The Strawberry Patch Pancake House (#4) by Laurie Gilmore

Published: 13 March 2025 (print)/ 13 March 2025 (audio) Goodreads badge
Publisher:
HarperCollins/HarperCollins
Pages: 384/9 hrs and 3 mins
Narrator: Regina Reagan
Format: Audiobook
Genre: Romance
★ – 1.5 Stars

As a renowned chef, single-dad Archer never planned on moving to a small town, let alone running a pancake restaurant. But Dream Harbor needs a new chef, and Archer needs a community to help raise his daughter, Olive.

Iris has never managed to hold down a job for more than a few months. So when Mayor Kelly suggests Archer is looking for a nanny, and Iris might be available, she shudders at the thought. But in need of money she reluctantly agrees.

As Archer and Iris get used to their new roles, is it possible that they might have more in common than they first thought, or is Olive just determined to play match-maker…

This is definitely the last book of this series I’ll be reading. I wanted to stop about 10% of the way through but I decided the finish, if only to see it got as bad and as stupid as I thought. I had been committed to finishing the series, branching out my reading – especially in the romance department – but I might need to be more selective in the future.

From the start it’s like the romances where a completely single, clueless man is suddenly a father. If the choices are a grandmother who has been in the kid’s life or a random stranger why not make the random man take over? Why would you leave your kid with a short fling and not an actual relative or friend you know? You have no knowledge of what kind of father he’ll be? At least it happens right away so you know what you’re getting into with this romance. It even references the single dad tropes which felt too on the nose.

Archer is definitely the one with a chip on his shoulder. He creates the tension because he doesn’t want to be there and it is affecting everyone around him. He almost terminates Iris’ job because he can’t keep it in his pants. At least Iris calls the guy out for his behaviour. I didn’t quite mind he changed his tune. Realising his work/life balance needed adjusting was reasonable, doing a 180 on everything he ever wanted in his life is not.

After having an issue with a three year age gap in a previous book, now we have to contend with there being an issue of only one bathroom and the fact their rooms are across the hall from one another. Did they need a wider gap between their rooms? Have these people never lived in a regular sized house where one bathroom is the norm? Did one of them need to live in the backyard? Clearly these people need one floor and one bathroom for each member of the household. “Bathing in the same room” is not an issue. Unless you are doing it together, this is not a thing reasonable people think about.

Thank god we had the mystery of the pancakes to sustain us. Unlike the other books where there was no mystery despite the claim, the battle to get the recipe right was actually in the plot, actually a part of the plot, and actually had a satisfying conclusion. It is the only reason I kept going, even if I was going at 4x speed by the end and skipping chunks by the final hour or two.

The explicit scenes are minimal unlike previous books. The majority of the book is the two characters trying to avoid sleeping with each other out of professional ethics and the child, so that at least allowed more plot to be written. Didn’t stop the character thoughts though. Perpetually horny which felt over the top and unrealistic, especially as it was constantly mentioned.

The characters have no depth. It’s all surface level explained on the page stuff. It’s hard to believe a story that had real character depth in book one could have something so bland and unappealing in subsequent books. If each book if capable of being read individually, heaven help those who don’t know the backstories of these characters because without knowing about the mayor and the friends from previous books it’s all useless because they are names only. You have no idea who these people are.

Overall it was boring. It was nothing. I hated how Iris completely changes what she wants to get the happily ever after ending. Liking Olive, as Iris said frequently, was different to wanting her own kids and wanting to be pregnant. Skip to the final pages and boom, change of heart. It went against everything the book built up.

Without being too disparaging (I am trying to be reasonable), I can see why it’s a tiktok book/series. It is simple, easy, full of sexy scenes and easy to digest characters. But the lack of real plot and substance makes it lacking. They are the same simple formula over and over and while at the start it looked like there would be variety in the locations and the characters, Gilmore has given up as the series goes on as the characters become less dimensional and fulfilled. They are driven by their emotions and that is the only real development they get.

Despite my plan to continue with the series this is a big nope for me. I am out. They had been getting progressively worse reads as they went on and I have enough on my TBR I want to read than finishing a series I only started because of a pretty book cover and the (deceitful) lure of a cosy town mystery.

You can purchase The Strawberry Patch Pancake House via the following

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Beating About the Bush (#30) by M. C. Beaton

Published: 3 October 2019 (print)/ 24 October 2019 (audio) Goodreads badge
Publisher:
Minotaur Books /Audible
Pages: 236/6 hrs and 22 mins
Narrator: Penelope Keith
Format: Audiobook
Genre: Cosy Mystery
★   ★   ★  – 3 Stars

When private detective Agatha Raisin comes across a severed leg in a roadside hedge, it looks like she is about to become involved in a particularly gruesome murder. Looks, however, can be deceiving, as Agatha discovers when she is employed to investigate a case of industrial espionage at a factory where nothing is quite what it seems.

