Agatha Raisin and the Witches’ Tree (#28) by M. C. Beaton

Published: 3 October 2017 (print)/ 23 November 2017 (audio) Goodreads badge
Publisher:
Minotaur Books /Audible
Pages: 192/6 hrs and 33 mins
Narrator: Penelope Keith
Format: Audiobook
Genre: Cosy Mystery
★   ★  – 2 Stars

Cotswolds inhabitants are used to inclement weather, but the night sky is especially foggy as Rory and Molly Devere, the new vicar and his wife, drive slowly home from a dinner party in their village of Sumpton Harcourt. They strain to see the road ahead―and then suddenly brake, screeching to a halt. Right in front of them, aglow in the headlights, a body hangs from a gnarled tree at the edge of town. Margaret Darby, an elderly spinster, has been murdered―and the villagers are bewildered as to who would commit such a crime.

Agatha Raisin rises to the occasion (a little glad for the excitement, to tell the truth, after a long run of lost cats and divorces on the books). But Sumpton Harcourt is a small and private village, she finds―a place that poses more questions than answers. And when two more murders follow the first, Agatha begins to fear for her reputation―and even her life. That the village has its own coven of witches certainly doesn’t make her feel any better…

I didn’t care much about the murders or the mystery, I paid more attention to the filler bits about the characters and their day to day which is odd since usually that’s the tedious part. This time around it was certainly the more interesting part of the book.

I have no issue admitting I have no idea what was going on in the wider story, a lot of little things happened that involved a range of people that favoured my attention more. I genuinely got to the end and realised I had no idea who had been the murderer. It could be Beaton brushed over it so quickly that it truly was a non-event but I think that the murders are less of a feature in these books of late. So often they seem to take a back seat to the general interactions around Agatha and other characters, despite this approach rarely paying off successfully.

The different village is always a nice addition. I think you really can’t sustain multiple murders in a single village, even if they are always the newcomer. Beaton’s crude humour and jarring references can shock you from what is meant to be a cosy mystery but so many books in you can only roll your eyes and keep going.

I found there were contradictory moments around Agatha, it’s like Beaton couldn’t decide if she was fearful for her life or doesn’t care what happens, either through bravado or something else. Agatha must always have her life threatened by various people but this time she alternated between fearful and blasé. If it switched between books that would be one thing, but to have it change within the same book felt strange. This fits in with the overall inconsistencies of the story though, so many books lately need a tighter edit, both to stop inconsistencies and flesh out characters and dialogue more. With so many books now in the series it’s crying out for something new and fresh on the page instead of the usual diatribe.

James rears his head long enough to be an absolute horrible person and I don’t know whether the fact he is Agatha’s on and again off again neighbour, ex-husband, and once established character is why we can’t cast him out, make him move villages or outright murder him and dump him in a local pond.

I am still waiting for Agatha and Charles to realise they should be together. It is truly some of the only good writing in these books the interactions between these two. I like their banter and how Charles cares for Agatha despite the fact he is cheap and a philanderer, and Agatha cares about him in her own way. Beaton is definitely hinting at it and comes so close that to take the extra step it would be an amazing move, and one to finally stop her lusting after every man she meets. Redoing her makeup five times a day, changing her outfit all the time, and wallowing about her age, envious of teenagers and general irritability would all be fixed if she settled with Charles and be satisfied with herself.

I’m so close to finishing this series I can see the end in sight. I’m hoping for good and better things but I’ve been hit with whiplash before as all the progress made suddenly is shafted and we’re back to resetting the characters into shadows of their evolved selves. One can only reluctantly pick up the next book and find out.

You can purchase Agatha and the Witches’ Tree via the following

QBD | Booktopia | Book Depository

Dymocks | Wordery | Angus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

Pushing Up Daisies (#27) by M. C. Beaton

book-bite

Published: 20th September 2016 (print)/20 September 2016 (audio) Goodreads badge
Publisher:
Minotaur Books /Audible
Pages: 280/6 hrs and 22 mins
Narrator: Penelope Keith
Format: Audiobook
Genre: Cosy Mystery
★   ★  – 2 Stars

When Agatha Raisin left behind her PR business in London, she fulfilled her dream of settling in the cozy British Cotswolds where she began a successful private detective agency. Unfortunately, the village she lives in is about to get a little less cozy. Lord Bellington, a wealthy land developer, wants to turn the community garden into a housing estate. When Agatha and her friend Sir Charles Fraith attempt to convince Lord Bellington to abandon his plans he scoffs: “Do you think I give a damn about those pesky villagers?” So when Agatha finds his obituary in the newspaper two weeks later, it’s no surprise that some in town are feeling celebratory.

