Exit Through the Gift Shop by Maryam Master

Published: 21 July 2021Goodreads badge
Publisher:
Pan Australia
Pages: 216
Format: Paperback
Genre: Junior Fiction
★   ★   ★ – 3 Stars

Anahita Rosalind Ghorban-Galaszczuk (yes, that really is her name but you can call her Ana) is discovering that life is absurd. As if dying of cancer at the age of 12.5 isn’t bad enough, she still has to endure daily insults from her nemesis, Alyssa (Queen Mean) Anderson. Ana’s on a wild roller-coaster of life and death, kindness and cruelty, ordinary and extraordinary. And she’s got a few things to do before she exits…

I enjoyed this book but it also got me really invested in some of the bullying aspects so there are some smidge spoilers in here. I tried to be vague but there are some mini spoilers ahead as my impassioned response took over.

Being a book about a child with cancer is going to divide a few readers. I think though that sometimes having a book where it isn’t doom and gloom is a powerful choice. It isn’t about the disease it’s about living life with the disease and Master has chosen that route well. The fact this side plots with a case of severe bullying was a wild decision but again, Master manages to tie into Ana’s life philosophy and really highlights her character and strength, even if I wasn’t pleased with some of the directions the plotline took.

I thought from the blurb this would be a general mean girl taunting situation, not full scale years of targeted horrific abuse. The description of bullying, and the years of emotional and borderline physical abuse this girls suffers is enough to break anybody. If she were a different person she could have taken it to heart and really withdrawn, hurt herself, or worse. It’s only that she’s kept a positive attitude and acknowledges the bad behaviour to make light of it, while still mentioning the dread it causes. ‘Recognise it, but ignore it’ is her approach.

I understand her plan of not saying anything, and not standing up for yourself. It’s hard. But I thought her new plan was brilliant. There are laws now, she found the right law, and she had the evidence. The plan was great, she finally told her parents. The fact she stops because she discovers something about her bully is ludicrous.

What if she never discovered that? What if the bullying got so bad she’d killed herself to escape it? What if she harmed herself because she believed what this girl was saying? I cannot believe after all the great things Master was putting in here that that was the result. There is being the bigger person and there is justifiable consequences for this horrific abuse.

“As horrid as Alyssa had been and continued to be, her life obviously sucked and getting the police involved wasn’t going to help anyone.”

Disagree. It will teach her a lesson and make her realise her behaviour. It might give her some help or support, or some perspective about other people. Tell her there are consequences for her actions and it could stop her doing it to someone weaker than Ana. Disgraceful.

I know we have to teach kids to be nice, but I think there is also an important lesson about teaching them when to avoid someone, tell and adult, and leave each other be. You can’t make someone forgive you or be nice to you after years of singled out, targeted bullying. Especially when it continued after the news came out this twelve year old was dying for goodness sake. If that doesn’t make someone come to their senses nothing will.

I wished there was less ‘make the bullied kid stand up for themselves’ instead of having a teacher and parents address the issue in a one on one situation. Let the adults know about what happens but make the kids deal with it isn’t a great solution.

I will stop going on about it, but it really got up my nose how Master executed this plotline, especially when we came so close to a real solution that could have real world positivity for readers who experience the same thing. Or might change their own behaviour as a result.

Other than that I enjoyed Ana’s approach to her diagnosis and her plan for the last part of her life. There are random references to hospitals and Ana’s weakening state but Master filters these in so well you forget sometimes that there is a physical toll of Ana’s condition. It is sad, but with Ana as our narrator she never makes us feel too depressed, she goes on with life plans and a smile and is taking her life into her hands. Ana’s voice is definitely the tone setter. It is surprisingly light-hearted and funny, she navigates things like family drama and puberty with grace and with as much ease as she gives her terminal diagnosis. She has a time limit on her life but there is still life happening in the meantime.

Her friendship with Al was great, he is a wonderful support for her as well as a distraction and a sounding board for her troubles.

I loved the ending because as readers we’re given no definitive answers. Ana’s philosophy about life is to be lived and how everything matters and nothing matters is a nice message and not having a solid ending leaves readers with hope even with the knowledge of the inevitability of it all.

