Meet Me at the Intersection ed. Rebecca Lim and Ambelin Kwaymullina

Published: 3rd September 2018Goodreads badge
Publisher:
Fremantle Press
Pages: 296
Format: Paperback
Genre: Young Adult
★   ★   ★   ★ – 4 Stars

Meet Me at the Intersection is an anthology of short fiction, memoir and poetry by authors who are First Nations, People of Colour, LGBTIQA+ or living with disability. The focus of the anthology is on Australian life as seen through each author’s unique, and seldom heard, perspective.

With works by Ellen van Neerven, Graham Akhurst, Kyle Lynch, Ezekiel Kwaymullina, Olivia Muscat, Mimi Lee, Jessica Walton, Kelly Gardiner, Rafeif Ismail, Yvette Walker, Amra Pajalic, Melanie Rodriga, Omar Sakr, Wendy Chen, Jordi Kerr, Rebecca Lim, Michelle Aung Thin and Alice Pung, this anthology is designed to challenge the dominant, homogenous story of privilege and power that rarely admits ‘outsider’ voices. 

Meet Me at the Intersection is filled with some brilliant stories and pieces of work by authors who are showing that those marginalised and seldom heard voices can be just as powerful and have just as important stories to tell. It is filled with the voices of Young Adult authors and stories but is an anthology that can and should be read by everyone.

The collection is filled with a range of forms and styles from poetry, memoirs and short stories. Each author brings their own style of writing and it was a nice to see so many different voices through the book. There are little explanations of each author and their background before each piece and it is clear there is diversity across all kinds.

In terms of content, each piece takes place in a different time period and it was refreshing to see not every story was contemporary; and while this makes sense for memoir, some of the other stories were from other time periods as well. I also loved the way these stories have been ordered in the collection. In the introduction it mentions that the oldest culture of storytellers deserves to go first and I loved that that was acknowledged.

What made this anthology stand out to me was it never felt like there was a single message being highlighted, instead it was about representation. The blurb mentions that the focus of the work is to represent the everyday lives of Australians and it has succeeded brilliantly. In doing so you gain an understanding by reading about these fictional, semi fictional, and real lives about the ordinariness and extraordinariness of a diverse group of writers. it is wonderfully eye opening and showcases that these lesser heard and unique voices have some amazing stories to tell. It is an anthology filled with own voices and is beautifully, distinctly Australian. What more could you ask for?

You can purchase Meet Me at the Intersection via the following

QBD | Booktopia | Book Depository

DymocksAngus and Robinson

 Fishpond | Amazon | Amazon Aust

Growing Up Queer in Australia edited by Benjamin Law

Published: 6th August 2019Goodreads badge
Publisher:
Black Inc
Pages: 288
Format: Paperback
Genre: Non-Fiction
★   ★   ★   ★ – 4 Stars

Compiled by celebrated author and journalist Benjamin Law, Growing Up Queer in Australia assembles voices from across the spectrum of LGBTIQA+ identity. Spanning diverse places, eras, genders, ethnicities and experiences, these are the stories of growing up queer in Australia.

For better or worse, sooner or later, life conspires to reveal you to yourself, and this is growing up.

With contributions from David Marr, Fiona Wright, Nayuka Gorrie, Steve Dow, Holly Throsby, Sally Rugg, Tony Ayres, Nic Holas, Rebecca Shaw, Kerryn Phelps and many more.

Growing Up Queer is filled with voices of all aspects of the LGBTQIA+ community with stories about gay relationships, being intersex, having first loves, lost loves, and those who were important to the lives of all these authors, demonstrating the crucial roles some of them had to play in them finding who they are. The introduction is a good place to start because it includes the content warnings and apologies if the content upsets anyone. The stories are filled with discrimination, family rejection, suicide mention and violence. It is important to warn readers but these are crucial moments because these are stories about growing up queer in Australia, these are real stories and real experiences and knowing that these are hardships that these authors have had to deal with is part of the understanding.

There are stories that show the complex relationships with parents around cultural boundaries, about religion, as well as the struggles and the wins about coming out to family and friends. It isn’t only recent coming out stories either, many previous decades are covered from the 70s to the 90s and 2000s. There is even a story from the 50s that covers hiding your true self until an older age. I wasn’t keeping a real record about when each story was set, nor do all the stories really identify when they take place, but it felt like there were a lot more from the last thirty years than earlier. Not that the last thirty years isn’t a large amount of time for society to change it’s opinions, but I would have loved to hear more stories about the earlier years a well.

