Artemis Fowl and the Atlantis Complex (#7) by Eoin Colfer

Published: July 20th 2010
Goodreads badgePublisher: Puffin Books
Pages: 322
Format: Book
Genre: Junior Fiction/Young Adult Fantasy
★   ★   ★   ★   ★  – 5 Stars

Criminal mastermind Artemis Fowl has summoned an elite group of high-tech fairies to Iceland. But when he presents his invention to save the world from global warming, he seems different. Something terrible has happened to him.

Artemis Fowl has become nice.

The fairies diagnose Atlantis Complex (aka multiple personality disorder)—dabbling in magic has damaged his mind, with symptoms including obsessive-compulsive behaviour, paranoia, and multiple personality disorder.

 Unfortunately, Atlantis Complex has struck at the worst possible time. A deadly foe from Holly’s past is intent on destroying the actual city of Atlantis. Can Artemis escape the confines of his mind in time to save the underwater metropolis and its fairy inhabitants?

The general reaction upon finishing this book went something like ‘Oh my gosh I need the next one now. Colfer you have got to stop doing this to me. I don’t even have the next book yet!!! *rushes out to find a copy somewhere, anywhere, like now!*’

This is the seventh book in the Artemis Fowl series and it has not lost its momentum, its wonderful storytelling, nor has it forgotten where it has come from.  The story continues from book six in the same way it doesn’t really. From book six we see the paradox created and Artemis and old foes facing off in a completely unpredicted twist of organised chaos, and now there is a whole other set of new things to deal with as a result.

Due to his years of dealing with and lying about The People and his actions, Artemis has developed Atlantis Complex, something similar to OCD, delusional dementia, and multiple personality disorder. In something of a definite new direction Colfer makes Artemis the problem that requires solving, something inside his own mind that can’t be controlled. There is a wonderful line from Butler about how when Artemis is under threat he just needs to know who to shoot, but when the problem is Artemis’ own mind he is at a loss. I think that is beautiful, and it certain shines a light onto just how close and protective Butler is of Artemis.

What was also wonderful was the pace we’re exposed to Artemis’ condition, nothing was rushed into and while we may not have seen the beginnings of the Complex, Butler describes its slow emergence and how he noticed small things at first until it developed into something that has taken over Artemis completely, something that becomes noticeable to Holly and Foaly. Artemis does well to cover it up, but little things like counting and his paranoia seep through the disguise, things he can’t control and it only gets worse as the story progresses and manifests in different ways. The Artemis way of trying to conceal it and use his own intellect to solve it become slowly overpowered as his reasoning and his behaviour cannot be helped, and he is fully aware of it happening which allow a great insight into Artemis’ mind and the affect the Complex is having on himself, even when he is not exactly sure what is happening.

The blurb makes light of it and almost trivialises it, and I’m not saying having this Complex doesn’t produce some very funny moments, but the way we watch Artemis and those around him deal with this Complex is on occasion so moving and saddening and while the story tries to stay light, it only adds to the magic of the whole situation and Colfer’s unveiling. This is where Colfer’s writing works and we’ve seen it in other books, he offers a seemingly light story that is full of hidden darker meaning with a few obvious serious moments thrown in, mixed through with jokes and humour to fool you into thinking things aren’t as serious as they are.

This approach isn’t relevant just to the Complex however; the other storyline is the threat to Atlantis and the scheme of Turnball Root, former commander Julius Root’s reprobate brother. This brings up its own deeper meaning and serious nature under a cloak of light heartedness. And with multiple events intertwined and connected with Artemis’ condition there are also many other aspects that come into play. As the blurb reveals, the enemy is an old foe of Holly’s, but the attention goes to more than just her, and interestingly, unlike past enemies there is a chance for a lot more sympathy to be given regarding the whole situation.

While you disagree with Turball’s actions for a lot of the book, by the end it leaves you with this pathetic feeling (see original definition of ‘exciting pity or sympathetic sadness’) and you really don’t blame him for anything, which is truly terrible feeling because a lot of bad stuff happens in this book along with the good and you come out the end of it without seeing a real winner or victory. The whole ending is strange, and certainly a little bit darker if you look behind the light heartedness that tries to take the focus. It is like there is a solution but it does not feel like a regular conclusion, things are different than before. Though having said that, the entire book feels different, one enemy is from within the hero’s mind, while the other enemy makes you pity and admire him, it’s a complicated emotion and one Colfer causes and executes wonderfully.

