Rick by Alex Gino

Published: 21st April 2020 (print)/22 April 2020 (audio) Goodreads badge
Publisher:
Scholastic Press/Scholastic
Pages: 240/3 hrs and 27 mins
Narrator: Alex Gino
Format: Audiobook
Genre: Junior Fiction
★   ★   ★  ★ – 4 Stars

Rick’s never questioned much. He’s gone along with his best friend Jeff even when Jeff’s acted like a bully and a jerk. He’s let his father joke with him about which hot girls he might want to date even though that kind of talk always makes him uncomfortable. And he hasn’t given his own identity much thought, because everyone else around him seemed to have figured it out.

But now Rick’s gotten to middle school, and new doors are opening. One of them leads to the school’s Rainbow Spectrum club, where kids of many genders and identities congregate, including Melissa, the girl who sits in front of Rick in class and seems to have her life together. Rick wants his own life to be that … understood. Even if it means breaking some old friendships and making some new ones.

This is set in the same universe as George and takes place a couple years after the events in that book but this time we focus on a different character. Rick, who we met as a side character before, now takes centre stage and we see him a little older, a little wiser but also a little more confused.  You do not need to have read George to understand this story but it was wonderful to see what happened after the events in that book even if it isn’t the focus of the story.

It was amazing to see this story grow and develop and see Rick grow and develop along with it. Rick and Jeff’s friendship is one that kids form when they’re young: easy, they have fun together, they have a great time, but as they both start to get older their different personalities start to develop and this is where conflictions can occur.

As readers we’re meant to think Jeff is a creep straight away even if Rick doesn’t see it or completely agree, as everything about Jeff’s language and behaviour is gross and/or offensive. My limited understanding of American middle school is that these kids are in year six. They are eleven and twelve years old and they’re talking about girls in totally creepy and sexist ways. It is one way to show how Rick feels by seeing him fight emotionally against what Jeff does and says, but he doesn’t stop how Jeff keeps objectifying these girls.

Rick’s dad is also a sexist and a creep, he says inappropriate things to Rick and I liked that Rick’s response to this is that he feels like he’s “coated in a sticky layer of ick” when he hears it. He also doesn’t like that people expect him to become a ‘hormonal beast’ now he’s in middle school. Which again, is now he’s twelve. Even at my age I feel dirty hearing that phrase.  I am not blaming Gino for this at all and I love that they highlight the weird and inappropriate language people use around kids of a certain age, especially boys. I love that our main character doesn’t feel comfortable hearing this kind of talk and it’s great that Gino shows him working out who he is and makes it ok that he feels confused about his identity.

There is a great representation and exploration of the LGBTQIA+ community and it was great to see kids this age be so supportive and open about who they are, as well as so understanding of those who are still trying to figure themselves out. The kids manage to teach the adults something and the story explores great themes like acceptance, understanding, and support.

Melissa (who we’re introduced to in George) is in the story and I loved seeing her again and seeing her story after the end of George but I also loved that she doesn’t take centre stage. Rick’s story isn’t connected to Melissa’s and while she is in his story, I love how Gino hasn’t connected the two stories in such an obvious way.

There are other things Gino explores about getting to know and understand family and accepting the differences and realising there is a lot more to a person than there first appears. The relationship he has with his grandpa is sweet and it was a nice safe place for Rick to talk about his feelings and not be ridiculed or embarrassed.

This is a fairly quick read but it covers a lot of topics and explores a range of important topics not only about the LGBTQIA+ community but also about being a good person, a good friend and knowing you have the ability to make big decisions even at such a young age. I can’t wait to see what else Gino does next because based on these last two books I can only imagine it’ll be just as wonderful.

You can purchase Rick via the following

QBD | Booktopia | Book Depository

Dymocks | WorderyAngus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

Those Other Women by Nicola Moriarty

Published: 19th March 2018 (print)/25 April 2018 (audio) Goodreads badge
Publisher:
HarperCollins Australia/Wavesound Audio
Pages: 448/11 hrs and 52 mins
Narrator: Louise Crawford
Format: Audiobook
Genre: Fiction
★   ★   ★  ★  – 4 Stars

Poppy’s world has been tipped sideways: the husband who never wanted children has betrayed her with her broody best friend. At least Annalise is on her side. Her new friend is determined to celebrate their freedom from kids, so together they create a Facebook group to meet up with like-minded women, and perhaps vent just an little about smug mummies’ privileges at work.

