Wundersmith (#2) by Jessica Townsend

Published: 30 October 2018 (print)/26 November 2018 (audio) Goodreads badge
Publisher:
Lothian Children’s Books/Hachette Australia
Pages: 467/11 hrs and 50 mins
Narrator: Gemma Whelan
Format: Audiobook
Genre: Junior Fiction Fantasy
★   ★   ★   ★   ★ – 5 Stars

Wunder is gathering in Nevermoor …

Morrigan Crow may have defeated her deadly curse, passed the dangerous trials and joined the mystical Wundrous Society, but her journey into Nevermoor and all its secrets has only just begun. And she is fast learning that not all magic is used for good.

Morrigan Crow has been invited to join the prestigious Wundrous Society, a place that promised her friendship, protection and belonging for life. She’s hoping for an education full of wunder, imagination and discovery – but all the Society want to teach her is how evil Wundersmiths are. And someone is blackmailing Morrigan’s unit, turning her last few loyal friends against her. Has Morrigan escaped from being the cursed child of Wintersea only to become the most hated figure in Nevermoor?

Worst of all, people have started to go missing. The fantastical city of Nevermoor, once a place of magic and safety, is now riddled with fear and suspicion…

I loved Nevermoor and Wundersmith exceeds it by being even more amazing. I loved seeing Morrigan’s growth as a person, in her abilities and this new world she has become a part of. The same fun and flighty characters are there but in new ways as more of the world and school is explored. Not to mention as new dangers arise.

There is a darker theme running under the story, but with this strange world Morrigan’s in there was always the capacity for darkness given we start off the series with her having a curse. It’s a dangerous world and seeing Morrigan try to understand it and navigate it is wonderful.

Jupiter is always a brilliant character, his erratic nature is balanced by his desire to protect Morrigan, but per usual he always knows more than he lets on and isn’t as flighty as he appears. There’s new and returning characters to fall in love with and the different knacks of the other people in Morrigan’s unit are creative and it shows that everyone’s abilities are diverse but can always have a use.

The lead up to the ending was absolutely divine. It brings together so much and plays out so brilliantly it was hard not to admire this book for those moments alone. I am so keen to see where Townsend is taking Morrigan’s story because I’m certainly hooked so far.

You can purchase Wundersmith via the following

QBDDymocks | Booktopia

  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

The View from the Balcony by Janette Paul

Published: 25 March 2025 (print)/1 April 2025 (audio) Goodreads badge
Publisher:
Pan Macmillan Australia/Bolinda Publishing
Pages: 400/11 hrs and 9 mins
Narrator: Lucy Moir
Format: Audiobook
Genre: Fiction
★   ★   ★   ★ – 4 Stars

Three women and the healing power of friendship.

Andie has no memory of the man who pushed her out of the way of a speeding car. A week before Coral’s biggest career highlight, her mum has a fall. And the last thing Mara wants is to be assigned to work at the hospital bedside of the much-despised senior partner of her law firm.

Andie, Coral and Mara become the daily visitors to the three patients at the end of East Wing of Hepburn House Rehabilitation Hospital. The balcony that connects the three rooms provides an oasis, a healing place, but more than that, too: a place where their lives will interconnect and never be quite the same again…

A heartwarming and evocative novel of love, friendship and family, where hope overcomes all – even terrible hospital coffee.

This is a wonderful story about women and their lives, it’s also about friendship and support and all the different types of experiences people can have. It’s about the multifaceted aspects of family, friendship, work, and romance, and how responsibility is often a burden when carried alone.

I enjoyed the emotional journey the women went on and even though there were disasters and chaos at times, in all of their lives, I enjoyed that they were allowed a real experience, full of heart. No dramas. It isn’t bland, simple, or emotionally uninteresting either, it was a beautifully real story about three people in different stages of their lives and the struggles and joys they experience.

All three women have stress in their lives and things that are causing chaos for them. Mara deals with the stress of family obligations and lack or support, Coral is dealing with the pressures of family and her obligations, while Andi is dealing with the trauma of her accident and healing.

I don’t know whether I need to worry that someone my age and in my situation resonated with Coral so much. I felt sympathy and had a connection with her and her circumstances as she was pulled in every direction and made to feel bad for wanting a break or time to herself. It might be Paul’s great writing though, you really get into the mindsets of these characters. You understand their stresses, their fears, and with remarkable ease you understand who they are and where they’re coming from.

Paul’s approach of writing about the unseen and oft forgotten people was a great decision. When someone is recovering the temptation is to focus on their story, who they are meeting in the hospital, what their recovery journey is like. To have this flipped and we’re focused now on those in a supportive role it reminds you how even popping in for a visit each day can be draining and a demanding practice.