The factory mystery soon turns to murder and a bad-tempered donkey turns Agatha into a national celebrity, before bringing her ridicule and shame. To add to her woes, Agatha finds herself grappling with growing feelings for her friend and occasional lover, Sir Charles Fraith. Then, as a possible solution to the factory murder unfolds, her own life is thrown into deadly peril. Will Agatha get her man at last? Or will the killer get her first?

Thirty books. Have I really suffered through thirty of these books? Though surprisingly I did not suffer that much this time around which came as a shock to no one more than myself. I went in with trepidation given past evidence and while it wasn’t perfect, there was a spark of the old writing style and structured, edited, and coherent storytelling.

The old outlandish plots are back with Agatha falling in love with a donkey whose been accused of murder. It was a strange shift from the Agatha of late, it was a refreshing change and so out of the blue it was easier to go along with it and revel in the absurdity of it all. The humour shown in earlier books is back, this time written well and used by characters in enjoyable ways so you fall comfortably into the story and accept it.

Agatha’s usual jealousy of Toni is there, a new love interest though as unsustainable as the others, and while the key characters get a mention, they are barely featured in the story. An offhanded reference here, one line there, they are hardly main players this time around as the focus is on the bigger plot of Agatha, Toni, and the donkey. Everything isn’t fixed entirely, the predictability remains, the outlandish outbursts and short temper of Agatha rains down on those who cross her, and we can’t have a new book without Agatha getting herself into dire strife. Things are better but there are no miracles.

Beaton passed away while I was reading this book and at the time I did hope someone was going to keep writing them because it looked like Beaton was finally realising that Charles and Agatha should be together. Reading the summary of one of the upcoming books I’m learning this was never going to eventuate. I’ve been burned before and watched good character development be pushed back into the box for worn out tropes and lazy writing so I have little hope on that front. The will they/won’t they is a good tantaliser but there must be a day when you can’t string it along forever. It’s actually annoying Beaton died after this book (if she was actually still writing them) because it’s the closest we’ve come to having Agatha and Charles get together and it’s a shame we didn’t get that as a reward for all the pain and suffering we’ve put up with. If nothing else the only thing I wanted as a reward from enduring thirty of these books was the two of them getting together and this is the closest Beaton has come without actually doing anything about it.

Because it’s taken me two years to write some of these reviews because of *gestures at everything* three more books have been published. Now, I don’t think I have the strength to read those three books but at the time this was the latest publication. This was my goal. This was where I wanted to get to and given the way this whole grand plan of mine worked out I think I’m going to stop. I read the thirty published books through 2020 and while it’s taken me longer to review them than planned I have met that goal and I don’t know if I feel inclined to keep going with the series. I’m calling that a win and while this was the most enjoyable book in a long, long while, I will wait and see if my own curiosity tempts me to see if the writing really does change with this new author and pick it up again. But if I’m honest with myself I really don’t think I’ll be back.

You can purchase Beating About the Bush via the following

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Agatha Raisin and the Dead Ringer (#29) by M. C. Beaton

Published: 2 October 2018 (print)/4 October 2018 (audio) Goodreads badge
Publisher:
Minotaur Books /Audible
Pages: 233/6 hrs and 25 mins
Narrator: Penelope Keith
Format: Audiobook
Genre: Cosy Mystery
★   ★  – 2 Stars

The team of bells at St. Ethelred church is the pride and glory of the idyllic Cotswolds village of Thirk Magna, together with the most dedicated bell ringers in the whole of England: the twins Mavis and Millicent Dupin.

As the village gets ready for the Bishop’s visit, the twins get overly-excited at the prospect of ringing the special peal of bells created for the occasion and start bullying the other bell ringers, forcing them to rehearse and rehearse . . . so much so that Joseph Kennell, a retired lawyer, yells at the sisters that he ‘felt like killing them’!

When the twins’ home is broken into one night and Millicent is found dead, struck from a hammer blow, suspicion falls onto the lawyer.

Will Agatha unmask the real killer and clear Joseph’s name?

I gave this book two stars because I didn’t want to claw my eyes out listening to it like I have in the past but that doesn’t make it good it makes it bearable. It’s so long winded and disjointed with random events and jumps there isn’t a coherent story to really pay attention to. I found I could tune out and come back in and have it in the background and not lose what was happening because nothing is actually happening of any consequence.