Meanwhile, their colleague Frankie would love a night out, away from her darlings – she’s not had one this decade and she’s heartily sick of being judged by women at the office as well as stay-at-home mums. Then Poppy and Annalise’s group takes on a life of its own and frustrated members start confronting mums like Frankie in the real world. Cafés become battlegrounds, playgrounds become war zones and offices have never been so divided.

A rivalry that was once harmless fun is spiralling out of control. Because one of their members is a wolf in sheep’s clothing. And she has an agenda of her own.

This is a fascinating contemporary story about social media, modern parenting and the vindictiveness people are capable of when they feel justified in their actions. One thing I loved was Moriarty’s choice of narrators. Through the first few parts it alternates between Poppy and Annalise but when we get to see a third party, through Frankie’s eyes, I was amazed how I suddenly saw the previous events through different eyes. I could see how horrible Poppy and Annalise were being and it was a fascinating example of untrusty narrators and how perspective changes intent and meaning.

There are surprises and stereotypes that take sharp turns just when you think you know what is going on, a skill Moriarty is quite good at. She brings new twists to old clichés and I loved that it brought more depth and life to this story and the characters as a result. There is no relying on well-known tropes but Moriarty does play on them to her own advantage. In doing so it adds another level to the narrative and it reinforces the notion that people’s lives are complicated and there are a lot of different lives being led with problems of their own. Jumping to obvious conclusions is detrimental and damaging and it was fantastic to be drawn in myself and have it thrown back at me for my own assumptions. If you pay attention there are hints and clues that come to light after your whole viewpoint has shifted. This muddies the waters as more information doesn’t necessarily make things clearer but it definitely made it more intriguing.

The concept of having children versus remaining childless is confusingly a point of contention. This was something I was fascinated to read about because clearly there is an entire world of contention that I have been cut out of. The experiences described in this book will no doubt be familiar to some, certainly on both sides, and while I know of the general judgements and opinions, seeing it play out before me with Facebook groups and battles between mums and non-mums was a curious insight into a world I have never come across before. I’m hoping Moriarty took creative licencing with some of this because it was wild reading about these Facebook groups and what some of these women do.

Moriarty lays forth a story that has mystery and deceit, not to mention drama and emotional torment in her usual style. Crawford does a great job as narrator too. Her tone and pacing was great and didn’t distract from the story in any way. Overall it is engaging, captivating, a definite reflection of the modern parenting experience as well as the experiences of those left out of the conversation.

You can purchase Those Other Women via the following

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Dymocks | WorderyAngus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

 

Parrotfish by Ellen Wittlinger

Published: 10th July 2007 (print)/22 December 2009 (audio) Goodreads badge
Publisher:
Simon Schuster/Audible Studios
Pages: 294/6 hrs
Narrator: Sunil Malhotra
Format: Audiobook
Genre: Young Adult
★ – 1 Star

“Last week I cut my hair, bought some boys’ clothes and shoes, wrapped a large ACE bandage around my chest to flatten my fortunately-not-large breasts, and began looking for a new name.”

Angela Katz-McNair has never felt quite right as a girl. Her whole life is leading up to the day she decides to become Grady, a guy. While coming out as transgendered feels right to Grady, he isn’t prepared for the reaction he gets from everyone else. His mother is upset, his younger sister is mortified, and his best friend, Eve, won’t acknowledge him in public. Why can’t people just let Grady be himself?

Grady’s life is miserable until he finds friends in some unexpected places — like the school geek, Sebastian, who explains that there is precedent in the natural world (parrotfish change gender when they need to, and the newly male fish are the alpha males), and Kita, a senior who might just be Grady’s first love.

Why did I read this? I saw three one star reviews before I started but decided to see for myself. Yeah, no. One star is about right. Look, it isn’t the worst book I have read, but the fact it is trying to tell a trans story and if I, with my limited knowledge and experience, know that this is a terrible story then I can only imagine how any trans people reading it must feel.

