The Wonderful Wizard of Oz by L. Frank Baum

Birthday

L. Frank Baum, the mind behind The Wonderful Wizard of Oz, was born today in 1856. Baum was the seventh of nine, and grew up in New York. He began writing at an early age, and with the help of a printing press his father gave him, he started publishing newspapers and small journals with his brother.

By the time Baum would come to write the story of Dorothy he was 46 years old and having tried many occupations before in newspapers, theatre, and even fancy poultry breeding which apparently was a thing at the time. The book became a best seller for two years after it was published, and was soon turned into a musical stage version. A lot of the novel was altered for the stage, including the removal of the Wicked Witch of the West, and was aimed at adults more than children. The plot is almost nothing like the original, though Dorothy landing on the witch ends up in there, as does the Scarecrow, Tinman, and Cowardly Lion, though the Tinman and Scarecrow look like characters in a horror film. A summary of this play can be read here.
There have been many adaptations of The Wizard of Oz in many formats (the book and musical Wicked and the film The Great and Powerful Oz the most recent), and Baum himself wrote many more adventures for Dorothy and the Land of Oz. Initially Baum only intended on writing the one book, but the popularity and request for more Oz adventures made him write more. In some ways it is a bit like the Chronicles of Narnia, each book looks at the same area, but different sides of it, and new characters and places are explored, but it is still Oz. Dorothy even goes to live in Oz for a while which would be interesting to read about.

Baum died aged 63, and the final Oz book, Glinda of Oz, was published in 1920, a year after his death. Other writers continued the Oz series though, most notably Ruth Plumly Thompson, who wrote another nineteen in the series. When I learnt this I was rather glad I only even knew of one book. Similarly to Black Beauty, I think the story is very nice on its own, but I do understand where more stories could be added and sometimes prequels can work better than sequels.

Out of all the stories of Dorothy people remember the original book the most, possibly trumped only by the Judy Garland movie in 1939. It is very hard to review this book without comparing it to the classic movie, but I will try my best not to do it as much. The movie is very different from the book in some parts, while other parts are the same. The book has a bit more danger and violence, though it is only mild.

Published: October 3rd 2006
Goodreads badgePublisher: Signet Classics
Pages: 220
Format: Book
Genre: Junior Fiction
★   ★   ★   ★  – 4 Stars

A cyclone hits Kansas and whirls away Dorothy and her little dog Toto to the magical Land of Oz, where wild beasts talk, silver shoes have magic powers, and good witches offer protection with a kiss. But Dorothy has made an enemy of the Wicked Witch of the West. With her new friends the Scarecrow, the Tin Woodman, and the Cowardly Lion, they brave many dangers in search of the Wonderful Wizard in his Emerald City at the heart of Oz to ask him to grant each of them what they most desire.

Baum wrote in 1900, “the story of The Wonderful Wizard of Oz was written solely to please children of today. It aspires to being a modernised fairy tale, in which the wonderment and joy are retained and the heartaches and nightmares are left out.” And I think it lives up to this immensely; there are the heroes that can be identified with, and the villains that need defeating. This brings the wonder of the fairytale to life in a new way and in a magical land that is far from the reality of the real world.

The story opens on Dorothy, a young orphaned girl living in Kansas with her Aunt Em and Uncle Henry and the scene is set. Baum describes Aunt Em and Uncle Henry as being grey, with sullen looks with a stern face and no reason to be merry anymore. The Kansas landscape is also described as grey, grey prairie on every side, the ploughed land is a grey mass, the house had turned grey, and even the grass was not green, burned by the sun to turn it grey as well.

This description makes Dorothy’s arrival in Oz so much more wonderful; the colours describes gives an obvious contrast to the life she saw at home. The sequence of getting Dorothy to Oz is a simple one: Uncle Henry feels a cyclone coming but before Dorothy could get herself and Toto to safety in the cellar with her aunt, a great wind shakes the house causing Dorothy to fall over. The cyclone arrives suddenly and picks up the house, with Dorothy and Toto still inside.

