The Ruby in the Smoke (#1) by Philip Pullman

Published: November 12th 1988
Goodreads badgePublisher: Scholastic
Pages: 373
Format: Book
Genre: Young Adult/Historical Fiction/Mystery
★   ★   ★   ★  – 4 Stars

Sally is sixteen and uncommonly pretty. Her knowledge of English literature, French, history, art and music is non-existent, but she has a thorough grounding in military tactics, can run a business, ride like a Cossack and shoot straight with a pistol.

When her dear father is drowned in suspicious circumstances in the South China Sea, Sally is left to fend for herself, an orphan and alone in the smoky fog of Victorian London. Though she doesn’t know it, Sally is already in terrible danger. Soon the mystery and the danger will deepen – and at the rotten heart of it all lies the deadly secret of the ruby in the smoke.

This book certainly starts off unexpectedly, I will give you that. In what is a crime/detective type story, we are immediately introduced to a Miss Sally Lockhart and the mysteries around herself and her father. The novel opens with 16 year old Sally visiting her father’s place of business after his death to inquire about a letter she received and Pullman instantly sucks you in by the second paragraph by saying “in fifteen minutes she was going to kill a man”. If that doesn’t make you keep reading then what will?

As a character, Sally is has had little conventional education, but she does know her fair share about running a business, military tactics, and how to shoot a pistol. The world she knew is changed when her father is drowned in suspicious circumstances and now must live as an orphan in 1872 Victorian London, living with her aunt who does not approve of her and how she lives her ‘unladylike’ life.
The letter mentions something called the Seven Blessings, and when her initial inquiries go awry Sally tries to find an alternative way. However while she continues to investigate Sally learns her life is in danger, and with the help of friends of her father and helpful strangers turned friends, Sally tries to solve the growing mystery and keep herself from harm. As readers we are not given much to go on ourselves about what these are and we must learn with Sally as she investigates these Seven Blessings that no one wants to talk about despite the chaos they create, though we are given an advantage as we are shown where this possible danger lies, as well as hopes for Sally finding some answers.

With the help of people like 13 year old office boy Jim, as well as brother and sister Frederick and Rosa Garland, Sally continues her journey for answers. After leaving her aunts house she lives with Frederick and Rosa, helping them to improve their business as payment for their help. As a photographerand actress, Frederick and Rosa are very enjoyable characters, they have quirks, as does their employee Theophilus ‘Trembler’ Molloy, ex-pick pocket with a nervous disposition. There are dangers and fear through this story, which makes it seem real and demonstrates the danger that really is present. People are selfish and ruthless when they want something, and there are suffers because of this, but Pullman offers enough hope and goodness to counteract this.

This is only the first book in the series so not a lot is given away, yet a lot is revealed, and that is not to say there is no curiosity sparked about characters and their circumstances. Pullman ends on a wonderful cliffhanger, as cliffhangers go, with new mysteries on top of the half solved old ones to bring readers into the second book. I had been wanting to read this series for about ten years and I am really glad I have finally gotten around to it. The way Pullman writes is for the Young Adult reader, but there is just as must grit, violence, death and intrigue as any other book. Perhaps not as well described, but there is drug use and violence throughout which I found rather charming in a book for this age group. The way Pullman uses it is certainly for the pot movement and isn’t exactly shown in the best light, though it does suit the era, and by doing so, amidst this crime and mystery, there is a nice little moral address about the dangers of drugs for the younger readers; but with full credit to Mr Pullman he weaves it in almost seamlessly with the narrative and it is certainly well placed.

The fact this is set in the Victorian era just adds to this charm. Reading about old England and the inventions emerging and the technologies is great. Seeing how people react to new things could pretty much be suited to anything at any time, but the fact this is the past makes you realise just how some things just don’t change, and how people don’t like it when it does. Another joy of being in this era is how proper and adult these 16 and 21 year olds can be. Not to mention the society, which I think Pullman captures well, especially around Sally. Somehow I think through capturing the society and the era, it adds a little more to the characters and who they are. It makes them more believable, rather than some one who could be living anywhere or any time. You certainly get the feeling of walking through London and its surrounding areas in the later 19th century, it’s rather enjoyable.

There are twists in this book, and enough intrigue and unanswered questions to get you into the second book. And while we may not call  it an actual cliffhanger per se, but the characters introduced, what happens to them and their lives and personalities are so engaging that you do want to keep reading and see what happens. It certainly ends very differently from where it begins, and all for the better I feel.

