Hamlet is Not Ok by R. A. Spratt

Published: 12 March 2024 (print)/4 July 2023 (audio) Goodreads badge
Publisher:
Penguin Random House Australia/Penguin Random House Australia Audio
Pages: 240/3 hrs and 19 mins
Narrator: R. A. Spratt
Format: Audiobook
Genre: Young Adult Contemporary
★   ★   ★ – 3 Stars

Selby hates homework.
She would rather watch TV – anything to escape the tedium of school, her parents’ bookshop and small-town busybodies.
So Selby didn’t plan to read Hamlet. She certainly never planned to meet him.
This novel transports Selby, and the reader, into the cold and crime-ridden play itself. Here she meets Hamlet: heavy with grief, the young prince is overthinking and over everything. Selby can relate. But unlike Hamlet, Selby isn’t afraid of making decisions. In her world, Selby is used to feeling overlooked. But in the bloody, backstabbing world of Shakespeare, Selby’s good conscience and quiet courage might just save some lives . . . hopefully before Hamlet stabs one of her classmates.

Spratt comes in guns blazing with a lot of yelling and chaos which was great. I liked for once there was a character who wasn’t studious, wasn’t on top of stuff, it’s about time there was a teen who got their own book who skipped out on doing any homework and it’s not entirely their fault. Selby I put up with as she is 15 and her actions are a very 15 year old response. There’s a balance at 15 where you can be a bit more immature than maybe a 16 or 17 year old character can get away with. Though immaturity has no age limit really, but you get more leeway the younger you get.

I didn’t like the note from the author essentially warning readers they will encounter Shakespeare in the book. It was like to let them know not to be scared off and to still give this book a chance. If you are reading a book having a few verbatim Shakespeare quotes in it shouldn’t deter you. I think the kids will survive. Especially given how it’s in a narrative form so it isn’t even the big scary play version they supposedly should detest. What was wonderful about having it put through a narrative lens is it’s a great example of how amazing Shakespeare is to see performed live. How reading a play in a book isn’t the right format. A play is to be performed and experienced. Diving right into the text to see it before you is the next best thing. If you can manage it.

It’s a bit Thursday Next with their ability to enter the world of Shakespeare and see it play out before them. As a lover of Thursday Next and her book jumping world this was super fun. Having a teen Hamlet interact with a modern teen really brings to light his angst and the family drama he has to endure. It’s easy to see how Shakespeare can be modernised because there are a lot of universal things and Selby getting to experience the plot points first hand is a great reminder that people have always been people even if you say it in a poetic form.

Spratt is quite emphatic and enthusiastic in her narration. Not unpleasant but it is funny why there was a need to be so emphatic about everything little thing. Seeing as it’s narrated by author I guess we can’t argue how enthusiastic she wanted to be on the reading. John Marsden’s retelling of Hamlet is one of my favourite retellings, and I love Shakespeare adaptations so while this is a tad enthusiastic (which I think won’t come across as intense in the book versus audio) it is a fun story. I love the mention that the play is four hours and the audiobook took three and a half. A great parallel.

Fast paced and light hearted it’s a quick read and one that might help the Shakespeare wary understand the universality and enduring nature of Shakespeare.

You can purchase Hamlet is Not Ok via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Fairest (#3.5) by Marissa Meyer

Published: 27 January 2015 (print)/8 May 2017 (audio) Goodreads badge
Publisher:
Feiwel & Friends/Bolinda Publishing Pty Ltd
Pages: 272/5 hrs and 33 mins
Narrator: Rebecca Soler
Format: Audiobook
Genre: Young Adult Fantasy
★   ★   ★   ★ – 4 Stars

In this stunning bridge book between Cress and Winter in the bestselling Lunar Chronicles, Queen Levana’s story is finally told.

Mirror, mirror on the wall,
Who is the fairest of them all?

Fans of the Lunar Chronicles know Queen Levana as a ruler who uses her “glamour” to gain power. But long before she crossed paths with Cinder, Scarlet, and Cress, Levana lived a very different story – a story that has never been told…until now.

This is a bridge book between Cress and Winter, books three and four in the Lunar Chronicles, and the story explores Levana’s childhood and how she became the ruler we know.

It was amazing to see her use of her powers and read about the normal Lunar life as natural and as every day. Given our only perspective before has been through Cinder and other character’s perspectives, it was great to be able to see the regular lives of Lunars and how their gift is used among the community. It also shows us how the events in her past affected who she’s become and all those references and secrets in the previous three books are answered and it was absolutely fabulous.

There is a hard line being balanced where you feel sorry for Levana and her life growing up, but at the same time you know that there are different paths she could have taken and different decisions being made. Narrative bias is also a key factor and it was intriguing to see Levana justify things to herself and how, while she is leaving out certain things, she does show the reader a darker side to herself, one that gives a glimpse at what she is truly capable and how the young girl in this story becomes the queen we see later on.

