Book Launch: The Boy from the Mish by Gary Lonesborough

Last week I attended the virtual book launch for Gary Lonesborough’s debut YA The Boy from the Mish. The event was hosted by Better Read than Dead bookshop with fellow YA author Will Kostakis as moderator. The interview was fun and friendly and having seen Will interview a range of authors he has a wonderful mix in his interviewing style that makes it both fun and informative.

Hearing about Gary’s story and his journey to becoming an author was interesting. Originally from Bega Gary told us that he went to film school and loves to write and loves to be creative. The Boy from the Mish came about because Gary saw a gap in the market for queer Aboriginal protagonists written by an Aboriginal author. It was a story he began writing when he was 23 but he had been thinking about what would have helped him when he was a teenager. Gary told us that as a teenager he struggled a lot and a lot of his experiences and struggles are in the book through the character of Jackson.

Will mentioned that so often first books are steeped in lived experience and asked Gary how much of himself is in Jackson and what he goes through. Gary replied that roughly 40-50% of himself is in Jackson. All of the things that Jackson felt he’s felt, and things like the experience of being racially profiled more than once, and Jackson’s inner monologue comes from a train of thought but Gary also made clear that everything is still a fictional story and hasn’t happened to Gary exactly.

When discussing the subject of queer identity and its role in both the book and Gary’s life, Will asked how the experience of writing Jackson’s story was, especially the aforementioned struggles. Gary revealed he started writing not long after he came out and it felt incredibly vulnerable writing down the story, sitting by himself at a desk but also with no intention of showing the story to anyone. He also admitted that the experience was also pretty freeing – he had the power to put in scenes that are nice and portray the romantic side and express himself that way, not to mention the excitement to write an Aboriginal character who was gay.

In fact Gary told us that through the entire writing process the love story was the whole focus. Before subplots and side stories and anything else there was the love story. From early drafts when the story was told through Thomas’ perspective, the love story was the continual drive and motivation to finish. Built upon an idea from a short film script Gary wrote about two Aboriginal boys in love the story evolved and one month, a change of narrator, and 65 thousand words later Gary had his first draft.

What was interesting to hear was that US author David Levithan heard of the book and the book is now in the process of being released for US audiences. I will admit when I heard this I was wary, confirmed instantly when Will spoke to Gary about how while the US market is a big deal, they often edit out the “Australianness” of it which takes out a lot of nuance and the voice by changing all the words. The pair spoke about US audiences often love the Australian language and are intrigued by words like ‘ute’ and how some Aussie authors now are putting glossaries in the backs of their books which is a fantastic idea.

Will gave Gary some excellent advice in how to approach being edited for the US while still keeping his text unique and not Americanised which was amazing. I am so glad Aussie authors are getting to push back against changing our stories to suit their audiences. If I have to spend my life never knowing the difference between a sophomore, a junior, and a freshman or have a reference for any of their food then they can learn what a ute is.

Back on the writing process, Will asked what the most challenging part of the process was to which Gary replied adding all the extra things like subplots, but also to stop himself self-editing and allowing himself to write intimate scenes.

When asked about his own reading influencing the writing Gary admitted he has a love/hate relationship with reading and has always come in and out of it. But The Absolutely True Diary of a Part-Time Indian drew him back in when he was 17 or 18 and after reading it he thought he could write his own story about Aboriginal kids growing up.

Being a zoom event the audience questions were scattered throughout and people asked general questions about the writing and editing process, but there were some great ones from people like fellow YA author Holden Sheppard who asked Gary about considerations made when writing regarding harder topics and subjects. Gary said it was absolutely something he considered when he was writing. He wanted to approach the sexual scenes with feeling rather than making them graphic. He treaded carefully with drafting and worried about the sexual scenes, but not much was edited in the revision, it was mainly the amount of smoking scenes that were cut down.

Will asked Gary about whether he had a second book and Gary revealed he had a manuscript underway, and even has a few more stories up his sleeve. Since Gary wrote to fill a gap, Will asked him whether he was worried he would be pigeonholed. Gary admitted he was worried but that there was a lot more ground to be explored. Will added that being pigeonholed is not always a bad thing because readers love it as do publishers.

