The View from the Balcony by Janette Paul

Published: 25 March 2025 (print)/1 April 2025 (audio) Goodreads badge
Publisher:
Pan Macmillan Australia/Bolinda Publishing
Pages: 400/11 hrs and 9 mins
Narrator: Lucy Moir
Format: Audiobook
Genre: Fiction
★   ★   ★   ★ – 4 Stars

Three women and the healing power of friendship.

Andie has no memory of the man who pushed her out of the way of a speeding car. A week before Coral’s biggest career highlight, her mum has a fall. And the last thing Mara wants is to be assigned to work at the hospital bedside of the much-despised senior partner of her law firm.

Andie, Coral and Mara become the daily visitors to the three patients at the end of East Wing of Hepburn House Rehabilitation Hospital. The balcony that connects the three rooms provides an oasis, a healing place, but more than that, too: a place where their lives will interconnect and never be quite the same again…

A heartwarming and evocative novel of love, friendship and family, where hope overcomes all – even terrible hospital coffee.

This is a wonderful story about women and their lives, it’s also about friendship and support and all the different types of experiences people can have. It’s about the multifaceted aspects of family, friendship, work, and romance, and how responsibility is often a burden when carried alone.

I enjoyed the emotional journey the women went on and even though there were disasters and chaos at times, in all of their lives, I enjoyed that they were allowed a real experience, full of heart. No dramas. It isn’t bland, simple, or emotionally uninteresting either, it was a beautifully real story about three people in different stages of their lives and the struggles and joys they experience.

All three women have stress in their lives and things that are causing chaos for them. Mara deals with the stress of family obligations and lack or support, Coral is dealing with the pressures of family and her obligations, while Andi is dealing with the trauma of her accident and healing.

I don’t know whether I need to worry that someone my age and in my situation resonated with Coral so much. I felt sympathy and had a connection with her and her circumstances as she was pulled in every direction and made to feel bad for wanting a break or time to herself. It might be Paul’s great writing though, you really get into the mindsets of these characters. You understand their stresses, their fears, and with remarkable ease you understand who they are and where they’re coming from.

Paul’s approach of writing about the unseen and oft forgotten people was a great decision. When someone is recovering the temptation is to focus on their story, who they are meeting in the hospital, what their recovery journey is like. To have this flipped and we’re focused now on those in a supportive role it reminds you how even popping in for a visit each day can be draining and a demanding practice.

The setting of a care hospital is a great place to interact because with a mix of patients, staff, plus the fly in fly out nature of family and visitors it makes for a great place to overlap, interact, and gauge these characters and their lives.

I loved all the characters, even the difficult and harsh ones, because you know there’s reasons why, there’s life history, there’s emotional issues or illness that makes them hard to deal with. But their complexity makes them real, turns them into people you know, you’ve met, and the ability Paul has to layer so much depth into the characters without being heavy handed is amazing.

I actually enjoyed the three narrators didn’t find one another until the end of the book. It wasn’t like they were the only three characters either, each one has a little group around them so they are never alone, but they still never cross paths. It works too because it is completely believable and understandable. In a place like the rehab centre people pop in and out all the time, and often you’re so wrapped up in who you’re there to visit you only notice people in passing as you bustle onto your next duty of the day. This is contrasted by the evidence that those in recovery did find one another and formed relationships, which we only catches glimpses of through our main characters. In another book these characters would be the main focus and Coral and co would be the side characters we never get a chance to see deeply.

There’s complications of course. There’s decisions that need making, there’s circumstances that work in a ward but not in the outside world. There’s risks to take and opportunities to weigh up which was as impactful and consequential as any major disaster. I’m glad there wasn’t a huge Event the characters had to deal with. The three main characters had their own events to deal with and overcome and I loved how that was perfect for this type of story.

Paul brings great closure with the ending, Val and Coral finally get to have their moment, the realisation of clarity or whether the clarity was new or just a fluke is irrelevant as it helped heal them both. I was hoping Mara and the physio Riley were going to hook up, they are a good match and the few interactions they had felt like they really clicked. There’s career prospects and personal growth, and new opportunities to leave readers feeling hopeful.

I will admit I am a little annoyed at the ending, but only because I was rooting for Coral so much. She deserved great things and regardless of her acceptance I was annoyed her obligations – despite her decision that they weren’t – stopped her doing something she had earned, worked for, and should be able to celebrate. But my disappointment was made up in the comradery these women showed, the ride or die for someone they barely know and are spurred into by the people around them.

You can purchase The View from the Balcony via the following

QBDDymocks | Booktopia

 Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Points of Departure by Emily O’Beirne

Published: 15 June 2016 (print)/28 June 2022 (audio) Goodreads badge
Publisher:
Ylva Publishing/Tantor Media, Inc
Pages: 274/8 hrs and 43 mins
Narrator: Angela Dawe
Format: Audiobook
Genre: Young Adult Contemporary
★   ★   ★ – 3 Stars

In this young adult novel, best friends Kit and Liza have been looking forward to this trip forever.
Five girls, five tickets overseas. It’s exactly what they all need after the final slog of high school. But when Kit’s suddenly forced to drop out, Liza’s left with three girls she barely knows. 

There’s Mai, committed only to partying. There’s Tam, who already has her doubts about leaving her sick father behind. And there’s Olivia, so miserable about screwing up exams she’s not even sure she wants to get out of bed, let alone on a plane. Meanwhile Kit’s stuck working double shifts to pay off a debt, wondering if she’ll ever get it together.

All Liza wants from this trip is to discover a new version of herself. She just hadn’t planned on doing it without Kit by her side.
And they’re all learning that travel isn’t just about the places you go, but who you’re with at the time.

I am no stranger to having a subpar narrator for audiobooks, it’s rare but not unheard of. There have only been maybe two books I couldn’t listen to at all because of the narrator, other times there are narrators who aren’t great at the start but I can get used to by the end of the book. This one, however, annoyed me right until the final minutes. The nasal imitation Australian accent was bad enough when there was dialogue, but the fact the rest of the book was spoken in an American accent was annoying. The main things I kept thinking were why was an American narrating this Australian book and why would you switch between accents?

When I had a small whinge online I did see one response that said audiobooks should be narrated by people who are the nationality of the characters, which would be ideal, support local talent and all that, but if we can’t have that at least can they be vetted that they can do a decent Australian accent that doesn’t make you cringe every time a character spoke? I have to be careful here and not spend the entire time ragging on the narrator, it’s probably not her fault, but it goes to show that the narrator can influence a book’s enjoyment.

I enjoyed that the characters were older teens; they’d finished their schooling and were looking at their open ended future trying to decide what to do with the rest of their lives. It was a great dynamic having the five of them plan this trip with really one person being a key connector between them all. When you remove that connecting point it was interesting to see the interactions these near strangers have as a result.

The story follows multiple points of view but the problem is some characters are a lot more interesting than others. I liked Kit’s story best, and I enjoyed Olivia and Liza, but overall it was a little bit boring. Maybe not boring exactly, but definitely slow. And considering I never got used to the narrator I was very conscious of not letting it impact my enjoyment. Even with an Australian narrator I feel it would still have been slow, under developed, and slightly repetitive.

With multiple points of view you got a little bit of their lives, but their narrative voices mixed together. Kit’s story was the only one that felt separate and her voice unique, and not only because of her isolation at home made her easy to identify. Keeping track of who was who was easier by remember their one defining narrative feature – Liza was a former runner, Olivia worried about her uni scores, and Tam had a sick father. There wasn’t any other way to distinguish them and their voices were non-descript, I don’t think I even got a picture of any of them in my head. The similarities in written voice especially between Liza and Olivia weren’t helped by ?? barely altering her voice either as she switched between the two, and there was definitely an imbalance between perspectives. Olivia and Liza dominated, Kit did as well, Tam barely gets a look in so much I kept forgetting about her, and poor Mai didn’t get a voice at all.

The exploration of European countries, hostels, different approaches and appreciations to each country was a nice insight into how to travel around the world (and how easy it is to jump from country to country when you aren’t girt by sea). Seeing each girl grow and develop friendships through the book and overcome their insecurities, find themselves, and work out who they want to be was nice too.

Overall a nice read, probably one that could have been expanded further in terms of character and balanced better in terms of pace, but it was enjoyable and an interesting look at the older side of young adult and teen lives: not quite complete adults but not bound by schoolyard antics.