Restricted by avoiding spoilers here because everything is connected and everything is something, but there are a few fun things to talk about to entice and be vague about such as giant squids, interspecies love, Orion, zombies, wrestling, and giant blobs of doom, not to mention the wonderful and typical banter that goes on between all the characters. It really is a nice group effort this time around, characters from all books coming together, all having their part to play both individually and as a team.

There are a lot of things happening, and as I say it all connects, but until it does there are some wonderful moments and scenes where a few characters have a seemingly dangerous but very fun time on their own, people pair up who you do not expect and smaller players get bigger roles this time around. Even away from the sympathy of his condition, Artemis has some wonderful and hilarious moments where the Complex impacts and influences certain situations so it isn’t all serious, and even then the serious moments are filled with humour.

The fact Colfer makes you laugh through this entire book really brings the whole thing together. If not I think the risk of having it too serious and out of sync with the other books would be a failing. It could be seen a serious side step from the normal story trend but I think if you follow the series from the start you see how it is evolving and developing via the characters. Character development means new situations and focuses and really, the entire Complex focus is a key result of all past books coming to a head. Each book is connected and you really can’t have one without the other, like real life where past events influence new ones and Colfer never forgets where his characters have been and how this affects where they should go.

And having past enemies returning is something that works much better I feel than a new enemy appearing each book, people and fairies alike hold grudges and when the moment comes, who wouldn’t take it. That is the angle Colfer is taking. For the reality of the world he’s created it isn’t prone to ongoing villainy and grand master plans all the time, it is the few conniving and manipulative people who keep trying to achieve what they want and then take revenge on those who stopped them before.

I really loved Artemis in this though; I like how different he was. It is like in previous books where he reverts briefly back to the person he was in the beginning and you see this completely new side, but it’s nothing like it at the same time. I adored watching Artemis in his confused and altered state; it was something completely different and certainly unexpected. You knew from the blurb that he wasn’t going to be himself, but all you’re told is that Artemis Fowl has become nice, that does not prepare you whatsoever for what Colfer has in store, it so much more than that. It is so beautifully done, well planned out, well spaced out and so believable it is almost heartbreaking at times when you think too hard about it.

What was fantastic about this book is that you can see the fear in Artemis, not the comic fear from past books where you see him out of his comfort zone, but proper fear from himself and what is happening to him. It is some of the greatest story telling and excellent execution I’ve seen. You get a sorrow for Artemis that you didn’t have before, you fear for him, you are scared for him and you worry about him in such a serious way you didn’t know you could worry for a character before. Colfer is magnificent with this book, Artemis is like we’ve never seen him before and it just works so wonderfully. There is a new side that clashes with the old side, and while we know Artemis is exceptional, he is only human, only a teenager, and after all that he has seen and been scared of, his mind terrifies him the most and you can see it and feel it in the way Colfer tells us his story. It’s simply magnificent and by far one of my favourite Artemis stories.

News: Farewell But Not Goodbye

ImageSo tomorrow is the big scary day, the holiday. I am sharing the terror and the anxiety with the eagerness and excitement, all of which switch dominance as the night progresses. But aside from that we have announcements. Since I will be travelling and having a right good time I fear there will be a break in the postings.

Yes, I hear you, there have been some breaks already, but holiday planning is time consuming, and life is time consuming and things have been time consuming and I apologise. But rest assured things will pick up upon my return.

What I am going to try and achieve (she says with so many intentions of trying to do), is that while I am gone I will probably only be able to get birthday posts up, because there are some great authors birthdays, but I can’t promise anything, but I do wanna try. I am taking books with me for the long flight so who knows, I may get a nice new review up, that’s something to look forward to, nice quiet reading time at last.

In my absence don’t forget that my giveaway is still running, the close date isn’t for another three weeks, so you can still get your entry in. There are two entry options if one doesn’t work.

Other than that I can’t really offer much else except behave yourselves while I am gone, read something spectacular, and I will see you in a more permanent and less sporadic manner in three weeks.

