#AussieYAChallenge 2026

The #AussieYAChallenge is a challenge created by Amy at Lost in a Good Book as an attempt to read more Australian young adult novels.

Doing a switcheroo for this month’s Long Lost Reviews because it seems my announcement for the 2026 #AussieYAChallenge has gotten out ahead of me so I’ll post my #LLR next week.

Entering its third year my #AussieYAChallenge is something I have grown to love more and more. I love finding new Australian young adult books and finally making the effort to read books I have had lovingly on my shelf for honestly, like 10+ years at this point and should probably have read long ago.

This challenge is open for anyone who wants to participate and you complete at your own pace throughout the year, or whenever you chose to start. There is no limit, no review requirements, just a chance to expand on your reading.

The #LoveOzYA is a strong brand and getting to focus some attention on it with my reading has brought me a lot of amazing stories. I hope if you follow this challenge, whether you participate or not, you will see the great variety and talent we have with our YA authors.

For the 2026 Challenge I am tapping that Nix level again, 12 books, 12 months. I hope to go beyond this year but I know if I set myself a higher number it’s only going to end badly. The excitement at exceeding (if it happens) is enough for now.

Keep an eye on my posts through the year as reviews for last year’s reads come through. I will also try and get some of this year’s reads up a bit sooner.

If you are interested in participating head to the #AussieYAChallenge page and see what’s involved.

Happy Reading!

#AussieYAChallenge 2025 Wrap Up

Over the course of the two years I have done challenge I have read 24 Aussie YA books. Which is a pretty good bump considering my #LoveOzYA reading had dropped off in recent years. I am still blaming the minimal amount of Aussie YA in audio, but I also have two bookcases choccas with Aussie titles I could pick up at any time so it’s not entirely the fault of the publishing industry.

I was worried I had maybe fallen by the wayside after my September update, but given the new titles on my final list I am pretty pleased with how I’ve ended up. Despite planning on reading 12 books a year I never actually planned the twelve. I was happy if it went over, I was picking stuff up willy nilly, not keeping track of numbers. It’s quite serendipitous that I landed on 12. I get to meet my Nix level reading goal without rushing to make up numbers at the eleventh hour which is a bonus.

Some of my absolute favourites were Impossible Music by Sean Williams and Because of You by Pip Harry. Both these stories took me into a world I knew about but not intimately and seeing the experiences of these characters was beautiful and heartbreaking, not to mention powerful. This is why I love Aussie YA, with such short stories we can really pack an emotional punch and make incredibly memorable stories.

Other choices were some I had been eying off at the library for months before finally picking them up. Tobias Madden knocking it out of the park with fun and interesting stories, and unexpected surprises with new author Clayton Zane Comber, not to mention Shivaun Plozza killing it once again.

Another reason I started this challenge wasn’t only to tick off a list, but to finally pick up the authors I’ve been wanting to read for years. It’s all well and good to say I want to read that, or it’s on my TBR list (700+ strong so what hope do I really have), but now I can actually follow through and share our great authors with everyone and maybe spread a bit of that #LoveOzYA love.

I am keen to see what new books I read next year, some old hopefully, some new definitely. The Aussie YA book world is filled with so many different stories and experiences it is a joy to pick up and fall into that unique Australian voice that makes our books so beloved.

If you participated alongside me I hope your challenge went as successful as you wanted and I hope you join me again with the challenge next year!

 

The final list:

All I Ever Wanted by Vikki Wakefield

 Tin Heart by Shivaun Plozza

 Because of You by Pip Harry

Wrong Answers Only by Tobias Madden

 100 Remarkable Feats of Xander Maze by Clayton Zane Comber

Take A Bow, Noah Mitchell by Tobias Madden

Surface Tension by Meg McKinlay

Impossible Music by Sean Williams

Perfect on Paper by Sophie Gonzales

Flip by Rebecca Fraser

The Day the Bridge Fell by Coral Vass

Here’s the Thing by Emily O’Beirne

Perfect on Paper by Sophie Gonzales

Published: 9 March 2021 (print)/11 March 2021 (audio) Goodreads badge
Publisher:
Wednesday Books/Hodder Children’s Books
Pages: 352/8 hrs and 58 mins
Narrator: Barrie Kreinik
Format: Audiobook
Genre: Contemporary Young Adult
★   ★   ★   ★ – 4 Stars

Her advice, spot on. Her love life, way off.

Darcy Phillips:
• Can give you the solution to any of your relationship woes—for a fee.
• Uses her power for good. Most of the time.
• Really cannot stand Alexander Brougham.
• Has maybe not the best judgement when it comes to her best friend, Brooke…who is in love with someone else.
• Does not appreciate being blackmailed.

However, when Brougham catches her in the act of collecting letters from locker 89—out of which she’s been running her questionably legal, anonymous relationship advice service—that’s exactly what happens. In exchange for keeping her secret, Darcy begrudgingly agrees to become his personal dating coach—at a generous hourly rate, at least. The goal? To help him win his ex-girlfriend back.