There were a lot of stories connected to the marriage equality survey and how the results affected people and their families. Some stories were wonderful, while others were a little heartbreaking. The authors talk about the impact it had on their relationships, their feeling of inclusion, not to mention their anger that it was being debated at all and how it changed how they saw some of their friends and family. Obviously this was a huge change to people’s lives and it was interesting to see their opinions and perspectives.

The “growing up” aspect of the title I was expecting their childhood or young adult experience, and many stories explore that time with recollections from moments in time that were important or crucial to them understanding or embracing . But there were also stories of being older, in their twenties, or an older adult. One author wrote that the growing up part of their queer life was when they were more comfortable in their queerness, not necessarily when they were young which I thought was an interesting approach.

I found myself writing down some brilliant insights and quotes that I think encapsulate what it means to be queer, what society thinks they should be and say, and how those critical and offensive towards them feel they are privileged to say and do. These essays are written by people who are masters with words and I found it helps explain just how different their experiences are from other people and how they are also not the alien figures people think they are. These are just some of my favourites:

“Try as they might, our subversive bodies will always tell us the truth…What censorship is really designed to achieve is the sort of silence that turns what our bodies tell us into shame. This calls for more than censorship of books and films. It also needs the censorship of learning.” – David Marr

“If you can’t be yourself in your own way then god help you when you die with a wallet full of fake IDs.” – Tim Sinclair

“All identities, queer or not, are fictional stories. The important of queer storytellers is not in how they prove their truth, but in how they prove it is necessary to tell our stories in a way that makes us comfortable.” – Oliver Reeson

The anthology is made of essays, but some were more essay like, some were memoirs that told of a certain moment, and some felt like wonderful fictional stories they were so beautifully told. I found myself getting quite caught up in some of these tales, drawn in by their way with words and their fascinating lives about being part of the LGBTQIA+ community and the experiences they had had. While there were stories of trauma and trouble, there isn’t a huge focus on it. Many contributors wrote about how amazing it is nowadays that sexuality is spoken about more openly than ever before, but it’s acknowledged that fear is still there.

I was expecting more stories that talked about the struggles of discrimination, especially in the earlier decades about fighting to decriminalise homosexuality or other discrimination. I completely understand though that hiding who you were was the best defence you could ever have and embracing your queerness by celebrating the good moments is better than focusing on the bad. Initially I thought these types of stories needed to be included because the history is important and acknowledging the past is important even if it hurts. But it is also important to tell stories of happiness and hope, and there are mentions of the violence some people experienced, it isn’t focused on a lot but it isn’t omitted either.

This is a wonderful collection that could help people understand who they are, and it is a wonderful way to understand he lives of others, the struggles they have faced and makes you realise that as wonderful as things have become, there is still a way to go.

You can purchase Growing Up Queer via the following

QBD | Booktopia | Book Depository

Dymocks | Angus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

His Hideous Heart edited by Dahlia Adler

Published: 10th September 2019 (print)/10th September 2019 (audio) Goodreads badge
Publisher:
Flatiron Books/MacMillan Audio
Pages: 480/14 hrs and 13 mins
Narrator: Various
Format: Audiobook
Genre: Horror/Anthology/Young Adult
★   ★   ★   ★   ★ – 5 Stars

Edgar Allan Poe may be a hundred and fifty years beyond this world, but the themes of his beloved works have much in common with modern young adult fiction. Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways.

My main exposure to Poe has been the Simpsons and the amazing Edgar Allan Poe’s Murder Dinner Party series on YouTube. But Poe is such a huge name in literature the references are often found in the most unlikely places. This retelling of Poe’s short stories are an amazing contribution to Poe’s legacy because they bring modernity to his tales while keeping the themes and the unnerving nature of his imagination to new audiences.

I loved the way these authors have retold the original stories. You can see the evidence of the original Poe stories coming through but the unique modern and not so modern settings these interpretations are divine. Some of the stories have a close similarity to the original Poe tales, others have a similarity that is easily recognisable, while others change completely but the theme and intention remains. The horror side is mild otherwise I wouldn’t be touching this, nothing overly grotesque but it is eerie and unsettling which is perfect for any Poe story. There’re sinister intentions and things from out of this world, but each of these authors tells stories that are modern, timeless, and in other realms altogether.