You can purchase Exit Through the Gift Shop via the following

QBDBooktopiaAngus & Robertson

Fishpond | Amazon Aust | Audible

The Love Hypothesis by Ali Hazelwood

Published: 14 September 2021 (print)/30 September 2021 (audio) Goodreads badge
Publisher:
Little Brown/Penguin Audio
Pages: 384/11 hrs and 51 mins
Narrator: Callie Dalton and Teddy Hamilton
Format: Audiobook
Genre: Romance
★   ★   ★ – 3 Stars

When a fake relationship between scientists meets the irresistible force of attraction, it throws one woman’s carefully calculated theories on love into chaos.

As a third-year Ph.D. candidate, Olive Smith doesn’t believe in lasting romantic relationships–but her best friend does, and that’s what got her into this situation. Convincing Anh that Olive is dating and well on her way to a happily ever after was always going to take more than hand-wavy Jedi mind tricks: Scientists require proof. So, like any self-respecting biologist, Olive panics and kisses the first man she sees.

That man is none other than Adam Carlsen, a young hotshot professor–and well-known ass. Which is why Olive is positively floored when Stanford’s reigning lab tyrant agrees to keep her charade a secret and be her fake boyfriend. But when a big science conference goes haywire, putting Olive’s career on the Bunsen burner, Adam surprises her again with his unyielding support and even more unyielding…six-pack abs.

Suddenly their little experiment feels dangerously close to combustion. And Olive discovers that the only thing more complicated than a hypothesis on love is putting her own heart under the microscope.

I enjoyed the prologue; it was a creative way to bring in the characters and while you know where it will lead, it’s not total impossible scenario and plays well into this romantic plotline.

The beginning is a rough outline of easily ridiculous moments as well as various terminology. I don’t see how someone can be your ex after two dates, you certainly didn’t have a boyfriend after two dates. You just say you didn’t connect and move on. It hardly counts as an ex.

The scientific stuff is blended in creatively and isn’t hidden or dismissed. I enjoyed learning about Olive’s work and how her research is structured. Hazelwood doesn’t explain anything to the reader but things are implied through context so you don’t lose out not knowing exactly what is going on. It also saves readers being pulled from the story for unnatural discussion about science terminology. This works for conversations between Olive and Adam too, it is believable that two scientists would chat in this way about their work and not explain things they would already know. It’s a trap that happens far too often and I love when readers are given credit to gain context or use the internet to look something up if they really want to know. Having said that it isn’t all Latin terminology and scientific names, even the most clueless reader can understand what is going on enough to not be taken out of the story for not understand anything either.

Adam and Olive are an interesting match, they bump heads but at the same time are in similar fields so they have enough in common to be amicable and understand each other. Adam’s reasons to go along with the fake dating is plausible, and even if Olive’s is tenuous at best, if we put a lot of faith on her friend’s fragility in her emotions then it also works.

The romance element is well done. It’s slow and gradual, each party in it for their own reasons. There is one chapter that’s an incredibly detailed sex scene, but once you get through that the story gets back on track.

I liked their slow comfortableness, though Olive is a tad stupid at times. It’s unreasonable to think they’d know everything about each other after only two weeks, it wasn’t a big deal they hadn’t covered every aspect of their lives in that time, even if they were talking more than ten minutes a week. I did enjoy though that there was no blow up or misunderstanding as a conflict. It was also well done that they separated despite them both not wanting to, the rules of the contract were clear and neither of them wanting to admit any change was nice and spoke a lot to their character.

The in jokes were fun and the structure of the fake dating was realistic (as it can be). I do take issue with the notion  going on two dates with someone counts as having an ex. They are not your boyfriend and it’s perfectly reasonable to say you didn’t connect and move on and let your friend take a shot. But when you need a reason for your fake dating Hazelwood makes it work. The subtle nature of it and their agreement balanced out the reason behind it and it is an amicable thing to do if we play into the true love/doing it to help a friend aspect.

Not a lot of attention was given to side characters, but for the most part it was easy to forget they were even part of the story so their lack of depth wasn’t an issue (ironic since a side character starts this whole situation). They weren’t needed for the story though as the scientific aspect and Olive’s career trajectory was intrigue enough, her battles of being a woman in STEM and the hurdles she faces gave great conflict and internal struggles, and was a great connection between Adam and herself, solidifying their relationship further.