The setting of a care hospital is a great place to interact because with a mix of patients, staff, plus the fly in fly out nature of family and visitors it makes for a great place to overlap, interact, and gauge these characters and their lives.

I loved all the characters, even the difficult and harsh ones, because you know there’s reasons why, there’s life history, there’s emotional issues or illness that makes them hard to deal with. But their complexity makes them real, turns them into people you know, you’ve met, and the ability Paul has to layer so much depth into the characters without being heavy handed is amazing.

I actually enjoyed the three narrators didn’t find one another until the end of the book. It wasn’t like they were the only three characters either, each one has a little group around them so they are never alone, but they still never cross paths. It works too because it is completely believable and understandable. In a place like the rehab centre people pop in and out all the time, and often you’re so wrapped up in who you’re there to visit you only notice people in passing as you bustle onto your next duty of the day. This is contrasted by the evidence that those in recovery did find one another and formed relationships, which we only catches glimpses of through our main characters. In another book these characters would be the main focus and Coral and co would be the side characters we never get a chance to see deeply.

There’s complications of course. There’s decisions that need making, there’s circumstances that work in a ward but not in the outside world. There’s risks to take and opportunities to weigh up which was as impactful and consequential as any major disaster. I’m glad there wasn’t a huge Event the characters had to deal with. The three main characters had their own events to deal with and overcome and I loved how that was perfect for this type of story.

Paul brings great closure with the ending, Val and Coral finally get to have their moment, the realisation of clarity or whether the clarity was new or just a fluke is irrelevant as it helped heal them both. I was hoping Mara and the physio Riley were going to hook up, they are a good match and the few interactions they had felt like they really clicked. There’s career prospects and personal growth, and new opportunities to leave readers feeling hopeful.

I will admit I am a little annoyed at the ending, but only because I was rooting for Coral so much. She deserved great things and regardless of her acceptance I was annoyed her obligations – despite her decision that they weren’t – stopped her doing something she had earned, worked for, and should be able to celebrate. But my disappointment was made up in the comradery these women showed, the ride or die for someone they barely know and are spurred into by the people around them.

You can purchase The View from the Balcony via the following

QBDDymocks | Booktopia

 Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

How Do I Know If I’m Upside Down? by Idan Ben-Barak and Zahra Zainal

Published: 1 January 2024Goodreads badge
Publisher:
Scholastic Australia
Illustrator: Zahra Zainal
Pages: 32
Format: Picture Book
★   ★   ★   ★  – 4 Stars

This is me. My body can See, Hear, Smell, Taste and Touch. But it also knows if it is Hot or Cold if I am Sideways or Upside Down . and many other things. Come and explore the human (and other) senses with me!

This book is a celebration of the wonderful things the human body can do thanks to nerves and other senses and receptors. From the first page you know it’s going to be an engaging book as our main character invites us to celebrate all the wonderful things their body can do.

The illustrations are comical but educational and simplified to help understanding. The text, pictures, and formatting all work together to create a fun display of information and really highlight the information being told. It’s funny, clever, and creative and it helps digest the information as you can see the process play out on the page.

The personification of the creatures and the parts of the body help demonstrate the information being told such as taste, sound, or the myriad of other activities. Seeing smiling tastes buds when eating ice cream or cells activating shivering when cold are great demonstrations of how our bodies react to different situations.

The examples are all things kids could experience like feeling full, being dizzy, hurting themselves, or relaxing. Being able to compare these things to every day experiences is a great way to help them understand how their body works and why and how certain things are happening.

It also branches out briefly to show that other bodies know different things as well like pigeons knowing where to fly, whales knowing how to sing, and platypus can sense electricity.

I was surprised how detailed the book became while never getting bogged down in detail or science. It wasn’t at all what I was expecting and I loved this joyful exploration of how amazing human bodies (and other animals) are.

You can purchase How Do I Know If I’m Upside Down? via the following

QBDDymocks | Booktopia

Angus & Robertson

Fishpond | Amazon Aust

Points of Departure by Emily O’Beirne

Published: 15 June 2016 (print)/28 June 2022 (audio) Goodreads badge
Publisher:
Ylva Publishing/Tantor Media, Inc
Pages: 274/8 hrs and 43 mins
Narrator: Angela Dawe
Format: Audiobook
Genre: Young Adult Contemporary
★   ★   ★ – 3 Stars

In this young adult novel, best friends Kit and Liza have been looking forward to this trip forever.
Five girls, five tickets overseas. It’s exactly what they all need after the final slog of high school. But when Kit’s suddenly forced to drop out, Liza’s left with three girls she barely knows. 

There’s Mai, committed only to partying. There’s Tam, who already has her doubts about leaving her sick father behind. And there’s Olivia, so miserable about screwing up exams she’s not even sure she wants to get out of bed, let alone on a plane. Meanwhile Kit’s stuck working double shifts to pay off a debt, wondering if she’ll ever get it together.