Darcy has a good reason to keep her identity secret. If word gets out that she’s behind the locker, some things she’s not proud of will come to light, and there’s a good chance Brooke will never speak to her again.

Okay, so all she has to do is help an entitled, bratty, (annoyingly hot) guy win over a girl who’s already fallen for him once? What could go wrong?

One thing I’ve discovered is I enjoy books set in US high schools if they are written by an Australian. I picked this up for my #AussieYAChallenge but was incredibly confused with the American narrator. But it ended up ok because it’s a good story and does have decent Australian representation in it.

The US school system is a baffling thing anyway but I liked that it didn’t feel so engrained in the school. We get story outside of school a lot which helped balance it. I also enjoyed how even though it followed the US style YA story of having these school wide social media/student organised systems in the form of Darcy’s advice business, it wasn’t weird and unsettling. It was something I had seen with One of Us is Lying, and a few others – a public forum, app, or secrets blog that ruled the school, caused drama, or blackmailed people. This is more like Dear Wendy which technically was university and more public, but the premise was the same: a write in advice service.

The secret locker business was interesting, and the way Darcy explains it was set up is reasonable, as is the eventually outcome of the whole endeavour. Darcy has an interest in helping people and makes sure she does her research and isn’t doing it for gossip or nefarious purposes. But like all things, it’s the invested interest and biases than can get you into trouble.

The hired for advice thing was well played out, and I liked how the relationship between Brougham and Darcy evolved. The blurb is slightly misleading, but from Darcy’s perspective it is not entirely untrue. While there is drama I enjoyed the personal nature of it and it never felt unrealistic. The often overdone, overreaction unreality was missing and it was refreshing to see.

I enjoyed the queer aspect where the bisexual representation was handled well, as well as the exploration of other issues in the school club discussions. It isn’t a side plot per se, Gonzales interweaves everything to be connected somehow, but it’s another aspect of Darcy’s character and it’s a great way to show her growth as well as tie it into the conflicts of the story.

Even with the US setting Gonzales brought the Aussie writing style that made it feel natural. With this also came the benefit of having an Australian character that didn’t sound like a painful stereotype or an American in disguise. Brougham got to actually be a full character and not a background voice of cliché phrases. Gonzales does sneak in a few slang words and some unspoken things which any good Aussie could pick up on, and while it felt a little like a nod to the Aussie reader or a brief education, it still felt ok and within the narrative. I never felt like we stopped the story to have a wedged in “Australian moment”, instead it was a fun meeting of cultures.

Kreinik is a good narrator and the voice of Darcy suited her well. There was no bad Aussie accent either which was so good and a nice change. Overall I was pleasantly surprised considering I was a little reluctant going in.

You can purchase Perfect on Paper via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Take A Bow, Noah Mitchell by Tobias Madden

Published: 30 August 2022 (print)/25 October 2022 (audio) Goodreads badge
Publisher:
Penguin/Penguin Random House Australia Audio
Pages: 384/9 hrs and 43 mins
Narrator: Matthew Backer
Format: Audiobook
Genre: Contemporary Young Adult
★   ★   ★ – 3.5 Stars

Seventeen-year-old gaymer Noah Mitchell only has one friend left: the wonderful, funny, strictly online-only MagePants69. After years playing RPGs together, they know everything about each other, except anything that would give away their real life identities. And Noah is certain that if they could just meet in person, they would be soulmates. Noah would do anything to make this happen—including finally leaving his gaming chair to join a community theater show that he’s only mostly sure MagePants69 is performing in. Noah has never done anything like theater—he can’t sing, he can’t dance, and he’s never willingly watched a musical—but he’ll have to go all in to have a chance at love.

With Noah’s mum performing in the lead role, and former friends waiting in the wings to sabotage his reputation, his plan to make MagePants69 fall in love with him might be a little more difficult than originally anticipated.

And the longer Noah waits to come clean, the more tangled his web of lies becomes. By opening night, he will have to decide if telling the truth is worth closing the curtain on his one shot at true love.

I know it is the point but I get so uncomfortable with lying in these types of novels when the character could organically weave it into a planned pretend surprise revelation. Which I know defeats the purpose of black moments and tension in the story and is more high concept than a love struck horny 17 year old can fathom, but it is always an interesting choice. Surely there can still be drama and twists by the manipulation of the facts than lying about them? Maybe for the next book.

Interestingly I didn’t actually want Noah and Eli to be together, not even because of the lies after a while, because I felt Eli wasn’t right for Noah. He is rash and emotional and quick to jump to conclusions. Even for Noah’s faults it felt like Eli would be a hard person to fully trust and be with if every move is under suspicion and always jumps to the worst conclusion.

