Dear Wendy by Ann Zhao

Published: 16 April 2024 (print)/16 April 2024 (audio) Goodreads badge
Publisher:
Feiwel & Friends/Books on Tape
Pages: 368/9 hrs and 28 mins
Narrator: Nicky Enders, Angel Pean, Natalie Naudus, Tara Sands, Ann Zhao, Daisy Guevara, Elaine Wang, Rebecca Wang
Format: Audiobook
Genre: Young Adult Contemporary
★   ★   ★   ★ – 4 Stars

Sophie Chi is in her first year of college (though her parents wish she’d attend a “real” university rather than a liberal arts school) and has long accepted her aroace (aromantic and asexual) identity. She knows she’ll never fall in love, but she enjoys running an Instagram account that offers relationship advice to students at her school. No one except her roommate can know that she’s behind the incredibly popular “Dear Wendy” account.

When Joanna “Jo” Ephron (also a first-year aroace college student) created their “Sincerely Wanda” account, it wasn’t at all meant to take off or be taken seriously—not like Wendy’s. But now they might have a rivalry of sorts with Wendy’s account? Oops. As if Jo’s not busy enough having existential crises over gender identity, whether she’ll ever truly be loved, and the possibility of her few friends finding The One then forgetting her!

While tensions are rising online, Sophie and Jo grow closer in real life, especially once they realise their shared aroace identity and start a campus organization for other a-spec students. Will their friendship survive if they learn just who’s behind the Wendy and Wanda accounts?

I am so glad I enjoyed this book more than I thought I would. I have been trying to diversify my diverse reads and this is such a rare identity in books I needed to read it and it turned into an amazing story! There are many asexual book lists (aromantic even rarer) and so often it’s vague, implied, a throwaway comment that people can hang their hopes on, but Zhao holds nothing back and makes it clear these girls are aroace and are proud of it.

Jo/Wanda is definitely the antagonist in starting the feud between the pair. She takes it as a joke then intentionally antagonises Sophie/Wendy. Publicly too which is poor form. But Zhao balances on the line because I was waiting for it to go too far and become the main conflict but Jo stops right before it becomes too hurtful. This self-awareness of intent with Jo is great too because she always tries to maintain the jest in her actions so having her change would be a bigger shift than a light hearted taunt. It is always light hearted to their credit, though I was waiting for someone to log into the wrong account and out themselves and mess it up. For all the different ways this could have played out I really enjoyed how Zhao works this storyline. There’s tension and suspense, while remaining heartfelt, honest, and wholesome.

I love having a book where there are set feelings/identity. The focus is then on a different story and not only on exploring character feelings. Not that having books only about that are bad, I have loved more than my fair share, but sometimes it is nice to have a plot with a diverse character and not have the diverse character be the plot. The aroace representation in books is so low (finding any openly or definitive asexual or aromantic rep in books is hard) and I am glad this one shines brightly with an amazing story and amazing set of characters.

I did enjoy the note from Zhao at the beginning about hoping this story helps people realise their identity or at least start to understand what it means, it is so often misunderstood and dismissed. It helps not having a non-fiction book or essays to gain understanding when you can see it play out in a storyline.

If anybody thinks there’s too much discussion about identity in this book and think people wouldn’t have these conversations obviously haven’t met the right people. Besides there are thousands of books discussing feelings and flutterings in stomachs and crushes that go on for entire books. Why can’t there be a few that talk about how it can be exhausting having none? Especially against a society that expects it. I loved how Zhao puts forward their own version of the Feelings Book by giving us one where the point is not having any.

I liked that the advice columns keep going, I like that there is no major incidents, I like that despite being in their heads and falling prey to overthinking there are real reactions and solutions. It’s a pain to keep saying it, but it is refreshing when people are sensible about things and storylines don’t go over the top for the drama in unrealistic ways. Why can’t we have two friends fighting who need to work it out? There is still a will/they won’t they element, especially since there is precedent for no they won’t already with a character. I’d rather have two friends look at whether they can forgive one another than have something be a drama that has no weight, sexuality expression aside.

400 pages/10 hours and 70+ chapters makes it feel like the book is slow and dragged out, and sometimes it does, but it is a medium paced story, a lot of little things happen and it fills a range of side elements like exploring characters, plus the culture and community at the school. The complexity of the book world and having each character have their own friends and family around them meant there was a lot to explore and Zhao gives everything the right pace and attention.

