Published: 17th January 2017 (print)/17th January 2017 (audio) 
Publisher: Simon & Schuster/Recorded Books
Pages: 294/9 hrs and 35 mins
Narrator: Tom Picasso
Format: Audiobook
Genre: Young Adult
★ – 1 Star
When Griffin’s first love and ex-boyfriend, Theo, dies, his universe implodes. Even though Theo had moved to California for college and started seeing Jackson, Griffin never doubted Theo would come back to him when the time was right. But now, the future he’s been imagining for himself has gone far off course.
To make things worse, the only person who truly understands his heartache is Jackson. But no matter how much they open up to each other, Griffin’s downward spiral continues. He’s losing himself in his obsessive compulsions and destructive choices, and the secrets he’s been keeping are tearing him apart.
If Griffin is ever to rebuild his future, he must first confront his history, every last heartbreaking piece in the puzzle of his life.
When I realised Silvera had another book out I picked it up instantly because I adored They Both Die at the End, but it didn’t take me long to realise that this book and that book are vastly different in terms of enjoyment.
I kinda see the point. Theo is already gone, and we flash back and forward to how the memories Griffin has are all that’s left versus how he is living his life now. But on the flip side – it’s boring. Even listening to this at 2x speed did not help me get through this faster. Every time I thought I was close to finishing I still has ages to go.
It was definitely a combination of a few things. I didn’t have any connection to these characters, they weren’t one dimensional exactly but at the same time there isn’t any depth or emotion to them that I could find substance in.
There’s emotion of course, we get descriptions and experiences of their time together and how Griffin feels after Theo is gone but it only ever felt like words. The story takes place so close after his death yet I kept thinking it was months afterwards the way everyone behaves and how hollow the words felt.
There’s a little bit of “mystery”. Theo’s death is a slow reveal and we find out gradually what happened, all the different layers and circumstances, but at the same time it meant nothing. Even the eventual reasoning didn’t make sense and at times the circumstances and the behaviour between Wade, Griffin and Jackson felt unnatural and clunky.
Good points: Silvera portrays compulsions well with Griffin’s behaviour about counting and routines. His OCD is not a focusing factor, but it isn’t treated as a background feature either. It butts into scenes, affects interactions, and has flare ups based on experiences and events but being OCD isn’t the focus of Griffin’s story which was nice. It wasn’t about him having OCD and Silvera keeps the balance of it being a part of Griffin and not the point of the story well.
I cannot understand how someone who wrote They Both Die at the End, a beautiful, philosophical, amazing book also wrote this. I know this came first and writing evolves, but they both came out in the same year and the shift from this to that is drastic. I’m now wary with his other books because knowing it could go either way I’m going to have to do a little bit more research than picking up a book based on author alone.
You can purchase History is All You Left Me via the following
QBD | Booktopia | Book Depository
Dymocks | Wordery | Angus and Robinson
Fishpond | Amazon | Amazon Aust | Audible
Wanted:
In this modern fairy tale, a noble prince and a brave knight come together to defeat a terrible monster and in the process find true love in a most unexpected place.
Arthur is only in New York for the summer, but if Broadway has taught him anything, it’s that the universe can deliver a showstopping romance when you least expect it.
Lost in a Good Book 