UK here I come! *squeal*

The Very Hungry Caterpillar by Eric Carle

Birthday

A very happy birthday to Eric Carle today, author and illustrator of so many delightful books, who is 84!

Carle was born in 1929 in New York to German parents but went back to Germany when he was six years old. After harrowing experiences through the war, Carle returned to America in 1952 where he got a job as a graphic designer for the New York Times and later at an advertising agency.

The work of Eric Carle is easily recognisable, his artwork and illustrations are unique and his books tell of nature and the world. Carle himself said that with his books  “I attempt to bridge the gap between the home and school. To me home represents, or should represent; warmth, security, toys, holding hands, being held. School is a strange and new place for a child…I believe the passage from home to school is the second biggest trauma of childhood; the first is, of course, being born…The unknown often brings fear with it. In my books I try to counteract this fear, to replace it with a positive message. I believe that children are naturally creative and eager to learn. I want to show them that learning is really both fascinating and fun.”

The way Carle makes his art is fascinating. I had never really thought about it before, I assume it was just paintings but apparently his work is created like a collage using hand painted papers that are cut and layered to form the images. There are also other techniques such as die-cut pages, and actual twinkling lights and noises in some books as well. All very high class compared to the felt puppets and faux fur I remember from my books.

My favourite book of Carle’s is of course The Very Hungry Caterpillar. I read this so many times as a kid it’s great. Yet another example of interaction and creative book creation, there are holes in the book, the pages are different sizes, it is amazing. It seems growing up Carle was familiar with different shaped books in Germany. I understand the reasons why but we need more books here that are weirdly shaped.

The Very Hungry Caterpillar was published in 1969 and the story behind it is rather cool. According to Carle, “One day I was punching holes with a hole puncher into a stack of paper, and I thought of a bookworm and so I created a story called A Week with Willi the Worm.” But how did we get to the caterpillar? Willi was a bookworm, but apparently poor Willi would not be a great protagonist as a green worm (poor Willi), then Carle’s editor suggested a caterpillar, which made Carle think of a butterfly and there you go. So in a sense we can all now say the very hungry caterpillar’s name is Willi. This must be made known to the world.

I must say, this was a fun review to write, short books, especially children’s books can bring out a silliness you really can’t get away with for big, long, serious books. If you don’t know the story of the very hungry caterpillar you may not want to read ahead, but even if it spoils it, which is will because there is nothing much else to talk about in there, then I half apologise and half demand you go read the book.

Published: September 29th 1994
Goodreads badgePublisher: Puffin
Pages: 26
Format: Picture Book
Genre: Children’s Picture Book
★   ★   ★   ★   ★  – 5 Stars

This is a story of suspense and tension. The main character of this story is born into a world in constant hunger and we follow him as he devours food at an alarming rate, never able to quench his hunger. Day after day he does nothing but eat, eating more and more as the days go by. He tries to be healthy in the beginning but as the days progress his hunger drives him to junk food and after all that cake and sugar and cheese…well, that’s right, he becomes ill. The suspense was amazing. Was this finally the way to stop this hunger machine before he ate through his world of food? Could this tummy ache be enough to stop his rampage on the food? Would there still be enough to support the remaining population? I had to read on to find out.

After having eaten so much this character had become so large he hides himself from the world. So large in fact he must built a house around himself to shield the judging eyes of the neighbours and those who come across him. Housebound, and living off the vast amount of food he’d consumed in his lifetime, this character is sheltered from the world. Until one day, after probably taking a good long hard look at what he’d become, had an instinctual desire to change himself, become a new and brighter person. After emerging slowly from his custom built house to this new world he was no longer a very hungry caterpillar, he was a beautiful butterfly (or he’d eaten himself into a food coma and was delusional about his true butterfly abilities. Either way).

Update (aka I’m still alive and kicking)

NewsI have not disappeared, I promise. But it seems the reviewing, and the reading to be honest, has been pushed aside sadly. In 7 days I am going to the UK for three weeks (*silent freak out*) and then I think we will really have some proper intentional absence. But I am going to try and get some more reviews done before I go but I  just wanted to check in and say I hadn’t forgotten you all. I am still trying to share things on Facebook and Twitter because it is easier, but they too are a bit neglected. There can be a thing as too much free time I think.

