#AussieYAChallenge 2026

08 Jan 2026 Leave a comment

by Amy in Aussie YA Challenge Tags: , , , , , ,

The #AussieYAChallenge is a challenge created by Amy at Lost in a Good Book as an attempt to read more Australian young adult novels.

Doing a switcheroo for this month’s Long Lost Reviews because it seems my announcement for the 2026 #AussieYAChallenge has gotten out ahead of me so I’ll post my #LLR next week.

Entering its third year my #AussieYAChallenge is something I have grown to love more and more. I love finding new Australian young adult books and finally making the effort to read books I have had lovingly on my shelf for honestly, like 10+ years at this point and should probably have read long ago.

This challenge is open for anyone who wants to participate and you complete at your own pace throughout the year, or whenever you chose to start. There is no limit, no review requirements, just a chance to expand on your reading.

The #LoveOzYA is a strong brand and getting to focus some attention on it with my reading has brought me a lot of amazing stories. I hope if you follow this challenge, whether you participate or not, you will see the great variety and talent we have with our YA authors.

For the 2026 Challenge I am tapping that Nix level again, 12 books, 12 months. I hope to go beyond this year but I know if I set myself a higher number it’s only going to end badly. The excitement at exceeding (if it happens) is enough for now.

Keep an eye on my posts through the year as reviews for last year’s reads come through. I will also try and get some of this year’s reads up a bit sooner.

If you are interested in participating head to the #AussieYAChallenge page and see what’s involved.

Happy Reading!

#AussieYAChallenge 2025 Wrap Up

31 Dec 2025 Leave a comment

by Amy in Aussie YA Challenge, Young Adult Tags: , , , , , , , , , , , , , , ,

Over the course of the two years I have done challenge I have read 24 Aussie YA books. Which is a pretty good bump considering my #LoveOzYA reading had dropped off in recent years. I am still blaming the minimal amount of Aussie YA in audio, but I also have two bookcases choccas with Aussie titles I could pick up at any time so it’s not entirely the fault of the publishing industry.

I was worried I had maybe fallen by the wayside after my September update, but given the new titles on my final list I am pretty pleased with how I’ve ended up. Despite planning on reading 12 books a year I never actually planned the twelve. I was happy if it went over, I was picking stuff up willy nilly, not keeping track of numbers. It’s quite serendipitous that I landed on 12. I get to meet my Nix level reading goal without rushing to make up numbers at the eleventh hour which is a bonus.

Some of my absolute favourites were Impossible Music by Sean Williams and Because of You by Pip Harry. Both these stories took me into a world I knew about but not intimately and seeing the experiences of these characters was beautiful and heartbreaking, not to mention powerful. This is why I love Aussie YA, with such short stories we can really pack an emotional punch and make incredibly memorable stories.

Other choices were some I had been eying off at the library for months before finally picking them up. Tobias Madden knocking it out of the park with fun and interesting stories, and unexpected surprises with new author Clayton Zane Comber, not to mention Shivaun Plozza killing it once again.

Another reason I started this challenge wasn’t only to tick off a list, but to finally pick up the authors I’ve been wanting to read for years. It’s all well and good to say I want to read that, or it’s on my TBR list (700+ strong so what hope do I really have), but now I can actually follow through and share our great authors with everyone and maybe spread a bit of that #LoveOzYA love.

I am keen to see what new books I read next year, some old hopefully, some new definitely. The Aussie YA book world is filled with so many different stories and experiences it is a joy to pick up and fall into that unique Australian voice that makes our books so beloved.

If you participated alongside me I hope your challenge went as successful as you wanted and I hope you join me again with the challenge next year!

 

The final list:

All I Ever Wanted by Vikki Wakefield

 Tin Heart by Shivaun Plozza

 Because of You by Pip Harry

Wrong Answers Only by Tobias Madden

 100 Remarkable Feats of Xander Maze by Clayton Zane Comber

Take A Bow, Noah Mitchell by Tobias Madden

Surface Tension by Meg McKinlay

Impossible Music by Sean Williams

Perfect on Paper by Sophie Gonzales

Flip by Rebecca Fraser

The Day the Bridge Fell by Coral Vass

Here’s the Thing by Emily O’Beirne

Perfect on Paper by Sophie Gonzales

10 Dec 2025 Leave a comment

by Amy in 4 Stars, Audiobook, Aussie YA Challenge, Australian Women Writers, LGBTQIA, Young Adult Tags: , , , , , , , , , , ,

Published: 9 March 2021 (print)/11 March 2021 (audio) Goodreads badge
Publisher: Wednesday Books/Hodder Children’s Books
Pages: 352/8 hrs and 58 mins
Narrator: Barrie Kreinik
Format: Audiobook
Genre: Contemporary Young Adult
★   ★   ★   ★ – 4 Stars

Her advice, spot on. Her love life, way off.

Darcy Phillips:
• Can give you the solution to any of your relationship woes—for a fee.
• Uses her power for good. Most of the time.
• Really cannot stand Alexander Brougham.
• Has maybe not the best judgement when it comes to her best friend, Brooke…who is in love with someone else.
• Does not appreciate being blackmailed.

