Perfect on Paper by Sophie Gonzales

Published: 9 March 2021 (print)/11 March 2021 (audio) Goodreads badge
Publisher:
Wednesday Books/Hodder Children’s Books
Pages: 352/8 hrs and 58 mins
Narrator: Barrie Kreinik
Format: Audiobook
Genre: Contemporary Young Adult
★   ★   ★   ★ – 4 Stars

Her advice, spot on. Her love life, way off.

Darcy Phillips:
• Can give you the solution to any of your relationship woes—for a fee.
• Uses her power for good. Most of the time.
• Really cannot stand Alexander Brougham.
• Has maybe not the best judgement when it comes to her best friend, Brooke…who is in love with someone else.
• Does not appreciate being blackmailed.

However, when Brougham catches her in the act of collecting letters from locker 89—out of which she’s been running her questionably legal, anonymous relationship advice service—that’s exactly what happens. In exchange for keeping her secret, Darcy begrudgingly agrees to become his personal dating coach—at a generous hourly rate, at least. The goal? To help him win his ex-girlfriend back.

Darcy has a good reason to keep her identity secret. If word gets out that she’s behind the locker, some things she’s not proud of will come to light, and there’s a good chance Brooke will never speak to her again.

Okay, so all she has to do is help an entitled, bratty, (annoyingly hot) guy win over a girl who’s already fallen for him once? What could go wrong?

One thing I’ve discovered is I enjoy books set in US high schools if they are written by an Australian. I picked this up for my #AussieYAChallenge but was incredibly confused with the American narrator. But it ended up ok because it’s a good story and does have decent Australian representation in it.

The US school system is a baffling thing anyway but I liked that it didn’t feel so engrained in the school. We get story outside of school a lot which helped balance it. I also enjoyed how even though it followed the US style YA story of having these school wide social media/student organised systems in the form of Darcy’s advice business, it wasn’t weird and unsettling. It was something I had seen with One of Us is Lying, and a few others – a public forum, app, or secrets blog that ruled the school, caused drama, or blackmailed people. This is more like Dear Wendy which technically was university and more public, but the premise was the same: a write in advice service.

The secret locker business was interesting, and the way Darcy explains it was set up is reasonable, as is the eventually outcome of the whole endeavour. Darcy has an interest in helping people and makes sure she does her research and isn’t doing it for gossip or nefarious purposes. But like all things, it’s the invested interest and biases than can get you into trouble.

The hired for advice thing was well played out, and I liked how the relationship between Brougham and Darcy evolved. The blurb is slightly misleading, but from Darcy’s perspective it is not entirely untrue. While there is drama I enjoyed the personal nature of it and it never felt unrealistic. The often overdone, overreaction unreality was missing and it was refreshing to see.

I enjoyed the queer aspect where the bisexual representation was handled well, as well as the exploration of other issues in the school club discussions. It isn’t a side plot per se, Gonzales interweaves everything to be connected somehow, but it’s another aspect of Darcy’s character and it’s a great way to show her growth as well as tie it into the conflicts of the story.

Even with the US setting Gonzales brought the Aussie writing style that made it feel natural. With this also came the benefit of having an Australian character that didn’t sound like a painful stereotype or an American in disguise. Brougham got to actually be a full character and not a background voice of cliché phrases. Gonzales does sneak in a few slang words and some unspoken things which any good Aussie could pick up on, and while it felt a little like a nod to the Aussie reader or a brief education, it still felt ok and within the narrative. I never felt like we stopped the story to have a wedged in “Australian moment”, instead it was a fun meeting of cultures.

Kreinik is a good narrator and the voice of Darcy suited her well. There was no bad Aussie accent either which was so good and a nice change. Overall I was pleasantly surprised considering I was a little reluctant going in.

You can purchase Perfect on Paper via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Here’s the Thing by Emily O’Beirne

Published: 8th October 2016 (print)/14 March 2023 (audio) Goodreads badge
Publisher:
Ylva Publishing /Tandor Media Inc
Pages: 200/6 hours, 24 minutes
Narrator: Cat Gould
Format: Audiobook
Genre: Contemporary
★   ★   ★ – 3 Stars

It’s only for a year. That’s what sixteen-year-old Zel keeps telling herself after moving to Sydney for her dad’s work. She’ll just wait it out until she gets back to New York and Prim, her epic crush/best friend, and the unfinished subway project. Even if Prim hasn’t spoken to her since that day on Coney Island.