A rarity for an anthology I enjoyed all of these stories. Of course some were more engaging and intriguing than others, but I found that each story had its own curiosities that kept your mind working, especially as you think about what the original story is that they are retelling. Absolute stand outs for me include Happy Days, Sweetheart (The Tell-Tale Heart)The Oval Filter (The Oval Portrait), and She Rode a Horse of Fire (Metzengerstein); and I loved the creativity of The Glittering Death (The Pit and the Pendulum)Changeling (Hop-Frog), and It’s Carnival! (The Cask of Amontillado). But there were so many other wonderful ones like Lygia (Lygia)Night-Tide (Annabel Lee), and The Fall of the Bank of Usher (The Fall of the House of Usher) where each author brought their own styles and imagination into a story that I was amazed the same story could be told but in a completely new way. These authors have given voices to those who didn’t have a voice before. The first person nature of many of these stories allows insight into intent, thoughts, and justification which is fabulous considering some of the deeds depicted in these stories.

The audio version is narrated by each of the authors, telling their own tale to the listener. They also narrated the original Poe story that their reimagining is based on. I enjoyed listening to these authors read their own stories. They had good pace and range of voices which helps you enjoy the stories even more.

I do prefer the new versions, they bring modernity not necessarily in their settings or content, but in their language. Compared with Poe there is a lot less waffling and wordiness (looking at you The Purloined Letter) that is removed while still maintaining the theme and tone of the stories. That is to say some were quite enjoyable, they are dark and sinister, creative and poetic. It is easy to see why Poe’s stories have lived on. These retelling do that wonderfully, even if you don’t read the originals you can still enjoy these retellings, they keep Poe’s intentions alive and the haunting nature of some of these stories is still ever present.

You can purchase His Hideous Heart via the following

QBD | Booktopia | Book Depository

Dymocks | WorderyAngus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

 

Zombies vs. Unicorns edited by Holly Black and Julie Larbalestier

Published: 21st September 2010 (print)/21st September 2010 (audio) Goodreads badge
Publisher:
Margaret K. McElderry Books /Brilliance Audio
Pages: 415/11 hrs and 45 mins
Narrator: Ellen Grafton, Nick Podehl, and Kate Rudd
Format: Audiobook
Genre: Anthology
★   ★   ★  ★ – 4 Stars

It’s a question as old as time itself: which is better, the zombie or the unicorn? In this anthology, edited by Holly Black and Justine Larbalestier (unicorn and zombie, respectively), strong arguments are made for both sides in the form of short stories. Half of the stories portray the strengths–for good and evil–of unicorns and half show the good (and really, really bad-ass) side of zombies. Contributors include many bestselling teen authors, including Cassandra Clare, Libba Bray, Maureen Johnson, Meg Cabot, Scott Westerfeld, and Margo Lanagan. This anthology will have everyone asking: Team Zombie or Team Unicorn?

What started as a discussion on a blog between Black and Larbalestier turned into an anthology where the merits or zombies and unicorns are discussed and explored. Both sides are given weight as the authors explain the good of their own choice and the bad of the other.

I listened to this as an audio and it was an amazing experience. The introduction alone was a delight as a serious, dramatic voice over explains how this anthology came into existence. Before the stories begin each author of the anthology is introduced with their side of the debate and I have no doubt wrote their own introductions because they sound exactly on point for each person. I loved the serious tone the introduction took because while the content was less serious the discussion was Very Important. The author introductions also add why each author likes their chosen subject: Scott Westfield invented the Zombie proof cravat, Kathleen Dewey brought up on a unicorn farm and learnt you can’t trust them, while whose unprecedented career as a land pirate could not have been achieved without her unicorn drawn pirate ship. The sound effects are fantastic and the fact that between each story Black and Larbalestier offer their opinions on the upcoming stories and the previous information provided add some great banter. There was even a sound effect to warn listeners that a story was coming so no unwary zombie fan will start listening to a unicorn story, or vice versa.

Even though Zombies vs Unicorns doesn’t seem like a theme, these authors have interpreted these subjects in incredibly creative ways. What is actually a zombie? What is a unicorn, really? Are they both as innocent or a menacing as we’ve led to believe? There’s stories that take a scientific approach to what constitutes a zombie, as well as the effects of having a unicorn in the modern day. I loved the modern zombie tales and I loved how there were dystopian stories that weren’t horror, but were still wonderfully creepy and zombie suited. The same can be said for the unicorn stories; they are often in the magical realm, though a few are in the real world and seeing the two collide was intriguing.