In showing us a younger Levana we also see a glimpse of the younger counterparts of other characters as well, those who lived in the palace with her. I enjoyed seeing the younger versions of the key characters, from babies to children and beyond. It wasn’t their story but through Levana’s perspective you can see how they circled her world and were in her life in different ways. This is also true for characters only mentioned such as Queen Channary or Winter’s father. It’s a great connection to the main books and connects the series together really well.

Levana is both a victim and a villain and having these conflicting emotions when we see such a one sided view of her previously was a bizarre feeling. Not to justify bad childhoods for being a terrible adult, but Meyer makes us see that there is a lot more to Levana’s story than it first appears and the trauma and pain she’s suffered were bound to have an effect on her one way or another.

The story is third person but Meyer gets us inside Levana’s head and we see everything she thinks and feels, a clever move on Meyer’s behalf. We’re able to see that she is shameless in her actions but she also shows a lot of passion and pride, even hopelessness and loss which are interesting choices. Ironically it humanises her and you see the malice within but also the girl starved of attention and love. I loved this story a lot, it was great to see the rise to power and the changes Levana makes, something we can see even as she edits herself and we can’t entirely trust her thoughts.

This definitely works to be read between books three and four, but it is something I came to after finishing the series and it gave me a reflective enjoyment about the events in Winter and the relationship Levana has with the characters I had fallen in love with.

You can purchase Fairest via the following

 Dymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

 

Elsewhere by Gabrielle Zevin

Published: 9 September 2005 (print)/11 October 2005 (audio) Goodreads badge
Publisher:
Farrar, Straus and Giroux (BYR)/Listening Library
Pages: 275/7 hrs and 3 mins
Narrator: Cassandra Morris
Format: Audiobook
Genre: Fiction
★   ★   ★   ★ – 4 Stars

Welcome to Elsewhere. It is warm, with a breeze, and the beaches are marvellous. It’s quiet and peaceful. You can’t get sick or any older. Curious to see new paintings by Picasso? Swing by one of Elsewhere’s museums. Need to talk to someone about your problems? Stop by Marilyn Monroe’s psychiatric practice.

Elsewhere is where fifteen-year-old Liz Hall ends up, after she has died. It is a place so like Earth, yet completely different. Here Liz will age backward from the day of her death until she becomes a baby again and returns to Earth. But Liz wants to turn sixteen, not fourteen again. She wants to get her driver’s license. She wants to graduate from high school and go to college. And now that she’s dead, Liz is being forced to live a life she doesn’t want with a grandmother she has only just met. And it is not going well. How can Liz let go of the only life she has ever known and embrace a new one? Is it possible that a life lived in reverse is no different from a life lived forward?

Despite being well before The Good Place, this is a beautiful story that captures what I adored about that show: an afterlife that is still a life where you can grow and think and love before starting the cycle again.

There is a wonderful structure to the Elsewhere world while also being mystical. There’s rules and guidelines, there are things still bound by reality in terms of what is possible, but there is also a touch of the unknown, the magical, and the unexplained. The Benjamin Button aspect of the universe was really well conceived and I loved how Zevin ties that into relationships, living situations, and jobs.

We get to see Liz’s perspective mainly but around halfway through Zevin branches out and we see aspects of other characters like Betty and other key characters. I liked this balance because Liz’s story is what we want most, but the small additions of the other voices gives unique insights and great additions to the story without overshadowing Liz.

Stuck at 15 is a hard age, and I understand Liz’s fear at never growing up. She has a strong obsession with her breasts which was interesting, as well as never getting to take her driving test. I liked that despite being in an afterlife situation, she still felt bound by the fact she couldn’t accomplish life goals like getting her driver’s license. The exploration of the stages of grief and the yearning to return to the living, to live vicariously through them, to keep the connection alive is explored in subtle but powerful ways. I loved the gentle way Betty interacts with Liz, as well as Thandie and other characters who are often far more accepting of their fate than she is.

One interesting thing is, and isn’t a spoiler, but I doubt the reality of Marilyn Monroe being there given my understanding of the aging and rebirth system. Even with a vague setting of when this book takes place I think it is still unlikely Marilyn is still in Elsewhere and hasn’t been reborn. Just a curious observation. Other than that I do love the concept of Elsewhere. I love how jobs are viewed and how family reconnects, even the respect and ceremony of rebirth and the regulations around contact with the living is cleverly done. Zevin has created a beautiful story that is light-hearted but still explores the weight of grief, death, and what it means to be alive.

