Queen Celine by Matt Shanks

Published: 1st February 2019Goodreads badge
Publisher:
Walker Books Australia
Illustrator: Matt Shanks
Pages: 40
Format: Picture Book
★   ★   ★  – 3 Stars

Celine Beaufort is queen of what she is quite certain is the most beautiful rock pool in the world. It’s perfect. And to make sure nothing ever changes, she decides to build a wall around it. Unfortunately, that turns out to be a royal mistake. As self-proclaimed ruler, it’s up to Celine to right her wrong and restore her rock pool to its former glory, this time with everyone welcome. 

This is a cute book and it has a nice message but it doesn’t really grab you. I didn’t entirely dislike it though, I liked the contrast between every day Celine and at the beach Celine, it highlights how this is her time to shine and become the queen she wants to be. It’s also a good story that shows Celine never intentionally means to cause any of problems that arise. It’s innocent enough and sweet enough that Celine never is shown as malicious or controlling, just a little too enthusiastic and naïve.

But while the story is a tad lacklustre, the illustrations on the other hand are the absolute best. I think I had more fun studying the cute and clever illustrations than I did reading the book. The pictures are adorable and each page is filled with a lot to look at and study. I loved the art style and I loved the tiny details that made up this beach community. Small details like little sea creatures with fun expressions are so gosh darn adorable that I can forgive the underwhelming story that goes with it.

While the story had a nice message about sharing and nature, and Shanks does do a good job in showing us all of that without actually saying it, it doesn’t quite hit the spot.

You can purchase Queen Celine via the following

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Pygmalion by George Bernard Shaw

Published:  20th October 1994 (print)/1st August 2009 (audio) Goodreads badge
Publisher:
Dover Publications/Naxos Audio
Pages: 82/2 hrs and 36 minutes
Narrator: Anton Lesser, Lucy Whybrow, Geoffrey Palmer and cast
Format: Audiobook
Genre: Play
★   ★   ★ – 3 Stars

Professor Henry Higgins, a linguistic expert, takes on a bet that he can transform an awkward cockney flower seller into a refined young lady simply by polishing her manners and changing the way she speaks. In the process of convincing society that his creation is a mysterious royal figure, the Professor also falls in love with his elegant handiwork.

I adore the movie My Fair Lady which is the film version of this play and I loved that now having finally read the play on which it is based that it is virtually the exact same story. The main differences are the play brushes over a few scenes which are expanded in more detail in the film that might have only been a passing reference. This doesn’t take anything away from the play it was a curious observance, but from a production point of view it makes sense to limit your set locations.

Another comforting and familiar piece is Henry is just as much of a pig, even though Shaw has Henry admit he’s like that, and have other characters point out his issues, I can’t understand why he is so horrible. His selfishness and arrogance still make me want to punch him in the face.

Other than that, I do love this story a lot. It is also a great play to experience as an audio because I got the different voice actors in my ear and while I had their voices I could picture Rex Harrison in my mind. I loved how the different accents and components of the story came to life it was like I was listening to the movie.

One of the parts that always resounded with me was when Eliza asks Henry what she is meant to do with herself now he’s finished with her. She has been made into a lady without a skillset to actually work in society as a “proper lady” and she is deemed too posh to return to where she’s come from. I felt it trapped Eliza into becoming reliant on Henry. Not to say they couldn’t remain friends, but he’s rebuilt her into someone she doesn’t know how to be and expects her to manage.

Which brings me to something I will never understand, where the romance element comes from in this play. I can maybe see Henry falling for Eliza and becoming reliant on her because he laments missing her, in his own way, and after all that time together you would grow accustomed to one another, but this I would not class as romance, even in 1927. Henry is too much of a pig and abusive for Eliza to want to be with him, she says so enough times. Good company and companionship might be the best they can give one another, with Colonial Pickering popping over occasionally as a third friend.

You can purchase Pygmalion via the following

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The Handmaid’s Tale by Margaret Atwood

Published: 1st April 1998 (print)/2nd June 2011 (audio) Goodreads badge
Publisher:
Anchor Books/Random House
Pages: 314/10 hours 23 minutes
Narrator: Joanna David
Format: Audiobook
Genre: Classic
★   ★   ★   ★   ★  – 5 Stars

Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now…

I’m glad I finally read this and it’s clear this is a classic for a reason and stands the test of time because the issues it touches on are ongoing and remain as important as they did in the 80s. I was drawn in by this story and I’m glad it lives up to its reputation, I was equally fascinated and mortified by so much throughout this book I have no doubt that was Atwood’s intention.

It is a powerful move to make Offred remember her life before. It would have been easier to have this society be this way for so long no one really remembers the before times, but having it in living memory of someone relatively young is a beautifully horrifying choice and makes this so much more powerful. This is always seen as a dystopian story but the events fall so close to being possible it’s unsettling. It’s not quite in the dystopian world of nuclear fallout or environmental collapse, it is a construction of society and men and at times relatively close to reality it’s not too far to imagine it actually happening.

Atwood doesn’t need to infodump on us about what happen in full chronological details. She weaves information and history through Offred’s flashback’s and natural story. It never felt like we were being explained things, but at the same time what we don’t get told is also part of the fun. You can see it unfolding and the clues coming together, while still remaining in the dark about so much. I loved the inclusion of the Japanese tourists. It reminded me of a post I had seen on Tumblr about what the rest of the world is doing while the United States is having its dystopian dramas in all these books and movies. It’s little details like this that help shape the world Offred is living and the society that has been formed.

