romance | Lost in a Good Book

Published: January 28, 2013
Publisher: Self Published
Pages: 330
Format: Ebook
Genre: Young Adult/Paranormal/Romance
★ ★ ★ ★ – 4 Stars

18 year old Sophie Jean is pretty good at acting normal. Sure, she’s not exactly happy, but happiness is nothing compared to being like everyone else. She can pretend she’s not allergic to the sun. She can hide what her ex-boyfriend did to her. She can cover up the scars she’s made for herself. Ignore anything. Forget anything. Then Myles enters her life, and he has more than a few secrets of his own. When accident after accident keeps happening to Sophie, she can’t help noticing that he’s everywhere. That he knows too much. That she’s remembering too much.

Suddenly, those who were monsters before are just people, and the monsters? They’re real. Now being a normal human being is the least of her problems. Now she has to stay alive.

Note: I was asked for a review by the author.

I was interrupted by so many things reading this book (apologies Nikki it took so long!) but by the end of it I was engrossed, and that was something I was not expecting. This was an excellent book, and if we’re honest it was extremely hard to find the words to review it. I did so many drafts, the ability to ramble about what makes this a great story seem endless, and the fact I was trying not to simply describe the book to you was hard, hence the multiple retries.

Sunshine is about a girl called Sophie who has Solar Urticaria, meaning she is allergic to the sun. She lives her life as best she can, as she always has, trying to be normal when she constantly feels abnormal. As the story begins we’re introduced to Sophie and we’re immediately introduced to her condition and how she deals with it. In these opening chapters we see an insight into Sophie’s life through her eyes, about her condition, her mother, her sisters Laura and Leena, as well as her brother, Jade.

As a character Sophie is an anxious girl, she is wary of relationships and trusting people and that comes across clearly. It is mentioned a lot, especially around her developing friendship and relationship with Myles, but her reasons are explained and you can understand it more as the thought process of what goes through her mind when it happens. Where we see more of the real Sophie is around her friends Boo and Trei, when Sophie is around them there is a different side to her, one who jokes and rocks out in a band. The difference between the two levels is evident and we get a feeling of how Sophie feelings change through Rae’s descriptions and Sophie’s reactions.

The introduction Rae’s given us to the world as a whole is not flawless but it is done quite well, and the paranormal and supernatural elements in this book are there but not an overbearing feature. Having read nothing else similar as a comparison, I enjoyed the pace and the balance between the regular and the paranormal. Nothing is rapidly sprung on reader (or character) with no real instance of instant acceptance and understanding by characters which can be a downfall when colliding reality and the supernatural, but Rae manages this balance well.

The various relationships in this book are well written and diverse. The relationship Sophie has with her mother is tense, but her affection for her stepfather is wonderful. Rae captures the family dynamic between Sophie, her brother and sisters quite well and there is a strong sibling connection that shows even through the arguments as well as the love and support.

I really adore some of these characters. Myles is a character I was surprised to like almost instantly. His own secrets and uncertainty make him quite wonderful as he tries so hard to fit in himself, while still trying to be there for Sophie, make new friends and try and make sure everything is going to be ok.

He and Sophie are very similar which is why their relationship works. They both are people who have close friends but feel separated from the rest of the world as well. Their relationship moves from constantly waiting for the other one to realise how strange they believe themselves to be and run off, until finally understanding that they can help one another.

You have to pity Myles for his initial meeting with Sophie but when we get to see her side of things it balances things out. Embarrassment and defense mechanisms are hard defaults to override and the way we see Sophie break these down over the course of the book are excellent. There is a slow emergence after numerous hasty retreats and second thoughts and seeing her character grow is really nice.

Other characters I adored are Stevie and Jade. Jade’s relationship as Sophie’s brother and the relationship he has with his boyfriend Stevie is wonderful. What makes Jade and Stevie exceptional characters is that Rae doesn’t make them imposing but they show understanding and support in other ways and in simple gestures like being there at key moments and helping Sophie when she doesn’t even ask. The sibling relationship is beautiful; it makes and develops Jade’s character and position as a brother by how he sees Sophie and how he acts with her. Rae uses their conversations and gestures as a way to show not tell and while it seems basic, it actually shows much more than if they were more prominent.

Content wise there are some serious personal issues shown and discussed in this book but Rae does it without making it an overbearing factor, but she also doesn’t shy away or glorify it either. The way it is shown and talked about seems to be handled with care and realism, something that brings the emotions and understanding to the surface and reduces the risk of making it dramatic or flippant.