The villagers are relieved to learn that Bellington’s son and heir, Damian, has no interest in continuing his father’s development plans. But the police are definitely interested in him―as suspect number one. His father’s death, it seems, was no accident. But when Damian hires Agatha to find the real killer, she finds no shortage of suspects. The good news is that a handsome retired detective named Gerald has recently moved to town. Too bad he was seen kissing another newcomer. But when she is also found murdered, Gerald is eager to help Agatha with the case. Agatha, Gerald, and her team of detectives must untangle a web of contempt in order to uncover a killer’s identity.

This is my only Bookish Bites Agatha Raisin review because a short review feels like it needs to be a Bookish Bites and not a regular one. Especially when the book summary is almost longer than the review.

The reason I have barely any notes is because it was a complete non-event. Nothing of any consequence happened that I recall and the events that happen were all over the place. Agatha has weird interactions with strangers and all the new characters have the same rude temperament that Beaton is fond of giving everyone of late.

Agatha’s agelessness rears its head again as she says she is 53. I don’t know why I can’t let this go but it annoys me so much. Time goes on, people reference past events, months and years are mentioned in the story but Agatha is not allowed to age. It’s such a weird line to draw. Maybe a few of these stories take place within the same year and those books where multiple Christmases happen are all part of a time hole that exists in the Cotswolds that everyone knows about and nobody mentions.

The fact I have no recollection of anything that happens in this book is unsurprising given how many of them are basically the same story with new forgettable characters each time. I considered rereading it to see if I could get better notes this time but felt that I didn’t want to subject myself to it again and given my rating I couldn’t quite find the inclination.

You can purchase Pushing Up Daisies via the following

QBD | Booktopia | Book Depository

Dymocks | Wordery | Angus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

The Blood of an Englishman (#25) by M. C. Beaton

Published: 16th September 2014 (print)/11 February 2016 (audio) Goodreads badge
Publisher:
Minotaur Books /Audible
Pages: 294/6 hrs and 18 mins
Narrator: Penelope Keith
Format: Audiobook
Genre: Cosy Mystery
★   ★  – 2 Stars

Even though Agatha Raisin loathes amateur dramatics, her friend Mrs. Bloxby, the vicar’s wife, has persuaded her to support the local pantomime. Stifling a yawn at the production of “Babes in the Woods,” Agatha watches the baker playing an ogre strut and threaten on the stage, until a trapdoor opens and the Ogre disappears in an impressive puff of smoke. Only he doesn’t re-appear at final curtain.

Surely this isn’t the way the scene was rehearsed? When it turns out the popular baker has been murdered, Agatha puts her team of private detectives on the case. They soon discover more feuds and temperamental behaviour in amateur theatrics than in a professional stage show—and face more and more danger as the team gets too close to the killer.

You can really start to see a lack of care in these stories. New characters that can be introduced and removed in one book, no need for backstory or cementing into the established world, simply in and out and on to the next thing. I had to reread this story because I couldn’t recall much of what happens and having reread it I can attest that is because nothing actually happens. It’s a boring story, nothing is memorable and the investigation is filled with a lot of nothing that can’t keep your attention. The plot seems to be random scenes pieced together that have the thinnest connecting thread if any.

Clearly Beaton has given up the complex community of earlier books and now focuses on these extra characters but none of them have any depth. Most pop in an out in one book and they are as shallow and ludicrous as each other. The only characters that keep being included are the detective staff, though less so in this story, and Charles. Beaton includes familiar characters as a reminder that they still exist but they serve no real purpose to the story. James is barely mentioned, Mrs Bloxby has a few scenes but it feels more like a reminder that other people live in this village than actually contribute to the story.

The descriptions are repetitions of the same ones trotted out book after book. Honestly if I hear one more time about Agatha and her long legs and glossy hair I think I might just scream. I have no other image of this woman except long legs and glossy hair. I think somewhere a few books back there might have been a mention of “frumpy” in her lesser moments but what does that even mean? Beaton seems to have found her descriptors and refused to budge. No matter how much time has passed these are the facts of these characters and nothing else will be said of them. Small, bear-like eyes, long legs, glossy hair. Not to mention twenty five books in and Agatha is still in her early fifties.