Agatha is in a foul mood for the entire first part of the book and all the characters are angry or abusive. Everyone goes from zero to threatening death when mildly inconvenienced and no one can yell at anyone without wishing them dead because they will end up dead a page later. I understand there is a formula to these mysteries, but a formula is different to the exact same thing happening in the same way every single time. We should be able to have multiple suspects in ways other than publically calling for their demise.

There were no pleasant characters and even the familiar regulars seem put out. People go from zero to abuse and while there are no swear words, calling every character a bitch or slut is tiring not to mention a little jarring in a cosy. The writing contains the same sexism and misogyny it’s always had but with James barely in the story thankfully it isn’t through him, Agatha does a lot of it herself.

One thing I noticed is no one is really sad about the death of anybody, and there are plenty to pick from this time round. Even the death of one of the multiple romantic obsessions and affairs Agatha has in this book isn’t enough to pull any great sympathy. The second they’ve died it breaks the spell and she’s back lusting after the next warm, breathing male in the nearby radius.

Somewhere along to way the police stopped telling Agatha to stop interfering and instead now tell her and everyone else things all the time. I guess there’s only so many times you can weakly say “no, don’t, stop” and then have no follow up consequences. The constant ringing of press was ridiculous and annoying too, the police should definitely stop Agatha from doing that, no matter how accepting they now are of her involvement.

The continuity and structure of the storyline is shot with scenes fractured and all over the place, there’s mistakes where main characters have their names changed, not to mention no solid connection to previous books. The budding romance between Charles and Agatha is gone, Agatha’s perpetual unhappiness is a far cry from the rough around the edges but sharp and competent woman we were first introduced to. For someone stuck the same age you can’t even wonder if her sudden despondency is due to her aging, it seems to be a character shift and not one for the better. Despite this our descriptions never change, that is something you can always rely on from Beaton and her bear-like eyed glossy haired woman with the long legs.

It was always a rare delight when you have a little more character development or background revealed because there is no escape from these cyclical stories. Any progression is shoved back down and reversed immediately in the next book and it frustrates you as a reader to see good work being undone. If characters could grow properly it would make for a much better series, you may sacrifice being able to pick up the books at any point in the series but with the poor quality this late in the series it really couldn’t hurt to try and make them tolerable.

You can always tell what year these books were written because social commentary makes its way in through Beaton’s writing and this time we’re treated to Brexit getting mentioned. Keeping Agatha perpetually 53 is one thing not to date your books, but that is certainly one thing that will.

After a while you get sick of Agatha being almost killed and saved, traumatised or totally fine depending what is needed for the story. Epilogues end up being the resolutions to the book and the murders of the next book and as a cliff hanger to lure you in it’s a poor attempt when you’ve had no desire to finish the current one.

It’s amazing to look back at my earlier reviews and see I gave them four stars, something I couldn’t comprehend doing now and they certainly had their issues them. One theory I have is Beaton getting older, or her reluctance to keep writing the series but had an obligation whether she cared about it or not. Another was that they’d started to be ghost written, which would explain the lack of consistency and each book undoing the progress of the last. It isn’t like they were amazing to begin with, but there has definitely a shift that’s been detrimental.

You can purchase Agatha Raisin and the Dead Ringer via the following

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Agatha Raisin and the Witches’ Tree (#28) by M. C. Beaton

Published: 3 October 2017 (print)/ 23 November 2017 (audio) Goodreads badge
Publisher:
Minotaur Books /Audible
Pages: 192/6 hrs and 33 mins
Narrator: Penelope Keith
Format: Audiobook
Genre: Cosy Mystery
★   ★  – 2 Stars

Cotswolds inhabitants are used to inclement weather, but the night sky is especially foggy as Rory and Molly Devere, the new vicar and his wife, drive slowly home from a dinner party in their village of Sumpton Harcourt. They strain to see the road ahead―and then suddenly brake, screeching to a halt. Right in front of them, aglow in the headlights, a body hangs from a gnarled tree at the edge of town. Margaret Darby, an elderly spinster, has been murdered―and the villagers are bewildered as to who would commit such a crime.

Agatha Raisin rises to the occasion (a little glad for the excitement, to tell the truth, after a long run of lost cats and divorces on the books). But Sumpton Harcourt is a small and private village, she finds―a place that poses more questions than answers. And when two more murders follow the first, Agatha begins to fear for her reputation―and even her life. That the village has its own coven of witches certainly doesn’t make her feel any better…

I didn’t care much about the murders or the mystery, I paid more attention to the filler bits about the characters and their day to day which is odd since usually that’s the tedious part. This time around it was certainly the more interesting part of the book.

I have no issue admitting I have no idea what was going on in the wider story, a lot of little things happened that involved a range of people that favoured my attention more. I genuinely got to the end and realised I had no idea who had been the murderer. It could be Beaton brushed over it so quickly that it truly was a non-event but I think that the murders are less of a feature in these books of late. So often they seem to take a back seat to the general interactions around Agatha and other characters, despite this approach rarely paying off successfully.