When the house lands, Baum shows us the difference of Oz compared to Kansas instantly, as the bright colours and sunshine are our first introductions. As Dorothy leaves the house we are then introduced to the Munchkins, the people who live in the land. When the house fell, the Munchkins called for the Witch of the North and it is through the Munchkins and the witch we are told a little about the land.

The Munchkins explain about the four regions and who lives there, while the Witch of the North explains that Oz is an uncivilised country, and as such it still has witches and wizards amongst them, four witches in total, two good and two bad. Having crushed one with her house, Dorothy has freed the land from one of these witches. Dorothy is given the Witch of the East silver slippers as a gift, slippers that hold magical properties but no one knows what they are.

The Witch of the North is introduced as a little old woman, and when Dorothy is faced with the prospect of living with the Munchkins forever, the witch uses her magic to find a solution; this is of course to go to the City of Emeralds and seek help from the Great Wizard, Oz.  What I found was interesting was that the slippers were not a key focus initially; in fact Dorothy puts them on the kitchen table at first and forgets about them. Only as she is about to leave she puts the slippers on mainly because her current footwear would be unacceptable for the walk she was about to do.

I enjoyed Baum’s descriptions in this book of characters and of the land; they are simple but very telling at the same time. He uses descriptions well and in the right places, so while the story may change quickly in some places, other parts are prolonged and drawn out. But all the while a lot of it does not delve into anything too deep and emotional; it has the air of practicality and doing what needs to be done.

Through her journey to the city Dorothy gathers companions by the way of a scarecrow, a tinman, and a lion, all choosing to come with Dorothy and ask the Wizard for their own desires. As the four travellers continue, they face many obstacles including deadly poppies, vicious Kalidahs (a monster with the head of a tiger and the body of a bear, oh my!), and a river.

The city itself is described as being beautiful, and Baum captures the feeling of its splendour well. The next stage in the journey begins when, upon meeting the Great Wizard, he gives Dorothy and her companions a mission, only then will he help them. The dangers and mild violence come from the Wicked Witch of the West herself, sending wolves, bees, soldiers, and crows after the group; these however are either killed or scared off by one of the party. The story with the Witch and Dorothy is so different from the movie is what makes it wonderful. There is a plan and a scheme from the Witch’s perceptive and she takes her time.

The act of getting Dorothy home is a long and complex process, we are shown almost all the regions of Oz, and Dorothy and her companions meet all three remaining witches in the land. There are many tasks and quests undertaken before Dorothy can get herself and Toto home, and it is through these journeys that Baum provides us with the fate of the companions and what is to become of them once Dorothy returns.

There are so many more characters and adventures in this book than in the movie it really makes the journey seem a lot more challenging, and puts a lot more emphasis on Dorothy and her friends in their actions and saving themselves. There is magic, but there is also a lot more simple bravery and saving oneself.

When Dorothy eventually returns home we are given the impression that her absence has been in real time, and it was not a dream. That is the best part; I often felt the movie made things too simple by simply having her wake up. The ending is abrupt, but the point is clear: it’s good to be home.

There is no indication of what happens now she has returned, whether things return to their normal grey selves or not, but this is where looking into the sequels helps if you wanted to know, it enables you to see what happens next to Dorothy and her family. It is definitely an excellent story, and one that has been loved by everyone, and often when something has been remade and recreated so often, it is nice to go back and see where it all began.

Happy Birthday Eoin Colfer

Birthday

Today is Eoin Colfer‘s birthday, the genius mind behind the Artemis Fowl series and a range of other wonderful books. Normally I would have a review but I have yet to finish the book so you will just have to wait, instead we will just have to look at the author who has written many amazing books, and who is also the man who was entrusted with writing another book to add to Douglas Adams’ Hitchhikers trilogy. When asked about writing this new addition Colfer said was “like suddenly being offered the superpower of your choice…For years I have been finishing this incredible story in my head and now I have the opportunity to do it in the real world…It is a gift from the gods. So, thank you Thor and Odin.” As I mentioned in the Douglas Adams post, I think it was an excellent choice, he has yet to go wrong in my eyes; and, he also wrote a Doctor Who story, I mean is there anything he can’t do?