To Kill a Mockingbird by Harper Lee

Birthday

Happy Birthday Harper Lee! Today in celebration of her birthday I am reviewing her only novel, To Kill a Mockingbird. I will admit I enjoyed it but not loved this in high school, but I still managed to see why it was wonderful and a classic. Perhaps it was just being the 15 year old, or maybe it is now I am  older (it always changes most things), but I can see it differently now, similarly, but different. One of those complex emotions.

Harper Lee’s full name is Nelle Harper Lee, she was the youngest of five and was raised in Alabama. Her only book was To Kill a Mockingbird, she did have a second but it was never published. Famously Lee has never extensively discussed her book or any insights about its meaning and the popularity, and has stayed out of the public eye. Growing up Lee was friends with author Truman Capote and together they wrote an article in the New Yorker which Capote then turned into In Cold Blood, his nonfiction masterpiece. It is said that Atticus in her novel is based on her father who was also a lawyer and who once defended two black men accused of murdering a white shopkeeper. She has though played down any real correlations despite there being similarities, however Capote once said he thinks that certain things she wrote were true and being neighbours and friends he initially used similar aspects of their childhood in his own work.

Published: May 23rd 2006
Goodreads badgePublisher: Harper Perennial Modern Classics
Pages: 324
Format: Book
Genre: Adult Fiction
★   ★   ★   ★   – 4 Stars

Tomboy Scout Finch comes of age in a small Alabama town during a crisis in 1935. She admires her father Atticus, how he deals with issues of racism, injustice, intolerance and bigotry, his courage and his love.

To Kill a Mockingbird was finished in 1959 and it won a Pulitzer Prize award and became a best seller. It soon become a classic novel and has become influential, if not a powerful message about race, inequality, and human decency. It is not only its story, but the characters that people admire and idolise, the key figure being Atticus Finch, father of the narrator, Scout. Naturally is also became campaigned against to be removed from classrooms and libraries. We can’t even look down on the past as the list of banned books still rings high and true today for the same idiotic reasons.

Atticus Finch, who is an attorney, and all round upstanding man, is always listed on the top characters of all time, or most influential characters, or most idolised characters, and really, it is probably true. To Kill a Mockingbird is a classic for a reason, and Lee deals with intense issues in this unjust world with one man trying to do the right thing. As a character he presents unwavering morality, strength, and honour, having an impact not only in the books pages, but with the readers as well. He was a hero not for super powers or for saving the world, he was a hero for doing the right thing.

To Kill a Mockingbird opens with a look into history with a Finch ancestor fleeing religious intolerance in England, settling in Alabama. The main story takes place a few years after the Great Depression. The narrator is Scout Finch who is retelling her story of when she was young and the events that unfolded around her in her town of Maycomb. Initially we see nothing about the racial drama that unfolds later on; instead Lee introduces us to Scout, her brother Jemm, and their friend Dill. The trio enjoy their summer but are fascinated, yet terrified, of “Boo” Radley, a reclusive neighbour. This introduction about Boo and the children go on but it isn’t long before the tentative relationship between the children and Boo is replaced by the appointment of Atticus to defend Tom Robinson, a black man accused of raping a white woman.

The descriptions in the book and excellent, the way Lee describes the heat, the people, the town, the naivety of children and the insights they provide, and also the way she portrays characters relationships to one another is well done. She doesn’t shy away from the facts and the details of the town life, the trial, or the social messages and reaction; that is where some power comes from. And her language in doing so makes it what it is as much as the events. Her language is deep and the lessons you take from this book are timeless.

One of my absolute favourite aspects of this novel is the fact that Atticus lets his children call him Atticus instead of father. This is the purest and simplest way to demonstrate him as man, Atticus does it as a sign of respect as he sees every one as equal, despite their age, class, race or authority. Not sure I would do the same, but it is very telling nonetheless. The title of the book comes from Atticus, who tells Jemm it is a sin to kill a Mockingbird. Scout questions this and is told that “Mockingbirds don’t do one thing except make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corn cribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.”

What I found interesting in this book is Lee’s wonderful way of telling this story. By using Scout, a young girl with very little knowledge of the world, who is always looking for answers and explanations, to tell this story, you get great conversations and relationships between characters. Certainly the best are those with Atticus and Scout, though her own opinions of her father are from the view of a child she has some very insightful words, and not only about him. She uses people she knows to discuss the issues around her, more so since the trial began as the people in the town are less than sympathetic, and they also cannot understand Atticus’ desire to defend Tom.