The different village is always a nice addition. I think you really can’t sustain multiple murders in a single village, even if they are always the newcomer. Beaton’s crude humour and jarring references can shock you from what is meant to be a cosy mystery but so many books in you can only roll your eyes and keep going.

I found there were contradictory moments around Agatha, it’s like Beaton couldn’t decide if she was fearful for her life or doesn’t care what happens, either through bravado or something else. Agatha must always have her life threatened by various people but this time she alternated between fearful and blasé. If it switched between books that would be one thing, but to have it change within the same book felt strange. This fits in with the overall inconsistencies of the story though, so many books lately need a tighter edit, both to stop inconsistencies and flesh out characters and dialogue more. With so many books now in the series it’s crying out for something new and fresh on the page instead of the usual diatribe.

James rears his head long enough to be an absolute horrible person and I don’t know whether the fact he is Agatha’s on and again off again neighbour, ex-husband, and once established character is why we can’t cast him out, make him move villages or outright murder him and dump him in a local pond.

I am still waiting for Agatha and Charles to realise they should be together. It is truly some of the only good writing in these books the interactions between these two. I like their banter and how Charles cares for Agatha despite the fact he is cheap and a philanderer, and Agatha cares about him in her own way. Beaton is definitely hinting at it and comes so close that to take the extra step it would be an amazing move, and one to finally stop her lusting after every man she meets. Redoing her makeup five times a day, changing her outfit all the time, and wallowing about her age, envious of teenagers and general irritability would all be fixed if she settled with Charles and be satisfied with herself.

I’m so close to finishing this series I can see the end in sight. I’m hoping for good and better things but I’ve been hit with whiplash before as all the progress made suddenly is shafted and we’re back to resetting the characters into shadows of their evolved selves. One can only reluctantly pick up the next book and find out.

You can purchase Agatha and the Witches’ Tree via the following

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Pushing Up Daisies (#27) by M. C. Beaton

book-bite

Published: 20th September 2016 (print)/20 September 2016 (audio) Goodreads badge
Publisher:
Minotaur Books /Audible
Pages: 280/6 hrs and 22 mins
Narrator: Penelope Keith
Format: Audiobook
Genre: Cosy Mystery
★   ★  – 2 Stars

When Agatha Raisin left behind her PR business in London, she fulfilled her dream of settling in the cozy British Cotswolds where she began a successful private detective agency. Unfortunately, the village she lives in is about to get a little less cozy. Lord Bellington, a wealthy land developer, wants to turn the community garden into a housing estate. When Agatha and her friend Sir Charles Fraith attempt to convince Lord Bellington to abandon his plans he scoffs: “Do you think I give a damn about those pesky villagers?” So when Agatha finds his obituary in the newspaper two weeks later, it’s no surprise that some in town are feeling celebratory.

The villagers are relieved to learn that Bellington’s son and heir, Damian, has no interest in continuing his father’s development plans. But the police are definitely interested in him―as suspect number one. His father’s death, it seems, was no accident. But when Damian hires Agatha to find the real killer, she finds no shortage of suspects. The good news is that a handsome retired detective named Gerald has recently moved to town. Too bad he was seen kissing another newcomer. But when she is also found murdered, Gerald is eager to help Agatha with the case. Agatha, Gerald, and her team of detectives must untangle a web of contempt in order to uncover a killer’s identity.

This is my only Bookish Bites Agatha Raisin review because a short review feels like it needs to be a Bookish Bites and not a regular one. Especially when the book summary is almost longer than the review.

The reason I have barely any notes is because it was a complete non-event. Nothing of any consequence happened that I recall and the events that happen were all over the place. Agatha has weird interactions with strangers and all the new characters have the same rude temperament that Beaton is fond of giving everyone of late.

Agatha’s agelessness rears its head again as she says she is 53. I don’t know why I can’t let this go but it annoys me so much. Time goes on, people reference past events, months and years are mentioned in the story but Agatha is not allowed to age. It’s such a weird line to draw. Maybe a few of these stories take place within the same year and those books where multiple Christmases happen are all part of a time hole that exists in the Cotswolds that everyone knows about and nobody mentions.

The fact I have no recollection of anything that happens in this book is unsurprising given how many of them are basically the same story with new forgettable characters each time. I considered rereading it to see if I could get better notes this time but felt that I didn’t want to subject myself to it again and given my rating I couldn’t quite find the inclination.

You can purchase Pushing Up Daisies via the following

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Dymocks | Wordery | Angus and Robinson

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