But Zel soon finds life in Sydney won’t let her hide. There’s her art teacher, who keeps forcing her to dig deeper. There’s the band of sweet, strange misfits her cousin has forced her to join for a Drama project. And then there’s the curiosity that is the always-late Stella.

As she waits for Prim to explain her radio silence and she begins to forge new friendships, Zel feels strung between two worlds. Finally, she must figure out how to move on while leaving no one behind.

I feel like I say this every time I find a great Aussie YA, but they really are something special. Even if they aren’t the greatest story, or five star reads, there is such a unique voice that Aussie YA has that is wonderful to read. Even this story, which has a strange meta/fourth wall breaking narration style, still held onto that fantastic voice and tone I love in these stories.

What I liked about this is the story felt different, there is a plot but it’s such a different angle than what you usually see. I liked the divide Zel had about where she felt she fit. It was something relatable about finding your place, but the situation was creative.

Despite the intense experience Zel had in New York, it was interesting how attached she felt to it. Eight months in the city and she referred to it more than her previous home in Canberra. Initially I thought she must have been there for years, but at only eight months it was a weird connection. I understand she had strong connections and great adventures with Prim, so I guess that was a big contributor.

One annoying thing was the phrases and words switched whether Zel was recounting her New York time or her Australia time. When speaking about America US terms were used, but then she would switch back when the story was in Sydney. I get it in a way, but it stood out and is never addressed. Either the explanation is Zel picked up the US terms and kept using them, or she should stick to an Aussie voice consistently. This on top of the fourth wall narration took some getting used to but you get the hang of it all soon enough.

Gould does a good job narrating. I was never taken out of the story and the voices between characters were distinct enough without feeling too much. The characters felt real, maybe not super developed, but from the tone and voice Zel gave it isn’t her style to delve deep into everyone she meets, only the few she gets to know better. Despite that I still managed to understand who these character were, with a few little words you get enough of a sense of their personalities to get by. Plus Zel’s focus points with her narration doesn’t require a lot of background on the other people.

The way O’Beirne has constructed this storyline is clever and I enjoyed how it is about so many things without focusing solely or too heavy handedly on those things.There is a romance element, but it’s not the sole focus of the book. I felt the romance that was there was believable, but I also enjoyed how it isn’t the goal of the book, despite, in it’s own way, being the focus of the whole book.

I also enjoyed how no one changed for anybody. There’s realisations and self reflections, but there is no grand epiphanies and huge moments. I liked the gradual development and struggle Zel has, not only for herself but for her schoolwork and trying to find her place.

Overall, it felt wonderfully real and grounded. This is why Aussie YA is so fantastic. It’s deep and real without being too much.

You can purchase Here’s the Thing via the following

BooktopiaBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

It Sounded Better in My Head by Nina Kenwood

Published: 07 April 2020 (print)/4 Jan 2023 (audio) Goodreads badge
Publisher:
Flatiron Books/Wavesound from W. F. Howes Ltd
Pages: 272/7 hrs and 19 mins
Narrator: Maddy Withington
Format: Audiobook
Genre: Young Adult Contemporary Romance
★   ★   ★ – 3.5 Stars

When her parents announce their impending divorce, Natalie can’t understand why no one is fighting, or at least mildly upset. Then Zach and Lucy, her two best friends, hook up, leaving her feeling slightly miffed and decidedly awkward. She’d always imagined she would end up with Zach one day―in the version of her life that played out like a TV show, with just the right amount of banter, pining, and meaningful looks. Now everything has changed, and nothing is quite making sense. Until an unexpected romance comes along and shakes things up even further.

I always feel a bit bad when I finish a book and my opinion is it was ‘fine’. Perfectly average, decent story and good. Unremarkable but good. Why is that a bad thing? It’s a good book, didn’t need to be amazing or the best thing I’ve ever read. It wasn’t bad. I didn’t hate it. I enjoyed it. Yet I still feel a bit guilty.