This is a great book that gives attention to a little know part of the diversity alphabet and hopefully it’s one people can fall in love with. If not for the refreshing identity exploration, than an amazing rivals plot and finding new intense friendships.

You can purchase Dear Wendy via the following

 Booktopia

  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust

Time of My Life by Mary Frame

Long Lost Reviews is a monthly meme created by Ally over at Ally’s Appraisals which is posted on the second Thursday of every month. The aim is to start tackling your review backlog. Whether it’s an in-depth analysis of how it affected your life, one sentence stating that you only remember the ending, or that you have no recollection of reading the book at all.

Published: 04 January 2021 (print)/10 August 2021 (audio) Goodreads badge
Publisher:
Self Published/Self Published
Pages: 270/6 hours, 32 minutes
Narrator: Rachanee Lumayno
Format: Audiobook
Genre: Contemporary Fiction
★   ★   ★ – 3.5 Stars

Today is the worst day of Jane Stewart’s life. And she’s reliving it over and over (and over and over) again.

 She’s late to the same make-or-break meeting.

She’s fired from the same soul-crushing job.

And—the cherry on top—she’s dumped by the same lying, selfish dirtbag.

But no matter how many times she relives the same disasters and no matter what she tries to change them, it all ends in the same abysmal mess. Because, apparently, being stuck in a time loop on the worst day of her life hasn’t cured her crippling social anxiety. Go figure.

The one bright spot? Her long-time crush wants to be more than friends…if only she can get them past their first date. And so her happily ever is doomed before it can even begin unless she can find a way to save her job, her heart, and, oh yeah, the space-time continuum.

I love a time loop story, and I like too one that plays with form, though there is something to be said for the classics too. This story dives into a bit of both.

Frame skips over multiple loops almost instantly which was interesting. Part of the fun of time loops is seeing the multiple early loops play out, but after a few the story skips and a lot of it is telling of what Jane has done instead.

There are a lot of deviations from the original day too, Jane changing up her routine almost instantly. Which is fine, but I was hoping for more exploration of the same day for a bit, it’s a core feature of the time loop I think to see characters adapt. This could easily be a time saving thing, and a chance to explore further down the line.

It isn’t all bad, I enjoyed the format in a few place where we see repeats of the same situation play out, but I still think it was an interesting choice to start skipping so soon. Jane comes to terms with it so quickly and it’s curious to see her shift in mindset.

The addition of magical realism – clearly proven early inclusion of magical realism – was also interesting. I like having a cause for these kind of situations. Mysteries are nice, but when something strange happens that has these kind of effects it’s fun.

I enjoyed the resolution to the loop. It was sweet but not over the top and it felt natural which is what you want with a story that has a little bit of magic in it.

Lumayno was a good narrator and it was an easy listening experience that let you fall into the story right away. It’s a relatively short story but one that tells a well-rounded narrative while still being light.

You can purchase Time of My Life via the following

WorderyFishpond | Amazon | Amazon Aust | Audible

The Way I Used to Be (#1) by Amber Smith

Published: 22 March 2016 (print)/23 May 2023 (audio) Goodreads badge
Publisher:
Margaret K. McElderry Books/Spotify Books
Pages: 385/9 hrs and 36 mins
Narrator: Rebekkah Ross
Format: Audiobook
Genre: Young Adult
★   ★   – 2.5 Stars

Eden was always good at being good. Starting high school didn’t change who she was. But the night her brother’s best friend rapes her, Eden’s world capsizes.

What was once simple, is now complex. What Eden once loved—who she once loved—she now hates. What she thought she knew to be true, is now lies. Nothing makes sense anymore, and she knows she’s supposed to tell someone what happened but she can’t. So she buries it instead. And she buries the way she used to be.

Told in four parts—freshman, sophomore, junior, and senior year—this provocative debut reveals the deep cuts of trauma. But it also demonstrates one young woman’s strength as she navigates the disappointment and unbearable pains of adolescence, of first love and first heartbreak, of friendships broken and rebuilt, all while learning to embrace the power of survival she never knew she had hidden within her heart. 

I know this is supposed to be about the emotional impact of trauma and it is. But as much as I tried to appreciate the story it was telling me I couldn’t get into it. It has been compared to Speak, and I think Speak was more impactful, but at the same time there is no one way to experience trauma and react to trauma so it’s also not a fair comparison.

Smith captures characters well with little effort. We understand exactly who Eden’s mother is early on, as well as her father. But living inside Eden’s head we see how trapped she is, and how the want to be asked or seen is like a burning flame no one is paying attention to. Starting at a young age it’s easy to see why she is voiceless, unable to even begin to process what has happened to her. The reveals through the novel are aptly timed and it’s interesting to see the changes made as each new year passes.

With such a sensitive topic it feels wrong somehow to say I got bored reading this. Smith jumps through four years remarkably well, we don’t have to read about every passing day and the jumps are a great way to see how time has changed Eden and those around her. It also helps you avoid having to fill in the blanks around conversations and answer questions that may come up. I had a lot of questions and how some things were feasible, but it is never addressed and time jumps miss a lot so it’s easy not to think about.

One thing I found, and it’s my own fault for continuing to read American YA, they are obsessed with always deeply setting them in a school to the small details. It’s 2024, and while this book was published in 2016, have schools in the States still not grown out of the class system at school of jocks and nerds, the weird kids and the ostracised? Everyone regulated to their own table, never shall they cross, and we will pick on you in the cafeteria for being different? Maybe if you didn’t all eat in one room you could sit away from the tormenting kids. Get some Vitamin D and maybe you’ll calm down. It’s sad in a way if the experiences are still like what the 80s movies always depicted. They wouldn’t keep putting it in books if it was relatable to someone’s life, right? It kicks off key plot points but it’s a tired trope but one I’m starting to think is still incredibly realistic.

What annoyed me most about this book is at the very end, the very final few chapters Smith managed to get me intrigued about the sequel. After putting up with the story, I now have to decide if I want to see what happens next. It isn’t that that we shouldn’t hear stories like Eden’s, far from it. It’s how such an emotional and empowering story managed to feel boring and unengaging. I persevered because you want to see where Eden’s going to end up, how she is going to tackle this through her developmental years and the impact it will have on those around her. I read enough into things myself to add insights. You can implant how she has denied her trauma because she was too young to understand, how she has embraced her rumours, or how she reacts to her trauma without even knowing about it. I only wish I had loved the story more because I think it is important.

The ending gave it the extra half star and I think the half star might get me to read the sequel.

You can purchase The Way I Used to Be via the following

QBD | Booktopia

WorderyAngus and Robinson | Blackwell’s

 Fishpond | Amazon | Amazon Aust | Audible

If It Makes You Happy by Claire Kann

Published: 04 June 2019 (print)/2021 (audio) Goodreads badge
Publisher:
Swoon Reads/Spotify Audio
Pages: 352/9 hrs and 48 mins
Narrator: Caroline Sorunke
Format: Audiobook
Genre: Young Adult Contemporary
★   ★   ★ – 3 Stars

Winnie is living her best fat girl life and is on her way to the best place on earth. No, not Disneyland–her Granny’s diner, Goldeen’s, in the small town of Misty Haven. While there, she works in her fabulous 50’s inspired uniform, twirling around the diner floor and earning an obscene amount of tips. With her family and ungirlfriend at her side, she has everything she needs for one last perfect summer before starting college in the fall.

 …until she becomes Misty Haven’s Summer Queen in a highly anticipated matchmaking tradition that she wants absolutely nothing to do with.

 Newly crowned, Winnie is forced to take centre stage in photoshoots and a never-ending list of community royal engagements. Almost immediately, she discovers that she’s deathly afraid of it all: the spotlight, the obligations, and the way her Merry Haven Summer King, wears his heart, humour, and honesty on his sleeve.

 Stripped of Goldeen’s protective bubble, to salvage her summer Winnie must conquer her fears, defy expectations, and be the best Winnie she knows she can be–regardless of what anyone else thinks of her.

I almost gave up on this book quite early on. It was uninteresting and I wasn’t connecting to these characters or their weird small town celebration. It is one of those small town beauty pageants that is revered to only those in the town limits. Puddin’ had something similar which was also just as strange.

I persisted because I wanted to see the diversity rep, it had appeared on a few lists and I was reading it as a box ticker instead of any real interest in the plot. Thankfully it got better by the halfway point, by then you get to know the characters and could work around the weird stuff and pick out some good moments.

I liked Winnie, and I liked her opinions and her fight against injustice. The weird pageant isn’t as big of a plot point as I thought it would be which made it better. I zoned out on a few bits but it didn’t impact the plot or my understanding.