I disliked this pretty early on. There is one sentence that told me this story wasn’t going to be right and it only got worse as it went along. The entire thing revolves around Grady and his attempt to be himself. Commendable, brave, all those things in a small town USA high school of course were going to be a challenge, but where Wittlinger has failed is she’s made these big emotional and social changes into small hurdles that all get overcome and resolved in the space of a few weeks and now everything is ok. I felt it brushed over trans issues quickly and at times barely mentioned anything about them at all.

Away from that, the characters themselves had no depth, they are forgettable, one dimensional, and honestly some of things coming out of their mouths is problematic on a whole different level. They are quick things, often said in a single sentence but stick with you. There’s racism, fatshaming, whatever it’s called where we’re still apparently making fun of people for “being a geek”, plus there’s a whole thing about trying to hook up with a girl who has a boyfriend. It’s as if Wittlinger needed to make everything around Grady nice so when the few bad things happen it stands out, but also have everyone around him be less somehow, so these key characters could feel superior. It felt weird and grubby at times and I hated reading about the mocking of these characters.

The one saving grace of this story is that it’s short. Malhotra does an ok job on narration, there isn’t much distinction in his voices for each character but I was too focused on the issues with the writing to worry too much about the voices. The stereotypes, the sexism, and the insensitivity throughout is astounding and it is evident Wittlinger has no concept of what being a boy means other than a short haircut and typical boy clothing. I am so glad I have read and know there are better trans books out there to enjoy because if this was my first point of call to books about coming out or an introduction to the trans community I would not only horribly misinformed but incredibly disappointed.

You can purchase Parrotfish via the following

 Booktopia | Book Depository

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Amazon Aust | Audible

Pulp by Robin Talley

Published: 13 November 2018 (print)/13 November 2018 (audio) Goodreads badge
Publisher:
HQ Young Adult/Harlequin
Pages: 406/11 hrs and 48 mins
Narrator: Stephanie Cannon
Format: Audiobook
Genre: Young Adult
★   ★   ★  ★ – 4 Stars

In 1955, eighteen-year-old Janet Jones keeps the love she shares with her best friend Marie a secret. It’s not easy being gay in Washington, DC, in the age of McCarthyism, but when she discovers a series of books about women falling in love with other women, it awakens something in Janet. As she juggles a romance she must keep hidden and a newfound ambition to write and publish her own story, she risks exposing herself—and Marie—to a danger all too real.

Sixty-two years later, Abby Zimet can’t stop thinking about her senior project and its subject—classic 1950s lesbian pulp fiction. Between the pages of her favourite book, the stresses of Abby’s own life are lost to the fictional hopes, desires and tragedies of the characters she’s reading about. She feels especially connected to one author, a woman who wrote under the pseudonym “Marian Love,” and becomes determined to track her down and discover her true identity.

I loved this story. I loved how Talley created these two lives that shone on the page so well and their bravery and determination, passion and heart comes through. Talley has been remarkably clever with this story; dual narrators but if often feels like there are four. You get the story of Janet and Abby, but you also get each of their stories that they’re writing. We get snippets of the lives of their fictional characters and it was a great way to include each story and reflect on how they gained inspiration and changed their ideas. Told across two different eras it blends together beautifully and seamlessly, interconnecting and mirroring but each voice and experience unique.

The similar experiences mirrored back sixty years apart was clever and Talley has done a great job in cementing us in each era without needing to go into heavy detail or description. Fashions are included naturally; jobs, society and the general societal beliefs at the time comes through in dialogue and character actions and activities and this helped keep the story about the characters. Talley doesn’t set things up so we know we’re in the 50s, aside from the date to show a change we’re thrown right in and pick it up almost immediately based on the writing. It’s almost as if we’ve started reading right in the middle of Janet’s life, already playing out as we’ve arrived. The different worlds but same experiences are a great reminder of common experience and that young love, family drama, and outside forces happen all the time.

I enjoyed the historical aspect of the narrative because learning more about pulp stories and how and why they were created was a fascinating story to be woven into the fictional lives. Janet and Abby both offer perspectives about its purpose from both consuming it, as well as discovering it historically and seeing the evolution. It was a great way to weave in the romances and the friendships, as well as the personal dramas. They provide an escape, an outlet, and inspiration for both girls and their lives.