My favourites had to be Princess Prettypants by Meg Cabot, Purity Test by Naomi Novik, and Children of Revolution is such a Maureen Johnson story it’s hard not to delight in reading it. From the start I assumed I would be Team Unicorn because I have never quite enjoyed zombie stories but after seeing the unique ways that these authors have interpreted the concept, I am coming around. Looking from a stats perspective based on the stories I enjoyed and ones I didn’t, I am in a stalemate. I enjoyed four unicorn stories, four zombie stories, didn’t enjoy three and one I was undecided about. Where does that leave me? The ones I didn’t like were two zombie stories and one unicorn story. Does that make anything more solid? I really don’t know.

You can purchase Zombies vs. Unicorns via the following

QBD | Booktopia | Book Depository

Dymocks | WorderyAngus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

 

Lashings of Sauce edited by UK Meet Acquisitions Team

Published: 1st July 2012Goodreads badge
Publisher:
JMS Books LLC
Pages: 270
Format: Paperback
Genre: Anthology
★   ★ – 2 Stars

We Brits love our sauce, whether it’s what we lash on our food, read on our seaside postcards, or write in our stories. Come and enjoy a buffet of tasty LGBTQ treats!

From marriages to reunions, via practical jokes and football matches, to weresloths and possibly the oddest Tarts and Vicars party in the world, join us as we celebrate the UK Meet in the best way we know: telling the story.

As a follow-up to the critically acclaimed British Flash and Tea and Crumpet anthologies, our talented writers bring you sixteen stories about gay, lesbian, bisexual, transgender, and genderqueer characters enjoying what Britain and mainland Europe have to offer, with their wonderfully diverse range of cultures and landscapes and some incredibly colourful and quirky people.

The most important thing I think any anthology needs is a strong opening story, one that will hook the reader and want them to keep going. I was curious about Post Mortem, the opening story, but it really doesn’t give you anything to grab your attention. It was unengaging and it was only my hope that there were other better stories did I keep reading. It was only by a slim chance did I actually keep going because so many times I was prepared to add this to my DNF (Did Not Finish) pile. My DNF pile is small but I was getting the same feeling from the first half of this anthology that I have had with books before. The fact I told myself that I may be missing out on other good stories kept me going, I was eventually rewarded but it was a long road.

The theme of this anthology is a little vague. The introduction states it is to show off how great the LGBTQIA community have it in Britain and in Europe. It was published in 2012 when Britain was on its high from the Olympics and the Queen had her Diamond Jubilee. None of these events are mentioned in the story but 2012 was also the 3rd annual meeting of the UK GLBTQ Fiction Meet and to celebrate this anthology was created. The idea is sweet enough, a chance to celebrate the good times of being part of the community in Britain at the time and this is reflected in the stories in as much as they are nice stories, things aren’t complicated, there’s no altercations or conflict that I could tell due to a character’s sexuality or gender.

There are multiple trans stories, gay and lesbian romances, as well as a BDSM story. Content warning wise not every story involves sex but some do which are described in detail though not graphic or overly explicit. In a way they are the good examples of stories; the LGBTQ characters aren’t there as a plot point, nothing really centres around their sexuality, it is just a part of the overall story because it affects who they interact with and how. It isn’t an issue of contention or a problem which was refreshing.

Having said that, only half of these stories were actually interesting. Maybe even less. Many were half and half, some parts were interesting but within the same story I was bored to pieces. There were a few exceptions that only barely made the mark: Vidi Velo Vici was good, basic but had a good ending. The better ones were Dressing Down and Zones for the humour and the heart and for something like Zones it is a great story about discovery and acceptance which is subtle, but certainly there. Lost in London was another rare gem as was My Husband and Social Whirl. The rest I was not interested in, and to only have six out of sixteen stories grab my attention, it doesn’t say much about an anthology I was rally expecting more from.

The genres range from contemporary to the paranormal and magical. I found I couldn’t engage with the paranormal as much, I preferred those in modern settings. The genders and sexualities present was a great diversity and something I was impressed with. As I say, without a theme as such, the general acceptance of LGBTQ people in Britain was a great starting point because it normalised these occurrences and while it was a theme, it also showed how to make gender and sexuality naturally part of a story and not only there to be a plot point in itself.

Honestly the second half is better than the first, I am glad I persevered because I found the stories in the second half more enjoyable, certainly more diverse. Even for a LGBTQ anthology there are only so many times you can read about gay men before you start wanting to see something different. But even so, to only like six stories, there’s more issues than just that to contend with.

You can purchase Lashings of Sauce via the following

Amazon | Amazon Aust

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