great manner and he deals with people and conflict well. He offers lessons to readers as well as those around him, and he isn’t afraid to stand up for what he feels is right or what he wants.

Bod grows up through the chapters and often as they change we have moved forward in time. The story does move away from Bod’s life on occasion and we’re shown other events away from the graveyard. These extras allow for story progression and occasionally provide additional information but we mainly follow Bod through his life. You see his life in the graveyard and you see the adventurous and amazing experiences he has there as well as watching him learn about the world around him and the ways of the graveyard. You also see his occasional struggle as he desires to escape and venture into the world beyond the graveyard gates. These moments are when we see the great character in Bod and how even when things are not going well, his emotions and nature shines through excellently.

As a human he does well in his constricted world. There is a point at the start where you think there shall be limitations but Gaiman works it through wonderfully. We do not get the full history of Bod’s circumstances straight away but that isn’t a problem. As you read you get involved in what is happening that you forget that there is a reason Bod is living in the graveyard, you get caught up in his little life and you forget that someone is hunting him.

In terms of the “threat” I have read some criticism about the man Jack and his reason for hunting Bod, and without giving anything away I think that the reasoning suits the story and intended audience well, it is actually rather clever and very well done. When it is revealed, Gaiman writes about it and surrounding events brilliantly, it is clever and mysterious and you have no idea what is going to happen and it is a great moment of suspense to read. That is not the problem though, the issue I think people see is the overall reason why it happened, whether they feel it is too basic, perhaps, but given the intended audience it is ample. Besides a lot is implied through other aspects to warrant the reader to figure out what the man Jack is part of and who he is. But what I take from this is that we are not there to necessarily follow the man Jack, we are there for Bod and Bod’s life. Yes his life is as a result of the man Jack and it is an ongoing problem, but we aren’t pulled along by the mystery of the man Jack, we are pulled along by Bod and really it is all you need. I think that even if we knew the reason from the first page I believe we could have the same story and it would be just as exquisite.

It took me a couple of chapters to realise that Bod has appeared before. Last year I read M is for Magic by Gaiman and it was an excellent book, ten short stories that were all wonderful and sad and haunting. As I read The Graveyard Book and I realises that our dear Bod is none other than the delightful Bod who appeared in one of those short stories. I remember how much that short story unsettled me and was just so sweet but eerie, and now that it has been turned into a complete book made the whole experience better and it is a truly amazing story. The ending alone is wonderful, and probably works so well because it has been built up brilliantly beforehand with each of the characters and their lives.

The way Gaiman ends this story is wonderful, absolutely heartbreaking and beautiful and just perfect, it was the right way to finish the story I think. There are different avenues Gaiman could have taken but he didn’t, and there is an excellent feeling as you finish the book of sadness and happiness and hope. In a way it is almost a sense of ambivalence, but it is also rather bittersweet and it stays with you even after you’ve finished. All the excellent things books should make you feel.

The Tenth Hero by Barry Klemm

Published: 7 September 1997
Goodreads badgePublisher: Addison Wesley Longman
Pages: 204
Format: Paperback
Genre: Young Adult
★   ★   ★   ★   ★  – 5 Stars

“An ordinary kid, an extraordinary adventure…”

Lee Parsons has been dumped at Finchley, a stuffy boarding school in England, by his arrogant TV star dad, Trevor. Back home in Melbourne, Australia, all hell is breaking loose – his mum is falling apart and his best friend Scottie is struggling to cope. There’s only one thing for a guy to do.

Get on your bike, Lee!

 So what if it means riding halfway around the world, getting rained on, shot at and arrested. And with Trevor in hot pursuit. Lee is on a mission, and nothing and no one is going to stop him… 

I adore this book. Nothing else to it. Even though I read it a dozen times or more in high school and know how it plays out I adore it. I still get so nervous and excited and angry and involved, it is rather astonishing. Granted it has been a fair few years since I last read it until now (since it is so bloody hard to track down!) but that isn’t the point.

This book, this little book, packs so much into it, so much sadness and tension and excitement and wondrous storytelling. It is amazing. The story itself is very straightforward and not too glamourous or deep exactly, it is the story of a 14 year old Australian boy who has been forced to move to England with his father and enrolled in a boarding school he hates. When a letter from his best friend back home in Melbourne arrives it sparks the beginning of a daring feat and a mission that will see Lee attempt to leave England behind him and set his sights on returning to Australia by any means necessary. I have seen this classed somewhere between JF and YA but based on the content it is definitely teen/YA, though possibly a bit different than the YA novels of today.

The journey Lee takes is adventurous and exciting, he gets help from a range of people and gets caught up in dangerous and exciting situations with pure determination to keep him going. The characters are also something that makes this story what it is, away from the ‘Around the World in Eighty Days’ notion there is a lot of heart and emotion and struggle that Klemm captures without it being overpowering or distracting. The complex simplicity of the issues involved in this novel are beautifully played out, the perspective of both Lee and Scottie are what keeps the serious nature of some elements as serious, but with a youthful perspective.

Trevor as a character was someone I always found it very hard to deal with. What Klemm offers us is not just Lee’s opinion of him, we see his character for who he is and how others notice his arrogance and behaviour as well. This creates wonderful emotion as you read because you can get so infuriated and a tad disgusted at him and it wills on your support for Lee, giving us a villain in disguise. This noticeable dislike and off-putting side of Trevor is one of the key reasons this book works, spoiling nothing but I believe a lot of it would not have worked if Trevor had been portrayed differently. Having said that, it’s also wonderful that Klemm did not fall into the trap of showing Trevor as the perfect father around others and then reveal his true self when he was alone with Lee. I thought this was clever, and it really plays into the fact Trevor was arrogant as a whole and this reveals the bad father more than any conscious deception would.

Truly this book should be made into a movie, I would watch the crap out of this if it was a movie, but with the risk of a movie ruining what we love we’d best leave it alone. The book provides plenty to fill you with joy and images and descriptive storytelling, and even manages to offer great action without actually having a lot of real action.

The description and the places described are amazing and the contrast of it being viewed through a young boy’s eyes is incredible without the story focusing on that alone. Klemm’s writing manages to describe everything exceptionally, we do not get descriptions of random or unnecessary things, we follow Lee and we see what Lee sees and how it affects him. Lee has a mission and he sees what he sees and we get it all from him. The journey itself is incredible but the people who help him are incredible as well. If you think about it now, the events described in this book would never be possible today whatsoever. Maybe not even a couple of years after it was published.

The perspective does not solely follow Lee however; one thing I always love was that Klemm alternates between third person and second person point of view throughout. This second person point of view is where we see Scottie’s side of things, Scottie becomes us as Lee goes on his journey and we gain a lot of Lee’s history through Scottie and his experience and memories. The ‘You’ Klemm uses makes it feel like someone is retelling Scottie’s own story to himself, narrating it to him as he lives it, or making us become Scottie as we read. It allows us access not just to Lee’s history, but another side of what is happening while Lee is away by giving an emotional connection, something that third person possibly couldn’t achieve to the same level, and where it does occur concerning Trevor, the emotion required is achieved adequately through dialogue and actions alone. This three point system works extremely well because each style gives us what we need depending on which character it concerns and which person the story is focusing on.

Every time I read this book the ending still pisses me off slightly, not the ending itself which was fairly cool but leading up to it. The whole thing infuriated me but that is perhaps the point, the result of this chase and the suspense and this notion of what did it really achieve while possibly achieving a lot. It is amazing, Klemm doesn’t really resolve anything concretely as there is not really a looming thing to resolve, but he does at the same time. You are left making up your own ending while still having one provided for you; it is extremely clever.

Note: Unfortunately if you want to read this book you are going to need an awful lot of luck. The book is no longer in print but you may find it at a second hand bookshop, most likely one online (anything outside Australia I have my doubts). Other than that if you have an awesome library they may have it as well. I spent about eight years tracking this book down and I finally found a copy (which is now never leaving my sight) only a couple of weeks ago from an online secondhand bookshop, so good luck!

Sun Poisoned (Sunshine #2) by Nikki Rae

Published: June 28, 2013
Goodreads badgePublisher: Self Published
Pages: 229
Format: Ebook
Genre: Young Adult/Paranormal/Romance
★   ★   ★   ★  – 4 Stars

Note: I was asked for a review by the author

Sophie’s life has changed. She’s moved to New York, she’s playing music for new people, and she’s making new friends. Then there’s Myles, and the fact that he is now her boyfriend—and everyone knows it. There are a lot of new things to take in, but Sophie has no problem adjusting. 

She’s not exactly normal, living in a half-human, half-vampire world, but she’s finally, truly happy. But some parts of Sophie and Myles’ old life still hide in the dark, waiting for the right opportunity to strike.

Sophie’s having nightmares again, but they aren’t about her; Myles is hiding something that she’s not sure she wants to know. And one lie will change everything.

No matter how hard she tries to cover up the marks her monsters have left behind, they never truly go away, and Myles’ monsters are no different. Once again, Sophie’s caught between life and death, but this time, only she can save herself.

Rae did a wonderful job building up my affections and emotions towards her characters…and then she goes and brutally crushes them. But alas, spoilers. But honestly, my emotions were totally and brutally crushed in this book.

