It Sounded Better in My Head by Nina Kenwood

Published: 07 April 2020 (print)/4 Jan 2023 (audio) Goodreads badge
Publisher:
Flatiron Books/Wavesound from W. F. Howes Ltd
Pages: 272/7 hrs and 19 mins
Narrator: Maddy Withington
Format: Audiobook
Genre: Young Adult Contemporary Romance
★   ★   ★ – 3.5 Stars

When her parents announce their impending divorce, Natalie can’t understand why no one is fighting, or at least mildly upset. Then Zach and Lucy, her two best friends, hook up, leaving her feeling slightly miffed and decidedly awkward. She’d always imagined she would end up with Zach one day―in the version of her life that played out like a TV show, with just the right amount of banter, pining, and meaningful looks. Now everything has changed, and nothing is quite making sense. Until an unexpected romance comes along and shakes things up even further.

I always feel a bit bad when I finish a book and my opinion is it was ‘fine’. Perfectly average, decent story and good. Unremarkable but good. Why is that a bad thing? It’s a good book, didn’t need to be amazing or the best thing I’ve ever read. It wasn’t bad. I didn’t hate it. I enjoyed it. Yet I still feel a bit guilty.

There were of course reasons why it’s an average rated book not a highly rated book. In terms of the romance, I felt it comes from nowhere. We aren’t given anything to base it on, Natalie even mentions she’s barely even spoken to Zach’s brother, they hardly acknowledge one another, so the fact he suddenly takes an interest and she reciprocates feelings was a stretch. Also, discovering Alex was only 19 made me feel better, I was thinking he was 20 or 21 so him suddenly having an out of blue interest in Natalie once she’d turned 18 felt weird but we’re all good on that front.

Natalie talks about her body a lot, as well the accompanying anxieties. Because it’s such a key point of the story, I found it hard to believe that someone who has never kissed anyone, has incredible body issues, and spends most of the book talking about her skin insecurities, would let a first kiss go on for as long as it does and be that physically intimate. There are some references down the track about her worries so Kenwood does remember she’s subconscious about it.

There is a good acknowledgment and criticism of societal expectations and people needing a boyfriend (and why not a girlfriend etc) and other out of date ideas which I enjoyed. There are fleeting moments of LGBTQIA+ support but then quickly falls back into the idea that kissing someone is super important and a key experience people need to have around her age. For every step forward there were as many steps back.

One thing that was good was the reminder that even at 18 and 19 these are still teenagers despite being legal adults. There are short tempers, emotional misunderstandings because people are so in their heads, and the nervous and anxious feelings of being around “real adults” and being interrogated can still shrink you down.

Withington is a good narrator. I was never taken out of the story and her expression of the characters was great. Kenwood keeps us in Natalie’s head a lot but we do get to explore the other characters well enough. The unexpected divorce doesn’t come into play as much as you’d think and I did enjoy Natalie’s thought trails as she plans ahead about what she think will happen and is sixteen steps ahead with what she’ll do before anything has even happened. That was fun.

Overall it was…perfectly fine. A good book, decent story. It was different with a main character who had a different set of body issues to contend with, and different anxieties, but Kenwood balances it well so it doesn’t make her intolerable to the reader while still making us understand how debilitating these issues can be.

You can purchase It Sounded Better in My Head via the following

QBDDymocks

WorderyBlackwell’s | Angus and Robertson

 Fishpond | Amazon | Amazon Aust | Audible

Long Lost Review: The Dressmaker by Rosalie Ham

Long Lost Reviews is a monthly meme created by Ally over at Ally’s Appraisals which is posted on the second Thursday of every month. The aim is to start tackling your review backlog. Whether it’s an in-depth analysis of how it affected your life, one sentence stating that you only remember the ending, or that you have no recollection of reading the book at all. 

Published: 01 September 2000Goodreads badge
Publisher:
Duffy & Snellgrove
Pages: 296
Format: Paperback
Genre: Fiction
★  ★  ★ – 3 Stars

Tilly Dunnage has come home to care for her mad old mother. She left the small Victorian town of Dungatar years before, and became an accomplished couturier in Paris. Now she earns her living making exquisite frocks for the people who drove her away when she was ten. Through the long Dungatar nights, she sits at her sewing machine, planning revenge.

The Dressmaker is a modern Australian classic, much loved for its bittersweet humour. Set in the 1950s, its subjects include haute couture, love and hate, and a cast of engagingly eccentric characters.

I don’t think I saw the movie, or if I did I retained as much of it as I did the book.

I recall it being about a lady going home to her small town, there being rumours about her or a scandal from the past. And maybe a lot of references to the quiet and/or the vastness of the secluded town.

That’s it.

I gave it three stars though so I enjoyed it on some level, but I also have no desire to reread it to find out why. I might find some reviews that mention more detail, or read the wiki to kick start my memory but this is definitely a long lost review if ever there was one.