However, when Brougham catches her in the act of collecting letters from locker 89—out of which she’s been running her questionably legal, anonymous relationship advice service—that’s exactly what happens. In exchange for keeping her secret, Darcy begrudgingly agrees to become his personal dating coach—at a generous hourly rate, at least. The goal? To help him win his ex-girlfriend back.

Darcy has a good reason to keep her identity secret. If word gets out that she’s behind the locker, some things she’s not proud of will come to light, and there’s a good chance Brooke will never speak to her again.

Okay, so all she has to do is help an entitled, bratty, (annoyingly hot) guy win over a girl who’s already fallen for him once? What could go wrong?

One thing I’ve discovered is I enjoy books set in US high schools if they are written by an Australian. I picked this up for my #AussieYAChallenge but was incredibly confused with the American narrator. But it ended up ok because it’s a good story and does have decent Australian representation in it.

The US school system is a baffling thing anyway but I liked that it didn’t feel so engrained in the school. We get story outside of school a lot which helped balance it. I also enjoyed how even though it followed the US style YA story of having these school wide social media/student organised systems in the form of Darcy’s advice business, it wasn’t weird and unsettling. It was something I had seen with One of Us is Lying, and a few others – a public forum, app, or secrets blog that ruled the school, caused drama, or blackmailed people. This is more like Dear Wendy which technically was university and more public, but the premise was the same: a write in advice service.

The secret locker business was interesting, and the way Darcy explains it was set up is reasonable, as is the eventually outcome of the whole endeavour. Darcy has an interest in helping people and makes sure she does her research and isn’t doing it for gossip or nefarious purposes. But like all things, it’s the invested interest and biases than can get you into trouble.

The hired for advice thing was well played out, and I liked how the relationship between Brougham and Darcy evolved. The blurb is slightly misleading, but from Darcy’s perspective it is not entirely untrue. While there is drama I enjoyed the personal nature of it and it never felt unrealistic. The often overdone, overreaction unreality was missing and it was refreshing to see.

I enjoyed the queer aspect where the bisexual representation was handled well, as well as the exploration of other issues in the school club discussions. It isn’t a side plot per se, Gonzales interweaves everything to be connected somehow, but it’s another aspect of Darcy’s character and it’s a great way to show her growth as well as tie it into the conflicts of the story.

Even with the US setting Gonzales brought the Aussie writing style that made it feel natural. With this also came the benefit of having an Australian character that didn’t sound like a painful stereotype or an American in disguise. Brougham got to actually be a full character and not a background voice of cliché phrases. Gonzales does sneak in a few slang words and some unspoken things which any good Aussie could pick up on, and while it felt a little like a nod to the Aussie reader or a brief education, it still felt ok and within the narrative. I never felt like we stopped the story to have a wedged in “Australian moment”, instead it was a fun meeting of cultures.

Kreinik is a good narrator and the voice of Darcy suited her well. There was no bad Aussie accent either which was so good and a nice change. Overall I was pleasantly surprised considering I was a little reluctant going in.

You can purchase Perfect on Paper via the following

QBD |  Dymocks | Booktopia

Wordery |  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Here’s the Thing by Emily O’Beirne

08 Oct 2025 Leave a comment

by Amy in 3 Stars, Audiobook, Aussie YA Challenge, Australian Women Writers, LGBTQIA, Young Adult Tags: , , , , , , , , , ,

Published: 8th October 2016 (print)/14 March 2023 (audio) Goodreads badge
Publisher: Ylva Publishing /Tandor Media Inc
Pages: 200/6 hours, 24 minutes
Narrator: Cat Gould
Format: Audiobook
Genre: Contemporary
★   ★   ★ – 3 Stars

It’s only for a year. That’s what sixteen-year-old Zel keeps telling herself after moving to Sydney for her dad’s work. She’ll just wait it out until she gets back to New York and Prim, her epic crush/best friend, and the unfinished subway project. Even if Prim hasn’t spoken to her since that day on Coney Island.

But Zel soon finds life in Sydney won’t let her hide. There’s her art teacher, who keeps forcing her to dig deeper. There’s the band of sweet, strange misfits her cousin has forced her to join for a Drama project. And then there’s the curiosity that is the always-late Stella.

As she waits for Prim to explain her radio silence and she begins to forge new friendships, Zel feels strung between two worlds. Finally, she must figure out how to move on while leaving no one behind.

I feel like I say this every time I find a great Aussie YA, but they really are something special. Even if they aren’t the greatest story, or five star reads, there is such a unique voice that Aussie YA has that is wonderful to read. Even this story, which has a strange meta/fourth wall breaking narration style, still held onto that fantastic voice and tone I love in these stories.

What I liked about this is the story felt different, there is a plot but it’s such a different angle than what you usually see. I liked the divide Zel had about where she felt she fit. It was something relatable about finding your place, but the situation was creative.

Despite the intense experience Zel had in New York, it was interesting how attached she felt to it. Eight months in the city and she referred to it more than her previous home in Canberra. Initially I thought she must have been there for years, but at only eight months it was a weird connection. I understand she had strong connections and great adventures with Prim, so I guess that was a big contributor.