Having said all that, what I did like is that the ending isn’t perfect. Something which works well for my opinions of the characters. While the story wraps up nicely, it is still tender and rocky for everyone involved. It felt better than full on acceptance, you can see growth in the characters, understand their reasoning and accept their decisions. I get a teenage boy not understanding the adult side of life, having a narrow viewpoint about their world view, and I also see how a parent can be lost in who they’ve become. The combination and culmination of both these plots was perfect and I loved Madden’s perspective and how each character felt real. The mother/son dynamic was honest and realistic, full of history and disappointment coming across with minimal effort. Everything Noah and his mother are, his sister and father as well of course, but everything these characters are is on the page perfectly.

The unspoken mystery was well worth the wait, I completely get Noah’s apprehension and choices around that. It is also so coded in pressure around friends and dramas, the emotional impact of events when you’re young far reaching years later and how it shapes who you are as a person. I get some concerns people have about cringe and no communication but from a teen mindset, of seeing consequences and social fallout, I totally get Noah’s caution. I only felt weird with the deception, which to be fair, so did Noah.

The LGBTQIA+ representation was great and I loved the variety of characters and cultural backgrounds. The gaming portion was well done too. It was balanced great between Noah being a gamer without falling into the trap of often inaccurate and overdone stereotypes. Madden treated it like a real hobby, one that was full of skill, friendship, and community.

I read this as an audiobook and Backer was a great narrator. The characters were distinctive with his voice and I loved how each character came across fully with his narrative style. As a whole the story felt wonderfully Australian without ever feeling cliché or trite. It captures the community of Ballarat, the issues with family, and the desires of getting out on your own while also embracing what you have.

You can purchase Take A Bow, Noah Mitchell via the following

QBDDymocks | Booktopia

 Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Here’s the Thing by Emily O’Beirne

Published: 8th October 2016 (print)/14 March 2023 (audio) Goodreads badge
Publisher:
Ylva Publishing /Tandor Media Inc
Pages: 200/6 hours, 24 minutes
Narrator: Cat Gould
Format: Audiobook
Genre: Contemporary
★   ★   ★ – 3 Stars

It’s only for a year. That’s what sixteen-year-old Zel keeps telling herself after moving to Sydney for her dad’s work. She’ll just wait it out until she gets back to New York and Prim, her epic crush/best friend, and the unfinished subway project. Even if Prim hasn’t spoken to her since that day on Coney Island.

But Zel soon finds life in Sydney won’t let her hide. There’s her art teacher, who keeps forcing her to dig deeper. There’s the band of sweet, strange misfits her cousin has forced her to join for a Drama project. And then there’s the curiosity that is the always-late Stella.

As she waits for Prim to explain her radio silence and she begins to forge new friendships, Zel feels strung between two worlds. Finally, she must figure out how to move on while leaving no one behind.

I feel like I say this every time I find a great Aussie YA, but they really are something special. Even if they aren’t the greatest story, or five star reads, there is such a unique voice that Aussie YA has that is wonderful to read. Even this story, which has a strange meta/fourth wall breaking narration style, still held onto that fantastic voice and tone I love in these stories.

What I liked about this is the story felt different, there is a plot but it’s such a different angle than what you usually see. I liked the divide Zel had about where she felt she fit. It was something relatable about finding your place, but the situation was creative.

Despite the intense experience Zel had in New York, it was interesting how attached she felt to it. Eight months in the city and she referred to it more than her previous home in Canberra. Initially I thought she must have been there for years, but at only eight months it was a weird connection. I understand she had strong connections and great adventures with Prim, so I guess that was a big contributor.

One annoying thing was the phrases and words switched whether Zel was recounting her New York time or her Australia time. When speaking about America US terms were used, but then she would switch back when the story was in Sydney. I get it in a way, but it stood out and is never addressed. Either the explanation is Zel picked up the US terms and kept using them, or she should stick to an Aussie voice consistently. This on top of the fourth wall narration took some getting used to but you get the hang of it all soon enough.

Gould does a good job narrating. I was never taken out of the story and the voices between characters were distinct enough without feeling too much. The characters felt real, maybe not super developed, but from the tone and voice Zel gave it isn’t her style to delve deep into everyone she meets, only the few she gets to know better. Despite that I still managed to understand who these character were, with a few little words you get enough of a sense of their personalities to get by. Plus Zel’s focus points with her narration doesn’t require a lot of background on the other people.

The way O’Beirne has constructed this storyline is clever and I enjoyed how it is about so many things without focusing solely or too heavy handedly on those things.There is a romance element, but it’s not the sole focus of the book. I felt the romance that was there was believable, but I also enjoyed how it isn’t the goal of the book, despite, in it’s own way, being the focus of the whole book.

I also enjoyed how no one changed for anybody. There’s realisations and self reflections, but there is no grand epiphanies and huge moments. I liked the gradual development and struggle Zel has, not only for herself but for her schoolwork and trying to find her place.

Overall, it felt wonderfully real and grounded. This is why Aussie YA is so fantastic. It’s deep and real without being too much.

You can purchase Here’s the Thing via the following

BooktopiaBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Previous Older Entries