Gary admitted trying to write the second book is hard because he’s not writing something as good as The Boy from the Mish but that he needs to get through the doubt. Will advised Gary that as queer writers they write from the margins anyway and not to listen to what reviewers say on Goodreads or the people on the back of the book because it’s not important. The idea is to compare first drafts to first drafts, not first drafts to finished copies, it’s instincts that created the first book.

After an absolutely rewarding hour the interview wrapped up with a crucial question left till last – what was Gary’s favourite Kylie Minogue song (a question with several wrong answers according to Will) but Gary seemed to pass with his answer of the album edit Disco Needs You.

You can purchase The Boy from the Mish via the following

Better Read Than Dead | QBD | Booktopia | Book Depository

Dymocks | Angus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

Coffee, Cake and Contemporary Women’s Stories

Saturday was my big bookish day and after I had spent my morning up at the Wallsend book sale, I headed down to Lake Macquarie for a coffee, cake and books event in the afternoon. The event was held in a cute little café opposite the lake in Warners Bay and there was a wonderful view of the water from the tables. The authors in conversation were Trish Morey, Fiona McArthur, and special guest for the day Cathryn Hein with Jaye Ford as interviewer. Julie from Lake Macquarie libraries welcomed everyone and said that the event was the first of hopefully many like it. For a first time event it was well attended, the tables were full and there were delectable nibbles provided before and during the event from the café. The authors themselves were lovely as well. I’d met most of them at various other things before and being able to enjoy their conversations, their friendship and their stories was special and not only allowed you to get to know these talented women a bit better, but gain an insight into their craft.

Jaye, Cathryn, Trish, and Fiona

Jaye started the afternoon off introducing everyone and explained that this was part of their Summer With Friends Tour that herself, Trish and Fiona were doing, this time with an extra friend in Cathryn. Jaye spoke to each of the authors about their latest books, their inspirations and how the story developed. Trish explained how her latest book, One Summer Between Friends, got to be set on Lord Howe Island after a holiday there reminded her of its beauty. With a desire for a small town type setting, a place where everyone knows everything and you can’t easily escape, Lord Howe was the perfect location. She explained how she wanted to test the boundaries of friendship, wanted it to be fractured and see if it could be put together again. Trish also explained how life imitating art in her own world helped to make her book stronger because she was able to put personal experience into it. The hands on research she used didn’t change her story a great deal, she explained, but the detail and emotion she was able to now include was based on her real reactions, something which I thought was brave and amazing.

Fiona’s book, The Desert Midwife, came from a previous version which had been rejected from the publisher but had now been reworked into something similar but new. Jaye spoke with Fiona about the concept of love at first sight and Fiona admitted she knew three people who’d experienced the phenomenon, herself included with her own husband. This notion is explored in her novel and how a woman is able to cope when her loving husband suddenly no longer remembers her. Jaye asked about Fiona’s research and we heard stories of travelling around communities near Uluru and how interactions with the communities influenced Fiona’s story. She spoke about midwifery and how she always likes to promote that birth is natural, how if left to nature it usually sorts itself out and she joked that often midwives instruct doctors on better ways to do things. Their conversation turned to Fiona’s new endeavour into indie publishing with her book Midwife on the Orient Express and she expressed how nice it was to be able to select her own cover, keep the title she wanted and how she had been inspired by others, like Cathryn, who had gone out on their own.

Cathryn’s own story, Eddie and the Show Queen – the fifth in her series set in the Levenham’s area, goes to some emotional places but it is one filled with humour too. Jaye spoke to Cathryn about how she came up with her ideas for the various, amusing fundraising solutions in the story and Cathryn admitted it was the most fun she’d had coming up with all of those options. Bringing it back to the dual tones, Jaye asked how it felt to write both emotions and Cathryn said she enjoyed the contrast between the two. She said it wasn’t real if people were happy all the time and if she can make herself cry when she’s writing it, that’s good. Being the fifth book in a series, Cathryn spoke about how after writing the first – Rocking Horse Hill – she wanted to explore the stories of more characters. She explained how she comes up with the titles and then writes the book to that title. Cathryn explained with this new one, Show Queen was originally Show Girl but in an international market Show Girl means something different entirely and so she changed it.

