As Good As Dead (#3) by Holly Jackson

Published: 05 August 2021 (print)/05 August 2021 (audio) Goodreads badge
Publisher:
Electric Monkey/HarperCollins UK Audio
Pages: 565/16 hours, 55 minutes
Narrator: Clare Corbett, Maryam Grace, Kristin Atherton, Jot Davies
Format: Audiobook
Genre: Young Adult Thriller
★   – 1.5 Stars

Pip is about to head to college, but she is still haunted by the way her last investigation ended. She’s used to online death threats in the wake of her viral true-crime podcast, but she can’t help noticing an anonymous person who keeps asking her: Who will look for you when you’re the one who disappears?
Soon the threats escalate and Pip realizes that someone is following her in real life. When she starts to find connections between her stalker and a local serial killer caught six years ago, she wonders if maybe the wrong man is behind bars.
Police refuse to act, so Pip has only one choice: find the suspect herself—or be the next victim. As the deadly game plays out, Pip discovers that everything in her small town is coming full circle . . .and if she doesn’t find the answers, this time she will be the one who disappears. . .

I had a lot of feelings about this book so I am going to be very careful and not turn it into a thousand word essay about why Jackson made the decisions she did. My notes and emotional responses are a wild read through and picking out the usable less spoilery ones has been hard because I need to vent about this book.

First things first. I was right. That’s important. Second, I am fascinating that the key moments, the moment you think should happen at the end happens around the halfway mark which is wild and sends your brain in a whole stack of directions about what the rest of the book could be filled with to match the intensity of those middle scenes.

The first half was great, as expected from the first two books, but the second half was a weird change that feels out of character, even for the change in Pip from the events of books one and two. I felt like I needed to skip to the end to find out the outcome to work out if the outlandish second half worked but I felt off. Twenty five plus chapters to go you know there must be consequences but the sudden shift in tone and character makes it hard to care. It’s fascinating to see this sudden shift in characters when you have gone through two and a half books with them.

As a whole this is an incredibly dark book. The second book, Good Girl, Bad Blood, was dark but this goes darker still as Pip has flashbacks and relives the events of the previous book. Corbett is a passionate narrator, lot of emotion in her narration. There’s critical emphasis on the important, tense, and emotional moments and it brings home Pip’s mental stability and the intensity of the events. What Jackson does incredibly well is show the effects of PTSD that’s left improperly treated. Pip’s trauma from books two is evident and there is a great demonstration of her emotional state worsening as the outcomes of book two play on her mind and she keeps lying to her friends, family, and therapist to seem ok.

Pip’s new idea for a podcast takes a while to settle. With no new ideas it’s a jump from idea to idea as Pip’s initial new focus is a cold case, before moving to her own life, or a supposedly closed case. I absolutely loved that Jackson shows the less glamourous side of true crime, especially true crime podcasts, and how the results of an investigation can takes its toll on the person investigating. I never understood the obsession with true crime podcasts but this is a great behind the scenes look at the impact and consequences that can come from it.

The structure of the book remains the same: additional voices to play different characters as well as the use of transcripts and files to look like a dossier is being compiled. I still love this style and it makes the experience unique and a great way to introduce information and tie it back into Pip’s research gathering.

I am pretty sure Pip becomes somewhat psychopathic in this book. I understand the reasoning Pip/Jackson is going for. I do. But the longer it went on it made less sense. If it was supposed to be a reflection of Pip’s broken mind I guess it makes sense. But Ravi should be the voice of reason but he isn’t. There are so many holes in Pip’s approach, it went beyond a plan to being a lot of effort when it was going to fail for so many reasons.

I am trying not to reveal too much, but the second half of this book made me so mad. Infuriated. There was no reason for the entire second half to exist. I don’t care what Pip thinks would happen, there are two books prior to say that wouldn’t be the case. You can’t even chalk it up to her mental state because that isn’t it at all. Her choices are illogical and what’s more infuriating is she ignores a huge amount of evidence. There is So. Much. Evidence. Jackson includes so many other reasonable options instead of what actually happens which is why it’s weird to have Pip ignore them.