Eoin Colfer (pronounced Owen) was born in Ireland and in 2001 published the very first Artemis Fowl book, and aren’t we very glad he did. This started off the worldwide attention and his Artemis Fowl series is still going strong with the latest book The Last Guardian released in 2012. There are also many other works away from Artemis such as The Supernaturalist, and The Half-moon Investigations, both possibly gaining sequels, as well as standalone novels The Wish List, and Airman. There is even, for avid Artemis fans, a rage of companion books that shed more light on the Artemis world, and Colfer is even part of a collaborative novel called Click that is described as “one novel, ten authors”.

In April, Colfer did a Virtually Live talk where he discussed his new book, and first book of a new series, W.A.R.P The Reluctant Assassin. The full talk can be watched here, it does go for 50 minutes but it is well worth it. Colfer discusses his new book, where he gets his ideas, as well as some very funny stories and even a little bit of magic. I have to say listening to his stories about writing in school were so inspiring and amazing, it was excellent. I always love listening to authors discuss their ideas and when they started writing or wanted to write, but listening to Colfer as he spoke about the way he created stories as a child was absolutely amazing to say the least.

W.A.R.P, which stands for Witness Anonymous Relocation Program, is his new series and the first book, The Reluctant Assassin, is about Riley, a orphan teenager living in Victorian London. I love when stories are set in the past, especially old London. There is something so great to read stories set in a real past, but with fiction in between it all. Riley is apprenticed to Mr Albert Garrick, an illusionist who uses his abilities to gain access to victim’s dwellings. However when the future and the past collide, Riley is unwittingly transported to modern day London, with Garrick alongside. In a modern day world, and with the help of a 17 year old FBI agent, Riley suddenly finds himself having to find Garrick and try and stop history from being rewritten.

Based on the summary of this first novel, I have to say I am super excited about this new series. I think the idea is creative; it does make me think a little bit of the weeping angels in Doctor Who which is not at all connected but interesting all the same, besides Colfer’s concept with most probably be less scary. With Colfer’s books, I trust that he will give us nothing but his best and create stories, characters, ideas, and worlds that we can engross ourselves in and stand by them long into the future; you only have to look at Artemis Fowl to know this is not only possible but very true.

So I would like to wish Eoin Colfer a very happy birthday, thank him for giving us not only giving the world the masterpiece that is everything Artemis, but all the other wonderful books he has written, and if you have not yet read anything by Colfer yet, I urge you to grab a copy of something, anything and bring yourself into the wonderful world and creations that Colfer has to offer.

An Abundance of Katherines by John Green

Published: October 16, 2008
Goodreads badgePublisher: Speak
Pages: 236
Format: Book
Genre: Young Adult
★   ★   ★   ★   ★  – 5 Stars

When it comes to relationships, Colin Singleton’s type is girls named Katherine. And when it comes to girls named Katherine, Colin is always getting dumped. Nineteen times, to be exact. On a road trip miles from home, this anagram-happy, washed-up child prodigy has ten thousand dollars in his pocket, a bloodthirsty feral hog on his trail, and an overweight, Judge Judy-loving best friend riding shotgun – but no Katherines. Colin is on a mission to prove The Theorem of Underlying Katherine Predictability, which he hopes will predict the future of any relationship, avenge Dumpees everywhere, and finally win him the girl.

I liked this book, I really did. For me it was something so very different and peculiar, yet very emotional without possibly intending to be. This is the story of Colin Singleton, a former child prodigy who is now desperate to stop the pain of being dumped by Katherine XIX and to find a way to matter.