In the second book in the Sunshine series we see Sophie living in New York, playing at Midnight with her band, and working at the club selling merchandise. She has escaped her mother, she is doing what she loves, and she has boyfriend Myles plus her friends Boo and Trei to enjoy life with.

But Sophie is still haunted by her past and now she is also now haunted by other people’s as well. The incident with Michael has brought Sophie into Myles’ world even more and she is resisting as much as she can. With Myles’ help she tries to forget the events six months ago and tries to focus on her new exciting life, but the past is never far behind.

We learn a bit more about the supernatural world this time around, Sophie learns more from Myles and situations that she becomes involved in reveal additional rules and elements of the vampire world, though this time she tries to stay away from it, unprepared to become involved after what happened last time.

The events from the first novel are not forgotten and are revisited, and we also see Sophie become more involved with the paranormal side of her life. What was done well was that those who have not read the first book are explained a few things in fractured recaps throughout the second. While some things are explained, others are simply hinted at and require construction from various comments and references. This is good because while you are left in the dark about a lot of things that occur in the first book, especially specific details or certain characters and histories, the reminders are there, keeping the timeline in check, while also filling in a few gaps and questions at the same time. This also acts as a reminder to readers that the past events are still vivid and that they have not been forgotten. Book two is not a new adventure, it is a continuing saga that began in Sunshine and will continue in this book and through the lives of Sophie and her friends and family.

The plot style is curious, the element of mystery is not strong per se, but the drawn out nature and untold information keeps you going to try and find the answers. There is a curiosity that has been created to get you involved with these characters once again, and I did find myself getting further attached to these characters, I will say not to all of them, but it did not entirely matter. Each character is unique in their own way, all with stable development behind them that is adequate to their needs in the story and ours, even if it is revealed slowly or straight away. As with Sunshine the characters drive the story and their experiences and lives keep you wanting more and whether that is day to day life and struggles, or whether it is something phenomenal is unimportant.

As a result of this curiosity and mystery it does make you a tad suspicious as you try and work out if people have ulterior motives and where the story is possibly leading to. As we follow Sophie we again only learn as she does, and when events happen around her we only catch glimpses and must piece things together or be patient until they are revealed. There was the slightest hint in Sunshine I thought that there may be something special about Sophie, these theories were reignited and annoyingly and skilfully only hinted at again in Sun Poisoned which leaves a lot to the imagination.

There are again various incidents and events in this book that occur, some are more complicated and severe compared to those in the first book and Rae writes about these and the experience just as well as before. There are descriptions and emotions used that are excellent at helping us to see and understand them from Sophie’s perspective, even if they are not always about her specifically. This adds to the nice uncertainty because we only know what Sophie knows and what people tell her. I think, especially for the latter half of the book, this is incredible important and something that third person could not achieve with the same level of satisfaction. There needs to be an emotional connection in this story and these books because characters are the key and readers need to understand them more than a third person point of view could adequately provide.

The beginning feels a little bit slow but we get a lot of information in the first half. We learn more about Myles’ life and world, as well as a few outcomes of the events in the last book. Characters are being re-established, a few new ones are introduced, and there is development of Myles and Sophie’s relationship.

The good thing about this development we see of Sophie and Myles’ relationship is how Rae has approached it. Instead of focusing on the romance element on its own, instead it is shown through other events and the actions of others. This is a clever move because it protects the story from being purely about their romance with other things happening around them, or having moments of story, and then moments of their romance. This is where their connection shines, intertwined through life and the people around them.

There is a defining halfway point where it feels a switch is flipped, but it isn’t sudden either. It is like things have gradually been getting more intense without you realising and then all of a sudden something happens and you never come back down. I really enjoyed the story from this point, there was a lot of investment with what was happening and Rae writes drama so well, especially for characters so it was highly emotional to read.

Similarly to the first book, the language is casual on occasion; the tone Sophie uses connects with the continual descriptive nature of the story. She recounts what she does and she describes almost exactly what she sees and feels. In that sense it works together. There is a consistence in the writing style which doesn’t make anything stick out in particular as you read, but certain elements can be identified looking at the story as a whole.

Rae has again created a wonderful slow reveal story with a thread of hidden secrets, and while it may not feel gripping initially it is by the ending I assure you, the suspense and uncertainty that fills most of the last half of the book keeps you on edge as you are eager and impatient to see where it leads. And in between then you still get intrigued and involved with these characters, this is what keeps you going to the excitement and excellent ending that inevitable develops. I could easily reread this series right away. This is a strong temptation stopped only by the pile of other books I have to read. I impatiently wait for book three.

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