You can purchase Elsewhere via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Beneath the Sugar Sky (#3) by Seanan McGuire

Published: 9 January 2018 (print)/9 January 2018 (audio) Goodreads badge
Publisher:
tor.com/Macmillan Audio
Pages: 174/4 hrs and 11 mins
Narrator: Michelle Dockrey
Format: Audiobook
Genre: Fantasy
★   ★   ★   ★ – 4 Stars

When Rini lands with a literal splash in the pond behind Eleanor West’s Home for Wayward Children, the last thing she expects to find is that her mother, Sumi, died years before Rini was even conceived. But Rini can’t let Reality get in the way of her quest – not when she has an entire world to save! (Much more common than one would suppose.) If she can’t find a way to restore her mother, Rini will have more than a world to save: she will never have been born in the first place. And in a world without magic, she doesn’t have long before Reality notices her existence and washes her away. Good thing the student body is well-acquainted with quests…

A tale of friendship, baking, and derring-do. Warning: May contain nuts.

I love how we get introduced to characters in book one, and then as the series progresses we get their own individual stories, but scattered in between the original story arc keeps going as well. It is incredibly clever, and all the while revealing more about the rules of the worlds and the understanding of the system.

With the second book devoted to Jack and Jill’s story I was curious to see if the next book would pick another character we’d met and show their origins but I was delightfully surprised. We are back in the school as Rini literally lands at their door on a mission to save her mother, a character who died in book one.

This is why McGuire’s books are so fantastic, her rules on Logic and Nonsense, not to mention life and death are fascinating and primed for storytelling when put in the right hands. The nonsensical world works well with the nonsensical mission. Rini is as wild as her mother and the random nature of events only support the irregular world she’s come from.

I was delighted we got to revisit Nancy, especially in her own element, and it was great seeing characters deal with different land so unlike their own or their desired places. Given the world of Confection is a sugary light-hearted delight, there isn’t a lot of darkness or heavy themes, even with Rini’s possible demise. That isn’t to say there aren’t some wonderful things explored like understanding other people’s experiences and tolerance, but it is a much lighter story. Coming from Down Among the Sticks and Bones having something so sugary and nonsensical was probably the best call, and it is certainly a great reminder of the variety of doors and alignments people can be.

What makes these books so fantastic is they are relatively short reads but McGuire packs so much amazing story into so few pages. It’s truly a gift to be able have such real and complicated characters with such an involved plot and world while still keeping the page count short.

You can purchase Beneath the Sugar Sky via the following

  Dymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Down Among the Sticks and Bones by Seanan McGuire

Published: 24 March 2015 (print)/ 13 June 2017 (audio) Goodreads badge
Publisher:
Macmillan Australia/Macmillan Audio
Pages: 187/4 hrs and 4 mins
Narrator: Seanan McGuire
Format: Audiobook
Genre: Fantasy
★   ★   ★   ★   ★ – 5 Stars

Twin sisters Jack and Jill were seventeen when they found their way home and were packed off to Eleanor West’s Home for Wayward Children.

This is the story of what happened first…

Jacqueline was her mother’s perfect daughter—polite and quiet, always dressed as a princess. If her mother was sometimes a little strict, it’s because crafting the perfect daughter takes discipline.

Jillian was her father’s perfect daughter—adventurous, thrill-seeking, and a bit of a tom-boy. He really would have preferred a son, but you work with what you’ve got.

They were five when they learned that grown-ups can’t be trusted.

They were twelve when they walked down the impossible staircase and discovered that the pretense of love can never be enough to prepare you a life filled with magic in a land filled with mad scientists and death and choices.

I adored Jack and Jill in book one so seeing them have their own origin book was delightful. This dark story is probably a smidge horror, a bit gothic. Elements of stories like Jekyll and Hyde, Frankenstein, and those from Poe are evident, the dark science and magic combination and testing the realm of possibility. I was surprised I loved it so much given the slight gross moments and how much I hate horror, but the writing is captivating and you’re drawn in by the moors and the politics of those who live there.

From the discovery of their door and their journey into the strange land I loved every second of this book. I adored the eerie feel this story envelops you in right away. The moors are dangerous and fascinating places and seeing the twins find their place among the monsters was wonderful. I loved the darkness and the way McGuire doesn’t make it a bad thing, it’s good to have morbidity in a story, especially with how she’s established the types of people and where their true selves lie in the first book.

The best part is we know where Jack and Jill end up, we know they leave their land. So between devouring their story and seeing them blossom on the moors, you’re also keen to see how they could possibly ever leave a land so perfectly suited to them. Seeing Jack become her true self was divine and I loved their escape from their parents and how they were being moulded into what each parent wanted.

Having the knowledge of book one behind you, it is a bittersweet read too knowing what happens and seeing signs and the strain it places on the sisters, especially given how long they got to be in their world. If it’s a bit too dark you probably could skip it, but it’s a beautiful exploration of the way the doors work and an example of the various worlds that I can’t imagine ever not experiencing it, even with the tiny horror factor. It’s also a gorgeous story of falling in love and what it means to be alive and discovering the beauty of the world.

You can purchase Down Among the Sticks and Bones via the following

 Dymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

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