Cool for the Summer by Dahlia Adler

Published: 11 May 2021 (print)/11 May 2021 (audio) Goodreads badge
Publisher:
Wednesday Books/Macmillan Audio
Pages: 259/6 hrs and 20 mins
Narrator: Natalie Naudus
Format: Audiobook
Genre: Young Adult Contemporary Romance
★   ★ – 2.5 Stars

Lara’s had eyes for exactly one person throughout her three years of high school: Chase Harding. He’s tall, strong, sweet, a football star, and frankly, stupid hot. Oh, and he’s talking to her now. On purpose and everything. Maybe…flirting, even? No, wait, he’s definitely flirting, which is pretty much the sum of everything Lara’s wanted out of life.

Except she’s haunted by a memory. A memory of a confusing, romantic, strangely perfect summer spent with a girl named Jasmine. A memory that becomes a confusing, disorienting present when Jasmine herself walks through the front doors of the school to see Lara and Chase chatting it up in front of the lockers.

Lara has everything she ever wanted: a tight-knit group of friends, a job that borders on cool, and Chase, the boy of her literal dreams. But if she’s finally got the guy, why can’t she stop thinking about the girl?

I am so glad this is my second Adler book because I have wanted to read her stuff for years and I’m glad I loved the first one because I’d be disappointed if this was my first introduction, though the sliding doors element of Going Bicoastal might have tempted me past this mediocre read. There is no real plot except Larissa having a crisis over her feelings. The benefit is it’s a fast read because I kept waiting for the plot to start and I realised it was already two thirds of the way through and nothing had actually happened yet.

Instead of having a character look on at the popular kids Adler has written this from the inner circle and perspective from those in that group. The characters are exhausting. The effort they go to to be in their friend group is so much more work than friends need to be with a lot more rules. The US American trope of popular kids is on clear display and they are vacuous and shallow. There are some examples where they show some depth, but they are all still shallow and showing compassion within your shallow and entitled group doesn’t hold much sway. Plus they aren’t given a lot of depth so most of them are easily forgettable. It doesn’t do much to break the stereotypes. I feel bad for Larissa even having these people as friends sometimes. It’s always a fascinating study reading these kinds of books. We didn’t have this in my school, we had groups sure, but not the hierarchy these US high school books always contain. It makes it a strange novelty and a tired trope to see it in these books.

There were some good moments. I enjoyed the stuff with Jasmine, it felt like the only time Larissa was her real self, less performative, which was possibly the point even though it’s never addressed. I did enjoy the casualness of Larissa’s bisexuality. It wasn’t an issue, dealing with it wasn’t the plot (technically), and it was an established thing. I do like it when diverse books can have a character have an identity but not make the entire plot about that identity.

It felt like a novella despite being a full length book, and could easily have been cut down to a short story. No plot would be lost since there isn’t any and with a tighter story it could have been a lot more enjoyable.

You can purchase Cool for the Summer via the following

Booktopia

 Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust

Dear Wendy by Ann Zhao

Published: 16 April 2024 (print)/16 April 2024 (audio) Goodreads badge
Publisher:
Feiwel & Friends/Books on Tape
Pages: 368/9 hrs and 28 mins
Narrator: Nicky Enders, Angel Pean, Natalie Naudus, Tara Sands, Ann Zhao, Daisy Guevara, Elaine Wang, Rebecca Wang
Format: Audiobook
Genre: Young Adult Contemporary
★   ★   ★   ★ – 4 Stars

Sophie Chi is in her first year of college (though her parents wish she’d attend a “real” university rather than a liberal arts school) and has long accepted her aroace (aromantic and asexual) identity. She knows she’ll never fall in love, but she enjoys running an Instagram account that offers relationship advice to students at her school. No one except her roommate can know that she’s behind the incredibly popular “Dear Wendy” account.

When Joanna “Jo” Ephron (also a first-year aroace college student) created their “Sincerely Wanda” account, it wasn’t at all meant to take off or be taken seriously—not like Wendy’s. But now they might have a rivalry of sorts with Wendy’s account? Oops. As if Jo’s not busy enough having existential crises over gender identity, whether she’ll ever truly be loved, and the possibility of her few friends finding The One then forgetting her!

While tensions are rising online, Sophie and Jo grow closer in real life, especially once they realise their shared aroace identity and start a campus organization for other a-spec students. Will their friendship survive if they learn just who’s behind the Wendy and Wanda accounts?

I am so glad I enjoyed this book more than I thought I would. I have been trying to diversify my diverse reads and this is such a rare identity in books I needed to read it and it turned into an amazing story! There are many asexual book lists (aromantic even rarer) and so often it’s vague, implied, a throwaway comment that people can hang their hopes on, but Zhao holds nothing back and makes it clear these girls are aroace and are proud of it.

Jo/Wanda is definitely the antagonist in starting the feud between the pair. She takes it as a joke then intentionally antagonises Sophie/Wendy. Publicly too which is poor form. But Zhao balances on the line because I was waiting for it to go too far and become the main conflict but Jo stops right before it becomes too hurtful. This self-awareness of intent with Jo is great too because she always tries to maintain the jest in her actions so having her change would be a bigger shift than a light hearted taunt. It is always light hearted to their credit, though I was waiting for someone to log into the wrong account and out themselves and mess it up. For all the different ways this could have played out I really enjoyed how Zhao works this storyline. There’s tension and suspense, while remaining heartfelt, honest, and wholesome.

