Cool for the Summer by Dahlia Adler

Published: 11 May 2021 (print)/11 May 2021 (audio) Goodreads badge
Publisher:
Wednesday Books/Macmillan Audio
Pages: 259/6 hrs and 20 mins
Narrator: Natalie Naudus
Format: Audiobook
Genre: Young Adult Contemporary Romance
★   ★ – 2.5 Stars

Lara’s had eyes for exactly one person throughout her three years of high school: Chase Harding. He’s tall, strong, sweet, a football star, and frankly, stupid hot. Oh, and he’s talking to her now. On purpose and everything. Maybe…flirting, even? No, wait, he’s definitely flirting, which is pretty much the sum of everything Lara’s wanted out of life.

Except she’s haunted by a memory. A memory of a confusing, romantic, strangely perfect summer spent with a girl named Jasmine. A memory that becomes a confusing, disorienting present when Jasmine herself walks through the front doors of the school to see Lara and Chase chatting it up in front of the lockers.

Lara has everything she ever wanted: a tight-knit group of friends, a job that borders on cool, and Chase, the boy of her literal dreams. But if she’s finally got the guy, why can’t she stop thinking about the girl?

I am so glad this is my second Adler book because I have wanted to read her stuff for years and I’m glad I loved the first one because I’d be disappointed if this was my first introduction, though the sliding doors element of Going Bicoastal might have tempted me past this mediocre read. There is no real plot except Larissa having a crisis over her feelings. The benefit is it’s a fast read because I kept waiting for the plot to start and I realised it was already two thirds of the way through and nothing had actually happened yet.

Instead of having a character look on at the popular kids Adler has written this from the inner circle and perspective from those in that group. The characters are exhausting. The effort they go to to be in their friend group is so much more work than friends need to be with a lot more rules. The US American trope of popular kids is on clear display and they are vacuous and shallow. There are some examples where they show some depth, but they are all still shallow and showing compassion within your shallow and entitled group doesn’t hold much sway. Plus they aren’t given a lot of depth so most of them are easily forgettable. It doesn’t do much to break the stereotypes. I feel bad for Larissa even having these people as friends sometimes. It’s always a fascinating study reading these kinds of books. We didn’t have this in my school, we had groups sure, but not the hierarchy these US high school books always contain. It makes it a strange novelty and a tired trope to see it in these books.

There were some good moments. I enjoyed the stuff with Jasmine, it felt like the only time Larissa was her real self, less performative, which was possibly the point even though it’s never addressed. I did enjoy the casualness of Larissa’s bisexuality. It wasn’t an issue, dealing with it wasn’t the plot (technically), and it was an established thing. I do like it when diverse books can have a character have an identity but not make the entire plot about that identity.

It felt like a novella despite being a full length book, and could easily have been cut down to a short story. No plot would be lost since there isn’t any and with a tighter story it could have been a lot more enjoyable.

You can purchase Cool for the Summer via the following

Booktopia

 Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust

Long Lost Review: The Dressmaker by Rosalie Ham

Long Lost Reviews is a monthly meme created by Ally over at Ally’s Appraisals which is posted on the second Thursday of every month. The aim is to start tackling your review backlog. Whether it’s an in-depth analysis of how it affected your life, one sentence stating that you only remember the ending, or that you have no recollection of reading the book at all. 

Published: 01 September 2000Goodreads badge
Publisher:
Duffy & Snellgrove
Pages: 296
Format: Paperback
Genre: Fiction
★  ★  ★ – 3 Stars

Tilly Dunnage has come home to care for her mad old mother. She left the small Victorian town of Dungatar years before, and became an accomplished couturier in Paris. Now she earns her living making exquisite frocks for the people who drove her away when she was ten. Through the long Dungatar nights, she sits at her sewing machine, planning revenge.

The Dressmaker is a modern Australian classic, much loved for its bittersweet humour. Set in the 1950s, its subjects include haute couture, love and hate, and a cast of engagingly eccentric characters.

I don’t think I saw the movie, or if I did I retained as much of it as I did the book.

I recall it being about a lady going home to her small town, there being rumours about her or a scandal from the past. And maybe a lot of references to the quiet and/or the vastness of the secluded town.

That’s it.

I gave it three stars though so I enjoyed it on some level, but I also have no desire to reread it to find out why. I might find some reviews that mention more detail, or read the wiki to kick start my memory but this is definitely a long lost review if ever there was one.

You can purchase The Dressmaker via the following

QBDDymocks | Booktopia

 Blackwell’s | Angus & Robertson

Fishpond | Amazon Aust | Audible

Want to Play Trucks? by Ann Stott

Published: 7 August 2018Goodreads badge
Publisher:
Candlewick
Illustrator: Bob Graham
Pages: 32
Format: Picture Book
★   ★   ★  – 3 Stars

Jack likes trucks. Alex likes dolls. What will they play together? Their new favorite game, of course!

Jack and Alex meet almost every morning in the sandbox at the playground. Jack likes trucks — big ones, the kind that can wreck things. Alex likes dolls — pink ones, with sparkles. And tutus. But Jack doesn’t want to play dolls, and Alex doesn’t want to play trucks. Luckily for Jack and Alex, the day is saved with a little bit of compromise — what about dolls who drive trucks?

I like this book because it’s a great story that easily demonstrates that everyone has different interests, and even if they aren’t what you like, or what society thinks you should like, it doesn’t make it bad or wrong.

The best part is there is no explicit social commentary on it at all. Stott’s story about two kids playing in the park is just that. But in showing these two kids with different interests it’s a wonderful story that reminds people kids (and adults) are allowed to like a lot of things, there are no rules. And it isn’t wrong to like different things from other people.

The faux conflict is great because it sets you up to think there’s going to be an issue but there isn’t (funnily enough it’s all about communication and not just yelling at one another). Stott shows readers once again that kids are accepting and have no predetermined ideas about anything. It’s all about what they are taught and what they are exposed to.

It’s also a great book that shows despite having different interests, you can still get along with someone, and you may even find you have other things in common.

Graham’s illustrations are classic and realistic. The colours and subdued but varied and he captures the feeling of intimacy and playing side by side in a sand pit. There’s enough background detail to make up a full scene but I liked the focus on the two kids for most of the book, especially as it meant they could sort out their own issues without the adults getting involved.

There is nothing to suggest this is an LGBTQIA book, but I love that because it is as a simple reminder that gender nonconforming covers a lot of things, and if that means people understand boys can like dolls and tutus then that is a great lesson learnt.

You can purchase Want to Play Trucks? via the following

QBDDymocks | Booktopia

  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust

#AussieYAChallenge Update 2

September snuck up on me in a weird way, but as I started writing this I was thinking thankfully my Aussie YA Challenge had been chugging along consistently; at least I felt like I’d been having a good run. Comparing my first update to my second I am not as pleased, but I am still pleased…I think. Two were July and one was an August read which is failing my one a month plan, but I have now read eight so I am technically on track. Given the hard task of finding Aussie YA in audio form, and how hard it is to find time to read a physical book it is a good addition at any rate. The problem is other, non Aussie, books are also around and they are shiny and intriguing and terribly distracting. How weird it is to say you’ve read 99 books but only 8 have been Aussie YA. That’s some kind of fail, right?

Once again I am boldly taking chances on books simply because they fill the challenge which is giving me some great reads that I have never heard of and may never have tired. It is also making me finally read books I’ve had on my TBR list for literal years which can’t be a bad thing.

I will endeavour to hit my goal by my final update and I am excited to see what other great stories I find.

Latest Additions:

Take A Bow, Noah Mitchell by Tobias Madden

Surface Tension by Meg McKinlay

Impossible Music by Sean Williams

 

Take A Bow, Noah Mitchell was a nice story about online friends, the truth, and realising a few things about your family.

Surface Tension was a fascinating story that I find myself thinking of a lot. A town that gets intentionally flooded and the power of a single voice in righting wrongs of the past.

Impossible Music was fascinating in how the newly deaf learn to adjust and the impact it has on your dreams and identify.

 

The total list so far:

All I Ever Wanted by Vikki Wakefield

 Tin Heart by Shivaun Plozza

 Because of You by Pip Harry

Wrong Answers Only by Tobias Madden

 100 Remarkable Feats of Xander Maze by Clayton Zane Comber

Take A Bow, Noah Mitchell by Tobias Madden

Surface Tension by Meg McKinlay

Impossible Music by Sean Williams

 

I hope your own Aussie YA Challenge goals are going well and you have discovered some amazing reads yourself. Feel free to shout out in the comments some you have read so far, or even those you are looking forward to reading. If you’re interested in signing up it’s not to late, head over to my info page and declare your goal on social media, your website, or in the comments of this years post.

