Book Launch: Crackenback by Lee Christine

My last in-person book event was March 2020 so it was curious that my next in-person one was March 2021 almost to the exact day. Also wonderfully coincidental, both of those events were to celebrate the release of a new book by Aussie author Lee Christine. I didn’t get to do a write up of the first event because the world broke soon after and my attention was diverted elsewhere, but this time I am excited to share my adventures (I may still write up the other launch, we’ll see what happens).

The book launch was held at Belmont Library in Lake Macquarie and we were told by wonderful host Julie that it was also their first event since COVID put a stop to in-person events. Lee was in conversation with Jamie Lewis about her new book Crackenback, set among the Snowy Mountains and it was a delightful couple of hours to learn about how it came about.

Jamie Lewis in conversation with Lee Christine at Belmont Library

Crackenback isn’t a sequel to Lee’s previous book Charlotte Pass it is a standalone novel, however a few of the characters might be familiar. Lee told us she tried to not put too many references to Charlotte Pass in there, but there are a few vague mentions given the same detective is involved; as Jamie put it, it’s a separate story but part of the same world Lee has created.

Jamie spoke with Lee about given Australians love the outdoors so much, it’s only fair our serial killers would too and Lee told us how real life killer Malcom Naden was the main focus of her research. The way he lived for so long on the run, how he was resourceful, hardened, and knew how to live off the land was the information she needed for the story. She also spoke about how our National Parks are so vast and so intimidating themselves that they are often the perfect place to hide out and become victim to.

Lee spoke about the characters in Crackenback and how small actions give us insight into who they are, and how sometimes even the slightest thing can change a reader’s view of a character. This is why she was so careful in how her villain was portrayed and how the other characters behave too. They are all counterpoints to one another, reminding readers of the stakes and relieving some tension for the reader.

Jamie brought us back to the landscape and how it is a point of tension itself within the book, and how it and the weather is like another menacing character to contend with. Lee described the area around the Snowy Mountains as being dotted with huge granite boulders and snow and wind, ice, mist and fog all adding to the perilousness of the place. It also heightens the sense of claustrophobia of being trapped in the lodge with no way out without succumbing to the elements.

Lee’s book with our complimentary merch.

When the issue of setting a novel in 2020 came up Lee told us her worries about whether to mention the COVID issue. Luck was on her side because there was still a snow season and the police kept working so her story was realistic, but there was also a worry that including a mention of the pandemic would not only date the book, but be a turn off for those who had lived through it and didn’t want to then read about it. With Lee’s books used as an entertaining escape, people wouldn’t want to read about their daily lives and in the end there is only a brief and vague mention as recognition.

Jame mentioned that there is a lot playing with reader’s minds in the book. The aim of writing, Lee said, is wanting the readers to be emotionally invested in her characters. She needs readers to worry so much they will wonder how the characters will get out of the situations she puts them in. With crime stories we know there are goodies and baddies, ultimately knowing how it will go, but it’s the how in between – as Jamie said it’s the playing with reader emotions. Jamie also mentioned there are strong themes of revenge and second chances, Lee agreed and said with second chances there’s always a chance of hope which is important. There are also themes of fate and the intrusion of the past which make this a beautifully complicated sounding story.

The conversation carried on to cover how characters are named and the importance and fun that can be had with secondary characters before Lee and Jamie discussed how tough it was writing parallel story lines. Exposing readers to what was happening at the lodge while also what is happening with the police meant there was a need to keep readers informed but the police one step behind. This, Lee said, was another chance to worry the reader if the two would ever converge or if it would be too late.

As the afternoon drew to a close Lee teased us with information about the third book, set in the same region and another crime to solve. Hopefully it won’t be too long before I’ll be attending the book launch for that book as well!

Crackenback is now available for purchase, as is Lee’s previous book Charlotte Pass. If you love books filled with intrigue, mystery, a touch of danger on all sides as well as a plot that keeps you guessing that Charlotte Pass is for you. I have yet to read Crackenback but based on what I heard this weekend and what I have heard from others it’s a thriller that sounds just as compelling.