Beaton’s opinions are out in force again about the state of society as well as whatever the current issues are at time of writing making casual comments about sexual assault and paedophilia, much like the earlier books she jumps to reducing serious issues to crass comments by characters. The mystery almost didn’t matter as a lot of time was focused on Agatha and her “unfortunate obsessions” as they’re called (of which there are many this time around) where she lusts after the latest attractive man she comes across. You’d also think a book that had such a gruesome death would be more interesting but I’ve expected too much.

Moving away from the set cast of characters is a hindrance because there isn’t a lot to keep your attention. New people who haven’t been well developed don’t hold your interest if you aren’t going to include well known characters that can tie things together. It’s another book following the usual formula with the addition of having random scenes added in that serve little to no purpose. It’s a shame Penelope Keith had to keep reading these if I’m honest.

You can purchase The Blood of an Englishman via the following

 Booktopia | Book Depository

Dymocks | Angus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

Hiss and Hers (#23) by M. C. Beaton

Published: 4th December 2012 (print)/5th December 2012 (audio) Goodreads badge
Publisher:
Minotaur Books /Audible
Pages: 277/6 hrs and 25 mins
Narrator: Penelope Keith
Format: Audiobook
Genre: Cosy Mystery
★   ★  – 2 Stars

Agatha has fallen in love – again. This time it’s the local gardener, George Marston, she has her eye on. But competition for his attention abounds. With her shameless determination Agatha will do anything to get her man – including footing the bill for a charity ball in town just for the chance to dance with him.

But when George is a no-show Agatha goes looking for him – and finds he has been murdered, having been bitten by a poisonous snake and buried in a compost heap. Agatha and the rest of her crew plunge into an investigation and discover that George had quite a complicated love life. And if Agatha now can’t have George, at least she can have the satisfaction of confronting those women who have and finding a murderer in the process.

I am honestly only reading these books to finish the series at this point. I’m aiming for book 30 and I’ve come too far and suffered too much to stop now. Agatha is as vain and foolish as ever and once more the quality of these stories has dropped dramatically.

Beaton’s well-worn plots get pulled out again as Agatha goes after a man she met ten minutes prior. George has been the local gardener and one Agatha has recently become infatuated with but alas his murder gets in the way of any chance of a relationship – that and Agatha didn’t seem to be his type.

The problem is always there’s a good tight story at the beginning which seems to unravel and fall apart by the end. Scenes are set and you get great descriptions of the weather and current village life and then a few chapters in it all disintegrates.

This time the main characters have been pushed aside to near casual mentions, one line to remind the readers they still exist. This is a far cry from the early books where they were much more rounded characters who had their own histories and personalities. I understand at this many books in you don’t need to rehash the ongoing life of Mrs Bloxby, but I know so many readers pick these books up at random and to have this be their first experience of the village and these characters it’s amazing Beaton doesn’t try harder to have decent representation (though I am not the least bit surprised).

The wholesome village life has also been affected. The story escapes any depth whatsoever by throwaway lines about how the village has changed with new people moving in all the time so there’s no need to get to know the characters or find out who they are if it’s not the same people we’ve known from the earlier books. It’s lazy writing to avoid having to remind readers there’s a greater world beyond Agatha’s ageless existence and her love affairs and it saves having to think up any more plot or substance around secondary characters.

The series as a whole should have ended many books ago and it would have done Beaton a great deal of service not having to keep this series alive when the quality has suffered so greatly to the point of being detrimental. Pushing out those extra pages has stretched into weaker and weaker plots and scenes sewn together randomly with no clear cohesion is confusing to read.

I’ve said before I think Beaton’s own opinions come through her characters, not only Agatha, which you used to be able to pretend was part of Agatha’s personality. Now it’s happening with other characters and through the general narration and there are multiple occasions where Beaton uses derogatory terms for various people and is essentially judgemental and offensive to pretty much anyone it’s hard to see any character or narrative purpose than simply being offensive.

Keith, again, excellent narration, makes the ordeal bearable and after having sat through many hours of Agatha it’s good to keep the same voice for the characters and not have to readjust to anybody new.

