Published: 19th March 2018 (print)/25 April 2018 (audio) 
Publisher: HarperCollins Australia/Wavesound Audio
Pages: 448/11 hrs and 52 mins
Narrator: Louise Crawford
Format: Audiobook
Genre: Fiction
★ ★ ★ ★ – 4 Stars
Poppy’s world has been tipped sideways: the husband who never wanted children has betrayed her with her broody best friend. At least Annalise is on her side. Her new friend is determined to celebrate their freedom from kids, so together they create a Facebook group to meet up with like-minded women, and perhaps vent just an little about smug mummies’ privileges at work.
Meanwhile, their colleague Frankie would love a night out, away from her darlings – she’s not had one this decade and she’s heartily sick of being judged by women at the office as well as stay-at-home mums. Then Poppy and Annalise’s group takes on a life of its own and frustrated members start confronting mums like Frankie in the real world. Cafés become battlegrounds, playgrounds become war zones and offices have never been so divided.
A rivalry that was once harmless fun is spiralling out of control. Because one of their members is a wolf in sheep’s clothing. And she has an agenda of her own.
This is a fascinating contemporary story about social media, modern parenting and the vindictiveness people are capable of when they feel justified in their actions. One thing I loved was Moriarty’s choice of narrators. Through the first few parts it alternates between Poppy and Annalise but when we get to see a third party, through Frankie’s eyes, I was amazed how I suddenly saw the previous events through different eyes. I could see how horrible Poppy and Annalise were being and it was a fascinating example of untrusty narrators and how perspective changes intent and meaning.
There are surprises and stereotypes that take sharp turns just when you think you know what is going on, a skill Moriarty is quite good at. She brings new twists to old clichés and I loved that it brought more depth and life to this story and the characters as a result. There is no relying on well-known tropes but Moriarty does play on them to her own advantage. In doing so it adds another level to the narrative and it reinforces the notion that people’s lives are complicated and there are a lot of different lives being led with problems of their own. Jumping to obvious conclusions is detrimental and damaging and it was fantastic to be drawn in myself and have it thrown back at me for my own assumptions. If you pay attention there are hints and clues that come to light after your whole viewpoint has shifted. This muddies the waters as more information doesn’t necessarily make things clearer but it definitely made it more intriguing.
The concept of having children versus remaining childless is confusingly a point of contention. This was something I was fascinated to read about because clearly there is an entire world of contention that I have been cut out of. The experiences described in this book will no doubt be familiar to some, certainly on both sides, and while I know of the general judgements and opinions, seeing it play out before me with Facebook groups and battles between mums and non-mums was a curious insight into a world I have never come across before. I’m hoping Moriarty took creative licencing with some of this because it was wild reading about these Facebook groups and what some of these women do.
Moriarty lays forth a story that has mystery and deceit, not to mention drama and emotional torment in her usual style. Crawford does a great job as narrator too. Her tone and pacing was great and didn’t distract from the story in any way. Overall it is engaging, captivating, a definite reflection of the modern parenting experience as well as the experiences of those left out of the conversation.
You can purchase Those Other Women via the following
QBD | Booktopia | Book Depository
Dymocks | Wordery | Angus and Robinson
Fishpond | Amazon | Amazon Aust | Audible
At school I’m Aussie-blonde Jamie — one of the crowd. At home I’m Muslim Jamilah — driven mad by my Stone Age dad. I should win an Oscar for my acting skills. But I can’t keep it up for much longer…
While telling the adventures of Blinky Bill, a naughty little boy in the form of a koala, the stories also present messages of conservation. Blinky Bill is known for his mischievousness and his love for his mother. In general throughout the stories he does things that are realistic for koalas as well as things that child readers would like to do. Dorothy Wall tells the stories directly to the children and Blinky often interacts with the readers in an introduction. Her dedications are often to ‘All the Kind Children’, with her own son Peter and other common Australian names of the 1930s appearing. The books are also fully illustrated by Dorothy Wall herself.
While telling the adventures of Blinky Bill, a naughty little boy in the form of a koala, the stories also present messages of conservation. Blinky Bill is known for his mischievousness and his love for his mother. In general throughout the stories he does things that are realistic for koalas as well as things that child readers would like to do. Dorothy Wall tells the stories directly to the children and Blinky often interacts with the readers in an introduction. Her dedications are often to ‘All the Kind Children’, with her own son Peter and other common Australian names of the 1930s appearing. The books are also fully illustrated by Dorothy Wall herself.
While telling the adventures of Blinky Bill, a naughty little boy in the form of a koala, the stories also present messages of conservation. Blinky Bill is known for his mischievousness and his love for his mother. In general throughout the stories he does things that are realistic for koalas as well as things that child readers would like to do. Dorothy Wall tells the stories directly to the children and Blinky often interacts with the readers in an introduction. Her dedications are often to ‘All the Kind Children’, with her own son Peter and other common Australian names of the 1930s appearing. The books are also fully illustrated by Dorothy Wall herself.
Lost in a Good Book 