You can purchase Crackenback via the following

QBD | Booktopia | Book Depository

Dymocks | Angus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

Author Info

Website | Twitter | Instagram

 

Coffee, Cake and Contemporary Women’s Stories

Saturday was my big bookish day and after I had spent my morning up at the Wallsend book sale, I headed down to Lake Macquarie for a coffee, cake and books event in the afternoon. The event was held in a cute little café opposite the lake in Warners Bay and there was a wonderful view of the water from the tables. The authors in conversation were Trish Morey, Fiona McArthur, and special guest for the day Cathryn Hein with Jaye Ford as interviewer. Julie from Lake Macquarie libraries welcomed everyone and said that the event was the first of hopefully many like it. For a first time event it was well attended, the tables were full and there were delectable nibbles provided before and during the event from the café. The authors themselves were lovely as well. I’d met most of them at various other things before and being able to enjoy their conversations, their friendship and their stories was special and not only allowed you to get to know these talented women a bit better, but gain an insight into their craft.

Jaye, Cathryn, Trish, and Fiona

Jaye started the afternoon off introducing everyone and explained that this was part of their Summer With Friends Tour that herself, Trish and Fiona were doing, this time with an extra friend in Cathryn. Jaye spoke to each of the authors about their latest books, their inspirations and how the story developed. Trish explained how her latest book, One Summer Between Friends, got to be set on Lord Howe Island after a holiday there reminded her of its beauty. With a desire for a small town type setting, a place where everyone knows everything and you can’t easily escape, Lord Howe was the perfect location. She explained how she wanted to test the boundaries of friendship, wanted it to be fractured and see if it could be put together again. Trish also explained how life imitating art in her own world helped to make her book stronger because she was able to put personal experience into it. The hands on research she used didn’t change her story a great deal, she explained, but the detail and emotion she was able to now include was based on her real reactions, something which I thought was brave and amazing.

Fiona’s book, The Desert Midwife, came from a previous version which had been rejected from the publisher but had now been reworked into something similar but new. Jaye spoke with Fiona about the concept of love at first sight and Fiona admitted she knew three people who’d experienced the phenomenon, herself included with her own husband. This notion is explored in her novel and how a woman is able to cope when her loving husband suddenly no longer remembers her. Jaye asked about Fiona’s research and we heard stories of travelling around communities near Uluru and how interactions with the communities influenced Fiona’s story. She spoke about midwifery and how she always likes to promote that birth is natural, how if left to nature it usually sorts itself out and she joked that often midwives instruct doctors on better ways to do things. Their conversation turned to Fiona’s new endeavour into indie publishing with her book Midwife on the Orient Express and she expressed how nice it was to be able to select her own cover, keep the title she wanted and how she had been inspired by others, like Cathryn, who had gone out on their own.

Cathryn’s own story, Eddie and the Show Queen – the fifth in her series set in the Levenham’s area, goes to some emotional places but it is one filled with humour too. Jaye spoke to Cathryn about how she came up with her ideas for the various, amusing fundraising solutions in the story and Cathryn admitted it was the most fun she’d had coming up with all of those options. Bringing it back to the dual tones, Jaye asked how it felt to write both emotions and Cathryn said she enjoyed the contrast between the two. She said it wasn’t real if people were happy all the time and if she can make herself cry when she’s writing it, that’s good. Being the fifth book in a series, Cathryn spoke about how after writing the first – Rocking Horse Hill – she wanted to explore the stories of more characters. She explained how she comes up with the titles and then writes the book to that title. Cathryn explained with this new one, Show Queen was originally Show Girl but in an international market Show Girl means something different entirely and so she changed it.