Scout is feisty and is willing to fight for her father which is admirable and a wonderful representation of her relationship to Atticus, but also of her own personality. While Atticus can defend himself, though in more moral and less violent manners, a wonderful scene is when the three children manage to essentially shame a lynch mob by making them see things from Atticus’ perspective. The wonderful quotes that can be taken from this novel are vast, but “You never really understand a person until you consider things from his point of view…until you climb into his skin and walk around in it” is a key theme among the many.

What this trial demonstrates is how divided the world was, there is a coloured balcony above the courtroom, away from the main area, and the tone, interactions, and outcomes are certainly surprising. Perhaps this is because reading this in 21st century Australia has a separate impact, but that doesn’t stop my knowledge of what it was like to some degree. Even though Lee has denied any strong autobiographical connection, the story of Tom is not a single fictional case. But even though she writes about this injustice and this ill treatment for a man accused, Lee has added so much more into this narrative than it is also about so much more than the colour of his skin essentially, it is about growing up, learning about the world, class and society, and basically loss of innocence.

The trial is detailed and well planned out; Lee keeps it poignant and fiery, while still upholding all the virtues Atticus has in a town that has already condemned Tom. We go through testimonials and cross examinations, Atticus does his job well. Tom’s point of view is not forgotten, we see his sides of things, and you do know right away of his innocence, but that is nothing in the eyes of the law it seems. That is where your investment goes, into the anticipation and hope that this super hero Atticus Finch, with all his deep wisdom and goodness, can help save Tom for a crime of simple being black.

The outcome of the case has consequences for everyone and the victims are far spread. I won’t reveal the ending, there is a lot in it that speaks more volumes than I could convey, but Lee does a wonderful job. She takes us through this journey and this emotional turmoil about these characters but she almost adds some justice at the end, but in a way she doesn’t. Scout pulls this together wonderfully in her voice and as I said, I think that makes so much difference compared to if it were a simple third person, or another characters point of view, you need her innocence, her loss of innocence, and her perspective telling this story. She uses all the wisdom her father has given her and by the end of the book you know it has sunk in.

There is a movie version on this book, with Gregory Pack as Atticus. It is pretty amazing. It would have to be for this book I think. Made in 1962 it is in black and white but do not let that deter you, it manages to bring all the emotion and the drama from the book and make it just as moving and important as the book. It is reported that Lee visited the set during filming and she did do a lot of interviews to support the film. The film was as popular as the book, with eight Oscar nominations and four awards including Best Actor for Gregory Peck.

The quotes from this book are fantastic, I need to list some, for the pure fact they are insightful and so very true, but there are so many more.

“I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It’s when you know you’re licked before you begin, but you begin anyway and see it through no matter what.”

“Atticus, he was real nice.”
“Most people are, Scout, when you finally see them.”

“Miss Jean Louise, stand up. Your father’s passin’.”

“Before I can live with other folks I’ve got to live with myself.”

So it is today that we wish Harper Lee a very happy birthday, I thank her for this book,  and while To Kill a Mockingbird will give you no useful advice on killing Mockingbirds, it will teach you not to judge a man by the colour of his skin.

The Scarecrow and His Servant by Philip Pullman

Published: November 3rd 2005
Goodreads badgePublisher: Corgi Yearling
Pages: 230
Format: Book
Genre: Junior Fiction
★   ★   ★   ★ – 4 Stars

One night there was a thunderstorm. A tattered scarecrow stood in the wind and rain, taking no notice . . . until a bolt of lightning struck his turnip head. The scarecrow blinked with surprise and came to life.
So begins the story of the Scarecrow, a courteous but pea-brained fellow with grand ideas. He meets a boy, Jack, who becomes his faithful servant, and they set out to journey to Spring Valley together. Along the way there’s no end of excitement – battle and shipwreck, brigands and tricksters – and it’s up to Jack time after time to save the day.

After yesterdays grand post I feel a nice short one is in order. I also cannot believe I haven’t reviewed a Pullman book yet! This must be rectified. And since we are making it nice and short, no Dark Materials this time, but they will come I assure you; maybe not today, maybe not tomorrow, but someday.

The Scarecrow and His Servant is an absurd story but it is fun and light-hearted even when it covers the occasional unpleasant topic. These unpleasant topics are not adult or grotesque in any way, but rather have the ability to be blunt on occasions. This is masked I suppose by the madness and jovial absurdness in characters, and also in the occasional sentimental and touching moments as well, all combining to make the story realistic (as it can be) within the created narrative.