I know it’s for the drama, and for Pip’s decisions and mental state but I found it hard that someone that smart, could be that stupid. But I guess we’re supposed to believe that when you are emotionally unstable already with trauma and PTSD, what’s one more? What she does to Max, what she does even before Max was unnecessary. It’s too far fetched that anyone would even succeed in doing what she does. It’s beyond absurd no matter how much true crime you knew about. Ludicrous is the only way to describe her plan.

I’ve wasted 17 hours of my life with this book. It was way too long and I felt betrayed by the ending because even after suffering through all those absurd decisions Jackson throws it back in our face. I can’t give it one star because I enjoyed the first half, but I can’t give it two because I hated the second half more and more the further I went. I ended up listening to it a 2x speed because I was suffering listening to this book, but it still dragged on. It was amazing how long the last few chapters took.

Read this book by all means, finish off the series and see the outcome of book two. My advice is stop at the half way point, work out your own new ending based on the evidence already given, and move on. You will only get baffled by the decisions Pip/Jackson has made. I made up a great new ending myself and tried to forget the second half ever happened.

You can purchase As Good as Dead via the following

QBD | BooktopiaDymocks

WorderyAngus and Robinson | Blackwell’s

 Fishpond | Amazon | Amazon Aust | Audible

Good Girl, Bad Blood (#2) by Holly Jackson

Published: 30th April 2020 (print)/9th September 2021 (audio) Goodreads badge
Publisher:
Electric Monkey/Harper Collins
Pages: 417/11 hrs and 45 mins
Narrator: Jot Davies, Clare Corbett, Kristin Atherton, Luke Poli, Maryam Grace, Richard Hughes
Format: Audiobook
Genre: Young Adult
★   ★   ★   ★  – 4.75 Stars

Pip Fitz-Amobi is not a detective any more. With the help of Ravi Singh, she released a true-crime podcast about the murder case they solved together last year. The podcast has gone viral, yet Pip insists her investigating days are behind her. But she will have to break that promise when someone she knows goes missing. Jamie Reynolds has disappeared but the police won’t do anything about it. And if they won’t look for Jamie then Pip will, uncovering more of her town’s dark secrets along the way… and this time EVERYONE is listening. But will she find him before it’s too late?

The storyline of the second Good Girl’s Guide to Murder book takes place not long after the events in the first. Having come off the notoriety of her first investigation, Pip is trying to settle back down to real life again as promised but soon becomes involved in a missing persons case and so much more. The angle Jackson takes to justify Pip’s involvement this time round is valid. Jamie is missing, the police are otherwise engaged, and Pip’s ongoing curiosity and the pleas of her friend are hard to ignore.

Jackson weaves in the aftermath of book one as Pip recaps her first investigation formally to a wider audience. This also leads her into her second in a natural way. The characters who are impacted in the first book get to continue their story which is satisfying. It isn’t forgotten and the effect on the whole community is still there.

The story builds from a slow start into a gripping conclusion. There is a lot of mystery to work with and while it takes time to get going, there is still a finger on the pulse. The ending stayed with me much longer than the rest of the book, but that wasn’t because the rest of the book was bad. The slow start builds and builds, a complicated network of crimes and new development take you down various paths into a new uncovered piece of information. The connecting plot points play out well, stung along to one new discovery then another. The sordid world of various crimes growing with each chapter.

There is a wonderful exploration about the complexity of human beings. How circumstances can change someone, how trying to do the right thing isn’t always enough. It is a different approach compared to book one where there is a sole cold case to work through. Now, a real time missing person lends itself to more fervent behaviours, more panic as one thing leads to another, and a real time reaction of the public.

The story explores morally what is right, about who is really a bad person, and who is in the right, if anyone. What justifications are there for anything anybody does? It’s also incredibly sad, realising how unforgiving people can be. The right to be judge, jury, and executioner. Mob mentality, small town judgement, and people’s expectations are on show in full force and as intricate the story is, the simplicity of it is heartbreaking.

The ending was amazing, not only in the twist which, looking back, was laid out wonderfully, but also the outcome of the big finale. I’m impressed Jackson went in that direction, especially as it substantially darkens the series, and makes it more real for Pip. The whole book felt more real. Even with the completely possible events in book one, somehow this was more believable.