All Liza wants from this trip is to discover a new version of herself. She just hadn’t planned on doing it without Kit by her side.
And they’re all learning that travel isn’t just about the places you go, but who you’re with at the time.

I am no stranger to having a subpar narrator for audiobooks, it’s rare but not unheard of. There have only been maybe two books I couldn’t listen to at all because of the narrator, other times there are narrators who aren’t great at the start but I can get used to by the end of the book. This one, however, annoyed me right until the final minutes. The nasal imitation Australian accent was bad enough when there was dialogue, but the fact the rest of the book was spoken in an American accent was annoying. The main things I kept thinking were why was an American narrating this Australian book and why would you switch between accents?

When I had a small whinge online I did see one response that said audiobooks should be narrated by people who are the nationality of the characters, which would be ideal, support local talent and all that, but if we can’t have that at least can they be vetted that they can do a decent Australian accent that doesn’t make you cringe every time a character spoke? I have to be careful here and not spend the entire time ragging on the narrator, it’s probably not her fault, but it goes to show that the narrator can influence a book’s enjoyment.

I enjoyed that the characters were older teens; they’d finished their schooling and were looking at their open ended future trying to decide what to do with the rest of their lives. It was a great dynamic having the five of them plan this trip with really one person being a key connector between them all. When you remove that connecting point it was interesting to see the interactions these near strangers have as a result.

The story follows multiple points of view but the problem is some characters are a lot more interesting than others. I liked Kit’s story best, and I enjoyed Olivia and Liza, but overall it was a little bit boring. Maybe not boring exactly, but definitely slow. And considering I never got used to the narrator I was very conscious of not letting it impact my enjoyment. Even with an Australian narrator I feel it would still have been slow, under developed, and slightly repetitive.

With multiple points of view you got a little bit of their lives, but their narrative voices mixed together. Kit’s story was the only one that felt separate and her voice unique, and not only because of her isolation at home made her easy to identify. Keeping track of who was who was easier by remember their one defining narrative feature – Liza was a former runner, Olivia worried about her uni scores, and Tam had a sick father. There wasn’t any other way to distinguish them and their voices were non-descript, I don’t think I even got a picture of any of them in my head. The similarities in written voice especially between Liza and Olivia weren’t helped by ?? barely altering her voice either as she switched between the two, and there was definitely an imbalance between perspectives. Olivia and Liza dominated, Kit did as well, Tam barely gets a look in so much I kept forgetting about her, and poor Mai didn’t get a voice at all.

The exploration of European countries, hostels, different approaches and appreciations to each country was a nice insight into how to travel around the world (and how easy it is to jump from country to country when you aren’t girt by sea). Seeing each girl grow and develop friendships through the book and overcome their insecurities, find themselves, and work out who they want to be was nice too.

Overall a nice read, probably one that could have been expanded further in terms of character and balanced better in terms of pace, but it was enjoyable and an interesting look at the older side of young adult and teen lives: not quite complete adults but not bound by schoolyard antics.

You can purchase Points of Departure via the following

Blackwell’s | Wordery | Angus & Robertson

 Amazon | Amazon Aust | Audible

Enough Love? by Maggie Hutchings

Published: 29th June 2021Goodreads badge
Publisher:
Affirm Press
Illustrator: Evie Barrow
Pages: 32
Format: Picture Book
★   ★   ★   ★  – 4 Stars

Willa had one dad one mum one home and a bird. And that was enough. So when Willa’s parents split up, she’s pretty sad. But at least they are still all hers. Until Dad meets Kevin and Willa’s family starts to grow … and keeps on growing. When will enough be enough? Or is there always room for more love?

This is a great book and I loved how complicated it became. This is a story beyond your basic divorced family, two houses and maybe a step sibling. Hutchings shows us how families can become complicated, big, messy, and how there is always enough love to go around.

The story flows well and with the repetition of one mum, one dad, one home, one bird, it is a creative way to tell a story of change as a family grows. It is also a good reminder that while family can grow, no own is ever taken out even if it changes.

The illustrations are realistic pencil sketches and Barrow makes each person unique while still keeping the family similarities. The call backs to the same scenes as Willa draws her family is great because even if the numbers change, the scene of her drawing her family is consistent.

I don’t want to spoil the end result, but there is a great representation of diversity, LGBTQIA families, as well as step siblings, half siblings, and the array of pets that also make up our family. It’s a great adventure Willa goes on through the years and I loved how the relationship changes never took away from how Willa felt or how she interacted with her parents and the time she spent with them.

Overall this is a story about family but it is also about love and is there such thing as too much love and is change really a bad thing in the end?

Enough Love? appears to be out of print but there may be a copy at your local library and possibly at Dick Smith

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