The story starts with the creation of a scarecrow and the discovery of this scarecrow by a young boy. Together they have adventures and get into trouble and become friends. The scarecrow is a combination of grand optimism, ignorance and simple dimwittedness. The young boy Jack has some sense in him, and is often having to talk the scarecrow out of trouble he’s gotten in to. And, naturally because everyone is as mad and absurd as each other, his strange explanations are perfectly acceptable.

There is a fairytale quality about this story which Pullman is brilliant at doing, he adds magic and surrealism to real life places and circumstances that tweaks reality a little but keeps everything else alone. I rather enjoyed this book, it was different and curious, but there was moments in the story that seemed so obscure and strange that you just had to go along with it. Some moments in the scarecrow and Jack’s adventures are heartwarming, while others are dangerous and seems quite stupid. It is best to remember that this is in fact a scarecrow and a child, no matter how in control either of them seem to be. And the fact no one notices/minds the walking talking scarecrow is another thing you don’t really notice until you think about it and then it just becomes something you accept.

I particularly liked the ending, after the mystery and tangents and questions it was nice to see some form of resolution. With all the characters and friends the scarecrow and Jack come across it is a fitting ending given their strange journey, and Pullman manages to bring the story round from its madness very well indeed. Despite being a children’s book I think with its twists and turns, adventure and suspense the story is engaging for everyone and it adds a bit of silliness which, when done as well as this, is never a bad thing.

Artemis Fowl and The Arctic Incident (#2) by Eoin Colfer

Published: May 6 2002
Goodreads badgePublisher: Puffin Books
Pages: 288
Format: Book
Genre: Junior Fiction/Young Adult Fantasy
★   ★   ★   ★  – 4 Stars

Someone has been supplying Class A illegal human power sources to the goblins. Captain Holly Short of the LEPrecon Unit is sure that the person responsible is her arch-enemy, thirteen-year-old Artemis Fowl. But is he? Artemis has his own problems to deal with: his father is being held to ransom and only a miracle will save him. Maybe this time a brilliant plan just won’t be enough. Maybe this time Artemis needs help…

After Artemis’ attempts to restore his family fortunes using ransom and blackmail, his focus shifts to finding his father. Held up in a prominent boarding school Artemis, now thirteen, devises a plan to escape and  track down his missing father. Using the skill and sly wit we’ve come to know and love from Artemis he is soon on his way to rescuing his father with Butler ever present at his side.

In a different style to that of the previous book, Artemis has no interest in tracking down the People, however this does not mean they are not looking at him. There is something suspicious going on underground and with the events of the past still present in the LEP’s memory, the finger is pointed in Artemis’ direction. This suspicion brings Holly and Artemis together once more as she intercepts his travels and for the first time takes him down into her world where it is soon revealed that there is something a lot bigger and sinister going on than they first thought.

One of the things I really enjoyed in this story was that the underground world of the People was explored to a greater extent, and not just as a connection to Artemis’ story. As a civilization and a race Colfer weaves this wonderful image of their world and how it operates. We are invited into their world starting with the greater picture, we see their laws and issues, and their daily routines, and we get to see how they live as a society. With this extensive look and separate storyline we are also introduced to new characters such as the pixie Opal Koboi, more goblins and a sinister Frenchmen to name just a few. It is not all new faces however, with plenty of familiar faces both above and below ground; dwarf criminal Mulch Diggums, technology whiz centaur Foaly, and LEP Commander Root return with Holly, as do a few others, each with the humour, quirks, and unique personality that we grew fond of the first time around.

As these two worlds overlap to help each other solve their own mysteries, they do so with a growing trust and a cautious but more cooperative and friendly partnership than they had in the past. As much as I liked the humour and interactions between characters in the first book, I do think when both sides are cooperating and being friendlier it makes for very different comments, wit, and interactions; not necessarily better, but different. Either way it is really unfair to compare them side by side, they are a progression of a story rather than separate works really, both were really enjoyable reads. The great thing I’ve found about Colfer’s writing is you can enjoy reading about Artemis’ world on its own, you can enjoy reading about the People’s world on its own, and some how it still manages to get a little bit greater and more enjoyable when the two worlds collide, no matter whether it is friendly or not.