To try and recover from being dumped, Colin and his friend Hassan go on a road trip, which ends shortly after in Gutshot Tennessee after a quest to see the Archduke Franz Ferdinand leads them to Lindsey, Hollis, and a town intriguing enough to stay in. The story is in their time there, something I won’t delve too much in, you have to go on it yourself, there is too much and too little to actually describe to make it not just a simple plot breakdown. I know this book is not a favourite by a few people, but I see that as the same reasons why I loved it. There is a lot of judgement at face value, and either a misunderstanding, misinterpretation, or simple inability to understand Colin as a character that people couldn’t connect with.

As a character there is an awkwardness about Colin; he is slightly too quick to judge, but not necessarily in a harsh way, almost logically based on what is presented to him. Though he is not against changing his opinions, he just needs cause to do so. We see through the story histories and flashbacks that this is who Colin has always been, and the struggle Colin has in being who he is can be insightful. He apologises when he is called out on displaying knowledge, that is a bit depressing, but there is enough in Colin’s straightforward character to know he is not too worried. This is the starting point of his character, a place we get to see change begin, in all the right areas but also not too much.

There is a deep thread of intellect in this entire story, and especially through its characters, but not in a way that feels forced. The knowledge and intellect that are displayed fit perfectly with each character and with who they are as people, and as young adults. Whether this seems pretentious to some, I took as being an excellent addition of a story and new approach to characters.

Also the use of footnotes was a new thing I had not seen in a fiction book before and I thought they were an excellent addition, they didn’t distract from the flow of the story or reading at all, often they were additional thoughts regarding Colin, or an explanation of terms and translations, or simply extra commentary. Their role was to add a little bit extra to the story and do what footnotes are designed to do, hold important information but do not need to be in the main body of work. There are also graphs, but these are woven into the story a bit more than the footnotes, they have narrative purpose, but are nonetheless just as intriguing.

John Green as an author likes to give his characters uniqueness about them, whether it is loving an abundance of Katherines and making anagrams, or, like in Looking For Alaska, it is knowing famous people’s last words. What he puts into his characters gives them uniqueness, a quirk that is not something that is obvious and makes them stand out, but it is just like reality, we all have a strange thing we enjoy, and that is just who we are and what we do.

I often find it interesting about people’s relationships in books. Colin’s friend Hassan continuously tells Colin that what he says and knows is not interesting and no one wants to hear it, but the thing is, I actually do. I am interested that Niko Telsa’s hair stood on end for a week after 50000 currents went through his body. That is interesting to know. I do not understand why people do not like to know things. How is knowing things about the past and the world around you uninteresting, even if they are trivial? Why is it such a bad thing to find things interesting? Niko Telsa, the pigeon lover, is interesting.

The sad thing I found is that Colin listens to his friend Hassan where he shouldn’t, and other times he ignores him when he shouldn’t. Just because Hassan thinks Colin shouldn’t be something, doesn’t mean he should try and change it, however there are some aspects of Colin that need improving so it can be complicated. Hassan himself has his own flaws, everyone has their own flaws, this is not an ideal world with magic and perfection, it is a representation of life. Colin is a failed prodigy, unable to figure out what he is doing, what life is about, and what he should be doing with his time. Hassan on the other side is obsessed with Judge Judy, is one of those friends who seemingly bullies his friend and makes it seem like a joke, and he is too is looking for something to do with his life, even if it is in a less scientific way than Colin.

I’d almost say it is not exactly a coming of age story, in the same way that it is. Colin is essentially lost, he does the metaphorical and physical (albeit relatively short) road trip to find answers, and in doing so he learns about himself. The people Colin and Hassan meet influence them, as does the events they get embroiled in, but all the while Colin continues to find his way to matter. The idea of trying to prevent others from being in the same dumped situation he begins working on trying to prove The Theorem of Underlying Katherine Predictability which he hopes will predict the future of any relationship by using the information from his failed relationships.

But despite being set up this way, there is a lot more to this story. Green has not made it the lifetime adventure or two friends who are off to see the world. They always seem to be wandering and looking for something, even when they are not travelling; and when opportunities come you can clearly see the cracks, and the desires to change who they are. The people they meet influence them and offer outside perspectives on who they think they are and perceive themselves to be, while offering a chance to step outside their comfort zones, whether it is for the better or not is almost irrelevant. That is part of a coming of age story, right?

