Flubby will NOT Go to Sleep (#3) by Jennifer E. Morris

Published: 21st September 2021Goodreads badge
Publisher:
Penguin Workshop
Illustrator: J. E Morris
Pages: 32
Format: Picture Book
★   ★   ★   ★   ★  – 5 Stars

Flubby, the cute but aloof cat, refuses to hit the hay in this gentle story perfect for bedtime!

Kami makes a new bed for Flubby, but the fussy feline won’t settle into slumber. A squishy pillow, a warm blanket, and even a bedtime snack are not enough to do the trick! Flubby finally drifts off to dreamland with the help of a friend.

I honestly could not tell you what it is about this book. It’s either the cover, or the story itself, but I have found myself picking it up and reading it every time it crosses my path at work.

Morris has already started off strong with a brilliant name like Flubby, then we get the cover image. I’m already hooked before we even open the book.

There are a lot of “animals not going to sleep” genre books which are meant to replicate the human child who it’s being read to, but this is a rare case of an actual pet not going to sleep. As an owner of a dog who also will on occasion NOT Go to Sleep, I think I resonated with this story a little too much.

I understand this is a book where children might be using it to learn to read or whatever so it’s simple, but the tone of the writing, and the deadpan look on Flubby’s face is amazing and I adore every page.

The logical options behind why Flubby won’t go to sleep are also not unheard of with my fluffball so I get it, Flubby, but it’s amazing to read every time.

I have discovered there are more in the Flubby series so I now need to seek those out and see what else Flubby has been up to.

You can purchase Flubby Will NOT Go to Sleep via the following

Dymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust

I Don’t by Clementine Ford

Published: 31 October 2023 (print)/7 November 2023 (audio) Goodreads badge
Publisher:
Allen and Unwin/W. F. Howes Ltd.
Pages: 370/9 hrs and 5 mins
Narrator: Clementine Ford
Format: Audiobook
Genre: Non Fiction
★   ★   ★   ★   ★ – 5 Stars

Incendiary feminist and bestselling author Clementine Ford presents the inarguable case against marriage for the modern woman. Provocative, controversial and above all, compellingly and persuasively argued.

“I want this book to end marriages. But more importantly, I want it to prevent marriages. Women are allowed to aspire to more than what we’ve been told we should want in order to be happy. Let yourself have a bigger dream than becoming the supporting role in someone else’s story.

Why, when there is so much evidence of the detrimental, suffocating impact marriage has on women’s lives, does the myth of marital bliss still prevail? If the feminist project has been so successful, why do so many women still believe that our value is intrinsically tied to being chosen by a man?”

In her most incendiary and controversial book to date, Clementine Ford exposes the lies used to sell marriage to women to keep them in service to men and male power. From the roots of marriage as a form of property transaction to the wedding industrial complex, Clementine Ford explains how capitalist patriarchal structures need women to believe in marriage in order to maintain control over women’s agency, ambitions and freedom.

I Don’t presents an inarguable case against marriage for modern women. With the incisive attention to detail and razor-sharp wit that characterises her work, Ford dissects the patriarchal history of marriage; the insidious, centuries-long marketing campaign pop culture has conducted in marriage’s favour; the illusion of feminist ‘choice’ in regard to taking men’s names; and the physical and social cost that comes with motherhood. 

But most importantly, Clementine Ford shows us what a different kind of world could look like for women if we were allowed to be truly free. 

I wasn’t sure I’d be interested in this book despite my love of Ford’s other books, but I adored it. The history of marriage and the role it’s played in society, women’s lives, and how it has changed over the years was fascinating. I loved the quotes that could have been from this decade but were from centuries ago. Women have always had strong opinions and thoughts about their lives and marriage and I loved being able to see that people have always been people.

I have seen the hate Ford gets from certain people both in the public eye and not, and while this blurb makes it sound like it’s a call for every woman to suddenly up and leave their partner in the middle of the night it isn’t that at all.

What Ford’s done is written a fantastic book looking at the history of marriage and how it has been used over the centuries to claim women as property, to control and subdue them, and, despite all the years of growth and change, there are still a lot of negative things that come from marriage even in the twenty first century.

The binding ties of marriage are different to the concept of being in a relationship and Ford has nothing against being with someone, but a lot of her book goes through the history of marriage, its evolution, and how it is still rooted in those misogynistic ways of the early incarnations. Not to mention how it wasn’t that long ago women still didn’t have full financial autonomy, security over their children, or safety in being able to leave abuse.

Even without the captivating chapters about power dynamics, household labour imbalance, and the societal expectations engrained in us from a young age, the insight into the wedding industry is fascinating. Ford delves deep at how they prey on people whose dream day can be exploited with price hikes, unnecessary frivolity, and how so often a huge party is just as acceptable compared to the pomp and circumstance of dresses, flowers, and sermons about obeying.