You can purchase The Dressmaker via the following

QBDDymocks | Booktopia

 Blackwell’s | Angus & Robertson

Fishpond | Amazon Aust | Audible

I Don’t by Clementine Ford

Published: 31 October 2023 (print)/7 November 2023 (audio) Goodreads badge
Publisher:
Allen and Unwin/W. F. Howes Ltd.
Pages: 370/9 hrs and 5 mins
Narrator: Clementine Ford
Format: Audiobook
Genre: Non Fiction
★   ★   ★   ★   ★ – 5 Stars

Incendiary feminist and bestselling author Clementine Ford presents the inarguable case against marriage for the modern woman. Provocative, controversial and above all, compellingly and persuasively argued.

“I want this book to end marriages. But more importantly, I want it to prevent marriages. Women are allowed to aspire to more than what we’ve been told we should want in order to be happy. Let yourself have a bigger dream than becoming the supporting role in someone else’s story.

Why, when there is so much evidence of the detrimental, suffocating impact marriage has on women’s lives, does the myth of marital bliss still prevail? If the feminist project has been so successful, why do so many women still believe that our value is intrinsically tied to being chosen by a man?”

In her most incendiary and controversial book to date, Clementine Ford exposes the lies used to sell marriage to women to keep them in service to men and male power. From the roots of marriage as a form of property transaction to the wedding industrial complex, Clementine Ford explains how capitalist patriarchal structures need women to believe in marriage in order to maintain control over women’s agency, ambitions and freedom.

I Don’t presents an inarguable case against marriage for modern women. With the incisive attention to detail and razor-sharp wit that characterises her work, Ford dissects the patriarchal history of marriage; the insidious, centuries-long marketing campaign pop culture has conducted in marriage’s favour; the illusion of feminist ‘choice’ in regard to taking men’s names; and the physical and social cost that comes with motherhood. 

But most importantly, Clementine Ford shows us what a different kind of world could look like for women if we were allowed to be truly free. 

I wasn’t sure I’d be interested in this book despite my love of Ford’s other books, but I adored it. The history of marriage and the role it’s played in society, women’s lives, and how it has changed over the years was fascinating. I loved the quotes that could have been from this decade but were from centuries ago. Women have always had strong opinions and thoughts about their lives and marriage and I loved being able to see that people have always been people.

I have seen the hate Ford gets from certain people both in the public eye and not, and while this blurb makes it sound like it’s a call for every woman to suddenly up and leave their partner in the middle of the night it isn’t that at all.

What Ford’s done is written a fantastic book looking at the history of marriage and how it has been used over the centuries to claim women as property, to control and subdue them, and, despite all the years of growth and change, there are still a lot of negative things that come from marriage even in the twenty first century.

The binding ties of marriage are different to the concept of being in a relationship and Ford has nothing against being with someone, but a lot of her book goes through the history of marriage, its evolution, and how it is still rooted in those misogynistic ways of the early incarnations. Not to mention how it wasn’t that long ago women still didn’t have full financial autonomy, security over their children, or safety in being able to leave abuse.

Even without the captivating chapters about power dynamics, household labour imbalance, and the societal expectations engrained in us from a young age, the insight into the wedding industry is fascinating. Ford delves deep at how they prey on people whose dream day can be exploited with price hikes, unnecessary frivolity, and how so often a huge party is just as acceptable compared to the pomp and circumstance of dresses, flowers, and sermons about obeying.

There isn’t a sole focus on the female perspective of marriage, and the analysis of the marriage equality debate was considerate and well judged. This is as much a look at the system and history of marriage as it is a call for readers to think critically about their choices and why they want to do this. If you go into marriage with your eyes open you can go in knowing what to expect. But Ford asks readers to decide if it’s something they actually want to do, or if it is something that think they have to do, are expected to do, will fill incomplete and unfilled if they don’t do, or if they will be thought of as lesser if they don’t. These issues are what she explores beautifully and with statistics behind her and a wealth of data I loved how accessible and eye opening this book made me, especially when I already thought I knew so much.

You can purchase I Don’t via the following

QBDDymocks | Booktopia

 Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Not Here to Make Friends (#3) by Jodi McAllister

Published: 3 January 2024 (print)/2 January 2024 (audio) Goodreads badge
Publisher:
Atria Books/Simon & Schuster Australia
Pages: 400/9 hrs and 35 mins
Narrator: Matty Morris, Aileen Huynh
Format: Audiobook
Genre: Romance
★   ★   ★   ★ – 4 Stars

Murray O’Connell is standing on the greatest precipice of his career. As showrunner of the reality dating show Marry Me, Juliet, Murray is determined to make this season a success.

Nothing and nobody will stand in his way.

