Writing Herstory: A YA Event

It’s true dedication (or a type of madness) to endure the four-hour round trip for an often one hour or one and a half hour event in Sydney, but while some can be a letdown, others are truly wonderful and this was one of those times.

On Saturday, Jeann from Happy Indulgence hosted a panel called Writing Herstory: Today’s female experience in contemporary YA in the fabulous bookstore, Kinokuniya. It was a great afternoon listening to five fabulous women discuss important issues in YA novels and how important they can be to readers.

I often feel guilty, or feel like not a “true YA reader” (whatever that is even supposed to mean) for not knowing some of the authors on panels, but then I remind myself that I’ve been given a chance to discover some new authors. And of course, now I know of them I can read their work and fall in love with them.

Kirsty Eager, Gabrielle Tozer, Sarah Ayoub, Tamar Chnorhokian, Erin Gough. Courtesy of Kinokuniya’s Twitter.

Making up the panel of excellent women were Kirsty Eager (Summer Skin), Sarah Ayoub (The Yearbook Committee), Gabrielle Tozer (The Intern), Tamar Chnorhokian (The Diet Starts on Monday), and Erin Gough (The Flywheel). Having already fallen in love with Sarah and Kirsty, I was eager to discover these other YA authors and it didn’t take long for that to happen or for my admiration to follow.

Jeann did a great job as host, she asked wonderful questions and the discussion ranged from bullying, diversity, minority representation, and why the Aussie YA community is so wonderful. She asked the panel why they thought diversity was important and there were excellent responses such as needing your experience represented and seeing the less represented shown in a different light than they may be on TV or in films. Gabrielle made a wonderful point about it how it makes people feel included; they pick up a book and see themselves on the page. I also loved Sarah’s thought that it gives people a sense of self-worth and value when their experiences are in stories. Gabriella also pointed out that you can’t include everyone which is why there is a need for diverse writers and books.

The panel also discussed the various issues portrayed in each of their novels; peer pressure in The Yearbook Committee, sexual preference in The Flywheel, feminism in Summer Skin, body image in The Diet Starts on Monday, as well as the big issue of bullying and why it’s included in so many YA novels. The fact is, as Sarah pointed out, is that it is happening, and continues to happen not only to young people, and to ignore it is often detrimental and damaging. Erin mentioned the reason YA features bullying is because it happens and it sucks. And as Tamar pointed out, even when you are brave enough to stick up for yourself, it doesn’t mean it isn’t bullying, and it affects you in some way. As Sarah said, we tend to have a hopeful outlook on bullying, never looking at the consequences it can have.

The discussion was real and profound; it was wonderful to hear an open discussion about things like the different opinions of men and women in terms of sexual activity, and what body image is and where pressure can come from. I loved that Kirsty told us women don’t have to be role models and that Erin highlighted that there are more pressures out there than just from ones peers.

It was lovely to hear the panel talk about why they love the Aussie YA community, praising our passion and how engaging we are. Kirsty loving our open mindedness and how open-hearted we are, while Sarah loved how vocal we are about the books we love. Tamar mentioning along the same lines how she loved seeing readers react with books and characters. The common opinion from all five was how accepting the YA community is, which is a wonderful thing to have recognised by other people.

I came out of the event with five new books which I’m classing as a win. I’ve discovered new authors who were a delight to meet, so very friendly and cheerful, and I got to hear an important discussion about women and literature. I’m glad I made the trip down and so stoked to have discovered some more Aussie YA ladies to enjoy!

Signed and ready for reading!

 

 

The Yearbook Committee by Sarah Ayoub

Published: 1st March 2016Goodreads badge
Publisher:
 HarperCollins Australia
Pages: 320
Format: Paperback
Genre: Young Adult
★   ★   ★   ★   ★  – 5 Stars

Five teenagers. Five lives. One final year.

The school captain: Ryan has it all … or at least he did, until an accident snatched his dreams away. How will he rebuild his life and what does the future hold for him now?

The newcomer: Charlie’s just moved interstate and she’s determined not to fit in. She’s just biding her time until Year 12 is over and she can head back to her real life and her real friends …

The loner: At school, nobody really notices Matty. But at home, Matty is everything. He’s been single-handedly holding things together since his mum’s breakdown, and he’s never felt so alone.

The popular girl: Well, the popular girl’s best friend … cool by association. Tammi’s always bowed to peer pressure, but when the expectations become too much to handle, will she finally stand up for herself?

The politician’s daughter: Gillian’s dad is one of the most recognisable people in the state and she’s learning the hard way that life in the spotlight comes at a very heavy price.

Five unlikely teammates thrust together against their will. Can they find a way to make their final year a memorable one or will their differences tear their world apart?

I knew a Melina Marchetta recommendation wouldn’t let me down and a reading binge until 4am proves me right. The Yearbook Committee is a beautiful story that encapsulates how people from different situations can come together (albeit unwilling), and can have their lives changed forever.

The story is told through five character perspectives, across nine months of the school year, and reveals the ups and down of teenage life and the experiences of living in contemporary Australia. The joy of reading Aussie books is recognising the locations and references, and Ayoub captures that Aussie feeling, our language and our culture, making this story feel natural and familiar.

The layout revolves around the monthly yearbook meetings and the school terms, and Ayoub’s creative in getting information without needing it to be told in detail. Using character’s traits and personalities to her advantage, Ayoub provides the ideal amount of information keeping it feeling natural with the story at hand. The focus is centred on the yearbook and character personal lives, and though things are mentioned within this space, Ayoub never makes us feel like we need to see them play out.

Being a book about modern teenagers, there’s naturally a lot of social media to include and Ayoub integrates technology and texting seamlessly and creatively. Each character shift is broken up with a Facebook style post and it sets the tone for not only the coming chapter, but it fits into the overall and arching story. Ayoub also ends each chapter with a hanging question, a moment, or thought that can be profound or concerning. Each character is contemplating or observing and it’s a great tactic; it finalises their chapter and can have such an impact on what has happened or what is going to happen.

There are characters you like immediately and certainly those you don’t like for the entire novel. Then there are the few that grow on you as you read. The more Ayoub reveals about them and the more you get to know them your feelings shift until you grow to respect each one for who they are. Again, not everyone, some of them you want to kick in the face, those feelings don’t change. There were times when I wanted to reach into the pages and hug these people, even now having finished it I still want to give them all a massive hug. One part that I loved was that so many characters connect with each other and overlap and they don’t always know it. Friends of friends and relatives of others know one another and when you notice you realise how connected everyone is.

Getting to see each committee member’s point of view is a powerful tool. You feel sorry for them all in varying degrees and certainly for various reasons. Their life outside of school is opened up and the different struggles and conflicts they face are laid bare, making you realise everyone has something to hide and problems of their own. The Tolstoy quote Gillian posts is a perfect example: All happy families are alike; each unhappy family is unhappy in its own way. Each of these characters is unhappy in their own way and sometimes these unhappinesses can break your heart.

Ayoub doesn’t placate you with idealistic and fake endings; she offers you solutions and results, consequences and outcomes. And yet, there is also a delightful ambiguity remaining, taunting you with things left open and unanswered. Nothing that says there will be a happily ever after which is why, in those final emotional chapters when you can’t stand it anymore but have to keep reading, Ayoub delivers a realistic and perfect conclusion, one that suits these characters you’ve grown to love, one that feels real, one that crushes your heart and is feels just right, even when you’re trying not to cry.

My only criticism with this story (a minor personal desire), is that I wish that we could have seen the final yearbook layout. It would have been a bittersweet inclusion and if possible I would happily donate to a fund that gets this put into production. Until such time, I am content with this important, beautiful, and divine story that will open your eyes and move your soul.

You can purchase The Yearbook Committee via the following

Booktopia | Amazon Aust

Book Depository | QBD

AmazonDymocks

Readings | Publisher

A&R Bookworld| Boomerang Books

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