There were of course reasons why it’s an average rated book not a highly rated book. In terms of the romance, I felt it comes from nowhere. We aren’t given anything to base it on, Natalie even mentions she’s barely even spoken to Zach’s brother, they hardly acknowledge one another, so the fact he suddenly takes an interest and she reciprocates feelings was a stretch. Also, discovering Alex was only 19 made me feel better, I was thinking he was 20 or 21 so him suddenly having an out of blue interest in Natalie once she’d turned 18 felt weird but we’re all good on that front.

Natalie talks about her body a lot, as well the accompanying anxieties. Because it’s such a key point of the story, I found it hard to believe that someone who has never kissed anyone, has incredible body issues, and spends most of the book talking about her skin insecurities, would let a first kiss go on for as long as it does and be that physically intimate. There are some references down the track about her worries so Kenwood does remember she’s subconscious about it.

There is a good acknowledgment and criticism of societal expectations and people needing a boyfriend (and why not a girlfriend etc) and other out of date ideas which I enjoyed. There are fleeting moments of LGBTQIA+ support but then quickly falls back into the idea that kissing someone is super important and a key experience people need to have around her age. For every step forward there were as many steps back.

One thing that was good was the reminder that even at 18 and 19 these are still teenagers despite being legal adults. There are short tempers, emotional misunderstandings because people are so in their heads, and the nervous and anxious feelings of being around “real adults” and being interrogated can still shrink you down.

Withington is a good narrator. I was never taken out of the story and her expression of the characters was great. Kenwood keeps us in Natalie’s head a lot but we do get to explore the other characters well enough. The unexpected divorce doesn’t come into play as much as you’d think and I did enjoy Natalie’s thought trails as she plans ahead about what she think will happen and is sixteen steps ahead with what she’ll do before anything has even happened. That was fun.

Overall it was…perfectly fine. A good book, decent story. It was different with a main character who had a different set of body issues to contend with, and different anxieties, but Kenwood balances it well so it doesn’t make her intolerable to the reader while still making us understand how debilitating these issues can be.

You can purchase It Sounded Better in My Head via the following

QBDDymocks

WorderyBlackwell’s | Angus and Robertson

 Fishpond | Amazon | Amazon Aust | Audible

#AussieYAChallenge Update 2

September snuck up on me in a weird way, but as I started writing this I was thinking thankfully my Aussie YA Challenge had been chugging along consistently; at least I felt like I’d been having a good run. Comparing my first update to my second I am not as pleased, but I am still pleased…I think. Two were July and one was an August read which is failing my one a month plan, but I have now read eight so I am technically on track. Given the hard task of finding Aussie YA in audio form, and how hard it is to find time to read a physical book it is a good addition at any rate. The problem is other, non Aussie, books are also around and they are shiny and intriguing and terribly distracting. How weird it is to say you’ve read 99 books but only 8 have been Aussie YA. That’s some kind of fail, right?

Once again I am boldly taking chances on books simply because they fill the challenge which is giving me some great reads that I have never heard of and may never have tired. It is also making me finally read books I’ve had on my TBR list for literal years which can’t be a bad thing.

I will endeavour to hit my goal by my final update and I am excited to see what other great stories I find.

Latest Additions:

Take A Bow, Noah Mitchell by Tobias Madden

Surface Tension by Meg McKinlay

Impossible Music by Sean Williams

 

Take A Bow, Noah Mitchell was a nice story about online friends, the truth, and realising a few things about your family.

Surface Tension was a fascinating story that I find myself thinking of a lot. A town that gets intentionally flooded and the power of a single voice in righting wrongs of the past.

Impossible Music was fascinating in how the newly deaf learn to adjust and the impact it has on your dreams and identify.

 

The total list so far:

All I Ever Wanted by Vikki Wakefield

 Tin Heart by Shivaun Plozza

 Because of You by Pip Harry

Wrong Answers Only by Tobias Madden

 100 Remarkable Feats of Xander Maze by Clayton Zane Comber

Take A Bow, Noah Mitchell by Tobias Madden

Surface Tension by Meg McKinlay

Impossible Music by Sean Williams

 

I hope your own Aussie YA Challenge goals are going well and you have discovered some amazing reads yourself. Feel free to shout out in the comments some you have read so far, or even those you are looking forward to reading. If you’re interested in signing up it’s not to late, head over to my info page and declare your goal on social media, your website, or in the comments of this years post.