Jaye spoke with the women about creative blocks, Cathryn explaining how some medical issues recently had halted her creativity, but she was slowly gaining it back as she got better. She explained the fear she had when she couldn’t write, she told us writing was her dream and not being able to write was horrible. One thing that really resonated with me was Cathryn saying that “100 words a day gives you a book in the end” which I think I might need to paint in large letters on my wall. It is a wonderful piece of advice and one I know I need. Trish spoke about how writing intense books was hard when her own life had become intense with family issues and so she needed to write a different kind of book, this also included not writing about sex all the time. Fiona told us that in the beginning she had trouble finding the time to write with children and a husband to care for and so she found some hours in the early morning that were all hers. Between 4:30am and 6am there was time no one wanted her for anything and it allowed her to write. Now she had retired she has all day which is even better. Fiona also offered some more fabulous advice telling us “if you keep going, eventually you get there”. Another for my wall.

Jaye spoke with the women about their routines and how they started their days, where their writing process took them. From long walks to doing Sudoku and taking afternoon naps there were numerous routines to get the brain kicked into gear and allowing time for plot points to be nutted out. Cathryn reminded everyone that you have to be disciplined because it is a business, and Jaye invited each author to talk about their writing process and how they gain their ideas and start planning (a plotter), or whether they make it up on the fly (a pantser). Trish acknowledged everyone has a different process, she likes to start with a ‘what if?’ situation and a character then venture into a story. Fiona is a pantser, and while Cathryn admitted she too is a pantser, she also mentioned that she needs to know how her story starts and she needs a crisis moment before she can start.

By now we’d all been served our afternoon tea and cakes and the audience was able to ask questions. There were some great questions like further clarification on the plotters vs pantsers and how do you start a story in the first place. Fiona sees her scenes like one would a movie and she builds on that first scene, Cathryn told us that the story takes as many pages as it takes to tell the story, whatever that length may be, as long as it doesn’t bore the reader.

Another question from the audience was how to identify and keep track of continuity. Fiona told us that when you start you don’t know your characters well, but you get to know them as you write the book. You get the story out then you can go back and fix it later. Trish said you need to keep your characters grounded, you give them a description at the start and use it as a reference and do the same for personality, find words and titles that go with the characters. I loved Cathryn’s approach, she mentioned she finds three things for her characters: something physical that sets them apart, some verbal tick/saying that is theirs alone, and a gesture that identifies them.

The two hours flew by and I easily could have sat there listening for two hours more. A whole lot more was spoken about, laughed about, and explored but I wrote eight pages of notes and to recap the afternoon in its entirety would be never ending. I will say though, if you ever get a chance to go to an event similar to this I insist you do; it is so wonderful to be allowed access into this world where authors discuss their work, their inspirations and to see the friendships and support that have formed over decades. I was entertained, I was moved, I was inspired not only in my writing but in many other ways too. It was a wholly delightful afternoon.

Sarah Barrie and Tea Cooper in Conversation

On Wednesday night I was fortunate enough to attend an author event at one of my local libraries featuring Tea Cooper and Sarah Barrie. Umina library hosted the pair for a wonderful evening of conversation. The event was remarkably well coordinated and run and it’s hard to imagine this was the library’s first time hosting this type of event.

Tea Cooper

Tea Cooper is the author of contemporary and historical fiction writing stories predominately set in regency and Victorian eras. Originally from England, she has found a new home in Australia and writes stories set in the Hunter Valley including Maitland and Wollombi. Her latest book is The Woman in the Green Dress which is due for publication 17 Dec this year. Sarah Barrie on the hand writes rural suspense and her latest book, Bloodtree River, follows on from the successful Hunters Ridge series and is available now. Listening to them discuss their writing styles and their experiences was such an enlightening time, and like most writing events makes me walk away inspired to return to my own works in progress.

The event began with nibblies and drinks before we all gathered inside for the talk. From the start it was presented as a casual conversation and Tea was quick to welcome people to interrupt and make it more of a joint conversation between them and the audience. This worked incredibly well because the audience questions prompted a variety of stories and insights from the writers.