There isn’t a sole focus on the female perspective of marriage, and the analysis of the marriage equality debate was considerate and well judged. This is as much a look at the system and history of marriage as it is a call for readers to think critically about their choices and why they want to do this. If you go into marriage with your eyes open you can go in knowing what to expect. But Ford asks readers to decide if it’s something they actually want to do, or if it is something that think they have to do, are expected to do, will fill incomplete and unfilled if they don’t do, or if they will be thought of as lesser if they don’t. These issues are what she explores beautifully and with statistics behind her and a wealth of data I loved how accessible and eye opening this book made me, especially when I already thought I knew so much.

You can purchase I Don’t via the following

QBDDymocks | Booktopia

 Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Wundersmith (#2) by Jessica Townsend

Published: 30 October 2018 (print)/26 November 2018 (audio) Goodreads badge
Publisher:
Lothian Children’s Books/Hachette Australia
Pages: 467/11 hrs and 50 mins
Narrator: Gemma Whelan
Format: Audiobook
Genre: Junior Fiction Fantasy
★   ★   ★   ★   ★ – 5 Stars

Wunder is gathering in Nevermoor …

Morrigan Crow may have defeated her deadly curse, passed the dangerous trials and joined the mystical Wundrous Society, but her journey into Nevermoor and all its secrets has only just begun. And she is fast learning that not all magic is used for good.

Morrigan Crow has been invited to join the prestigious Wundrous Society, a place that promised her friendship, protection and belonging for life. She’s hoping for an education full of wunder, imagination and discovery – but all the Society want to teach her is how evil Wundersmiths are. And someone is blackmailing Morrigan’s unit, turning her last few loyal friends against her. Has Morrigan escaped from being the cursed child of Wintersea only to become the most hated figure in Nevermoor?

Worst of all, people have started to go missing. The fantastical city of Nevermoor, once a place of magic and safety, is now riddled with fear and suspicion…

I loved Nevermoor and Wundersmith exceeds it by being even more amazing. I loved seeing Morrigan’s growth as a person, in her abilities and this new world she has become a part of. The same fun and flighty characters are there but in new ways as more of the world and school is explored. Not to mention as new dangers arise.

There is a darker theme running under the story, but with this strange world Morrigan’s in there was always the capacity for darkness given we start off the series with her having a curse. It’s a dangerous world and seeing Morrigan try to understand it and navigate it is wonderful.

Jupiter is always a brilliant character, his erratic nature is balanced by his desire to protect Morrigan, but per usual he always knows more than he lets on and isn’t as flighty as he appears. There’s new and returning characters to fall in love with and the different knacks of the other people in Morrigan’s unit are creative and it shows that everyone’s abilities are diverse but can always have a use.

The lead up to the ending was absolutely divine. It brings together so much and plays out so brilliantly it was hard not to admire this book for those moments alone. I am so keen to see where Townsend is taking Morrigan’s story because I’m certainly hooked so far.

You can purchase Wundersmith via the following

QBDDymocks | Booktopia

  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

The First to Die in the End (#0) by Adam Silvera

Published: 4 Oct 2022 (print)/4 Oct 2022 (audio) Goodreads badge
Publisher:
Quill Tree Books/Simon & Schuster Audio UK
Pages: 560/10 hrs and 24 mins
Narrator: Jason Genao, Anthony Keyvan, Kyla Garcia
Format: Audiobook
Genre: Contemporary Young Adult
★   ★   ★   ★   ★ – 5 Stars

It’s the night before Death-Cast goes live, and there’s one question on everyone’s mind: Can Death-Cast actually predict death, or is it an elaborate hoax? Orion Pagan has waited years for someone to tell him that he’s going to die, given his serious heart condition. Valentino Prince has a long and promising future ahead of him and only registered for Death-Cast after his twin sister nearly died in a car accident.

Orion and Valentino cross paths in Times Square and immediately feel a deep connection. But when the first End Day calls go out, their lives are changed for ever – one of them receives a call . . . the other doesn’t.

Told with acclaimed author Adam Silvera’s signature bittersweet touch, this story celebrates the lasting impact that people have on each other and proves that life is always worth living to the fullest.

I loved They Both Die at the End, I loved how Silvera originally brings us into this world and getting to see the prequel of how it began was amazing. The multiple characters give a great cross section of the city and those who will be affected by the first Death Day.

The way Silvera connects all the stories is clever and I loved seeing each storyline weave together and cross by one another. It was realistic and natural and even in a large city situation never felt unbelievable.