In my audiobook there was a bonus chapter from Adam’s perspective. When I started I wasn’t interested in it, but as I grew to like Adam through the book I was curious. Unfortunately it turned out to be a crude perspective of their hook up chapter which I didn’t enjoy and skipped through a lot. I thought, well wanted, the chapter to be his perspective of all the times he had spotted Olive through the years. The man essentially yearns for her so I was hoping his chapter would be the times over the years he’d seen her around the university and his thoughts about her and his longing to talk to her. But alas, it’s just gross ways he thinks about her when they are having sex. It was the full chapter again just from his perspective and it took so much away from his character development in the story I stopped listening.

Overall it was a good book. The plot is solid, the romance works if you don’t mind a few explicit and incredibly detailed descriptions, and I liked the scientific side and the few surprises even if they were expected. Olive and Adam are great characters, and their dynamic works well without either of them changing who they are. It is very much a case of a story that does what it says on the tin. It’s a feel good romance that’s light and fun which if that’s what you’re after it’s the perfect solution.

You can purchase The Love Hypothesis via the following

QBDDymocks | Booktopia

 Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

The Duck Never Blinks by Alex Latimer

Published: 11 July 2023Goodreads badge
Publisher:
Roaring Brook Press
Illustrator: Alex Latimer
Pages: 32
Format: Picture Book
★   ★   ★  –3.5 Stars

Do you see that duck over there?
That duck doesn’t blink.
Even if you look away then look back real quick.
Even if you tell it a really funny joke!
Perfect for fans of interactive stories like Do Not Lick This Book and Duck! Rabbit!, The Duck Never Blinks will have kids and adults alike bawling with laughter as they spend time with this one very sly duck.

I like books where the narration addresses the reader, but in a way where the author is trying to tell us about their woes. It’s like Latimer has pulled us aside and said, ‘hey, see that duck? It hasn’t blinked.’ And now we’re being pulled into their situation to help solve it.

In the same vein of the Pigeon series, I like that the story involves studying a creature. The creature in question is a duck, the most seagull looking duck you’ve ever seen, but a duck all the same. The comical design of the duck is great, and it is a design that plays well into the never blinking because despite the basic design, you can feel it staring into your soul.

It is a good book to read aloud and there are fun activities to do to help make the duck blink like shouting, telling jokes, and sad stories. Latimer uses the layout well to show the passing of time and they keep the focus on the duck with no real background or distraction.

It’s a cute story and one that is predictable in a fun way that gives satisfaction to the reader. It’s fun to watch this exasperated narrator try their best to make a duck blink and while you never find out why they need to see it, it’s great to watch them try.

You can purchase The Duck Never Blinks via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust

It Sounded Better in My Head by Nina Kenwood

Published: 07 April 2020 (print)/4 Jan 2023 (audio) Goodreads badge
Publisher:
Flatiron Books/Wavesound from W. F. Howes Ltd
Pages: 272/7 hrs and 19 mins
Narrator: Maddy Withington
Format: Audiobook
Genre: Young Adult Contemporary Romance
★   ★   ★ – 3.5 Stars

When her parents announce their impending divorce, Natalie can’t understand why no one is fighting, or at least mildly upset. Then Zach and Lucy, her two best friends, hook up, leaving her feeling slightly miffed and decidedly awkward. She’d always imagined she would end up with Zach one day―in the version of her life that played out like a TV show, with just the right amount of banter, pining, and meaningful looks. Now everything has changed, and nothing is quite making sense. Until an unexpected romance comes along and shakes things up even further.

I always feel a bit bad when I finish a book and my opinion is it was ‘fine’. Perfectly average, decent story and good. Unremarkable but good. Why is that a bad thing? It’s a good book, didn’t need to be amazing or the best thing I’ve ever read. It wasn’t bad. I didn’t hate it. I enjoyed it. Yet I still feel a bit guilty.