Jaye spoke with the women about creative blocks, Cathryn explaining how some medical issues recently had halted her creativity, but she was slowly gaining it back as she got better. She explained the fear she had when she couldn’t write, she told us writing was her dream and not being able to write was horrible. One thing that really resonated with me was Cathryn saying that “100 words a day gives you a book in the end” which I think I might need to paint in large letters on my wall. It is a wonderful piece of advice and one I know I need. Trish spoke about how writing intense books was hard when her own life had become intense with family issues and so she needed to write a different kind of book, this also included not writing about sex all the time. Fiona told us that in the beginning she had trouble finding the time to write with children and a husband to care for and so she found some hours in the early morning that were all hers. Between 4:30am and 6am there was time no one wanted her for anything and it allowed her to write. Now she had retired she has all day which is even better. Fiona also offered some more fabulous advice telling us “if you keep going, eventually you get there”. Another for my wall.

Jaye spoke with the women about their routines and how they started their days, where their writing process took them. From long walks to doing Sudoku and taking afternoon naps there were numerous routines to get the brain kicked into gear and allowing time for plot points to be nutted out. Cathryn reminded everyone that you have to be disciplined because it is a business, and Jaye invited each author to talk about their writing process and how they gain their ideas and start planning (a plotter), or whether they make it up on the fly (a pantser). Trish acknowledged everyone has a different process, she likes to start with a ‘what if?’ situation and a character then venture into a story. Fiona is a pantser, and while Cathryn admitted she too is a pantser, she also mentioned that she needs to know how her story starts and she needs a crisis moment before she can start.

By now we’d all been served our afternoon tea and cakes and the audience was able to ask questions. There were some great questions like further clarification on the plotters vs pantsers and how do you start a story in the first place. Fiona sees her scenes like one would a movie and she builds on that first scene, Cathryn told us that the story takes as many pages as it takes to tell the story, whatever that length may be, as long as it doesn’t bore the reader.

Another question from the audience was how to identify and keep track of continuity. Fiona told us that when you start you don’t know your characters well, but you get to know them as you write the book. You get the story out then you can go back and fix it later. Trish said you need to keep your characters grounded, you give them a description at the start and use it as a reference and do the same for personality, find words and titles that go with the characters. I loved Cathryn’s approach, she mentioned she finds three things for her characters: something physical that sets them apart, some verbal tick/saying that is theirs alone, and a gesture that identifies them.

The two hours flew by and I easily could have sat there listening for two hours more. A whole lot more was spoken about, laughed about, and explored but I wrote eight pages of notes and to recap the afternoon in its entirety would be never ending. I will say though, if you ever get a chance to go to an event similar to this I insist you do; it is so wonderful to be allowed access into this world where authors discuss their work, their inspirations and to see the friendships and support that have formed over decades. I was entertained, I was moved, I was inspired not only in my writing but in many other ways too. It was a wholly delightful afternoon.

NSS: Alpacas with Maracas by Matt Cosgrove

Today is the National Simultaneous Storytime. This event is held annually across Australia and New Zealand in a bid to promote the value of reading and literacy, the joy of books, and it gives a great chance for parents, carers, grandparents, the media and others to participate and enjoy the occasion. Each year a picture book is chosen which was written and illustrated by an Australian author and illustrator, and is read simultaneously (hence the name) in libraries, schools, bookshops, households, and many other places around the country and across the ditch.

This year at 11:00am participants across Australia and New Zealand will be reading Matt Cosgrove’s Alpacas with Maracas, an excellent addition to the Macca family. If you were unaware of this event or are unable to participate, never fear, Cosgrove’s books are a delight to read at any time of day alone or with a few million people alongside you. If you like, there is still time to check out your local bookshop or library as there is a strong chance they will have a storytime session running that you can attend.