One annoying thing was the phrases and words switched whether Zel was recounting her New York time or her Australia time. When speaking about America US terms were used, but then she would switch back when the story was in Sydney. I get it in a way, but it stood out and is never addressed. Either the explanation is Zel picked up the US terms and kept using them, or she should stick to an Aussie voice consistently. This on top of the fourth wall narration took some getting used to but you get the hang of it all soon enough.

Gould does a good job narrating. I was never taken out of the story and the voices between characters were distinct enough without feeling too much. The characters felt real, maybe not super developed, but from the tone and voice Zel gave it isn’t her style to delve deep into everyone she meets, only the few she gets to know better. Despite that I still managed to understand who these character were, with a few little words you get enough of a sense of their personalities to get by. Plus Zel’s focus points with her narration doesn’t require a lot of background on the other people.

The way O’Beirne has constructed this storyline is clever and I enjoyed how it is about so many things without focusing solely or too heavy handedly on those things.There is a romance element, but it’s not the sole focus of the book. I felt the romance that was there was believable, but I also enjoyed how it isn’t the goal of the book, despite, in it’s own way, being the focus of the whole book.

I also enjoyed how no one changed for anybody. There’s realisations and self reflections, but there is no grand epiphanies and huge moments. I liked the gradual development and struggle Zel has, not only for herself but for her schoolwork and trying to find her place.

Overall, it felt wonderfully real and grounded. This is why Aussie YA is so fantastic. It’s deep and real without being too much.

You can purchase Here’s the Thing via the following

Booktopia | Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

It Sounded Better in My Head by Nina Kenwood

30 Sep 2025 Leave a comment

by Amy in 3 Stars, Audiobook, Aussie YA Challenge, Australian Women Writers, Young Adult Tags: , , , , , , , , , ,

Published: 07 April 2020 (print)/4 Jan 2023 (audio) Goodreads badge
Publisher: Flatiron Books/Wavesound from W. F. Howes Ltd
Pages: 272/7 hrs and 19 mins
Narrator: Maddy Withington
Format: Audiobook
Genre: Young Adult Contemporary Romance
★   ★   ★ – 3.5 Stars

When her parents announce their impending divorce, Natalie can’t understand why no one is fighting, or at least mildly upset. Then Zach and Lucy, her two best friends, hook up, leaving her feeling slightly miffed and decidedly awkward. She’d always imagined she would end up with Zach one day―in the version of her life that played out like a TV show, with just the right amount of banter, pining, and meaningful looks. Now everything has changed, and nothing is quite making sense. Until an unexpected romance comes along and shakes things up even further.

I always feel a bit bad when I finish a book and my opinion is it was ‘fine’. Perfectly average, decent story and good. Unremarkable but good. Why is that a bad thing? It’s a good book, didn’t need to be amazing or the best thing I’ve ever read. It wasn’t bad. I didn’t hate it. I enjoyed it. Yet I still feel a bit guilty.

There were of course reasons why it’s an average rated book not a highly rated book. In terms of the romance, I felt it comes from nowhere. We aren’t given anything to base it on, Natalie even mentions she’s barely even spoken to Zach’s brother, they hardly acknowledge one another, so the fact he suddenly takes an interest and she reciprocates feelings was a stretch. Also, discovering Alex was only 19 made me feel better, I was thinking he was 20 or 21 so him suddenly having an out of blue interest in Natalie once she’d turned 18 felt weird but we’re all good on that front.

Natalie talks about her body a lot, as well the accompanying anxieties. Because it’s such a key point of the story, I found it hard to believe that someone who has never kissed anyone, has incredible body issues, and spends most of the book talking about her skin insecurities, would let a first kiss go on for as long as it does and be that physically intimate. There are some references down the track about her worries so Kenwood does remember she’s subconscious about it.

There is a good acknowledgment and criticism of societal expectations and people needing a boyfriend (and why not a girlfriend etc) and other out of date ideas which I enjoyed. There are fleeting moments of LGBTQIA+ support but then quickly falls back into the idea that kissing someone is super important and a key experience people need to have around her age. For every step forward there were as many steps back.

One thing that was good was the reminder that even at 18 and 19 these are still teenagers despite being legal adults. There are short tempers, emotional misunderstandings because people are so in their heads, and the nervous and anxious feelings of being around “real adults” and being interrogated can still shrink you down.

Withington is a good narrator. I was never taken out of the story and her expression of the characters was great. Kenwood keeps us in Natalie’s head a lot but we do get to explore the other characters well enough. The unexpected divorce doesn’t come into play as much as you’d think and I did enjoy Natalie’s thought trails as she plans ahead about what she think will happen and is sixteen steps ahead with what she’ll do before anything has even happened. That was fun.

Overall it was…perfectly fine. A good book, decent story. It was different with a main character who had a different set of body issues to contend with, and different anxieties, but Kenwood balances it well so it doesn’t make her intolerable to the reader while still making us understand how debilitating these issues can be.

You can purchase It Sounded Better in My Head via the following

QBD |  Dymocks

Wordery |  Blackwell’s | Angus and Robertson

 Fishpond | Amazon | Amazon Aust | Audible

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