Sarah Barrie

Questions ranged from how long does it take to create a book? And where do ideas come from? To discussing the historical research process for Tea’s stories and Sarah’s inspiration for ideas. One thing I found interesting was Tea’s answer about her research. She mentioned she never takes the historical stories from people who are living in the area, as many families still remain. All of her characters are fictional, but come from snippets of stories, Tea not liking the idea of putting words into the mouth of people who actually existed.

Through audience inquiry we learnt more about Tea and Sarah’s friendship and their relationship as writing partners. Another great audience question was about structuring writing time. Sarah gave a wise answer saying that stricture is great, but life doesn’t go to plan. She has to make the time but instead of daily goals or set times to write, she aims for writing a set amount of words per month. I quite liked this approach because it releases the constraint of daily writing, 4am writing (though it works for some quite successfully), and panicking when none of those this happen for weeks at a time.

Having a conversational style event also allowed for a lot of unexpected questions to be asked and it steered the conversation into educational and humorous avenues. There were personal stories exploring friendship and work histories together, and their own stories about getting started in publishing as well as a few tricks of the trade.

In the end the night seemed to fly by and even in the short time the women spoke a lot of ground was covered as the conversation flowed seamlessly from one question and topic to another. Local bookseller Book Bazaar was there as well so people could purchase both Tea and Sarah’s books and have them signed. It was wonderful to see people lining up to buy books both before and after the talk, the line for signings a great proportion of those who attended.

The informal and communal nature of the night was highly enjoyable and it was fantastic to hear from two local Aussie authors. Combine that with sitting in a library surrounded by books made it a very cosy night indeed.

 

You can find out more about each of these authors via the following

Tea Cooper
Website
Facebook
Twitter
Goodreads

Sarah Barrie
Website
Facebook
Goodreads

 

 

Wendy James in Conversation

Last week I attended an event at the library to see crime writer Wendy James in conversation with fellow writer Jaye Ford. It was a great evening, Jaye and Wendy have been friends for years so their conversation was informative and fun, with all the fun banter friendship throws in.

Jaye spoke to Wendy about her new book The Golden Child. James has been dubbed Queen of domestic thrillers, a term both Jaye and Wendy joke about often. What exactly is a domestic thriller? But this is a deserved title though because The Golden Child is incredible, and has already been optioned as a miniseries.

Wendy’s book is about bullying, social media, and parenting, but she is very good at not actually blaming social media or the parents for the events in this book. It’s a brilliantly complicated novel that looks at how issues of bullying can often come from nowhere. She told Jaye that she wanted the mother in the book to be unprepared, to not see where it had come from; that there are often no obvious signs. Social media, Wendy said, is so ubiquitous these days that you don’t notice it.

Wendy was asked whether it was tougher for girls these days and while she said it was harder for young girls, it is also harder to control older kids in regards to technology. One thing I really liked was that Wendy said it wasn’t about the social media or the bullying per se, it was about the women involved. She wanted it to be about how the mothers felt about the situation. Her character does everything she could to raise her kids right and yet still things aren’t perfect. What was also wonderful is there is no one person or thing to blame for everything, Wendy didn’t want to turn it into a book about how to parent or put the blame on a single entity.

The story is set in Newcastle but as Wendy said, it doesn’t mean it is a book about Newcastle. Being a newish resident there herself she wrote her idea of Newcastle, instead of the one that has the weight of someone whose whole life has been there which is something I think she did very well. It has the feel of someone who has just moved there, and not someone who knows everything there is to know about it.

The tail end of the discussion merged into a joint conversation which started with discussing each authors writing history and processes; something which I always find fascinating to hear about. Wendy spoke of her career as a teacher of creative writing and how it made her see things a bit differently, commenting that when you write you stop thinking about the craft after a while. The search and discovery for ideas was also mentioned and the pair joked about the best places to mullover ideas – driving and in the shower being optimal. The comment was made about needing a waterproof notebook in the shower and I forgot to mention it to them on the night, but there is one called Aquanotes if you’re interested, Wendy or Jaye. It’s ridiculously helpful for my own preservation of ideas.