You can purchase Points of Departure via the following

Blackwell’s | Wordery | Angus & Robertson

 Amazon | Amazon Aust | Audible

Enough Love? by Maggie Hutchings

Published: 29th June 2021Goodreads badge
Publisher:
Affirm Press
Illustrator: Evie Barrow
Pages: 32
Format: Picture Book
★   ★   ★   ★  – 4 Stars

Willa had one dad one mum one home and a bird. And that was enough. So when Willa’s parents split up, she’s pretty sad. But at least they are still all hers. Until Dad meets Kevin and Willa’s family starts to grow … and keeps on growing. When will enough be enough? Or is there always room for more love?

This is a great book and I loved how complicated it became. This is a story beyond your basic divorced family, two houses and maybe a step sibling. Hutchings shows us how families can become complicated, big, messy, and how there is always enough love to go around.

The story flows well and with the repetition of one mum, one dad, one home, one bird, it is a creative way to tell a story of change as a family grows. It is also a good reminder that while family can grow, no own is ever taken out even if it changes.

The illustrations are realistic pencil sketches and Barrow makes each person unique while still keeping the family similarities. The call backs to the same scenes as Willa draws her family is great because even if the numbers change, the scene of her drawing her family is consistent.

I don’t want to spoil the end result, but there is a great representation of diversity, LGBTQIA families, as well as step siblings, half siblings, and the array of pets that also make up our family. It’s a great adventure Willa goes on through the years and I loved how the relationship changes never took away from how Willa felt or how she interacted with her parents and the time she spent with them.

Overall this is a story about family but it is also about love and is there such thing as too much love and is change really a bad thing in the end?

Enough Love? appears to be out of print but there may be a copy at your local library and possibly at Dick Smith

Eleanor Jones is Not a Murderer by Amy Doak

Published: 04 September 2023 (print)/28 November 2023 (audio) Goodreads badge
Publisher:
Penguin Books/Penguin Random House Australia Audio
Pages: 282/5 hrs and 29 mins
Narrator: Lola Bond
Format: Audiobook
Genre: Young Adult Mystery
★   ★   ★   ★ – 4.25 Stars

Eleanor Jones is Not a Murderer by Amy DoakEleanor Jones has just started at her ninth high school. She likes to stay invisible, on the outer. So it’s bad luck that the first person she talks to at school, Angus Marshall, is stabbed and left for dead. And the last message on his phone is from Eleanor.

Eleanor realises the police don’t have all the facts. In trying to understand what happened to Angus, she inadvertently becomes involved with an eclectic group of fellow students – who all have their own reasons to want this mystery solved.

As they slowly unravel Angus’ secrets, Eleanor discovers the true meaning of friendship – and uncovers a danger lurking at the heart of the town…

I will excuse that maybe it’s a QLD thing, but this feels very American. I’m not sure whether Doak wrote it in a way to be broadly appealing outside of Australia, or whether QLD is just like that, but it didn’t completely have that great Aussie feel I love from our YA.

My experience with our schools is we don’t have the hierarchy of popular kids and the losers. I cannot fathom how just because a group of “cool” kids went to a public fish and chip shop other teenagers could never ever walk in there any other time of their life because it was the cool kids hang out. Like, what? And why must we think being studious means you don’t have friends? Ok that’s a character choice this time, but I knew plenty of studious people who had lots of friends. Is this trying to be a US stereotype knock off to appeal? Or is QLD just like this? There is even the overdone cool kid party which is close enough to being the US teen trope too.

What was interesting about Eleanor is she bucks the trends I was expecting. Nine schools in five years I’m surprised she is even open to trying to make friends. I’d’ve figured she’d realise there was no point and know she was moving in a few months so she wasn’t going to get attached to people. I mean, good for her for not doing this, but it’s interesting. Especially in the digital age where it is easier to keep in touch, but being in a place for a few months doesn’t let you make close friends that are work keeping touch with.

To her credit, I was very surprised when the Big Reveal happens, Eleanor was quite sensible. Not entirely, but she knows when to bail and not be a hero. I loved that. It’s stupid, but I shouldn’t be so proud that these kids, while doing their own investigation as is the style, still go to adults, and police, and don’t try and save the day entirely themselves. I shouldn’t be amazed and impressed when they leave it to the adults and pass on messages when someone is on trouble. I love that and I need more of it. I got so cranky in a book because it was too stupid how the teen detective acted, and I just need these detectives, as fun as they are, to also not go so far that things would be stupid and unbelievable and ‘if they’d just told someone’. They even mention the cops may have more info than they let on and surprise surprise and might be able to do something.