The Quiet and the Loud by Helena Fox

Published: 28 March 2023 (print)/28 March 2023 (audio) Goodreads badge
Publisher:
Dial Books/Macmillan Australia Audio
Pages: 384/10 hrs and 35 mins
Narrator: Kaiya Jones
Format: Audiobook
Genre: Young Adult Contemporary
★   ★   ★ – 3 Stars

George’s life is loud. On the water, though, with everything hushed above and below, she is steady, silent. Then her estranged dad says he needs to talk, and George’s past begins to wake up, looping around her ankles, trying to drag her under.

But there’s no time to sink. George’s best friend, Tess, is about to become, officially, a teen mom, her friend Laz is in despair about the climate crisis, her gramps would literally misplace his teeth if not for her, and her moms fill the house with fuss and chatter. Before long, heat and smoke join the noise as dis­tant wildfires begin to burn.

George tries to stay steady. When her father tells her his news and the memo­ries roar back to life, George turns to Calliope, the girl who has just cartwheeled into her world and shot it through with colors. And it’s here George would stay—quiet and safe—if she could. But then Tess has her baby, and the earth burns hotter, and the past just will not stay put.

A novel about the contours of friendship, family, forgiveness, trauma, and love, and about our hopeless, hopeful world.

Having read an amazing award winner recently, it was clearly an exception to my usual experience of award winners being long and boring because this one fell right back into the long and bit boring track. This book is clearly an award winner, there’s big ideas, poetic words, long drawn out emotional explorations. Which is fine. That’s why these books win awards. But it’s something you have to remember going in. I haven’t done a literary award winner in a while and I had to get used to it again.

The plot was interesting but the slowness takes away from your full enjoyment. Needing to move the plot along faster became my main wish and while I enjoyed the characters and their lives, it was drawn out. I had my audiobook on 1.75x speed and it still seemed to take forever. I thought it was almost over and I still had four hours left.

I enjoyed the environment Georgia explores. Living on the water, going out in the kayak and feeling peace in solitude. Those are wonderful moments of peace and reflection, which Fox does well. The emotional release of art as well as being on the water was a great new approach than what usually happens in books. I love Australian YA because we have these amazing stories that are outside of school settings that are about people’s fascinating and complicated lives outside of school drama.

There are a lot of characters in play which breaks up the long emotional and introspective thoughts and contemplations. Her mum and stepmother Mel are the parents, there’s grandad and his eccentricities, as well as the friendships between Tess, Lars, and Georgia. Not to mention a potential new friend in Calliope.

There are emotional moments and a lot of big issues that come into play. Alcoholism, abandonment, pregnancy and complications, as well as a variety of mental illnesses. It’s a complicated and messy life with complicated and messy characters. Lars is annoying, Tess is annoying, but I kind of enjoyed that in it showed imperfect people and how you can still be friends with them. Not to mention the bonds of childhood friendships and the obligations that entails. It’s also a good example of how as people grow up they change and as their lives go in different directions it’s a big thing for friendship groups.

There is actually a lot of things happening but the focus remains on Georgia so we only get bits and pieces as she interacts with it and the action around it is few and far between. The snippets we learn about of her father, the mystery of her flashbacks and various memories, as well as the drama of Tess’ intentional teen pregnancy added some flare.

The mention of the Black Summer fires hits a bit too close to home, as did the Covid mention. The reminder is always so depressing about that fire season and the anxiety rises to the surface as you relive it. It’s good that it isn’t being forgotten though and it plays into the story well. On the flipside, things are still long and overdone and they counteract good plot by distracting from it and making it feel weighed down.

It’s a good coming of age story that deals with changing relationships, discovering who you are, and how trauma shapes your life whether you realise it or not. I’m glad I read it but I also think it could have worked if it was less literary. But that isn’t how profound internal discovery and life changes happens. It was probably the best format to explore these ideas, it certainly makes them more impactful despite the pacing issue.

You can purchase The Quiet and the Loud via the following

QBDDymocks | Booktopia

Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

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