I Don’t by Clementine Ford

Published: 31 October 2023 (print)/7 November 2023 (audio) Goodreads badge
Publisher:
Allen and Unwin/W. F. Howes Ltd.
Pages: 370/9 hrs and 5 mins
Narrator: Clementine Ford
Format: Audiobook
Genre: Non Fiction
★   ★   ★   ★   ★ – 5 Stars

Incendiary feminist and bestselling author Clementine Ford presents the inarguable case against marriage for the modern woman. Provocative, controversial and above all, compellingly and persuasively argued.

“I want this book to end marriages. But more importantly, I want it to prevent marriages. Women are allowed to aspire to more than what we’ve been told we should want in order to be happy. Let yourself have a bigger dream than becoming the supporting role in someone else’s story.

Why, when there is so much evidence of the detrimental, suffocating impact marriage has on women’s lives, does the myth of marital bliss still prevail? If the feminist project has been so successful, why do so many women still believe that our value is intrinsically tied to being chosen by a man?”

In her most incendiary and controversial book to date, Clementine Ford exposes the lies used to sell marriage to women to keep them in service to men and male power. From the roots of marriage as a form of property transaction to the wedding industrial complex, Clementine Ford explains how capitalist patriarchal structures need women to believe in marriage in order to maintain control over women’s agency, ambitions and freedom.

I Don’t presents an inarguable case against marriage for modern women. With the incisive attention to detail and razor-sharp wit that characterises her work, Ford dissects the patriarchal history of marriage; the insidious, centuries-long marketing campaign pop culture has conducted in marriage’s favour; the illusion of feminist ‘choice’ in regard to taking men’s names; and the physical and social cost that comes with motherhood. 

But most importantly, Clementine Ford shows us what a different kind of world could look like for women if we were allowed to be truly free. 

I wasn’t sure I’d be interested in this book despite my love of Ford’s other books, but I adored it. The history of marriage and the role it’s played in society, women’s lives, and how it has changed over the years was fascinating. I loved the quotes that could have been from this decade but were from centuries ago. Women have always had strong opinions and thoughts about their lives and marriage and I loved being able to see that people have always been people.

I have seen the hate Ford gets from certain people both in the public eye and not, and while this blurb makes it sound like it’s a call for every woman to suddenly up and leave their partner in the middle of the night it isn’t that at all.

What Ford’s done is written a fantastic book looking at the history of marriage and how it has been used over the centuries to claim women as property, to control and subdue them, and, despite all the years of growth and change, there are still a lot of negative things that come from marriage even in the twenty first century.

The binding ties of marriage are different to the concept of being in a relationship and Ford has nothing against being with someone, but a lot of her book goes through the history of marriage, its evolution, and how it is still rooted in those misogynistic ways of the early incarnations. Not to mention how it wasn’t that long ago women still didn’t have full financial autonomy, security over their children, or safety in being able to leave abuse.

Even without the captivating chapters about power dynamics, household labour imbalance, and the societal expectations engrained in us from a young age, the insight into the wedding industry is fascinating. Ford delves deep at how they prey on people whose dream day can be exploited with price hikes, unnecessary frivolity, and how so often a huge party is just as acceptable compared to the pomp and circumstance of dresses, flowers, and sermons about obeying.

There isn’t a sole focus on the female perspective of marriage, and the analysis of the marriage equality debate was considerate and well judged. This is as much a look at the system and history of marriage as it is a call for readers to think critically about their choices and why they want to do this. If you go into marriage with your eyes open you can go in knowing what to expect. But Ford asks readers to decide if it’s something they actually want to do, or if it is something that think they have to do, are expected to do, will fill incomplete and unfilled if they don’t do, or if they will be thought of as lesser if they don’t. These issues are what she explores beautifully and with statistics behind her and a wealth of data I loved how accessible and eye opening this book made me, especially when I already thought I knew so much.

You can purchase I Don’t via the following

QBDDymocks | Booktopia

 Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

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