There are many fun things involved with NSS, there are bookmarks, colouring, masks and a host of other activities that each location may be running. You can find more fun activities via the NSS website. To find out more about Matt Cosgrove visit his website.

Because it is NSS today, of course I am going to have to break my Picture Book Corner rules and post on a Wednesday, but for Macca it is totally worth it. I adore Cosgrove’s book so to be able to celebrate his work for such a momentous day is pretty fantastic.

Published: July 2018Goodreads badge
Publisher:
 Koala Books
Illustrator: Matt Cosgrove
Pages: 32
Format: Picture Book
★   ★   ★   ★   ★  – 5 Stars

Macca and pal Al are the best of friends and LOVE spending time together.

When there is an opportunity to enter a talent contest, they just can’t resist. 

But what will their act be? Will they shimmy and shake? Dance and prance? Whatever they choose it will surely be a performance to remember!

Once again Cosgrove has delivered with a funny story featuring our favourite alpaca, Macca. This time Macca is joined by his best mate Al as they try and put their talent to the test and win a contest. I love the boundless enthusiasm of Macca and Al, they are fearless and determined and they want to do something in the show they just don’t know what.

The highlight of all Cosgrove books are his brilliant, adorable illustrations. I love the illustrations because they are bright and colourful, and Macca’s eyes are so delightful and cute that you can’t help but fall in love. I also love how much emotion is portrayed through these alpacas. You see their joy and playfulness as Cosgrove shows off their friendship with humour and love.

Bookmarks we’re giving out at work as well as one of the many cute badges.

One thing I adore about Cosgrove’s books is his rhythmic storytelling. Not only are the rhymes wonderful, but they suit the story and characters. The story is brilliantly lyrical as well; the flow as you read aloud or to yourself has a fantastic pace that makes the narrative seamless.

Cosgrove puts so much personality into his characters that even in a relatively short story, with not many words and not much room to explore, he still can create unique and exciting characters. This is another fantastic addition to Macca’s adventures and it one everyone will love.

You can purchase Alpacas with Maracas via the following

QBD | Booktopia | Book Depository

Dymocks | Angus and Robinson

 Fishpond | Amazon | Amazon Aust

Sarah Barrie and Tea Cooper in Conversation

On Wednesday night I was fortunate enough to attend an author event at one of my local libraries featuring Tea Cooper and Sarah Barrie. Umina library hosted the pair for a wonderful evening of conversation. The event was remarkably well coordinated and run and it’s hard to imagine this was the library’s first time hosting this type of event.

Tea Cooper

Tea Cooper is the author of contemporary and historical fiction writing stories predominately set in regency and Victorian eras. Originally from England, she has found a new home in Australia and writes stories set in the Hunter Valley including Maitland and Wollombi. Her latest book is The Woman in the Green Dress which is due for publication 17 Dec this year. Sarah Barrie on the hand writes rural suspense and her latest book, Bloodtree River, follows on from the successful Hunters Ridge series and is available now. Listening to them discuss their writing styles and their experiences was such an enlightening time, and like most writing events makes me walk away inspired to return to my own works in progress.

The event began with nibblies and drinks before we all gathered inside for the talk. From the start it was presented as a casual conversation and Tea was quick to welcome people to interrupt and make it more of a joint conversation between them and the audience. This worked incredibly well because the audience questions prompted a variety of stories and insights from the writers.

Sarah Barrie

Questions ranged from how long does it take to create a book? And where do ideas come from? To discussing the historical research process for Tea’s stories and Sarah’s inspiration for ideas. One thing I found interesting was Tea’s answer about her research. She mentioned she never takes the historical stories from people who are living in the area, as many families still remain. All of her characters are fictional, but come from snippets of stories, Tea not liking the idea of putting words into the mouth of people who actually existed.

Through audience inquiry we learnt more about Tea and Sarah’s friendship and their relationship as writing partners. Another great audience question was about structuring writing time. Sarah gave a wise answer saying that stricture is great, but life doesn’t go to plan. She has to make the time but instead of daily goals or set times to write, she aims for writing a set amount of words per month. I quite liked this approach because it releases the constraint of daily writing, 4am writing (though it works for some quite successfully), and panicking when none of those this happen for weeks at a time.

Having a conversational style event also allowed for a lot of unexpected questions to be asked and it steered the conversation into educational and humorous avenues. There were personal stories exploring friendship and work histories together, and their own stories about getting started in publishing as well as a few tricks of the trade.

In the end the night seemed to fly by and even in the short time the women spoke a lot of ground was covered as the conversation flowed seamlessly from one question and topic to another. Local bookseller Book Bazaar was there as well so people could purchase both Tea and Sarah’s books and have them signed. It was wonderful to see people lining up to buy books both before and after the talk, the line for signings a great proportion of those who attended.

The informal and communal nature of the night was highly enjoyable and it was fantastic to hear from two local Aussie authors. Combine that with sitting in a library surrounded by books made it a very cosy night indeed.

 

You can find out more about each of these authors via the following

Tea Cooper
Website
Facebook
Twitter
Goodreads

Sarah Barrie
Website
Facebook
Goodreads

 

 

Wendy James in Conversation

Last week I attended an event at the library to see crime writer Wendy James in conversation with fellow writer Jaye Ford. It was a great evening, Jaye and Wendy have been friends for years so their conversation was informative and fun, with all the fun banter friendship throws in.

Jaye spoke to Wendy about her new book The Golden Child. James has been dubbed Queen of domestic thrillers, a term both Jaye and Wendy joke about often. What exactly is a domestic thriller? But this is a deserved title though because The Golden Child is incredible, and has already been optioned as a miniseries.

Wendy’s book is about bullying, social media, and parenting, but she is very good at not actually blaming social media or the parents for the events in this book. It’s a brilliantly complicated novel that looks at how issues of bullying can often come from nowhere. She told Jaye that she wanted the mother in the book to be unprepared, to not see where it had come from; that there are often no obvious signs. Social media, Wendy said, is so ubiquitous these days that you don’t notice it.

Wendy was asked whether it was tougher for girls these days and while she said it was harder for young girls, it is also harder to control older kids in regards to technology. One thing I really liked was that Wendy said it wasn’t about the social media or the bullying per se, it was about the women involved. She wanted it to be about how the mothers felt about the situation. Her character does everything she could to raise her kids right and yet still things aren’t perfect. What was also wonderful is there is no one person or thing to blame for everything, Wendy didn’t want to turn it into a book about how to parent or put the blame on a single entity.

The story is set in Newcastle but as Wendy said, it doesn’t mean it is a book about Newcastle. Being a newish resident there herself she wrote her idea of Newcastle, instead of the one that has the weight of someone whose whole life has been there which is something I think she did very well. It has the feel of someone who has just moved there, and not someone who knows everything there is to know about it.

The tail end of the discussion merged into a joint conversation which started with discussing each authors writing history and processes; something which I always find fascinating to hear about. Wendy spoke of her career as a teacher of creative writing and how it made her see things a bit differently, commenting that when you write you stop thinking about the craft after a while. The search and discovery for ideas was also mentioned and the pair joked about the best places to mullover ideas – driving and in the shower being optimal. The comment was made about needing a waterproof notebook in the shower and I forgot to mention it to them on the night, but there is one called Aquanotes if you’re interested, Wendy or Jaye. It’s ridiculously helpful for my own preservation of ideas.

The pair discussed research processes prompted by audience questions as well as their writing routines and styles. It was an interesting way to cap off a wonderful and informative evening. There is something wonderful about going to events like these that bring out your own inspiration and drive.

You can purchase The Golden Child via the following

Publisher | Booktopia | Kobo | Dymocks

 QBD | Angus & Robertson’s Bookworld

or check out Jaye books and Wendy’s other work because it’s amazing!

Jaye Ford

Goodreads | WebsiteTwitter |

Wendy James

Goodreads | Website | Twitter

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