What I love particularly is the ending and the way Rae has written it, especially the moments of confusion and uncertainty. The fact we see all of this from Sophie’s point of view we experience everything she does and with the chaos of the concluding chapters I love that we don’t really know what is going on because Sophie doesn’t know what is going on.

Rae writes these moments of confusion very well, and the emotions and feelings and moments of fading and unconsciousness Sophie experiences are well described. What Sophie goes through is captured without telling or rushing. Again, the length of time that passes in this book makes the story better. Nothing is brushed over or rushed and this adds to the reality and the suspense the story generates. Because we are seeing this through Sophie’s eyes we gain a lot more than if it was a third person narrative. The room for deeper emotions adds more meaning to the story, especially crucial in one that explores things Rae does in this novel.

In terms of writing there are a few description sentences where things like clothing is explained, they stand out slightly but not in an annoying way but perhaps there is room for a more fluid inclusion as they occasionally have purpose behind their mention. Though really, with her writing and storytelling Rae draws you in with character and plot so well that the rest is pretty much unimportant. Characters drive this story and they bring the intrigue, mystery, and excitement along with them that leave you hanging out for the next book.

To learn more about Nikki and her work here are the usual suspects
Goodreads
Twitter
Blog
Author page
The Sunshine Series page
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Where to find her books
Sunshine on Amazon
Sun Poisoned (Book #2) on Amazon
Smashwords
Barnes and Noble

Published: June 25th, 2013
Publisher: Spence City
Pages: 248
Format: Book
Genre: Romance/Fantasy
★ ★ ★ – 3 Stars

Sara had always been careful.
She never spoke of magic, never associated with those suspected of handling magic, never thought of magic, and never, ever, let anyone see her mark. After all, the last thing she wanted was to end up missing, like her father and brother.
Then, a silver elf pushed his way into Sara’s dream, and her life became anything but ordinary.

I was given an ARC copy of this book by the publisher.

Copper Girl is the story of Sara, from the blurb we know nothing except that she had always been careful, never spoken of magic, and never revealed her mark. Then, a silver elf called Micah pushes his way into Sara’s life, a mysterious elf who knows things others don’t, and her life becomes anything but ordinary. We watch as Sara learns more about her family, her world, and herself, and in doing so reveals that the start of something important is about to begin.

The hint of hidden magic draws you in and with no explanation why, aside from a missing father and brother, your mind begins to deduce and create its own answers before you even begin. The answer I was creating was not what I expected from this book. Provost has done a great job in creating this world, this dystopian world where magic has become something to be hidden, something wars have been fought and lost over, and something that is punishable by those who now run the government.
On the opening page we are introduced by a standalone sentence that suggests the coming action has created a problem. This sets you up immediately waiting to see what this problem is, and when it arrives with no clear indication it is a problem, that just creates more mystery, making you keep going. From this beginning though I felt the follow up was a little strange, and as the story began it took me awhile to completely understand what was going on; the explanations are scattered and you have to keep track and recognise what is information that must be remembered and what isn’t. Terms and phrases are used in conversations that are important, and you realise that they are important yet you don’t know what they mean or have any understanding of what they are.

One of the main aspects that I was confused with was the switch between regular and italicised text. The story is told from Sara’s point of view, but while she narrates her life there are also moments where the narrative halts while something is explained, whether it is her job description or telling us about the war. These remain in Sara’s voice, but they definitely feel like it is a paused moment in the story to add information, then the story continues. These italic sections are not always for explanations sometimes they are dreams and memories that are part of the narrative, small tangents like the mind wandering off topic so they seem to hold different purposes; in the end I found it easier to just read them without thinking of them as something separate and I found that after a few chapters the italics sections disappear.

The good news is that after this bump in the beginning a pretty great story emerges. The idea that Provost has created with this dystopian world, hidden and banned magic, and a monotonous and yet highly regulated existence, is rather enticing. The post war environment was not apocalyptic, more highly run with contraband, curfews, and strict regimes and routines that should be adhered to to keep things running smoothly. It is a bother but with Sara being used to it, you get the idea that people just do what they do and get on with it, with just an occasional comment at its unfair nature. The magical aspect with the Otherworld, the concept of ‘Metals’, as well as the secrets and capabilities of those who possess magic is also engaging and leads itself to being explored at greater length and from multiple angles in the series.

Trying to understand the relationship between regular humans and the magic was interesting, but not hard to comprehend. The coexisting worlds were well explained, as was the outcome of the conflict. From what I understood of the War and the world that existed before it was that it seemed to be very similar to the X-Men. Humans and those with magic coexisted until those without became paranoid, fearful, all the usual responses, thus creating war and sending magical people underground or into submission. The resulting society is not explained completely, but we catch glimpses as Sara makes reference or certain events reveal the life they all now lead.