I love having a book where there are set feelings/identity. The focus is then on a different story and not only on exploring character feelings. Not that having books only about that are bad, I have loved more than my fair share, but sometimes it is nice to have a plot with a diverse character and not have the diverse character be the plot. The aroace representation in books is so low (finding any openly or definitive asexual or aromantic rep in books is hard) and I am glad this one shines brightly with an amazing story and amazing set of characters.

I did enjoy the note from Zhao at the beginning about hoping this story helps people realise their identity or at least start to understand what it means, it is so often misunderstood and dismissed. It helps not having a non-fiction book or essays to gain understanding when you can see it play out in a storyline.

If anybody thinks there’s too much discussion about identity in this book and think people wouldn’t have these conversations obviously haven’t met the right people. Besides there are thousands of books discussing feelings and flutterings in stomachs and crushes that go on for entire books. Why can’t there be a few that talk about how it can be exhausting having none? Especially against a society that expects it. I loved how Zhao puts forward their own version of the Feelings Book by giving us one where the point is not having any.

I liked that the advice columns keep going, I like that there is no major incidents, I like that despite being in their heads and falling prey to overthinking there are real reactions and solutions. It’s a pain to keep saying it, but it is refreshing when people are sensible about things and storylines don’t go over the top for the drama in unrealistic ways. Why can’t we have two friends fighting who need to work it out? There is still a will/they won’t they element, especially since there is precedent for no they won’t already with a character. I’d rather have two friends look at whether they can forgive one another than have something be a drama that has no weight, sexuality expression aside.

400 pages/10 hours and 70+ chapters makes it feel like the book is slow and dragged out, and sometimes it does, but it is a medium paced story, a lot of little things happen and it fills a range of side elements like exploring characters, plus the culture and community at the school. The complexity of the book world and having each character have their own friends and family around them meant there was a lot to explore and Zhao gives everything the right pace and attention.

This is a great book that gives attention to a little know part of the diversity alphabet and hopefully it’s one people can fall in love with. If not for the refreshing identity exploration, than an amazing rivals plot and finding new intense friendships.

You can purchase Dear Wendy via the following

 Booktopia

  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust

His Hideous Heart edited by Dahlia Adler

Published: 10th September 2019 (print)/10th September 2019 (audio) Goodreads badge
Publisher:
Flatiron Books/MacMillan Audio
Pages: 480/14 hrs and 13 mins
Narrator: Various
Format: Audiobook
Genre: Horror/Anthology/Young Adult
★   ★   ★   ★   ★ – 5 Stars

Edgar Allan Poe may be a hundred and fifty years beyond this world, but the themes of his beloved works have much in common with modern young adult fiction. Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways.

My main exposure to Poe has been the Simpsons and the amazing Edgar Allan Poe’s Murder Dinner Party series on YouTube. But Poe is such a huge name in literature the references are often found in the most unlikely places. This retelling of Poe’s short stories are an amazing contribution to Poe’s legacy because they bring modernity to his tales while keeping the themes and the unnerving nature of his imagination to new audiences.

I loved the way these authors have retold the original stories. You can see the evidence of the original Poe stories coming through but the unique modern and not so modern settings these interpretations are divine. Some of the stories have a close similarity to the original Poe tales, others have a similarity that is easily recognisable, while others change completely but the theme and intention remains. The horror side is mild otherwise I wouldn’t be touching this, nothing overly grotesque but it is eerie and unsettling which is perfect for any Poe story. There’re sinister intentions and things from out of this world, but each of these authors tells stories that are modern, timeless, and in other realms altogether.

A rarity for an anthology I enjoyed all of these stories. Of course some were more engaging and intriguing than others, but I found that each story had its own curiosities that kept your mind working, especially as you think about what the original story is that they are retelling. Absolute stand outs for me include Happy Days, Sweetheart (The Tell-Tale Heart)The Oval Filter (The Oval Portrait), and She Rode a Horse of Fire (Metzengerstein); and I loved the creativity of The Glittering Death (The Pit and the Pendulum)Changeling (Hop-Frog), and It’s Carnival! (The Cask of Amontillado). But there were so many other wonderful ones like Lygia (Lygia)Night-Tide (Annabel Lee), and The Fall of the Bank of Usher (The Fall of the House of Usher) where each author brought their own styles and imagination into a story that I was amazed the same story could be told but in a completely new way. These authors have given voices to those who didn’t have a voice before. The first person nature of many of these stories allows insight into intent, thoughts, and justification which is fabulous considering some of the deeds depicted in these stories.

The audio version is narrated by each of the authors, telling their own tale to the listener. They also narrated the original Poe story that their reimagining is based on. I enjoyed listening to these authors read their own stories. They had good pace and range of voices which helps you enjoy the stories even more.

I do prefer the new versions, they bring modernity not necessarily in their settings or content, but in their language. Compared with Poe there is a lot less waffling and wordiness (looking at you The Purloined Letter) that is removed while still maintaining the theme and tone of the stories. That is to say some were quite enjoyable, they are dark and sinister, creative and poetic. It is easy to see why Poe’s stories have lived on. These retelling do that wonderfully, even if you don’t read the originals you can still enjoy these retellings, they keep Poe’s intentions alive and the haunting nature of some of these stories is still ever present.

You can purchase His Hideous Heart via the following

QBD | Booktopia | Book Depository

Dymocks | WorderyAngus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible