AWW 2021 Wrap Up

So my AWW plans for 2021 derailed so far there isn’t even a good analogy or example to describe how badly it failed. NEVERTHELESS! Originally I thought I only had 7 but I went through my reads of last year and found a few more bringing it up to a grand total of 14. Yay… They’re also mostly picture books which is a weird one, wasn’t expecting that. But from my plan of reading 40 and reviewing 35 I am just glad I’ve gotten something. It was a shame too because 2021 was the last year of the challenge (the official challenge, you can still do your own AWW challenge) and it would’ve been nice to go out on a win. I have included some that were read previously but I reviewed in 2021 so blurring some lines there but at this point I need to take what I can get.

Coinciding with, but not as a result of, the AWW ending I’m pulling back my challenges this year. I’ll still have my bingo card, but a less official AWW, plus I’m going to see how long I can go not having a Goodreads challenge and try not to stress myself on my reading habits. Even though having these challenges has helped my reading, I am curious to see how I go without them.

So many unread Aussie women are on my shelves and I have got to find the push to make me pick them up. It frustrates me so much to have the desire but never actually picking them up. I think it’s still the fact reading a physical book seems harder than audios, but even they have fallen by the wayside of late. Who knows! But enough depressive talk, these are my beautiful 14 books I read for AWW 2021.

 

AWW 2021 Books Read and Reviewed

Heart and Soul by Carol Ann Martin

Hello to You, Moon by Sally Morgan

Hello, Honey Bee by Felicity Marshall

The Artist by Alison Binks

Joey and Riley by Mandy Foot

Who Cares? by Krista Bell

Alphabet Dating by Monique McDonell

The Flywheel by Erin Hough

Rusty by Chrissy McYoung – Review

The Fire Wombat by Jackie French

Theodore the Unsure by Pip Smith – Review

Darkest Place by Jaye Ford – Review

Meet Me at the Intersection ed. Rebecca Lim and Ambelin Kwaymullina – Review

The Incredible Adventures of Cinnamon Girl by Melissa Keil – Review

 

 

AWW Update Jan – Mar

While I have read a lot so far this year (she says when she’s actually three books behind schedule), it seems almost none have been Australian. With the first quarter of the year gone I need to step up my game because I will be very behind soon on my projected goal of reading 40 and reviewing 35 books for this year’s AWW.The fact I have only read one book is abysmal and even the fact I reviewed four they were all read in previous years so it’s not a good start.

I have so many physical books I want to read but I am still on the audiobook path so my options are sparse unless they are picture books I stumble across. I have a few novellas I’ve been wanting to read so I might ease my way back into physical books and see how I go. I am a lot better than last year at reading physical books so I am going to take the slow and steady approach, a lot of it this time round is the time to sit and read too so it will be a delicate balancing act.

All is not lost though, I have read or reviewed some books by Aussie women so that’s something at least. I am now hoping to use the shock that I’ve read so few spur me on for the next three months and get my numbers up — in the meantime I’ll be glad it’s not zero.

 

AWW21 BOOKS Jan-Mar

Theodore the Unsure by Pip Smith – Review

Darkest Place by Jaye Ford – Review

Meet Me at the Intersection ed. Rebecca Lim and Ambelin Kwaymullina – Review

The Incredible Adventures of Cinnamon Girl by Melissa Keil – Review

The Fire Wombat by Jackie French

AWW21 TOTAL

Read: 1/40

Reviewed: 4/30

 

Long Lost Review: Darkest Place by Jaye Ford

Long Lost Reviews is a monthly meme created by Ally over at Ally’s Appraisals which is posted on the second Thursday of every month. The aim is to start tackling your review backlog. Whether it’s an in-depth analysis of how it affected your life, one sentence stating that you only remember the ending, or that you have no recollection of reading the book at all. 

Published: 1st February 2016
Publisher:
Random House Australia
Pages: 390
Format: Paperback
Genre: Fiction
★   ★  ★  ★ – 4 Stars

Carly Townsend is starting over after a decade of tragedy and pain. In a new town and a new apartment she’s determined to leave the memories and failures of her past behind. However that dream is shattered in the dead of night when she is woken by the shadow of a man next to her bed, silently watching her. And it happens week after week.Yet there is no way an intruder could have entered the apartment. It’s on the fourth floor, the doors are locked and there is no evidence that anyone has been inside. With the police doubting her story, and her psychologist suggesting it’s all just a dream, Carly is on her own. And being alone isn’t so appealing when you’re scared to go to sleep.

This is a perfectly suited Long Lost Review because I remember bits and pieces of this book but not enough to write a proper review about it.

Looking at the literal one sentence note I wrote about it when I read it in 2016 I determined it was clever and “You understand Carly’s reasoning for what she does, and even at the end, she leaves you wondering about her and what her future holds.” All very important pieces of information.

I remember feeling unsettled as I read, the nature of the story and how Ford plays with your mind that you get caught up in Carly’s own paranoia. As she suspects the people around her so do you and the unknown is a very good fear factor. The simplicity of this thriller is what makes it works. It isn’t anything over the top, it relies on playing with the human experience, the unsettling nature of the unexplainable and our own fears and using that against us. The everyday nature of the narrative is what connects you, the fact this could happen to anyone is where it becomes most unnerving.

I would be interested in a revisit to this story because I think I remember how this ends but getting caught up in Ford’s gripping, dark and twisted story again could be worth it.

You can purchase Darkest Place via the following

Booktopia | Book Depository

Dymocks | Angus and Robinson

  Amazon Aust

Coffee, Cake and Contemporary Women’s Stories

Saturday was my big bookish day and after I had spent my morning up at the Wallsend book sale, I headed down to Lake Macquarie for a coffee, cake and books event in the afternoon. The event was held in a cute little café opposite the lake in Warners Bay and there was a wonderful view of the water from the tables. The authors in conversation were Trish Morey, Fiona McArthur, and special guest for the day Cathryn Hein with Jaye Ford as interviewer. Julie from Lake Macquarie libraries welcomed everyone and said that the event was the first of hopefully many like it. For a first time event it was well attended, the tables were full and there were delectable nibbles provided before and during the event from the café. The authors themselves were lovely as well. I’d met most of them at various other things before and being able to enjoy their conversations, their friendship and their stories was special and not only allowed you to get to know these talented women a bit better, but gain an insight into their craft.

Jaye, Cathryn, Trish, and Fiona

Jaye started the afternoon off introducing everyone and explained that this was part of their Summer With Friends Tour that herself, Trish and Fiona were doing, this time with an extra friend in Cathryn. Jaye spoke to each of the authors about their latest books, their inspirations and how the story developed. Trish explained how her latest book, One Summer Between Friends, got to be set on Lord Howe Island after a holiday there reminded her of its beauty. With a desire for a small town type setting, a place where everyone knows everything and you can’t easily escape, Lord Howe was the perfect location. She explained how she wanted to test the boundaries of friendship, wanted it to be fractured and see if it could be put together again. Trish also explained how life imitating art in her own world helped to make her book stronger because she was able to put personal experience into it. The hands on research she used didn’t change her story a great deal, she explained, but the detail and emotion she was able to now include was based on her real reactions, something which I thought was brave and amazing.

Fiona’s book, The Desert Midwife, came from a previous version which had been rejected from the publisher but had now been reworked into something similar but new. Jaye spoke with Fiona about the concept of love at first sight and Fiona admitted she knew three people who’d experienced the phenomenon, herself included with her own husband. This notion is explored in her novel and how a woman is able to cope when her loving husband suddenly no longer remembers her. Jaye asked about Fiona’s research and we heard stories of travelling around communities near Uluru and how interactions with the communities influenced Fiona’s story. She spoke about midwifery and how she always likes to promote that birth is natural, how if left to nature it usually sorts itself out and she joked that often midwives instruct doctors on better ways to do things. Their conversation turned to Fiona’s new endeavour into indie publishing with her book Midwife on the Orient Express and she expressed how nice it was to be able to select her own cover, keep the title she wanted and how she had been inspired by others, like Cathryn, who had gone out on their own.

Cathryn’s own story, Eddie and the Show Queen – the fifth in her series set in the Levenham’s area, goes to some emotional places but it is one filled with humour too. Jaye spoke to Cathryn about how she came up with her ideas for the various, amusing fundraising solutions in the story and Cathryn admitted it was the most fun she’d had coming up with all of those options. Bringing it back to the dual tones, Jaye asked how it felt to write both emotions and Cathryn said she enjoyed the contrast between the two. She said it wasn’t real if people were happy all the time and if she can make herself cry when she’s writing it, that’s good. Being the fifth book in a series, Cathryn spoke about how after writing the first – Rocking Horse Hill – she wanted to explore the stories of more characters. She explained how she comes up with the titles and then writes the book to that title. Cathryn explained with this new one, Show Queen was originally Show Girl but in an international market Show Girl means something different entirely and so she changed it.

Jaye spoke with the women about creative blocks, Cathryn explaining how some medical issues recently had halted her creativity, but she was slowly gaining it back as she got better. She explained the fear she had when she couldn’t write, she told us writing was her dream and not being able to write was horrible. One thing that really resonated with me was Cathryn saying that “100 words a day gives you a book in the end” which I think I might need to paint in large letters on my wall. It is a wonderful piece of advice and one I know I need. Trish spoke about how writing intense books was hard when her own life had become intense with family issues and so she needed to write a different kind of book, this also included not writing about sex all the time. Fiona told us that in the beginning she had trouble finding the time to write with children and a husband to care for and so she found some hours in the early morning that were all hers. Between 4:30am and 6am there was time no one wanted her for anything and it allowed her to write. Now she had retired she has all day which is even better. Fiona also offered some more fabulous advice telling us “if you keep going, eventually you get there”. Another for my wall.