Once again I loved the formatting of the book. The inclusion of the podcast adds another element which is ideal for the audiobook. Having transcripts in the book is great but having them acted out in the different ways is a nice advantage for an audiobook to have. Usually things are slightly lacking from the physical copy – pictures, emojis and what have you.

The narrators did a fantastic job and Pip comes to life once more with Atherton at the helm. Her fear, her frustrations, and her passion are evident, and her youth and uncertainty are there as well. All the narrators did a great job with their characters, it didn’t feel like a radio drama, but at the same time having a whole cast of characters with their own voices made it feel like a full story.

This is an interesting second book, obviously there is more to come because the aftermath of this book is going to have ramifications both to Pip personally and the wider community. It’s already going down a dark path so it will be interesting to see what comes next.

You can purchase Good Girl, Bad Blood via the following

QBD | BooktopiaDymocks

WorderyAngus and Robinson | Blackwell’s

 Fishpond | Amazon | Amazon Aust | Audible

Kill Joy (#0.5) by Holly Jackson

Published: 18 February 2021 (print)/04 March 2021 (audio) Goodreads badge
Publisher:
Electric Monkey/Electric Monkey
Pages: 160/2 hrs and 59 mins
Narrator: Kristin Atherton, Richard Hughes
Format: Audiobook
Genre: Young Adult Mystery
★   ★   ★   ★ – 4 Stars

Pippa Fitz-Amobi is not in the mood for her friend’s murder mystery party. Especially one that involves 1920’s fancy dress and pretending that their town, Little Kilton, is an island called Joy. But when the game begins, Pip finds herself drawn into the make-believe world of intrigue, deception and murder.

But as Pip plays detective, teasing out the identity of the killer clue-by-clue, the murder of the fictional Reginald Remy isn’t the only case on her mind…

Find out where it all began for Pip in this prequel to the best-selling A Good Girl’s Guide to Murder and Good Girl, Bad Blood.

This prequel to A Good Girl’s Guide to Murder is a captivating read. It’s definitely one I would suggest reading after you’ve finished book one, there isn’t spoilers per se, but there is a lot dependent on knowing what happens in book one that makes it more impactful. I thought it was much better to read an origin type story knowing the end with an understanding of who these characters were. Especially since they can be fleshed out much better in the novel length format.

Having said that, it’s a fantastic story on its own; Pip’s deductive mind, the great costumes, and the roles everyone plays while still being themselves all make this short novella a thrilling story. Jackson keeps the tantalising mystery alive and delivers thrills to the reader with unexpected events and surprises and a night that doesn’t entirely go to plan.

Jackson’s use of language and Pip’s imagination lead you to into theories of your own about whether they might be there only for a fictional murder or if something more nefarious is going on. Being a #0.5 prequel you have a little knowledge that nothing major will happen, but that doesn’t mean you are safe either. It is easy to become caught up in the hints of mysterious footsteps, shadows in corners, missing party members, as well as the unknown factor about what is on other people’s character cards.

There are hints to the first book, reminding us that this is a town with a real murder, and it shows how fresh it was on Pip’s mins when her project starts not long after these events. But at the same time it remains its own fun story about a fun evening between friends and a great story on its own.

It introduces us to the characters, the town, and a new side of Pip. I love how we get to see the small spark of Pip’s deduction skills and having read the main book first see how far she can go when given a real mystery to dig her nails into.

I adored the ending. I was fascinated at Jackson’s approach to the murder mystery and old style Poirot type investigations. The various levels of commitment from each person, as well as the switch between being in character and being themselves adds another level because while it is played like a real murder, it is still a group of teenagers playing a game.

It is a great book to read if you have read A Good Girl’s Guide and it’s a great introduction if you haven’t. There’s a great sense of Pip’s character if you know how she works through the main book, and it’s a wonderful lead in to see the friends and some of the main players in the bigger story.