Except perhaps Lily Fireball, the network’s choice for this season’s villain. Lily has classic reality TV appeal: She’s feisty, dramatic, and never backs down from a fight. She also happens to be Murray’s estranged best friend and former co-showrunner.

What was once a perfectly planned season turns to chaos as the two battle for control. Working in reality television, they’re used to drama, secrets, and romance. But what happens when suddenly they’re at the center of the storyline?

I love this series. This is the third version of this story but while there is a whole other side being explored, there’s obvious overlaps and seeing that cross over with what I’ve read in books one and two are great nods to the other points of view while also being a fresh new story on its own. Lily has intrigued me from the very beginning. I have been dying through two books to know Lily’s story. Now I finally have it.

It is amazing to see how easily people can be produced. It’s come up before, not in the reality TV space, but how people can be manipulated or at least be used to gain information or make people reveal more than they normally would. We all know about the editing to get the best TV, it’s something we’ve seen it in the past two books and now we finally have the answers.

Murray has suffered a lot as a result of this and I love how his rushed, tired, and frantic existence is captured in his narration. You can see how run off his feet he is, something that we’d seen briefly in the other books but it’s fun to see the poor man suffer at the whims of these characters who aren’t doing the story they originally planned on.

It isn’t all heart-warming and sunshine, nor a revisit to scenes and plots we’ve read before. Seeing behind the scenes of reality TV has never been my cup of tea. I don’t actually like seeing how manipulative producers and editing can be. Now McAlister has given us the perspective of those behind the scenes it’s hard to see the enjoyment in these shows. Where previous books showed how the characters could defy the chosen narrative and make their own paths, it’s hard seeing how those less fortunate can’t escape being manipulated by what makes “good TV”.

Having said that, it’s still great. It’s interesting because a few chapters in you know where it’s going, you’ve also read the other books so one side you’ve seen already. Yet McAlister has still makes these characters intriguing enough, their dynamic engaging enough, that you need to see how they both react to what happens in this story.

Despite being on the dodgy side of ethics, Murray and Lily do know they aren’t the best people. Coercing people into their narratives and staging things to get the outcomes they want are things they know aren’t good, but they know they are good at them as well.

The replay of scenes we’ve read before never feel repetitive and it’s a good reminder of what’s happened and the different points of view and how those events came to be. Reading the three books gives a perfect view of every angle of the story. The final story being the behind the scenes manipulations, puppetry, and wrap up of the mysteries of the previous books is perfect.

You can purchase Not Here to Make Friends via the following

QBDBooktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Wundersmith (#2) by Jessica Townsend

Published: 30 October 2018 (print)/26 November 2018 (audio) Goodreads badge
Publisher:
Lothian Children’s Books/Hachette Australia
Pages: 467/11 hrs and 50 mins
Narrator: Gemma Whelan
Format: Audiobook
Genre: Junior Fiction Fantasy
★   ★   ★   ★   ★ – 5 Stars

Wunder is gathering in Nevermoor …

Morrigan Crow may have defeated her deadly curse, passed the dangerous trials and joined the mystical Wundrous Society, but her journey into Nevermoor and all its secrets has only just begun. And she is fast learning that not all magic is used for good.

Morrigan Crow has been invited to join the prestigious Wundrous Society, a place that promised her friendship, protection and belonging for life. She’s hoping for an education full of wunder, imagination and discovery – but all the Society want to teach her is how evil Wundersmiths are. And someone is blackmailing Morrigan’s unit, turning her last few loyal friends against her. Has Morrigan escaped from being the cursed child of Wintersea only to become the most hated figure in Nevermoor?

Worst of all, people have started to go missing. The fantastical city of Nevermoor, once a place of magic and safety, is now riddled with fear and suspicion…

I loved Nevermoor and Wundersmith exceeds it by being even more amazing. I loved seeing Morrigan’s growth as a person, in her abilities and this new world she has become a part of. The same fun and flighty characters are there but in new ways as more of the world and school is explored. Not to mention as new dangers arise.

There is a darker theme running under the story, but with this strange world Morrigan’s in there was always the capacity for darkness given we start off the series with her having a curse. It’s a dangerous world and seeing Morrigan try to understand it and navigate it is wonderful.

Jupiter is always a brilliant character, his erratic nature is balanced by his desire to protect Morrigan, but per usual he always knows more than he lets on and isn’t as flighty as he appears. There’s new and returning characters to fall in love with and the different knacks of the other people in Morrigan’s unit are creative and it shows that everyone’s abilities are diverse but can always have a use.

The lead up to the ending was absolutely divine. It brings together so much and plays out so brilliantly it was hard not to admire this book for those moments alone. I am so keen to see where Townsend is taking Morrigan’s story because I’m certainly hooked so far.

You can purchase Wundersmith via the following

QBDDymocks | Booktopia

  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

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