As for the Katherine’s, we are given a less than chronological history of Colin’s past relationships with Katherine 1 through 19 in this story, and all the while we see how they all played out and how it affected Colin and his desire for the Theorem. What Green has done rather well is he introduces us to information, and either in footnotes or through dialogue he essentially tells us that it will all be explained in the end. We are given references and clues, or mentions of the Katherine’s past, and we must read on to see the connections, where these references originate, and why they are important. This is the case not just for the Katherines, but for other information as well.

The characters certainly drive this story, you see how they grow and interact with their surroundings, and with not a lot going on in Gutshot, there is a lot of value placed in the people within the town. This helps because you really get to see the characters as they are, who they are around other people, and who they are desperately trying to be without the weight of an intense and dramatic scene overshadowing those involved. Surely that is the magical part in this story, no matter who you are, everyone tries to be somebody else at some stage before realising that being who they are is just fine.

I know some people say that this is the least impressive John Green book, but I don’t think this is so, the books are all so separate from one another, and trying to compare them is not going to work. These are not works in the same world with the same characters, they are their own stories, and I would certainly not expect to compare a story against another simply because the other was better. Why would Katherines be worse just because it is not like Alaska? This is flawed thinking. As its own book it is what it is, and I enjoyed it. Comparisons are inevitable of course, but see it for what it is, not because of what it isn’t.

I think you should read this book, and even if you don’t like it, dislike it for what is it, not for what it isn’t. Though if you get nothing else from this book, something it does do is make Pi look easy enough to remember if you’re committed enough; I have only been able to get to six decimals, that’s my achievement, it seems I should be able to do more.

The Owl and the Pussycat by Edward Lear

Birthday

The Owl and the Pussy-cat went to sea
In a beautiful pea green boat,
They took some honey, and plenty of money,
Wrapped up in a five pound note.
The Owl looked up to the stars above,
And sang to a small guitar,
‘O lovely Pussy! O Pussy my love,
What a beautiful Pussy you are,
You are,
You are!
What a beautiful Pussy you are!’

 

 Pussy said to the Owl, ‘You elegant fowl!
How charmingly sweet you sing!
O let us be married! too long we have tarried:
But what shall we do for a ring?’
They sailed away, for a year and a day,
To the land where the Bong-tree grows
And there in a wood a Piggy-wig stood
With a ring at the end of his nose,
His nose,
His nose,
With a ring at the end of his nose.

‘Dear pig, are you willing to sell for one shilling
Your ring?’ Said the Piggy, ‘I will.’
So they took it away, and were married next day
By the Turkey who lives on the hill.
They dined on mince, and slices of quince,
Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
They danced by the light of the moon,
The moon,
The moon,
They danced by the light of the moon.

This is one of my favourite Edward Lear works, and one of my favourite poems. What I did not realise was that he actually had another poem called The Children of the Owl and the Pussycat, it is interesting, and told from the perspective of the children. It is unfinished so it is interesting to see how it would have ended up, but it was published posthumously, you can read it here.

Edward Lear’s 201st birthday is today, and as a writer he is known mostly for his nonsense poems and stories and for popularising the limerick. His vast collections of The Old Man from Peru, The Young Lady of Leeds, and all the other people who were absurd and outrageous are long remembered. It is the time to also note that Edward Lear is not responsible for The Man from Nantucket, I just want to put that out in the world. Lear’s Old Men and Women were a lot less ribald and vulgar.

Lear was born in 1812 in England and was the youngest of twenty one children. He was a strange man, apparently he was known to introduce himself with a long pseudonym. It seems the idea came from a game in Aldiborontiphoskyphorniostikos by R. Stennett, which itself is strange. It seems players had to read the snippet for each letter of the alphabet as fast as they could without making a mistake. If you are intrigued there is more information here, but it seems Lear took a fancy to this and introduced himself as “Mr Abebika kratoponoko Prizzikalo Kattefello Ablegorabalus Ableborinto phashyph” or “Chakonoton the Cozovex Dossi Fossi Sini Tomentilla Coronilla Polentilla Battledore & Shuttlecock Derry down Derry Dumps”. Wouldn’t we all want to do that if we could?