You can purchase Kill Joy via the following

QBD | BooktopiaDymocks

WorderyAngus and Robinson | Blackwell’s

 Fishpond | Amazon | Amazon Aust | Audible

A Good Girl’s Guide to Murder (#1) by Holly Jackson

Published: 2 May 2019 (print)/5th Aug 2021 (audio) Goodreads badge
Publisher:
Farshore/Electric Monkey
Pages: 432/12 hrs and 56 mins
Narrator: Jot Davies, Clare Corbett, Kristin Atherton, Olivia Forrest, Luke Poli
Format: Audiobook
Genre: Young Adult
★   ★   ★   ★  – 4 Stars

The case is closed. Five years ago, schoolgirl Andie Bell was murdered by Sal Singh. The police know he did it. Everyone in town knows he did it.

But having grown up in the same small town that was consumed by the murder, Pippa Fitz-Amobi isn’t so sure. When she chooses the case as the topic for her final year project, she starts to uncover secrets that someone in town desperately wants to stay hidden. And if the real killer is still out there, how far will they go to keep Pip from the truth?

I have been eyeing off this book for years and I finally started reading it and I’m so glad. It is captivating and draws you in fairly quickly and never quite lets go. Who can resist the allure of a possible mistake in a closed case and a town so ready to condemn an apparent murder? The further you go the more doubt is cast. There are hints and clues that don’t connect, the misdirection and hidden secrets from people in town and a cast of characters to keep you guessing.

Jackson has written a story that starts off so simple and yet as each chapter goes on, and Pip gets further information from the people in her tiny village, the stakes are raised and threats come from all sides. I loved the numerous angles and there’s tension and mind games that even as readers you get embroiled in.

As with a lot of things in a small town, secrets are unearthed and things that have been kept hidden come to the surface, affecting more than just one person’s life. It never felt sensationalised, but the knock on effect is clear. Pip’s innocent investigation for a school project never leads her astray from her capabilities, but at the same time her own personality latches on and her consumption of the case and the need for answers brings danger.

Pip is a great character. Her passion and dedication grows from an interest for a school project to something of an obsession as she uncovers more and more secrets and unanswered questions. Her focus and her determination to get to the bottom of this crime is something I think you can achieve with her approach to her investigation, especially as so many people think there has already been a culprit named.

Jackson is great at balancing Pip’s access to information and the reasonable assumption no one would talk to a teenager about certain things. Small town gossip and prejudice is a wonderful tool too and it works in sync with Pip’s perseverance.

Each character felt real too, which is important when creating a community. No one felt one dimensional even the red herrings all had full lives and stories, making them as likely as the next to be suspects. The realness of characters is important too if readers are meant to believe they could hide things, deceive, or have more depth than it first appears. Jackson does this well as everyone Pip interviews, helps, or is hindered by bring their own lives to the page and it is definitely a strength of the book.

I know the book is filled with great formatting around transcripts, emails and Pip’s notes, but I loved the audio version of this so much. It was a mix between an audiobook and a radio drama. The phone conversations sound like phone conversations, the recordings Pip references sound like conversations on tape recordings being played back, and the different voices bring in another great element.

I initially thought it would be a weird, off putting things to have it cut from clear narration to audio that replicated being recorded in a room but it worked remarkably well and helps place you in the scene immediately. It is definitely a bonus instead of having the poor narrators read out transcripts verbatim, having to name each character who speaks before reading their lines for page after page.

It isn’t entirely like a radio drama, there is regular narration as well which help break up Pip’s research and the outside story. It was a clever way to lay out how she was conducting her research and piecing it all together, plus those listening to the book don’t miss out on the creative storytelling Jackson has designed.

I didn’t realise just how long I had been planning to read this until I looked for the sequel and saw there was not one, but two I could get my hands on. So my bad for the delay but it is a seriously good story and one you should definitely pick up if you haven’t.

This is one you should read in order, not only because the second book spoils practically everything from book one fairly soon, but there is something wonderful about seeing Pip’s growth and her determination as she investigates.

You can purchase A Good Girl’s Guide to Murder via the following

QBD | BooktopiaDymocks

WorderyAngus and Robinson | Blackwell’s

 Fishpond | Amazon | Amazon Aust | Audible