Nothing in this story felt like it was wasted. Every action, scene and conversation had intention and whether that was to bring depth to friendships, explain about lives and circumstances or the history of LGBTQIA struggles. The world that Janet lives in isn’t fun and even seeing the contrast with Abby’s where it’s more open and accepting, where her friends are out and proud with their various identities, the sharp contrast back to Janet where even the idea of holding another girl’s hand in a certain way would be enough to endanger you is shocking as you forget it wasn’t that long ago and is still happening today no matter how far we’ve come.

There’s so much going for this novel – the characters are likeable, it puts you into the world and each character feels established and unique. The story is slow but it builds into a story that is enriching and fascinating and one that was full of little surprises.

You can purchase Pulp via the following

Booktopia | Book Depository

Dymocks | WorderyAngus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

Blinky Bill and Nutsy (#3) by Dorothy Wall

Published: 1937 (print)/05 June 2013 (audio) Goodreads badge
Publisher:
Angus & Robertson/Bolinda Publishing
Pages: 156/2 hrs and 56 mins
Narrator: Julie McGregor
Format: Audiobook
Genre: Classic
★   ★   ★ – 3 Stars

While telling the adventures of Blinky Bill, a naughty little boy in the form of a koala, the stories also present messages of conservation. Blinky Bill is known for his mischievousness and his love for his mother. In general throughout the stories he does things that are realistic for koalas as well as things that child readers would like to do. Dorothy Wall tells the stories directly to the children and Blinky often interacts with the readers in an introduction. Her dedications are often to ‘All the Kind Children’, with her own son Peter and other common Australian names of the 1930s appearing. The books are also fully illustrated by Dorothy Wall herself.

The third and final Blinky Bill book brings the adventures of the rambunctious koala to an end and introduces a whole new set of characters to get to know. Gone are the days of the same few characters, now there’s a heap of new names and creatures to get to know. If you’re like me and grew up in Australia in the 90s, you will recognise many of these characters from the television series, the difference is the story is not the same at all.

Wall has turned this simple bush story into a strange tale about animals behaving more and more like humans in ways that don’t even make sense. It’s gone from animals with a society but still behaving like animals to a complete anthropomorphising of these characters with chequebooks and boarding houses, hair getting put in rollers and the need for potato bins. They are now living their lives like humans but in animal form.

From waxing lyrical about the wonders of zoos at the end of book two, Wall opens book three showing us the animal abuse suffered and the desperate need to escape. The inconsistencies are annoying to read about, especially when there are so many contradictions not only in previous books but in the same story. The established society had changed so much and with new characters it was like a new story starting from scratch.

This time Nutsy joins Blinky on his adventures around the bush as she is the new addition to his family. Found lost and alone Mrs Koala invites her to stay and soon she is out adventuring with Blinky. With new friends like Splodge, Nutsy and Mr Wombat there is a consistency in the tales as these faces pop up again and again. Blinky has adventures around his home with the same mischief causing approach, angering various animals, helping others, and there’s the standard chapter where he and his friends make their way onto human land and cause chaos.

I know coming at this almost 100 years later will skew any interpretations but I can see how this would have been received by kids and parents when it was first published. They would related to Blinky being a naughty boy and getting into trouble as well as Mrs Koala’s frustrations. The fascination with Australian animals they may have seen near their homes or not see at all would be delightful, a long tradition seen with English literature coming to an Australian setting. It would also be a way to gain sympathy for these creatures, I can see Wall’s attempts at trying to sneak in references to helping them after fires and treating them like wild animals but it is quite subtle.

For all its faults from a modern perspective it was interesting to see the original story and the adventures of Blinky and the mischief he gets up to. Even though the audiobooks are three separate stories, the physical copies are always a collection of all three together. Listening to the audiobooks back to back was like reading the collection but it also made me realise the changes between each book. McGregor does a good job as narrator and the voices and tone she uses suited the style of writing. I missed out on the illustrations Wall had done scattered through the pages but looking at my paperback copy they are simple and are more decorative than anything else. As a classic it reads as such and it’s a good source material to gain inspiration from which is why Blinky Bill is still as captivating today.

You can purchase Blinky Bill via the following

QBD | Booktopia | Book Depository

Dymocks | Angus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

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