There was uncertainty about the nature of the world, the same with the other parts in the beginning, but the confusion I got is soon smoothed out as the story goes on. The slow reveal technique has its advantages and disadvantages; the key is I think to know what works best and where. Certainly secrets and mysteries can be revealed in the narrative slowly, however the set up of the world and the systems in place perhaps could have been explained earlier than it was. Once we were given this information there was a greater understanding of the society, which in turn supported and aided the characters and plot nicely.

The characters in the novel are good. They are unique, each with their own personalities and peculiarities that are humorous and mystifying. Sara is a great character, she has a wit and a sarcasm about her that makes her enjoyable to read. She is a young adult from what I could determine and she is caught up in these two worlds, all of which bring out her character really well. Micah is a strange character, he is very forward, a tad annoying at times, though his reasons for his behaviour are understandable. As the love interest I felt that his relationship with Sara happened very quickly and with little or no questions. He comes on very strong and she falls fast. The issue I had about their fast affection is explained towards the later part of the book which was ok, having an explanation makes it much more understandable.

Aside from Sara, and partially Micah, most of the remaining characters are not explained with a lot of depth. Their past, history and nature are revealed as the plot requires, or within family dynamics and other relationships, but being the first book in the series one can hope that they are developed further as the series progresses.

When the real world and the other realm truly combine it is quite late in the book, with the relationship between Micah and Sara taking up a lot of the book. The relationship is interesting, Provost explains the emotions and the hold they have over one another, yet a few aspects such as dream walking seemed unexplained, resulting in the idea to be pieced together as the story continued. This was ok, but considering there were clear moments where we’re told a history or something, a longer explanation would not have gone astray.

I did like that Sara existed in a world, and came from a world where magic was known, and she herself was magical. This reduced the level of surprise when it is reintroduced into her life and makes this different than stories where an issue of a non-magical person having to come to terms with being magical or understand magic is hard to do properly. Even with her existing knowledge Sara is still naive, she tells us that she was very young when the war happened, and she grew up with no magic and was not old enough at the time to be introduced to the world entirely. This situation of her being half in the door means that she is learning some things alongside us, but without the need to accept the entire concept, just filling in a few blanks about history and certain elements. I think this is where the unbalance about what is told and what isn’t happens. Having a character knowing so much results in too much telling to catch up the reader and leaves nothing for us to piece together ourselves, but on the other hand without any information we can become lost due to lack of telling. Provost switches between both, some information is unnecessarily included, left out completely, or told at just the right time.

As the reader who knows nothing, a lot still seems a bit unanswered, with enough history given, yet not enough at the same time. I felt like I had missed something or that the fleeting explanations were not enough. It didn’t hinder the story exactly, I knew what was going on, however the information and world Provost hints at seems so rich with history and magic that I wanted a grander introduction to it all. Perhaps slowly revealing bits and pieces throughout is enough, and maybe it was just my desire to have the complete history that was on my mind. I can only assume that more is to be revealed in the coming books.

The ending was very well rounded, there was no direct cliff hanger, but there was enough to see where the story could grow. We are given an introduction into this world and enough to peak curiosity about where it is headed, but we are not left in the middle of a scene or without real answers to leave us unfulfilled and impatient for book two. I look forward to the second in the series to see how this plays out and hopefully to get a greater understanding of the intricacies of the society and otherworld complexities.

Copper Girl comes out 25 June thanks to Spencer Hill Press and Spence City.

GIVEAWAY (US & Aust only)

Thanks to Spencer Hill Press and Spence City I am offering some goodies to celebrate Copper Girl coming out. Those who enter go in the draw to win

A token (replica from the book)

$10 Barnes and Noble gift card

T-Shirt

Update: Now, there is a Rafflecopter widget but WordPress is against them being in posts but I have been fiddling and I think we can get it to work another way, so you can continue with the first tweeting/commenting combo, or you can hopefully click the link and open the widget up and enter that way. Let’s see how that goes. If it doesn’t work, let me know and I will revert back to only original set up. Those already entered via comments are still included in the draw.

Options
1) Enter via the Rafflecopter widget

OR

2) Tweet the book’s Goodreads link and you get two points towards winning. Once you tweet the link, provide your name and your Twitter name in the comments of this post so I can check your entry.

Example tweet:

“Tweet a link to Copper Girl’s Goodreads page to enter the competition over at @lostinagoodbk http://wp.me/p3x8rS-8i http://www.goodreads.com/book/show/16193519-copper-girl?ac=1”

Entries close on 24 July. Good luck!