The twists about who was going to be first and how it was going to play out was amazing. The misdirection and the surprises were incredible and you are easily caught up in these beautiful boys and their budding relationship you easily forget someone is going to die. It happened with They Both Die at the End and Silvera once again breaks your heart by bringing these people together only to tear them apart.

As a huge fan of stories that take place in 24 hours this is a perfect use of the timeframe. With the Death Cast timeline and the deadline Silvera once again makes use of the entire 24 hours making you realise how much can happen to a person in the space of a day and how one person can change your life.

If you’ve read They Both Die at the End you can see where services and systems mentioned there come to light. I’m glad we get to see this in a prequel because as impactful as this is, the set up isn’t where the magic is unless you know how it’s implicated later on.

I loved the change in perspectives, and I loved how they are introduced by whether Death Cast called them or not. It is a brilliant teaser, and given we know some people are definitely dying, it is a great way to show how others are reacting to the first day of Death Cast and how it will impact their lives. These side plots are a great expansion on the world beyond Valentino and Orion and having them interwoven through was divine.

Once again you will be devastated even when you go in know how it will end and honestly, I wouldn’t have it any other way.

You can purchase The First to Die at the End via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Long Lost Review: Imogen, Obviously by Becky Albertalli

Long Lost Reviews is a monthly meme created by Ally over at Ally’s Appraisals which is posted on the second Thursday of every month. The aim is to start tackling your review backlog. Whether it’s an in-depth analysis of how it affected your life, one sentence stating that you only remember the ending, or that you have no recollection of reading the book at all. 

Published: 2 May 2023Goodreads badge
Publisher:
HarperCollins Publishers
Pages: 416
Format: Paperback
Genre: Young Adult Contemporary Romance
★   ★   ★  ★  ★ – 5 Stars

With humor and insight, #1 New York Times bestseller Becky Albertalli explores the nuances of sexuality, identity, and friendship in this timely new novel.

Imogen Scott may be hopelessly heterosexual, but she’s got the World’s Greatest Ally title locked down.

She’s never missed a Pride Alliance meeting. She knows more about queer media discourse than her very queer little sister. She even has two queer best friends. There’s Gretchen, a fellow high school senior, who helps keep Imogen’s biases in check. And then there’s Lili—newly out and newly thriving with a cool new squad of queer college friends.

Imogen’s thrilled for Lili. Any ally would be. And now that she’s finally visiting Lili on campus, she’s bringing her ally A game. Any support Lili needs, Imogen’s all in.

Even if that means bending the truth, just a little.

Like when Lili drops a tiny queer bombshell: she’s told all her college friends that Imogen and Lili used to date. And none of them know that Imogen is a raging hetero—not even Lili’s best friend, Tessa.

Of course, the more time Imogen spends with chaotic, freckle-faced Tessa, the more she starts to wonder if her truth was ever all that straight to begin with. . .

Sometimes you read too many books too fast and then suddenly what you think you read only last year turns out to have been read in 2023. Where does the time go? But this is a good Long Lost Review because my notes on it are few, the vibes are good, and I think it works based on what I remember about the story. The worst part is, this was in my Top Five of 2023 and it still didn’t get a real review so it’s a shame really to be reduced to a LLR but here we are.

This is a great exploration of identity and is a fantastic story about how being a passionate advocate for queer lives can also be damaging and toxic. Albertalli demonstrates with remarkable skill and grace, even a bit of compassion, that there still exists toxicity in queer spaces and there is always a chance of going too far.

Imogen’s journey of self-discovery is a wonderful reminder that there is no age limit on finding out who you are. Her inner monologue shows how unsettled she feels in herself, while also feeling so sure of who she is at the same time. As this becomes upended as the story goes along we follow this path as Imogen navigates her feelings, her friendships, and the lives of those around her to work out who she really is.

The cast of characters in this book are well rounded and complex. Even with so many characters in play they each get attention and are fully developed. It is easy to fall into their banter and support, as well as experience their ups and downs with them.

Gretchen is a great character in that she is a terrible but she is a perfect representation of what it means to police other people and to try and gate keep and control how other people experience their own lives. The challenge of having a friend like her, while also trying to be supportive and guided by their experiences and not your own, means Imogen tries her best to be an ally but at the same time deals with the problems Gretchen creates.

Being an older YA makes this story sit right at the cusp of leaving school/entering uni which is wonderful representation for anyone feeling like they need to have themselves worked out by the time they are 16 or before, like many queer YA books demonstrate. I enjoyed how it showed there is no time limit on discovering yourself and what makes you happy.

Full of realism and representation, Imogen, Obviously is a sweet and romantic story that deals with current and evergreen issues in the queer community from both inside and out. It’s light-hearted but not without conflict, and highlights the importance of friendship and being true to yourself.

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