It is a great book for representation because it covers a lot of different experiences. Winnie is queer, kinda bi, kinda pan, but queer easily covers it. Despite armed with this knowledge I’m still not entirely sure what the deal is with Cara. There is mention of a queer platonic relationship which is fantastic, and she has been pegged as aromatic but it is vague within the story. Again, unspecified is totally fine, there doesn’t need to be neon signs and labels pointing everything out to a reader, but sometimes it is nice having things confirmed. I think the implications are enough to go on though, especially given Kann’s history of writing LGBTQIA rep.

Around the strong opinions and the personal strife the story does get boring again but you power through. There’s generational issues to explore plus there are good, serious, and honest conversations between friends and family members which is a nice change from unrealistically avoiding conversations for plot tension.

Overall it’s slow, it’s a bit boring, but I can see it is important and Winnie is a good character to tell the story. Sorunke is a decent narrator and brought Winnie’s voice to life. I liked that the ending wasn’t a perfect happily ever after. It felt real, and it felt hopeful, which is all you could ask for really.

You can purchase If It Makes You Happy via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

 Fishpond | Amazon | Amazon Aust | Audible

Mort (#4) by Terry Pratchett

Published: 12 November 1987 (print)/2nd October 2022 (audio) Goodreads badge
Publisher:
Corgi Books/Penguin Audio
Pages: 272/7 hrs and 57 mins
Narrator: Sian Clifford, Peter Serafinowicz, Bill Nighy
Format: Audiobook
Genre: Fantasy
★   ★   ★   ★   ★  – 5 Stars

Death comes to us all. When he came to Mort, he offered him a job.

Death is the Grim Reaper of the Discworld, a black-robed skeleton with a scythe who ushers souls into the next world. He is also fond of cats and endlessly baffled by humanity. Soon Death is yearning to experience what humanity really has to offer, but to do that, he’ll need to hire some help.

It’s an offer Mort can’t refuse. As Death’s apprentice he’ll have free board, use of the company horse—and being dead isn’t compulsory. It’s a dream job—until Mort falls in love with Death’s daughter, Ysabell, and discovers that your boss can be a killer on your love life…

I was apprehensive after finishing the first three books in the series. Two were ok and one was marginally better. I thought I was going to have to tackle a few dodgy books before Pratchett truly shines in the later books but Mort smashed those expectations. This book is amazing and it only got better and better as it went along. I love Mort, I love Death, I love everything about this book: the set up, Mort’s life, and the life of those around him. Essentially Death decides to take a holiday and Mort gradually finds a new vocation. It’s brilliant.

This is my fifth Discworld book, four read chronologically publication wise (I know you don’t have to, and I’m not being a rigid rule follower or anything, it’s more the completionist in me who always has to read things in order). The fifth being Hogfather which I read as my first Discworld at Uni and fell in love with Death. When I realised this was one of Death’s novels I knew it was going to be amazing. The only difference is I keep comparing this Death to the Death in Hogfather and they are different Death’s so it’s a fun mind confusion.

There is so much to love in Mort. The subtle but apt social commentary – timeless, naturally. Especially the ways you can see variations of our own world reflected in the mirrored, slightly askew, and distorted world in the book. Like Equal Rites, Pratchett is a master at sliding these in amongst the most absurd things, knocks you over with his insight before returning to the bizarre.

I am probably biased because I fell in love with Death years ago so I may have liked this book regardless, but Pratchett tells such a brilliant story that it’s hard not to admire everything about it and cherish all the characters involved.

Mort is a great character, and even knowing what I know from Hogfather it didn’t impact my enjoyment or ruin any surprises at all. Hogfather is too far in the future and has a compelling plot all on its own to worry about delving into Death’s family tree and past.

The mysticism of Discworld is on show as the magic moves around and affects people. Being Death’s apprentice is a job that is both mundane and fantastic and seeing Mort learn what’s involved reveals more about the world and those in it.

There is a cast of characters as narrators this time around for the audiobook. Sian Clifford, Peter Serafinowicz, and Billy Nighy all lend their voices to this story. It doesn’t feel like a radio play, there’s no extra sound effects or anything, but it was fun hearing different characters have different voices for a change.

 

You can purchase Mort via the following

QBDDymocks

Wordery| Blackwell’s |  Fishpond

Amazon | Amazon Aust | Audible

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