Jaye spoke with the women about their routines and how they started their days, where their writing process took them. From long walks to doing Sudoku and taking afternoon naps there were numerous routines to get the brain kicked into gear and allowing time for plot points to be nutted out. Cathryn reminded everyone that you have to be disciplined because it is a business, and Jaye invited each author to talk about their writing process and how they gain their ideas and start planning (a plotter), or whether they make it up on the fly (a pantser). Trish acknowledged everyone has a different process, she likes to start with a ‘what if?’ situation and a character then venture into a story. Fiona is a pantser, and while Cathryn admitted she too is a pantser, she also mentioned that she needs to know how her story starts and she needs a crisis moment before she can start.

By now we’d all been served our afternoon tea and cakes and the audience was able to ask questions. There were some great questions like further clarification on the plotters vs pantsers and how do you start a story in the first place. Fiona sees her scenes like one would a movie and she builds on that first scene, Cathryn told us that the story takes as many pages as it takes to tell the story, whatever that length may be, as long as it doesn’t bore the reader.

Another question from the audience was how to identify and keep track of continuity. Fiona told us that when you start you don’t know your characters well, but you get to know them as you write the book. You get the story out then you can go back and fix it later. Trish said you need to keep your characters grounded, you give them a description at the start and use it as a reference and do the same for personality, find words and titles that go with the characters. I loved Cathryn’s approach, she mentioned she finds three things for her characters: something physical that sets them apart, some verbal tick/saying that is theirs alone, and a gesture that identifies them.

The two hours flew by and I easily could have sat there listening for two hours more. A whole lot more was spoken about, laughed about, and explored but I wrote eight pages of notes and to recap the afternoon in its entirety would be never ending. I will say though, if you ever get a chance to go to an event similar to this I insist you do; it is so wonderful to be allowed access into this world where authors discuss their work, their inspirations and to see the friendships and support that have formed over decades. I was entertained, I was moved, I was inspired not only in my writing but in many other ways too. It was a wholly delightful afternoon.

Wendy James in Conversation

Last week I attended an event at the library to see crime writer Wendy James in conversation with fellow writer Jaye Ford. It was a great evening, Jaye and Wendy have been friends for years so their conversation was informative and fun, with all the fun banter friendship throws in.

Jaye spoke to Wendy about her new book The Golden Child. James has been dubbed Queen of domestic thrillers, a term both Jaye and Wendy joke about often. What exactly is a domestic thriller? But this is a deserved title though because The Golden Child is incredible, and has already been optioned as a miniseries.

Wendy’s book is about bullying, social media, and parenting, but she is very good at not actually blaming social media or the parents for the events in this book. It’s a brilliantly complicated novel that looks at how issues of bullying can often come from nowhere. She told Jaye that she wanted the mother in the book to be unprepared, to not see where it had come from; that there are often no obvious signs. Social media, Wendy said, is so ubiquitous these days that you don’t notice it.

Wendy was asked whether it was tougher for girls these days and while she said it was harder for young girls, it is also harder to control older kids in regards to technology. One thing I really liked was that Wendy said it wasn’t about the social media or the bullying per se, it was about the women involved. She wanted it to be about how the mothers felt about the situation. Her character does everything she could to raise her kids right and yet still things aren’t perfect. What was also wonderful is there is no one person or thing to blame for everything, Wendy didn’t want to turn it into a book about how to parent or put the blame on a single entity.

The story is set in Newcastle but as Wendy said, it doesn’t mean it is a book about Newcastle. Being a newish resident there herself she wrote her idea of Newcastle, instead of the one that has the weight of someone whose whole life has been there which is something I think she did very well. It has the feel of someone who has just moved there, and not someone who knows everything there is to know about it.

The tail end of the discussion merged into a joint conversation which started with discussing each authors writing history and processes; something which I always find fascinating to hear about. Wendy spoke of her career as a teacher of creative writing and how it made her see things a bit differently, commenting that when you write you stop thinking about the craft after a while. The search and discovery for ideas was also mentioned and the pair joked about the best places to mullover ideas – driving and in the shower being optimal. The comment was made about needing a waterproof notebook in the shower and I forgot to mention it to them on the night, but there is one called Aquanotes if you’re interested, Wendy or Jaye. It’s ridiculously helpful for my own preservation of ideas.

The pair discussed research processes prompted by audience questions as well as their writing routines and styles. It was an interesting way to cap off a wonderful and informative evening. There is something wonderful about going to events like these that bring out your own inspiration and drive.

You can purchase The Golden Child via the following

Publisher | Booktopia | Kobo | Dymocks

 QBD | Angus & Robertson’s Bookworld

or check out Jaye books and Wendy’s other work because it’s amazing!

Jaye Ford

Goodreads | WebsiteTwitter |

Wendy James

Goodreads | Website | Twitter