The audiobook was an amazing experience, especially given the ending and Moss did such a great job in telling this story. She was very good at putting contempt and distain into her voice, she was also skilled at incorporating a natural voice for Offred: fluid, casual offhanded remarks if they had just come to her, uncertainty and worry. I felt like I was listening to this woman’s story.

Atwood lets you create your own conclusions, better or worse about what happened. There is hope but there is also a sense of acceptance and leaving it to the reader is a powerful move. I actually loved not having answers. I won’t spoil what is and what isn’t told, but it was a great way to stay within the narrator’s world, and not to provide easy answers for the readers. It played into the emotional mindset of Offred, and to have it make sense as the story she was telling, not an outside view for us to know everything. Her story no doubt is for those who already know a lot, this is her own experience, retelling her story through what has happened, the reader picks up snippets here and there but the broader tale is known and meant to be understood by the fictional players which is a brilliant move.

You can purchase The Handmaid’s Tale via the following

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Don’t Feed the Coos! by Jonathan Stutzman

Published: 25th February 2020Goodreads badge
Publisher:
Henry Holt & Company
Illustrator: Heather Fox
Pages: 48
Format: Picture Book
★   ★   ★   ★   ★  – 5 Stars

When you see a coo, you will be tempted to give it a treat.
Coos are adorable, peaceful, kind of silly.
But DON’T FEED THE COO!
If you feed one, they will ALL come…

So begins Don’t Feed the Coos, a cautionary tale that details the fallout when a little girl decides to share some bread with a coo (aka pigeon). From the park to home to the arcade to karate practice, the coos follow the generous-but-foolish girl who didn’t heed the warning. Because when you give a coo a crumb…the entire population of coos will come! But fret not: our spunky little heroine will discover that even the biggest of problems can be solved with a little determination.

After falling in love with Llama Destroys the World I was excited to pick up another Stutzman book and it did not disappoint. I loved the concept that once you feed a coo you are stuck with them for all time and once you feed one, others will come. The ingenuity and determination of these coos is delightful and Stutzman’s writing style elevates simple words and phrases and highlights the humour.

Fox’s illustrations are a pure delight and I thoroughly enjoyed every page. The scenarios she has included are very funny and incredibly cute and they add so much to the story. I got a lot of enjoyment from studying them and laughing at the coo’s expressions and antics, not to mention the fear then angst, then resignation on the little girl’s face as she accepts them into her family.

Stutzman’s story is quirky and fun and it would a great story to read aloud. It is a fabulous story that works in sync with the illustrations as they play off one another. With few words but stunning, detailed pictures there is a great balance that creates a well-rounded story with multiple levels of enjoyment.

You can purchase Don’t Feed to Coos! via the following

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Meet Me at the Intersection ed. Rebecca Lim and Ambelin Kwaymullina

Published: 3rd September 2018Goodreads badge
Publisher:
Fremantle Press
Pages: 296
Format: Paperback
Genre: Young Adult
★   ★   ★   ★ – 4 Stars

Meet Me at the Intersection is an anthology of short fiction, memoir and poetry by authors who are First Nations, People of Colour, LGBTIQA+ or living with disability. The focus of the anthology is on Australian life as seen through each author’s unique, and seldom heard, perspective.

With works by Ellen van Neerven, Graham Akhurst, Kyle Lynch, Ezekiel Kwaymullina, Olivia Muscat, Mimi Lee, Jessica Walton, Kelly Gardiner, Rafeif Ismail, Yvette Walker, Amra Pajalic, Melanie Rodriga, Omar Sakr, Wendy Chen, Jordi Kerr, Rebecca Lim, Michelle Aung Thin and Alice Pung, this anthology is designed to challenge the dominant, homogenous story of privilege and power that rarely admits ‘outsider’ voices. 

Meet Me at the Intersection is filled with some brilliant stories and pieces of work by authors who are showing that those marginalised and seldom heard voices can be just as powerful and have just as important stories to tell. It is filled with the voices of Young Adult authors and stories but is an anthology that can and should be read by everyone.

The collection is filled with a range of forms and styles from poetry, memoirs and short stories. Each author brings their own style of writing and it was a nice to see so many different voices through the book. There are little explanations of each author and their background before each piece and it is clear there is diversity across all kinds.

In terms of content, each piece takes place in a different time period and it was refreshing to see not every story was contemporary; and while this makes sense for memoir, some of the other stories were from other time periods as well. I also loved the way these stories have been ordered in the collection. In the introduction it mentions that the oldest culture of storytellers deserves to go first and I loved that that was acknowledged.

What made this anthology stand out to me was it never felt like there was a single message being highlighted, instead it was about representation. The blurb mentions that the focus of the work is to represent the everyday lives of Australians and it has succeeded brilliantly. In doing so you gain an understanding by reading about these fictional, semi fictional, and real lives about the ordinariness and extraordinariness of a diverse group of writers. it is wonderfully eye opening and showcases that these lesser heard and unique voices have some amazing stories to tell. It is an anthology filled with own voices and is beautifully, distinctly Australian. What more could you ask for?

You can purchase Meet Me at the Intersection via the following

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