Anyway I hope you are all wrapped up warm and reading in my absence though (of those of you in Summer you are outside reading wonderful things). I just finished The Heiresses by Alison Rushby which was awesome, and I am still fighting to finish Vice Versa. I want so bad to like it but it is just so hard! The next book is going to be a tough choice, I have a long plane trip ahead of me, I must chose wisely.

Have a great afternoon and I promise the review for The Heiresses should be up soon and hopefully more catch up posts as well *fingers crossed*. Oh and quick reminder, there is still four weeks to go on the giveaway (US & Aust) but just remember, you have to tweet the Goodreads link the Copper Girl, then let me know your Twitter name in the comments of the post so I can check, doing that gets you two entries automatically. There are more details on the post itself. Good luck if you’ve entered!

The Heiresses (#1) by Allison Rushby

Published: May 7th 2013
Publisher: St. Martin’s Press
Pages: 352
Format: Book
Genre: New Adult Historical
★   ★   ★   ★   ★  – 5 Stars

When three teenage girls, Thalia, Erato and Clio, are summoned to the excitement of fast-paced London–a frivolous, heady city full of bright young things–by Hestia, an aunt they never knew they had, they are shocked to learn they are triplets and the rightful heiresses to their deceased mother’s fortune. All they need to do is find a way to claim the fortune from their greedy half-brother, Charles. But with the odds stacked against them, coming together as sisters may be harder than they think.

I discovered this book when I read a guest post by Rushby on S.I.K Book Reviews and a giveaway was running for her book. I loved how exciting and intriguing this book sounded and so I entered…and I then maybe went blog stalking where others had the giveaway to enter on their blogs as well. Needless to say this blog stalking and persistence paid off because I won myself copy. And I was so glad I did, it was excellent.

Set in 1920s London, The Heiresses follows these three young women who are growing up, discovering their lives are not what they thought them to be, and fighting to claim what is rightfully theirs. The premise of the story and introduction to the world is done well; within the first few pages you are able to capture a mystery and a great confusion that tells you that there are a lot of answers and things to discover. The prologue sets up the story well, we are shown a snippet of the past, but all of the things that are not said make up for the rest of the novel where you are searching for answers.

The idea of The Heiresses is really good. In an age before DNA, with aristocracy and titles, riches and reputation to consider, making sure the right heirs are given the right privileges is imperative. The process the three girls go through in order to find the truth is very clever but also personal and emotional as well.

The journey the girls have in finding more about this family they knew nothing about and in a new environment of London and society is great. We see how the three react, adjust, and cope in the new life with ties to their former home being severed or being used to pull them back again. There is a lot of history in the book, the suffragettes and the modern age is developing and the social consequences are paramount.

Their aunt, Hestia, is a modern woman with her own ideas and her own home, which helps the girls, but hinders them at the same time. The darker sides of the twenties are also shown but nothing is spelled out exactly which is creative. In a very clever approach Rushby implies a lot, or makes brief references without having to state things outright. This is quite effective because it allows the reader to make connections themselves and gives them credit to read between the lines.

Because of the historical era we are also exposed to the wonderful fashion and technology that 1920s London was experiencing. Rushby uses these things, especially the fashion and the motor cars, as a device to show us not just how London was as a city, but to demonstrate further who these three teenagers are. As a result we get a great sense that these eighteen year olds are starting their adult life and finding their place in this new world.

A lot of the book is the relationship and life the three girls have rather than directly focusing on the Charles issue which was interesting. As the book went on I was unsure where this would lead since there were no dramatic conflicts and strong focus on what I thought was the main reason the girls were brought together for. Of course there are conflicts, and I suppose this reflects the reality aspect a lot, there are times when you cannot go in guns blazing ready to fight. In that regard I think Rushby portrayed it well.

As the pages start to lessen and you start to think that the ending will be rushed or somehow the sequel will have to continue this aspect of the story but no. Rushby manages to wrap up the novel beautifully without rushing. Everything is answered in a satisfactory manner and when it finishes you get a sense of where everyone is going.

We get the sense that these characters will be ok in the lives they have created for themselves and after passing through the mess of jealousy, drama, greed, and secrets, isn’t that all you can hope for for them. I look forward to reading the sequels and seeing what else is in store for these siblings.

You can also read an interview with Rushby did with Bookish Comforts about her book.

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