As Good As Dead (#3) by Holly Jackson

Published: 05 August 2021 (print)/05 August 2021 (audio) Goodreads badge
Publisher:
Electric Monkey/HarperCollins UK Audio
Pages: 565/16 hours, 55 minutes
Narrator: Clare Corbett, Maryam Grace, Kristin Atherton, Jot Davies
Format: Audiobook
Genre: Young Adult Thriller
★   – 1.5 Stars

Pip is about to head to college, but she is still haunted by the way her last investigation ended. She’s used to online death threats in the wake of her viral true-crime podcast, but she can’t help noticing an anonymous person who keeps asking her: Who will look for you when you’re the one who disappears?
Soon the threats escalate and Pip realizes that someone is following her in real life. When she starts to find connections between her stalker and a local serial killer caught six years ago, she wonders if maybe the wrong man is behind bars.
Police refuse to act, so Pip has only one choice: find the suspect herself—or be the next victim. As the deadly game plays out, Pip discovers that everything in her small town is coming full circle . . .and if she doesn’t find the answers, this time she will be the one who disappears. . .

I had a lot of feelings about this book so I am going to be very careful and not turn it into a thousand word essay about why Jackson made the decisions she did. My notes and emotional responses are a wild read through and picking out the usable less spoilery ones has been hard because I need to vent about this book.

First things first. I was right. That’s important. Second, I am fascinating that the key moments, the moment you think should happen at the end happens around the halfway mark which is wild and sends your brain in a whole stack of directions about what the rest of the book could be filled with to match the intensity of those middle scenes.

The first half was great, as expected from the first two books, but the second half was a weird change that feels out of character, even for the change in Pip from the events of books one and two. I felt like I needed to skip to the end to find out the outcome to work out if the outlandish second half worked but I felt off. Twenty five plus chapters to go you know there must be consequences but the sudden shift in tone and character makes it hard to care. It’s fascinating to see this sudden shift in characters when you have gone through two and a half books with them.

As a whole this is an incredibly dark book. The second book, Good Girl, Bad Blood, was dark but this goes darker still as Pip has flashbacks and relives the events of the previous book. Corbett is a passionate narrator, lot of emotion in her narration. There’s critical emphasis on the important, tense, and emotional moments and it brings home Pip’s mental stability and the intensity of the events. What Jackson does incredibly well is show the effects of PTSD that’s left improperly treated. Pip’s trauma from books two is evident and there is a great demonstration of her emotional state worsening as the outcomes of book two play on her mind and she keeps lying to her friends, family, and therapist to seem ok.

Pip’s new idea for a podcast takes a while to settle. With no new ideas it’s a jump from idea to idea as Pip’s initial new focus is a cold case, before moving to her own life, or a supposedly closed case. I absolutely loved that Jackson shows the less glamourous side of true crime, especially true crime podcasts, and how the results of an investigation can takes its toll on the person investigating. I never understood the obsession with true crime podcasts but this is a great behind the scenes look at the impact and consequences that can come from it.

The structure of the book remains the same: additional voices to play different characters as well as the use of transcripts and files to look like a dossier is being compiled. I still love this style and it makes the experience unique and a great way to introduce information and tie it back into Pip’s research gathering.

I am pretty sure Pip becomes somewhat psychopathic in this book. I understand the reasoning Pip/Jackson is going for. I do. But the longer it went on it made less sense. If it was supposed to be a reflection of Pip’s broken mind I guess it makes sense. But Ravi should be the voice of reason but he isn’t. There are so many holes in Pip’s approach, it went beyond a plan to being a lot of effort when it was going to fail for so many reasons.

I am trying not to reveal too much, but the second half of this book made me so mad. Infuriated. There was no reason for the entire second half to exist. I don’t care what Pip thinks would happen, there are two books prior to say that wouldn’t be the case. You can’t even chalk it up to her mental state because that isn’t it at all. Her choices are illogical and what’s more infuriating is she ignores a huge amount of evidence. There is So. Much. Evidence. Jackson includes so many other reasonable options instead of what actually happens which is why it’s weird to have Pip ignore them.

I know it’s for the drama, and for Pip’s decisions and mental state but I found it hard that someone that smart, could be that stupid. But I guess we’re supposed to believe that when you are emotionally unstable already with trauma and PTSD, what’s one more? What she does to Max, what she does even before Max was unnecessary. It’s too far fetched that anyone would even succeed in doing what she does. It’s beyond absurd no matter how much true crime you knew about. Ludicrous is the only way to describe her plan.