I loved the characters and I loved their dynamics. There isn’t a lot of emotional turmoil and drama which keeps it light but there are still deep moments. If A Good Girl’s Guide was a bit too intense this is a great substitute. A good Aussie feel despite the few American vibes and the mystery is still captivating. A great example of small towns and needing outlets and enrichment.

With great pacing and a constant intrigue in the mystery it’s definitely a page turner. It’s a lighter version of these kinds of teen detectives which is perfect for those who want the style without the emotional intensity.

You can purchase Elanor Jones is Not a Murderer via the following

QBDDymocks | Booktopia

Angus & Robertson

Fishpond | Amazon Aust | Audible

Every Last Suspect by Nicola Moriarty

Published: 04 June 2024 (print)/04 June 2024 (audio) Goodreads badge
Publisher:
HarperCollins Australia/Bolinda Publishing
Pages: 384/8 hrs and 56 mins
Narrator: Claire Warrillow, Eva Seymour, George El Hindi, Jessica Stanley
Format: Audiobook
Genre: Domestic Thriller/Mystery
★   ★   ★ – 4 Stars

Complicated, driven, loving. Manipulative, irresistible, monstrous.

Love or hate her, Harriet Osman is impossible to turn down. But someone in her life has finally snapped, leaving her lying in a pool of her own blood. Harriet isn’t one to die quietly though, and she is determined to reveal her killer before she goes.

Was it her devoted husband, Malek, with a violent past? Her best friend and lover, Victoria, with a deadly secret only Harriet knew? Or the new woman in her life, fellow school mum Karen? The one with an impeccable reputation … or so she says.

Bullying, friendships and games (in and out of the bedroom) combine with envy, lust and revenge, creating a darkly twisted tale of drama and suspense where the question isn’t who killed Harriet, but why did it take them so long?

I recently heard Moriarty speak at the Newcastle Writers’ Festival and was intrigue by her new book. I’ve enjoyed her books in the past and the premise was interesting and a different way to approach a mystery and a whodunit. The victim uses her dying moments to try and work out who has killed her. Who would have a motive to harm her? If only it could be figured out before she died then maybe she could leave a clue to those who find her. It piqued my interest and I was curious to see how it played out, especially Moriarty’s discussion about having a character who was unlikable, but balanced to also gain sympathy from readers.

I enjoyed the breakdown of the points of view, the three suspects Harriet believes could be her murderer. As we get each perspective we see how Harriet has influenced their behaviour and impacted on their lives in ways even they couldn’t imagine.

One thing I love about well done mysteries is having characters who can be complicated enough to have depth and feel real on the page, but also needing enough motive and be the kind of person who could kill someone. Moriarty does this incredibly well because as these lives play out in the Western Suburbs, the almost parasitic way Harriet has infiltrated their thoughts and their lives is enough to make you think they have a chance to risk everything to get payback.

The possible motives of the characters are fantastic and I loved the complexity and unique way everything is revealed. The surprise/non surprise party for Harriet is a great way to gather everyone and I loved how it’s a jumping off point to set things in motion as well as bring everything to a head.

The representation of messy families, jealousies, fears, hidden pasts, and semi toxic friendships is wonderful and nothing ever felt false or overdone. Each character brings their history and personality to the story and you could feel their real lives being impacted by Harriet and her actions.

I loved how complex Harriet was. She is a mean girl, a toxic friend, a person everyone loved and wanted to be friends with but could also burn you at the slightest thing. She was flawed but not entirely bad either and having her deductions in her own head as she dies it gives us an insight into her motives that beautifully contrast how those motives are perceived by everyone around her. Her flaws and own short comings make her be perceived in a harsh light, more than she intends, but she is also in no way completely innocent either. Moriarty has balanced her wonderfully.

The ending is deeply satisfying because not only is the revelation fantastic, the wrap up is incredibly clever. Things you don’t think are important come back, and things that felt important weren’t or they are in a different way. Unconnected things become connected and there’s misleads and expectations that don’t come to light. All the while making you think if some things had been discovered sooner would they have made a difference? You’re never really sure and it’s a great thing to leave readers thinking about.

You can purchase Every Last Suspect via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

 

 

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