Nobody is coming to these books for believability, but there should be a least a hint of possibility that don’t take you out of the story. On top of the outlandish plot decisions, it’s the same formulaic cycle we’ve seen before: Agatha’s infatuation, a death, her role as a suspect, her attempt to clear her name and annoying a lot of people in the process, an attempt on her life, and a resounding resolution by luck, poor police work and criminal stupidity. It’s great to have a reliable formula when done well but Beaton can’t create a solid story anymore that makes these formulas work anymore to any real degree of reader satisfaction.

There isn’t anything overly complex in these murders, it’s all about characters and their intentions and misgivings but a non-complicated murder mystery should not equal a boring or poorly developed one either.

You can purchase Hiss and Hers via the following

QBD | Booktopia | Book Depository

Dymocks | Angus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

There Goes the Bride (#20) by M. C. Beaton

Published: 23rd September 2009 (print)/01 July 2012 (audio) Goodreads badge
Publisher:
Minotaur Books /Audible
Pages: 277/6 hrs and 18 mins
Narrator: Penelope Keith
Format: Audiobook
Genre: Cosy Mystery
★   ★  – 2 Stars

Agatha’s former husband James is engaged to be married to a beautiful, young woman and Agatha has been kindly invited to the wedding. To take her mind off this, Agatha decides she has fallen for Sylvan, a Frenchman she met at James’ engagement party. To distract her still further she decides upon a holiday and flies to Istanbul, where unfortunately she bumps into James and his fianc e not once but twice – convincing him she is stalking them.

So when the bride is murdered on her wedding day, naturally Agatha is Suspect Number One – but then matters are turned on their head when the dead bride’s mother engages Agatha to take on the case of her murdered daughter! And very soon Agatha’s own life is in danger while she tries to solve the mystery of the corpse bride while fighting off (halfheartedly) the advances of a very attractive and determined Frenchman!

I’m not going to spend a lot of time on this because even I can’t complain about the same things over and over again with this series. This plot was a mess. So many things happened, one after the other, sometimes on top of each other and you could barely adjust that one things had happened before it changed again.

The James/Agatha/new wife situation was a convoluted as you’d expect. Agatha is obsessing over James, falling in love with someone else, and trying to clear her name. Plus, no one seems to like anybody despite being in a relationship with them.

James is as horrible as ever, his self-centred misogynistic ways rear their head. Why Beaton is trying to bring back James only to have him leave time and time again is a mystery. It’s rehashing the same storylines of Agatha being in love, him being horrible, then leaving, her recovering only to have it cycle through again.

Beaton does reveal to us more about Agatha which gives us a bit of history on her life, and how she came to be how she is. There is a different side of Agatha that comes out every now and again, you see it sometimes when she is around Toni, around Charles. The vulnerable person who has a rough upbringing who is insecure and hurt, but that is often thrown against a shallow, abusive, selfish appearance that does make you less sympathetic to her plight.

In terms of audio Keith does a great job once again. Her narration is consistent and she does bring Agatha’s brashness to life, as well as the various other characters and their unique idiosyncrasies. With all the usual players involved we see regular characters in and out of the Cotswolds environment and the interactions with each other are always entertaining, even with the uninspiring writing.

The murder itself had intrigue, international crime and multiple bodies with uncertain connections but it also felt scattered. One saving grace is that sometimes cases take time. They span over weeks and months, there’s weeks where Agatha deals with other business with her agency – granted it’s summed up in one line as the same thing every time of finding lost pets and missing teenagers – but rarely is anything solved instantly which adds some reality, especially given the fewer resources. It also helps that characters are all too eager to give any information or access needed. The weak excuses and subterfuge always work, and even when found out people are still happy to oblige. It keeps the story rolling I suppose getting the answers you need without any real barriers.

The extra padding Beaton is adding to the stories recently never seems to fit. They are extra moments added in as weird side plots or scenes, and there’s multiple times you think the story is ending when it keeps going. By the time you get to the end of the book anything that happened at the beginning has no relevance. The murders have been solved, Agatha’s had multiple dates, done some local village good service, the agency has gone through an upheaval and she’s had a mini holiday. All of which sounds like it takes a lot of time but most of it is over in a chapter or less and the next random thing begins. Agatha and Charles had a moment together which I do always like because they are good together but on top of this weird mess of a book it didn’t really have an impact.

You can purchase There Goes the Bride via the following

QBD | Booktopia | Book Depository

Dymocks | WorderyAngus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

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