But aside from that strangeness he made his living as an artist before moving into the world of wit, word-play, and fantasy in his books of nonsense. He was an avid traveller across the globe, partially to maintain good health, but also to find fresh material. Over the years he wrote many books of nonsense prose and poetry, but he was also an artist and many of his books had illustrations of animals and plants, and there are also music and songs in his collection of works too. The first Book of Nonsense was published in 1846 and was added to with additional volumes. It was originally designed to please the children of an artistic patron but soon became Lear’s calling.

In honour of his birthday I compiled a limerick of my own, if you were on Twitter you would have noticed my attempt to share some of his own works, but it seems that 140 characters does not assist in creating poetry, even a little limerick. I feel a Haiku may have just fit but what can we do, the man wrote limericks. But I managed to get mine in and I will share by creativity here with you. Here is my limerick to honour the man who gave us the wonderful Owl and his adoring Pussycat, and when you are feeling low, just take some time, read a limerick or three and it will do you the world of good.

There once was a blogger in Oz,

Who wrote a limerick because,

It was Eddie Lear’s day, and she wanted to say,

Happy birthday with one of his songs.

Legacy Lost (#0.5)

Published: 22nd May 2012
Goodreads badgePublisher: Tom Doherty Associates
Pages: 32
Format: Ebook
Genre: Young Adult/Fantasy
★   ★  – 2 Stars

Legacy Lost is a prequel story to Anna Banks’ debut novel, Of Poseidon.
He is a mer-prince, she is the mermaid princess that his family orders him to marry so that their kingdoms unite. Grom dreads this arrangement, until he meets Nalia — both beautiful and smart, she’s everything he ever wanted. But just when their connection grows deeper, tragedy strikes.

I thought since I mentioned it we need to add in the review. It is short, mainly because the prequel was short, but there isn’t much I want to say about it, partly for spoilers, and partly because it was annoying. Oh my was it annoying. I don’t think my eyes have rolled that much in a story until I read this story. Like most prequels, this is one that really should be read before the main first book because it makes you read it very differently when you know the future, even if you miss out on a lot of information given in the book. It is supposed to be an extension on the backstory of events mentioned in Of Poseidon.

The main players are Grom, who we see in Of Poseidon, and his intended mate Nalia. This is a story of the past so Grom is younger than in the book, and the story revolves around the events leading to the union of the pair. By the end of this story it does become something pretty reasonable, but for the most part it was very weak. Grom is a complainer for the first part of the story and after awhile it gets a bit annoying, but then he changes it to being this forward, clichéd and failing to be romantic guy and it makes you wish he was complaining again. There is a scene between Nalia and Grom reuniting after a period of time and it is eye rolling at best. It is stilted and corny and there is a line in there that reminded me of Princess Bride – you know the one, that one, but I think that was my mind trying to think of anything except the story.

Grom’s intentions for his actions are clumsily revealed as the story progresses and they are quite petty with rather childish reasoning behind them, all as consequence for a prophecy and agreement, something that was always known so it was no surprise to anyone. As a character Grom is quite unappealing, in Of Poseidon he seems stronger and tolerable. I know that is set in the future where he would be grown but it is hard coming from the book to this short story prequel and accepting he is the same person. My mind also wandered and certain bits reminded me a lot of Disney’s Little Mermaid which was interesting. As its own story it was poor, and even as a prequel I think it was just ok, but something I think, since this was done so badly, the storyline could have been introduced into the second book in a better way. Perhaps if it was a bit longer Banks could have made it flow a bit better and make the interactions more convincing.

You can purchase Legacy Lost via the following

Amazon

Amazon Aust

Or you can read it here.

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