There were of course reasons why it’s an average rated book not a highly rated book. In terms of the romance, I felt it comes from nowhere. We aren’t given anything to base it on, Natalie even mentions she’s barely even spoken to Zach’s brother, they hardly acknowledge one another, so the fact he suddenly takes an interest and she reciprocates feelings was a stretch. Also, discovering Alex was only 19 made me feel better, I was thinking he was 20 or 21 so him suddenly having an out of blue interest in Natalie once she’d turned 18 felt weird but we’re all good on that front.

Natalie talks about her body a lot, as well the accompanying anxieties. Because it’s such a key point of the story, I found it hard to believe that someone who has never kissed anyone, has incredible body issues, and spends most of the book talking about her skin insecurities, would let a first kiss go on for as long as it does and be that physically intimate. There are some references down the track about her worries so Kenwood does remember she’s subconscious about it.

There is a good acknowledgment and criticism of societal expectations and people needing a boyfriend (and why not a girlfriend etc) and other out of date ideas which I enjoyed. There are fleeting moments of LGBTQIA+ support but then quickly falls back into the idea that kissing someone is super important and a key experience people need to have around her age. For every step forward there were as many steps back.

One thing that was good was the reminder that even at 18 and 19 these are still teenagers despite being legal adults. There are short tempers, emotional misunderstandings because people are so in their heads, and the nervous and anxious feelings of being around “real adults” and being interrogated can still shrink you down.

Withington is a good narrator. I was never taken out of the story and her expression of the characters was great. Kenwood keeps us in Natalie’s head a lot but we do get to explore the other characters well enough. The unexpected divorce doesn’t come into play as much as you’d think and I did enjoy Natalie’s thought trails as she plans ahead about what she think will happen and is sixteen steps ahead with what she’ll do before anything has even happened. That was fun.

Overall it was…perfectly fine. A good book, decent story. It was different with a main character who had a different set of body issues to contend with, and different anxieties, but Kenwood balances it well so it doesn’t make her intolerable to the reader while still making us understand how debilitating these issues can be.

You can purchase It Sounded Better in My Head via the following

QBDDymocks

WorderyBlackwell’s | Angus and Robertson

 Fishpond | Amazon | Amazon Aust | Audible

Red: A Crayon Story by Michael Hall

Published: 3 February 2015Goodreads badge
Publisher:
Library Binding
Illustrator: Michael Hall
Pages: 40
Format: Picture Book
★   ★   ★   ★  – 4 Stars

Red has a bright red label, but he is, in fact, blue. His teacher tries to help him be red (let’s draw strawberries ), his mother tries to help him be red by sending him out on a playdate with a yellow classmate (go draw a nice orange ), and the scissors try to help him be red by snipping his label so that he has room to breathe. But Red is miserable. He just can’t be red, no matter how hard he tries Finally, a brand-new friend offers a brand-new perspective, and Red discovers what readers have known all along. He’s blue This funny, heartwarming, colorful picture book about finding the courage to be true to your inner self can be read on multiple levels, and it offers something for everyone.

I love Red. When I first read it years ago it was a brilliant way to explain how people can be different on the inside than what their ‘label’ says they should be on the outside.

What is great about this book is its subtleness. It’s an easy metaphor for gender and even neurodivergence, but it is also a story for everyone about trying to be someone you’re not. No matter who you are, you should always be yourself, and not try and fit into the expectations others have put on you. You will feel more comfortable being true to yourself than stressed and worried trying to be someone you’re not.

The people around Red telling him to try harder, to do what he’s are supposed to so based on his label, not to mention the judgements that come when Red inevitably fails is perfect. If you’re expected to be able to do something, or supposed to act a certain way and you don’t it can make you feel like a failure. Hall gives us a story about the feeling of trying and trying but never being able to fit in how you’re supposed to, and maybe that’s ok.

Crayons and colours are a great teaching tool and being blue while looking red on the outside is a wonderful example of despite trying to do what you’re supposed to do, somethings you can’t help it. Red wants to draw strawberries, wants to help draw an orange, but he can’t.

It’s a great example that what’s on the inside is important no matter what someone’s exterior looks like and even if that is different, they still have value and can contribute in their own unique ways.

You can purchase Red: A Crayon’s Story via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

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