The pair discussed research processes prompted by audience questions as well as their writing routines and styles. It was an interesting way to cap off a wonderful and informative evening. There is something wonderful about going to events like these that bring out your own inspiration and drive.

You can purchase The Golden Child via the following

Publisher | Booktopia | Kobo | Dymocks

 QBD | Angus & Robertson’s Bookworld

or check out Jaye books and Wendy’s other work because it’s amazing!

Jaye Ford

Goodreads | WebsiteTwitter |

Wendy James

Goodreads | Website | Twitter

Writing Herstory: A YA Event

It’s true dedication (or a type of madness) to endure the four-hour round trip for an often one hour or one and a half hour event in Sydney, but while some can be a letdown, others are truly wonderful and this was one of those times.

On Saturday, Jeann from Happy Indulgence hosted a panel called Writing Herstory: Today’s female experience in contemporary YA in the fabulous bookstore, Kinokuniya. It was a great afternoon listening to five fabulous women discuss important issues in YA novels and how important they can be to readers.

I often feel guilty, or feel like not a “true YA reader” (whatever that is even supposed to mean) for not knowing some of the authors on panels, but then I remind myself that I’ve been given a chance to discover some new authors. And of course, now I know of them I can read their work and fall in love with them.

Kirsty Eager, Gabrielle Tozer, Sarah Ayoub, Tamar Chnorhokian, Erin Gough. Courtesy of Kinokuniya’s Twitter.

Making up the panel of excellent women were Kirsty Eager (Summer Skin), Sarah Ayoub (The Yearbook Committee), Gabrielle Tozer (The Intern), Tamar Chnorhokian (The Diet Starts on Monday), and Erin Gough (The Flywheel). Having already fallen in love with Sarah and Kirsty, I was eager to discover these other YA authors and it didn’t take long for that to happen or for my admiration to follow.

Jeann did a great job as host, she asked wonderful questions and the discussion ranged from bullying, diversity, minority representation, and why the Aussie YA community is so wonderful. She asked the panel why they thought diversity was important and there were excellent responses such as needing your experience represented and seeing the less represented shown in a different light than they may be on TV or in films. Gabrielle made a wonderful point about it how it makes people feel included; they pick up a book and see themselves on the page. I also loved Sarah’s thought that it gives people a sense of self-worth and value when their experiences are in stories. Gabriella also pointed out that you can’t include everyone which is why there is a need for diverse writers and books.

The panel also discussed the various issues portrayed in each of their novels; peer pressure in The Yearbook Committee, sexual preference in The Flywheel, feminism in Summer Skin, body image in The Diet Starts on Monday, as well as the big issue of bullying and why it’s included in so many YA novels. The fact is, as Sarah pointed out, is that it is happening, and continues to happen not only to young people, and to ignore it is often detrimental and damaging. Erin mentioned the reason YA features bullying is because it happens and it sucks. And as Tamar pointed out, even when you are brave enough to stick up for yourself, it doesn’t mean it isn’t bullying, and it affects you in some way. As Sarah said, we tend to have a hopeful outlook on bullying, never looking at the consequences it can have.

The discussion was real and profound; it was wonderful to hear an open discussion about things like the different opinions of men and women in terms of sexual activity, and what body image is and where pressure can come from. I loved that Kirsty told us women don’t have to be role models and that Erin highlighted that there are more pressures out there than just from ones peers.

It was lovely to hear the panel talk about why they love the Aussie YA community, praising our passion and how engaging we are. Kirsty loving our open mindedness and how open-hearted we are, while Sarah loved how vocal we are about the books we love. Tamar mentioning along the same lines how she loved seeing readers react with books and characters. The common opinion from all five was how accepting the YA community is, which is a wonderful thing to have recognised by other people.

I came out of the event with five new books which I’m classing as a win. I’ve discovered new authors who were a delight to meet, so very friendly and cheerful, and I got to hear an important discussion about women and literature. I’m glad I made the trip down and so stoked to have discovered some more Aussie YA ladies to enjoy!

Signed and ready for reading!

 

 

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