What I like most about these books, it isn’t just the wit and the irrepressible charm these characters have in their own individual way, and as much as I adore the writing style Colfer has, what I love most in these books is mainly Artemis. There is something about that boy that makes you love and be in awe of this kid and how he logically thinks things through, plans everything and knows everything that needs to be known at the time. Though we do get to see a new aspect of Artemis in this book, it is great watching him squirm ever so slightly in an environment he is not used to. He begins to grow as a person and we see this as he shows a more moral side, and he becomes less of an evil schemer as others take the reign; this works especially well since most of the action involved in this book is based around the LEP world. He has not changed completely mind you, there are some classic Artemis moments when he is in his element, but seeing the new side was a treat.

There are twists and turns as always in Colfer’s narrative and we get to see action from everyone’s point of view which is always a great thing. Colfer does not just switch between characters as the story progresses, he lets us experience the same event from everyone involved. This is a brilliant choice because each character offers so much, and is so complex in their own right that usually any time anything is happening it is the work of every one throwing something into it. Artemis’ brilliance and cunning excelled in this book. As I say, you get to see a different side of him, but not so much you can forget the calm, calculated thirteen year old who is so meticulous no matter what his circumstances. I do hope he stays this way through the remaining series. A brilliant read, as funny, action filled and cleverly created as the first, and it is certainly a great stepping stone into book number three.

Artemis Fowl (#1) by Eoin Colfer

Published: April 26 2001
Goodreads badgePublisher: Viking Press
Pages: 280
Format: Book
Genre: Junior Fiction/Young Adult Fantasy
★   ★   ★   ★  – 4 Stars

Twelve-year-old Artemis Fowl is a millionaire, a genius—and, above all, a criminal mastermind. But even Artemis doesn’t know what he’s taken on when he kidnaps a fairy, Captain Holly Short of the LEPrecon Unit. These aren’t the fairies of bedtime stories. These fairies are dangerous. Artemid thinks he’s got them just where he wants them, but then they stop playing by the rules.

Having just finished number five in this series I feel we must start gushing about them on here so you can all enjoy them as well (or gush ahead along with my reviews on goodreads). What is interesting when I read this review again how tame and unsure I was, who would know how engrossed and, well, obsessed I’d become. I’d like to think a lot of it was mild shock about the narrative, I had never read anything like it before. The enjoyment I had whilst reading it, and afterwards, was certainly enough to keep me going, and I am definitely glad I did. I had this book referred to me by a friend and she was insistent on its greatness, so with her backing I dived in and I am very thankful. So, this was my first impression upon finishing Artemis Fowl, and if my simple little review doesn’t initially make you instantly add it to your TBR list, I assure you it is worth it, trust me.

When I first finished this book I had no idea what to say about it; I knew I enjoyed it, I knew it was different and well written but I could not find the words to review it. After having had the time to ponder I think I may have myself sorted out.

Artemis Fowl is a 12 year old boy of incredible genius whose sole purpose in this book is to try and regain the family fortune. What makes this book so great is the very nature of it – just simply a 12 year old and his bodyguard taking on the underworld of faeries with wit and an appealing arrogance from someone who does not act his age at all.

There are always books that try and claim that faeries are not the tiny winged creatures living under mushrooms we’ve always believed; instead there are pixies and faeries who are practically human with a deep magic within them. There is nothing wrong with that by any means, but what Colfer does it different again. What he does is make them a civilization that deals with its own issues and problems, has been repressed by humans and are fighting to keep their secrets safe.

Fowl’s interactions with the People (as they’re called), is fantastic. He rarely wavers in his air of self importance and own brilliance which makes him intriguing if not an odd sort of charming. What’s great is that there are no grand corporate plots, evil nemesis’ and no faery political struggle infringing on the human world. None of that, it is just a 12 year old who found a way to get the money he wants, and if it means dragging the magic world into his then so be it. Artemis’ thinking is perfectly sound and he will overcome any impracticality he faces with wit, quick thinking and trickery if need be.

This is only the first novel in a long series but it a great start, certainly one to get you involved and eager to keep going. Colfer changes perspective between the humans and the faeries, and within the faerie recon squad there are great characters that have just as many quirks, flaws and tempers as the best human characters. We are introduced not only to elves but also criminal dwarves, and amusing and terribly sarcastic centaurs, there really is something for everyone.

In all and many unexpected places this story is filled with humour, action, suspense and some really clever writing, not to mention imagination in this intricately constructed underground world. I look forward to continuing the series.

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