I’ve wasted 17 hours of my life with this book. It was way too long and I felt betrayed by the ending because even after suffering through all those absurd decisions Jackson throws it back in our face. I can’t give it one star because I enjoyed the first half, but I can’t give it two because I hated the second half more and more the further I went. I ended up listening to it a 2x speed because I was suffering listening to this book, but it still dragged on. It was amazing how long the last few chapters took.

Read this book by all means, finish off the series and see the outcome of book two. My advice is stop at the half way point, work out your own new ending based on the evidence already given, and move on. You will only get baffled by the decisions Pip/Jackson has made. I made up a great new ending myself and tried to forget the second half ever happened.

You can purchase As Good as Dead via the following

QBD | BooktopiaDymocks

WorderyAngus and Robinson | Blackwell’s

 Fishpond | Amazon | Amazon Aust | Audible

A Good Girl’s Guide to Murder (#1) by Holly Jackson

Published: 2 May 2019 (print)/5th Aug 2021 (audio) Goodreads badge
Publisher:
Farshore/Electric Monkey
Pages: 432/12 hrs and 56 mins
Narrator: Jot Davies, Clare Corbett, Kristin Atherton, Olivia Forrest, Luke Poli
Format: Audiobook
Genre: Young Adult
★   ★   ★   ★  – 4 Stars

The case is closed. Five years ago, schoolgirl Andie Bell was murdered by Sal Singh. The police know he did it. Everyone in town knows he did it.

But having grown up in the same small town that was consumed by the murder, Pippa Fitz-Amobi isn’t so sure. When she chooses the case as the topic for her final year project, she starts to uncover secrets that someone in town desperately wants to stay hidden. And if the real killer is still out there, how far will they go to keep Pip from the truth?

I have been eyeing off this book for years and I finally started reading it and I’m so glad. It is captivating and draws you in fairly quickly and never quite lets go. Who can resist the allure of a possible mistake in a closed case and a town so ready to condemn an apparent murder? The further you go the more doubt is cast. There are hints and clues that don’t connect, the misdirection and hidden secrets from people in town and a cast of characters to keep you guessing.

Jackson has written a story that starts off so simple and yet as each chapter goes on, and Pip gets further information from the people in her tiny village, the stakes are raised and threats come from all sides. I loved the numerous angles and there’s tension and mind games that even as readers you get embroiled in.

As with a lot of things in a small town, secrets are unearthed and things that have been kept hidden come to the surface, affecting more than just one person’s life. It never felt sensationalised, but the knock on effect is clear. Pip’s innocent investigation for a school project never leads her astray from her capabilities, but at the same time her own personality latches on and her consumption of the case and the need for answers brings danger.

Pip is a great character. Her passion and dedication grows from an interest for a school project to something of an obsession as she uncovers more and more secrets and unanswered questions. Her focus and her determination to get to the bottom of this crime is something I think you can achieve with her approach to her investigation, especially as so many people think there has already been a culprit named.

Jackson is great at balancing Pip’s access to information and the reasonable assumption no one would talk to a teenager about certain things. Small town gossip and prejudice is a wonderful tool too and it works in sync with Pip’s perseverance.

Each character felt real too, which is important when creating a community. No one felt one dimensional even the red herrings all had full lives and stories, making them as likely as the next to be suspects. The realness of characters is important too if readers are meant to believe they could hide things, deceive, or have more depth than it first appears. Jackson does this well as everyone Pip interviews, helps, or is hindered by bring their own lives to the page and it is definitely a strength of the book.

I know the book is filled with great formatting around transcripts, emails and Pip’s notes, but I loved the audio version of this so much. It was a mix between an audiobook and a radio drama. The phone conversations sound like phone conversations, the recordings Pip references sound like conversations on tape recordings being played back, and the different voices bring in another great element.

I initially thought it would be a weird, off putting things to have it cut from clear narration to audio that replicated being recorded in a room but it worked remarkably well and helps place you in the scene immediately. It is definitely a bonus instead of having the poor narrators read out transcripts verbatim, having to name each character who speaks before reading their lines for page after page.

It isn’t entirely like a radio drama, there is regular narration as well which help break up Pip’s research and the outside story. It was a clever way to lay out how she was conducting her research and piecing it all together, plus those listening to the book don’t miss out on the creative storytelling Jackson has designed.

I didn’t realise just how long I had been planning to read this until I looked for the sequel and saw there was not one, but two I could get my hands on. So my bad for the delay but it is a seriously good story and one you should definitely pick up if you haven’t.

This is one you should read in order, not only because the second book spoils practically everything from book one fairly soon, but there is something wonderful about seeing Pip’s growth and her determination as she investigates.

You can purchase A Good Girl’s Guide to Murder via the following

QBD | BooktopiaDymocks

WorderyAngus and Robinson | Blackwell’s

 Fishpond | Amazon | Amazon Aust | Audible